This trunk was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. The trunk was used by Dr. Angus when he served as Surgeon Captain for the Australian Army during WW2. At that time his residence was in Warrnambool. His time of service was spent in Ballarat, Victoria, and in Bonegilla, N.S.W. The portion of the paper label on the trunk that ends in an 'a' is possible the end of the word 'Bonegilla', where his trunk could have been sent. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Trunk, handmade, from the W.R. Angus Collection. Wooden trunk, rope handles on ends, metal hinges, previously closed by nails. Trunk has labels with names and destinations. Stamped into wood on end is text from original timber. One paper label is peeling off.Metal label “Captain W. R. Angus” (black writing on white metal label). On lid in blue writing “Captain W.R. Angus”. Paper label “Captain W.R. Angus, 214 Koroit Street, Warrnambool, Victoria. V 141633 (looks like)”. Obscured label “ - - a Rail Station”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, t.s.s. largs bay, warrnambool base hospital, flying doctor, medical treatment, surgeon captain w.r. angus, ww2 service ballarat, ww2 service bonegilla, wooden trunk, military service, trunk for personal effects storage

Coloured Postcard of Rutherglen overlooking Lake King unto the Water TowerMessage on back: "Dear Alice. I received your p/c & liked it very much. Excuse lead pencil writing as I am in a hurry. Have got lesson at half past eight. Yours to a cinder. Gwen" Addressed to "Miss A. Smith, Drummond St, Rutherglen, Victoria"alice smith, rutherglen, lake king, water tower

Long sleeved burgundy coloured coat - velvet fabric lined with ''dusty pink'' satin with woven floral pattern. Lining hand stitched to coat. Second layer of cotton lining across the shoulders and back( 39cmsLength). Sewn into neck and shoulder seams. Large uneven stitches attach the lining to side seams. Coat and lining have seven gored panels giving fullness to the coat. Fold over collar (14 cms). Front opening with ten velvet covered shanked buttons with fabric loops. Long sleeves gathered at shoulder and cuffs(2 cms), with six cms opening with press stud fastener.Owner of coat was Isabel Lilian Pegler (nee Mair) 1921-1997. The coat was worn to Saturday night dances. Isabel liked to point out that her coat had a double lining in the upper back for extra warmth as she liked to wear backless dresses to the dance.costume, female, long sleeved coat

This volume is like a veteran 'gong' - winner with years of tough going and breathless incidents to draw from. The service and the blokes in it have been able to dig into this pile of gen. and present some amazing stories, pictures, poems, graphics and cartoons.Personal recounts from RAAF service personnel by way of stories, poems, cartoons, illustrations and portraitsSoldiering On - The Australian Army at Home and Overseas. Red hardback front and back with light coloured text of title. The rising sun badge, with text under it - The Australian Army at home and overseas. Inside front and back cover show illustrations of RAAF personnel dressed in the uniform which depicts their job i.e. females in nurse uniforms. raaf,, wwii, new guinea, malaya, middle east, bethlehem, south west pacific, bab-el-mandeb, doughboy, royal womens army service, syria, cairo, singapore battle, jungle ambush

This volume is like a veteran 'gong' - winner with years of tough going and breathless incidents to draw from. The service and the blokes in it have been able to dig into this pile of gen. and present some amazing stories, pictures, poems, graphics and cartoons.Personal recounts from RAAF service personnel by way of stories, poems, cartoons, illustrations and portraitsRAAF Saga - The RAAF at War, green hardcover front, back and spine with black Text of title and a black silhouette picture on front cover showing aircraft. Front and back inside cover is a green sepia background with the RAAF insignia and a range of bombers being maintained.Message from Air Vice Marshall Chief of air staff C Jonesraaf, wwii, beaufighters, waafs, partisans, parachute, middle east squadron, kitty hawk, flying nurses, medical air evacuation unit, wewak, new guinea, jungle diary, the p24

Cotton doilies, possibly hand made in the 1950s for domestic use. Doilies like this were used to protect furniture from scratches and for ornamental use. This doilie is crocheted using fine cotton thread in a six-point star design..1 cotton doilie (small ornamental mat), cream crochet cotton. doilies, crochet

This Dolphin Motor Club, or DMC, overlay belonged to Jasper Laybutt, a highly active member of the Sydney LGBT community of the 1980s and 1990s, co-founding organisations like Wicked Women, Girls and Guys of Disgrace (G.O.D.), and Boys Will Be Boys. Sleeveless blue denim jacket with light and dark blue ribbon trim on the sleeve holes, with cotton patches and metal and enamel badges on the front, and a large club patch on the back.motorcycle club, transgender, gay

