2019, heidelberg theatre company inc, youth production, 434, david peters as scrooge, robbie nicholson as fred, christina savopoulos as abigail, ewan cocking as bob cracrchit, caitlyn bull as emily cratchit, alys nicklin as martha cratchit, gryff nicklin as timothy cratchit, annelise menna as mrs paradiggle, georgina topp as mrs jellby, callum corbett as the urchin, fergus greene as young ebenezer, melanie jackson as fan, nick mcinnes as ebenezer's father, sara burnham as fezziwig, abigail williams as bellle, maddison hill as mrs charr, miles glaspole as gridley/mr stagg, zuzanna wiech as esther/mrs dibler, pablo aguila as old joe, geordie corbet as the ghost of christmas past, josh fernandez as the ghost of christmas present, erich fordham as the ghost of christmas future, carl michelangeli as the ghost of jacob marley, morgan thomas connor costumes/makeup, harry gravell lighting design/operation, tasmin mackie sound design/operation, kara jaeger-pound stage manager, max nicholson stage crew, support from htc committee, set building and ticketing teams, verity adams, david belton, mal cother, anthony nickin, christian orkibi, emma jaeger-pound, jenni & noel purdey, will burgin stevenson, sean tessari and dolly’s school of dance studio

2020, heidelberg theatre company inc, directed by catherine christensen, 435, art space exhibitor david belton, arts space coordinator teresa schipano, mrs bella manningham played by claire benne, mr jack manningam played by liam gillespie, elizabeth the housekeeper played by patricia alcock, nancy the maid played by elysia janssen, rough played by chris mclean, officers played by robert peel and charles field, production coordinator joan moriarty, stage manager melanie belcher, lighting design emma fox, sound design rob wanless, set design/decor costume design props wendy drowley, special props warren lane, scenic artists gaye billing and mal cother, ass. stage manager and rehearsal prompt bobby parish, sound/light operator tasmin mackie, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, set construction owen evens & doug mcnaughton & paddy moriarty & brett hunt &, des harris & norm munks & tim scott & bob tyres & david belton & noel purdey & dean christenssen & htc members, production review cheryl threadgold, foh helpers alicia curry & owen evans & diane dawson, 2019 agm christmas party and awards president john gilbert treasurer bruce akers represented by jim thomson awards adjudicators jill scott & leslie hardcastle & rodney charles, 2019 best male lead actor mark yeates as jake laurents in it's a wonderful life, 2019 best female lean actor catherine christensen as beatrice in a view from the bridge', 2019 best supporting male actor jack kenny as rodolpho in a view from the bridge, 2019 best supporting female actor aimee sanderson as bella in lost in yonkers, 2019 special award for body of work liam gillespie for louis in lost in yonkers & freddie filmore and others in it's a wonderful life, 2019 victorian drama league awards htc's nominated entry lost in yonkers: nominations: best actress in a minor role cat jardine as gert, best properties melanie belcher & maureen mcinerney: best costume design wendy drowley, best production: drama, best supporting actor in a drama liam gillespie as louis & best supporting actress in a drama lindy yeates as grandma, 2019 bill cherrey award john rowe, election of committee: returning committee all elected unopposed joan moriarty & jim tomson & ryan purdey & morgan thomas-connor & melanie belcher

2021, 436, directed by tim scott, heidelberg theatre company inc.

2022, 437, directed by karen wakeham, heidelberg theatre company inc.

2022, director david collins, heidelberg theatre company inc.

2022, 439, youth production, ryan prudey, morgan thomas-connor

2022, 440, heidelberg theatre company, director llaaneath poor

non-fiction2023, 441, directed by chris mclean, htc, heidelberg theatre company inc.

non-fiction2023, 442, directed by joan moriarty, htc, heidelberg theatre company inc

non-fiction2023, 443, htc, heidelberg theatre company inc, directed by maureen mcinerney

non-fiction2023, 444, directed by bruce akers, htc, heidelberg theatre company inc.

non-fiction2023, 445, htc, directed by tim scott, heidelberg theatre company inc.

non-fiction2023, 446, written by erich fordham and ryan purdy, directed by erich fordham, directed by christina savopoulos, htc, heidelberg theatre company inc., youth production

Map, p.307.non-fictionThis is the story of Dunkirk and of the men who planned it (insofar as it was planned) and of the men who carried it out, and of their ships. Mr Divine, who was himself with the small boats, writes with the authority of direct knowledge. He had the assistance of the men who were intimately concerned with planning and organising the operation. This is the true story of Dunkirk from its almost nebulous beginnings to the astonishing triumph of its end. Originally published in 1945, this is the best contemporaneous account, detailing all the big and little ships that rescued the men trapped on the beaches in late May 1940. world war 1939-1945 - naval operations - britain, operation dynamo

p.188.fictionThe dawn patrol was novelized by Guy Fowler from the first national and vitaphone picture, directed by Howard Hawks and is based on an original story by John Monk Saunders.world war 1914-1918 - fiction, war stories - english

Auric syringes were carried by the Melbourne District Nursing Society Trained nurses, (Sisters), in their equipment bags.Used for syringing ears this model was used during the 1950s . The Sisters of the Melbourne District Nursing Society used equipment to administer care, as directed by a Doctor, to patients in their own homes.The Auric Syringe has a glass graded barrel surrounded by a metal casing, and has a metal plunger and a metal cone shaped aural attachment narrowing at the end. The syringe is sitting on a cotton protective bag.royal district nursing service, rdns, rdns equipment, mdns, melbourne district nursing society

This Sister is working at the Control Centre at RDNS Headquarters, 452 St. Kilda Road, Melbourne where she is receiving a phone call which she will transfer to the appropriate staff member in Headquarters, or if appropriate pass the message onto an RDNS Centre to take action. Central Control was based in the Royal District Nursing Service (RDNS), Headquarters and the Sister working there took and directed all incoming telephone calls to persons in Headquarters or to the appropriate RDNS Centre. Each Centre contacted the Control Sister each morning for any messages received over night. She remained in contact with each RDNS Centre during the day, and in contact with Evening staff after each Centre was closed at 6 p.m. Evening staff contacted Central Control after completing their evening visits, and book work, so the Sister in Central Control knew they were safe and had completed their shift before leaving the RDNS premises. Of a weekend, when reduced staff numbers were working, the same procedure was carried out by the Sister working in each Center's office. In the centre of this black and white photograph is a Royal District Nursing Service, (RDNS), Sister, who wears glasses and has short curly hair, is wearing a watch on her left wrist and is wearing her grey short sleeved uniform with an RDNS cotton badge applied to the top of the sleeve. She is sitting behind a desk and is holding a telephone to her right ear; she has a pen in her left hand and is ready to write in an open white paged book. A typewriter is on the left hand side of the desk and a black telephone can be seen on a shelf adjacent to the desk, A framed rectangular mirror can be seen on the left hand side wall. A shelf, with several books on the left hand side, can be seen attached to the upper part of the wall behind the Sister. Below this a large chart is on the wall and a wooden shelf below itPhotographers Stamp. 'Quote No. GE 14rdns, royal district nursing service, rdns administration

Centrepiece, including flags with the perspex Long Tan Cross plaque, form the DViets focus point at meetings; the Centrepiece also forms DViets focus point at ceremonies,If there is a single most revered DViet asset...this is it. It is towards this Centrepiece that we direct our attentions as we remember those who died in Service and those who have since passed on.Six pieces consisting of: VVAA (Vic) flag, national flag, 2 flag poles at 8ft c/w pike and join sleeve, flag stand (made from 105mm brass canister), and stainless steel frame, an illuminated perspex Long Tan Cross affixed and hard wired to Nui Dat Room wall.Diamond Valley Vietnam Veteransdiamond valley vietnam veterans sub branch, vietnam war

Donated to WHG by Marion Crowther, grand-daughter of Annie Ford. Annie Ford wife of John Foord,founder of Wahgunyah. A direct link to the Foord family in Wahgunyah.Brown covered book, gilt edged,Holy Bible embossed on front cover. Inside front cover "Mrs Ford. A token of love from a friend 16th December 1864..."foord,, holy bible

A fundraising letter sent by Melbourne Legacy in 1991 to promote Badge Week sales to existing donors. The letter talks of the dream of a group of men to provide moral comfort to the widows and dependents of their fallen comrades. The legacy concept that grew from that dream became Melbourne Legacy. The spirit that bound the ANZACS in war was to bind them in peace. The picture on the letterhead shows a widow and two children with the Legacy Torch emblem and the words: "Legacy cares for Australia's biggest family, Lest you forget". The brochure showing the badges includes denominations from $10 to $5,000A record of direct marketing material from 1991.White A4 paper with black type x 2 pages is a marketing letter in 1991 and a small colour badge brochure x 4 pages showing badges for sale.badge week, fundraising