In the days before battery powered torches many used a slush lamp to provide the light they needed to carry out their duties. It held a flammable liquid like paraffin. When the wick was lit the slush lamp provided sufficient light.Slush lamps were designed to be carried around but they could be dangerous because they have flame as a source of light. This is an example of a portable lighting device in common usage before the use of batteries.A black metal slush lamp with two glass panels and a stock. At the back is a hinged door. There is a hole on top caused by rust or being burned through. Kerosene or oil was probably the fuel used.On top of light - Serial No 339220slush-lamp lighting kerosene oil

The Kooyong Military Hospital in Kooyong Road, Caulfield was established for the care and rehabilitation of soldiers injured in World War 1. Many events like carnivals were held by the Red Cross to raise funds for the war effort and entertain the patients.This badge is a reminder of the Community support for injured soldiers when they returned from WW1 conflict and were hospitalized at Kooyong Military Hospital Caulfield 1914 - 1948 This badge was displayed at the GECC 'Wounded Soldier WW1 1914-1918 Exhibition" 2016 at Glen Eira Town Hall Caulfield A small tin button, with pin attachment at the back. The button was produced and sold as a fund-raiser for the Kooyong Military Hospital during the World War1, 1914-18, at that organisation's Carnival held on March 18th 1916. The front of the button is white with a blue perimeter. A copy of the City of Caulfield's Coat-of- Arms and the words, City of Caulfield, is written on the front of the button, as is the date 18th March 1916. Both the above are written in red. Kooyong Military Hospital is written in blue. ww1, 1914-18, kooyong military hospital, war casualties, caulfield, moorabbin, bentleigh, carnivals, fundraising, patriotism, anzac, australian commonwealth military forces

This is an extract of a Memorial book regarding a conveyance of land in Prahran on 16 September 1857. It is very difficult to read and this information may be incorrect. Names on it look like John Nightingale Alexander, John Edward, Irving Dickson and Henry Jennings.Photocopy

A large flag with the Legacy logo. It was made in the 1950s possibly for use at events like the annual demonstration. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country.An example of the Legacy logo being used on a flag in the 1950s.Cream coloured flag. Commercially made by Gairs Melbourne for Junior Legacy Club featuring the Legacy torch logo.legacy promotion, logo

Containers like these were used to hold water for miners working underground. In mines the word "crib" refers to a meal break time. A crib tin would have accompanied the crib bottle. The word "crib" is probably of Cornish origin.A metal container 38 centimetres high and 16 centimetres wide made in three sections with a half centimetre thick metal handle that extends ten centimetres above the container. the bottom section is an oval shape 16 centimetres by 12 centimetres and is 18 centimetres high it is reinforced with two two centimetre wide straps crossing the bottom and extends six centimetres up the sides and is secured with rivets. The next section is a conical shape that extends for eight centimetres and finishes forming a four centimetre circle. A four centimetre tube extends for 12 centimetres.The handle is a 27 centimetres high loop of half centimetre round metal and is attached to the conical section of the container. metal container, crib bottle, miner's water container

Murray Comrie Collection. Murray Comrie's information about Tarnagulla hotels to be added. Reference to 'self' on back may relate to Murray Comrie? Looks like a young man similar in appearance to him at that age. This photograph is an original print.Monochrome photograph of the Golden Age Hotel in Tarnagulla, A young man is standing next to a horse drawn cart and another man standing on the cart.On reverse (handwritten): 'J. Caldwell' and 'Golden Age after being painted. Allan Snow in cart, self talking to him'. Printed on reverse 'Bock Print'.tarnagulla, hotels, golden age hotel, businesses, commercial road, bock print, allan snow, murray comrie

Used in kitchen to cut carrots, cheese slices, onions. boiled eggs, etc.Painted black guillotine on a wooden stand. An iron pole keeps the guillotine in vertical position at one end of the block. Driven by two wheels when a handle is turned. A tilting beam moves the guillotine up and down to cut vegetables, etc. Blade 18cm long by 6.5cm wide. Metal plate missing under blade. A rotatable drum to contain the food to be chopped, which is rotated by a cog at the base (also missing) turns the container. The upright holding chopper blade e is a modification made because of the missing container.|The following description is from Ken Turner Booklet referred to under 'Reference'. ----|The Starrett food chopper would certainly have to be considered one of the more interesting inventions, which incidentally is now considered the ultimate in kitchen collectables. Laroy Starrett in later years' told of how the design of his food chopper was inspired by the action of the walking beam engine used on the Mississippi steam boats. When the crank handle of the chopper is turned, this sets in motion a mechanism which is just fascinating to watch. The crank activates a flywheel which in turn, by a series of cogs and levers, simultaneously rotates a food holding container and raises and lowers within the rotating container, a guillotine like 'chopping blade - the action does not only look like that of a beam steam engine, it even in a way sounds like one, although somewhat noisier. Starrett produced seven different models of these choppers, ranging in size appropriate for domestic use to heavy duty models for butchers, restaurants and for hotel use. The small model was capable of chopping 3lbs in three minutes, and the largest had a capacity for chopping something like 100 lbs in an hour. The mechanical chopper, which became affectionately known as the 'hasher', was the first of some one hundred of Starrett's inventions, and these include a washing machine patented in 1865 which had a similar action to his food chopper, a food press patented in 1873, and a device for lacing shoes he patented in 1886.domestic items, food preparation