Official seal of the Wodonga Sewerage Authority. Manually operated to imprint the official seal on documents.Local and state significance due to its direct association with Wodonga in Victoria and the dated patent.Heavy black painted metal object with a handle and the official seal of the Wodonga Sewerage Authority, used to manually imprint "WODONGA SEWERAGE AUTHORITY" on documents. In working order. Patent dated to July 13 1920 - stamped on the end of the metal handle. "ROESZLER'S / 429 LT COLLI..." "...WER" painted in white on one side - the first two letters are worn and incomplete but appears to have been "SE" for "SEWER" "...PAT. July 13 1920"local government, waterworks, wodonga, water & sewerage trusts, sewage

As part of the Sarah Coventry collection, the scarf ring has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned Empereur Napoleon Scarf Ring from the Sarah Coventry Jewellery Collection c. 1970s-1980s. Features depiction of Napoleon III on two of the shiny coins, who was the first President of France from 1848 to 1852 and Emperor of the French from 1852 to 1870. The third pictures a stylised lion. No makers markssarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, scarf, scarf ring, scarves

As part of the Sarah Coventry collection, the scarf ring has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver toned Floral Design Scarf Clip from the Sarah Coventry Jewellery Range c. 1970s-1980s. Designed to hold scarves in place.No makers markssarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, scarf, scarf clip, scarves

H.D. Lee (Aust) was established in 1973 as a joint venture between Yakka Pty Ltd and Vanity Fair. In 1973 it decided to move to Albury-Wodonga, encouraged by government decentralisation assistance, lower overheads and the central location of the region. H.D. Lee opened a temporary pilot factory with 12 staff in Kiewa Street, Albury, in January 1974 while a new 50,000 sq. ft. factory for 400 staff was built on council land in West Wodonga. This was erected by local builders Zauner Construction, completed in late 1974 and began operations in April 1975. The factory became Australia’s second largest jeans manufacturer and employment in Wodonga at times exceeded 400 staff. In 1991 Yakka, which already owned 50 per cent of the H.D. Lee shares, bought out the rest. It quickly moved to reduce staff and transferred the administration to Broadmeadows. By 1997, the workforce had fallen to 110, and production of Lee and Faberge jeans, jackets and shorts gave way mostly to industrial wear.These coasters represent an industry which was a major employer in Wodonga. The establishment of H. D. Lee (Aust) was a direct result of Australian government's policy of decentralisation in the 1970s. A blue box containing 6 coasters to commemorate 10 years of H.D. Lee operations in Australia. Coasters are gold and include the Lee company logo. The box also includes information regarding the background of the manufacturer, Paul-Stephen Daly.On top half of coaster "H.D. LEE (AUST) PTY LTD /10 YEARS/ 1973-1983" Between lines of stars "Lee the ultimate jean"h.d. lee, wodonga, decentralisation, paul-stephen daly

Stylish Vin won the 1935 United Distillers Vickers Gin Cup at the Bendigo ShowStylish Vin won the 1935 United Distillers Vickers Gin Cup at Bendigo Show. Winner ran the fastest time over 1 mile.Two Handled Cup Shaped TrophyBendigo Show / 1935 / United Distillers / Vickers Gin Cup / Fastest Time 1 Mile Trotting Contest / Won by Stylish Vin / A Allen Esq / "Glenloth"trophy, harness horse, new zealand metropolitan trotting club, adelaide direct, 1917, new zealand cup, nz cup, m edwards, mr chas louisson

Race sulky used on Hall of Fame trotter Grand Voyage by trainer-driver Paddy Glasheen. Passed on to his son Jack and then to grandson Fr Brian Glasheen. From Historian John Peck: This article was on page 2, 19th May 1954. Reading the article it seems to me that the sulky is celebrating its centenary birthday in 2021. GRAND VOYAGE'S SULKY When Major Miracle won a race at the Melbourne meeting on Friday night he was attached to a very historic sulky, the being none other than the one which Grand Voyage pulled to success on many occasions. Made in New Zealand to the order of the late Paddy Glasheen during a trip to the Dominion late in 1921 with the famous trotter, the vehicle is thus over 32 years old. Constructed of hickory, it is now owned by Jack Glasheen, the son of the late Paddy figuring as the trainer and driver of Major Miracle.This sulky was purchased by trainer Paddy Glasheen during Grand Voyage’s New Zealand campaign in 1922. It was also used by Paddy’s son Jack Glasheen who trained at Preston. The Jack Glasheen trained Major Miracle won 8 races at the Showgrounds using this sulky. Owned and trained at Belmont Stud, Pitt St Huntly (Bendigo), Grand Voyage was an outstanding Australian trotter. Some claim he was greater than Fritz and the equal of Maoris Idol. Foaled in New South Wales in 1913, and trained and driven throughout his career by Paddy Glasheen, Grand Voyage commenced his preparation at the tender age of nine months at Glasheen and Busst’s Belmont Stud Farm Pitt St. Huntly. By a prolific sire of trotters in First Voyage, Grand Voyage was from Blonde Grattan (imported by the Tye brothers), a daughter of the great Canadian sire Grattan. Grand Voyage’s reputation preceded him to the racetrack, and when he was produced for the main Victorian classic for young trotters, the Futurity Stakes, all of his opposition had pulled out of the race except one rival, whom he beat at 20 to 1 on in the first heat and again disposed of easily in the second heat, in which there was no betting. The potential of Grand Voyage was recognized by all, including the handicapper who saw to it that the black champion won no race easily. After his Futurity win, Grand Voyage was spelled and did a light season of stud duty. At his second start, in January 1917, the three-year-old won from 60 yards behind against older horses at the Richmond (Melbourne) track in a time barely slower than in which the Richmond Cup, run the same day, was decided. In subsequent starts he raced from 85 and 115 yards behind, the latter occasion producing another fantastic winning performance. As a rising five-year-old Grand Voyage defeated the hoppled pacers for the first time, subsequently a common sight. In June 1919 he won twice on the day at Epping (Harold Park) in Sydney, each time setting a record, then at the Melbourne Showgrounds where he set a mile record of 2:16 3/5 after a tremendous battle from even marks with the very good pacer Sarilla the winner of 23 races at Ricmond. In 1921, back in Sydney, Grand Voyage reduced the winning record at Epping to 2:13. Grand Voyage won the first Boort Pacing Cup in 1921, starting from 280 yards behind ! 1921 BOORT CUP – 50 pounds – One & half miles GRAND VOYAGE**, 280yds (P Glasheen) 1 Red Rock, scr (I Kelly) 2 Mayfield, 75yds (M Quinn) 3 Others: Artist (scr), maxim Direct (scr), Road King (scr), Emmie Direct (75yds), Tearaway (165yds), Straightaway (195yds) **Raced as Bonnie Voyage Margins: 6 lgths X 10 lgths Time: 3m 54s He was then taken to New Zealand. His 1922 Otahuhu Cup worth 1000 Sovereigns ($2000) against the best New Zealand pacers from 48 yards in a race record 4:31 3/5 was considered by Glasheen his most outstanding effort. On return from New Zealand, he won further races including the original Bendigo Cup at the Bendigo Jockey Club track at Epsom. In all, Grand Voyage won 37 races, driven in all of them by Glasheen.Race Sulky from 1910-20 era, purchasedd in New Zealand, used on Hall of Fame Trotter Grand Voyage by Paddy GlasheenPainted deep red.trotting, grand voyage, paddy glasheen, sulky, belmont stud, jack glasheen, brian glasheen, harnes racing

HistoricalHistoric winsBlack with red hoopsgeorge daniel, harness racing colours, diana wood percy direct 1928-29, ascot vale, trotting, pacing, richmond

This is the story of the development of a highly successful concept of warfare, which was largely the work of one man. In 1965, despite his success, CIA intervention led to Barry Petersen's removal from the highlands, for reasons which remain obscre even to this day. Perhaps his growing power as a cult figure had become a threat to direct US control of the area, or perhaps there were those among the Vietnamese command who themselves resented his influence. 1961-1975 - personal narratives - australian, guerilla warfare, vietnam war, 1961-1975 - participation, montagnard (vietnamese people), 1961-1975 - cia, captain barry petersen

This is the story of the development of a highly successful concept of warfare, which was largely the work of one man. In 1965, despite his success, CIA intervention led to Barry Petersen's removal from the highlands, for reasons which remain obscre even to this day. Perhaps his growing power as a cult figure had become a threat to direct US control of the area, or perhaps there were those among the Vietnamese command who themselves resented his influence. 1961-1975 - personal narratives - australian, vietnam war, 1961-1975 - participation, montagnard (vietnamese people), guerilla warfare, 1961-1975 - cia, captain barry petersen