This article was published on March 28th 1910 when Henry Lawson spent some time in a bush camp at Mallacoota, set up E.J. Brady who later recalled Lawson's visit, "We were in our first camp on Captain's Point, living like gipsies. The fishing was good, the shooting was good and a temporary solving of the economic problem had left one free to write when and what one liked - in blessed literary emancipation and far enough from all that vulgar, strident condition that is miscalled 'modern civilization'". The article describes an event that took place on March 6 and is attributed to Henry Lawson.This item is a contemporary record of the writing of Henry Lawson, one of Australia's best known poets.A newspaper clipping from the Eden Magnet. It is titled "A Day at Mallacoota (And A Night Too).handwritten at top - March 28th, 1910 below title -11/3/6newspaper-clipping-eden-magnet lawson-henry-mallacoota

This copy of an original photograph created in the early 1900s details the "horse and cart" era when the normal transportation of the day was, in this rural setting, exclusively by horse and cart. The importance of this particular photograph to the subjects can be seen by the formal suits worn by both subjects.The natural bush and grassed backdrop have not been "touched up". The dray behind the horses is barely visible (fog like aperture). The lad , John Cooper was 14 years old when this photograph was taken. Both were in the process of harnessing four horses to "hook up" on the dray behind them. From their attire it looks like a trip to town or "the church".This photograph of life on a rural property in the early 1900 shows the rough and hard (physically) life in rural areas before great mechanical revolution/evolution post World War II. This was a time in the Kiewa Valley when most transportation was by horse drawn carriages and transportation routes where dirt roads with potholes. The significance of a local pioneer "family" encapsulated by this photograph cannot be reproduced as effectively in any other form. This digitised scanned copy of an original photograph of four work horses is on 200gms Fujicolor (Fujifilm) Crystal Archive paper has a silver side on which the image has been printed and a matt reverse side.The darker slightly "blurred" image has had a white frame placed over it at the time of encapsulation to provide the finished photo with a frame. This method highlights and focuses the view into the photograph. It is a clever way to permit the eyes to focus into the image to give it a greater third dimensional aspect. on the reverse side hand written(in pencil) "John Cooper & Paddy Cullen (itinerant worker) on grandfathers place (opposite Nesta Drews place) (orange Grove). "Grandfather emigrated from England with Ryders""orange grove " property, early tawonga life style, john cooper, paddy cullen, harnessing working horses

Goff Richards was a prominent brass band arranger and composer from Cornwall22 Parts on A3 paper with full score for Brass BandThompson's Foundry Band inc. Stamp in Red on top Breezin' Down Broadway! arr Goff Richards - Another Opening Another Show There's No Business Like Show Business Get Me To Church On Time (from My Fair Lady) Oklahoma! That's Entertainment Seventy Six Trombones goff richards, broadway, irving berlin

The photograph shows the state of the Echuca wharf in 1973 or 1974. The P.S Pevensey looks like it has just received a fresh coat of paint. There is also a train parked on the wharf behind the school students. The river also appears to be quite high. This photograph shows the state of the wharf in the early 1970's. It shows the fence between the wharf and Murray Esplande was relatively new. The tourism industry was very new to Echuca in the 1970's but the P.S Pevensey looks ready to take Tourists cruising on the Murray River. It also shows schools were using the port as a valuable resource for teaching History.A black and white photograph of the P.S Pevensey tied up to the Echuca Wharf. There is a group of school children leaning over the wire fence at the edge of the wharf. There is also one teacher supervising the children. The Steam Packet Inn and the Customs House can be seen in the background.Pevensey; Melbourne can be seen clearly written on the paddle steamer. On the back of the photograph is written "This photograph is with the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge photo; Michael Cheshire. There is also a purple Port of Echuca stamp on the back of the photograph.echuca wharf, p. s pevensey, ministry of tourism, cheshire, michael

This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale. LMS is describing Lambs Fleece, LKS is describing Locks and CRS is unknown.Wool bale export stencil - LMS LKS CRSLMS LKS CRSwool - transportation, wool sales, wool class, wool classers

A dinner held in 1964 for the South Gippsland Group to conduct their Annual Meeting and report to the legatees their progress through the year. The programme shows a mix of the group's financial report, Chairman's report just like an AGM, with the running order and menu of the dinner. This item shows that annual meetings of Legacy groups were conducted in a sociable manner in the 1960s.Salmon pink cover with maroon text. 4 pages of white paper and blue text. Running order of the evening including menus, names of Legatees, chairman's report and financial report.branch, south gippsland, financial summary