Donated to the Geelong Football Club by Dr Peter Richmond Grandson of ticket holder, Ernest Samuel Richmond. Supplied also with copy of photograph of Richmond in his gig associated with his trips from Winchelsea to High st Belmont where Mr Richmond would leave his horse and gig before catching a tram to Corio Oval East Geelong to watch the Geelong team in action.GFC Membership ticket. Folded ticket with deep blue textured front with gold lettering stating - GEELONG FOOTBALL CLUB GEELONG/FOOTBALL/CLUB/SEASON/1925. Inside folded section has white paper with heading on left of fold - GEELONG FOOTBALL CLUB - followed by list of office bearers, general committee. Signed in black ink, lower left side - E.S. Richmond Winchelsea - Right side of fold has numbers 1-23 printed around top, right and lower edge of card. The 3, 5 9, 13, and 15 have been perforated through. Dates and fixtures for the season are listed. Stamped in black is the number - 3912 - lower right side. Printed over both sides in light blue states - GEELONG/1925 -dr peter richmond, ernest samuel richmond, geelong cats, gfc

Used by teachers for teaching geography, they would take the plate and attach to the handle, stamp it into ink and would make multiple copies for the students to either identify capital and countries or to learn the shape and localities of each locationIt was an early way of making multiple copies for teaching students.Geography stamp set in box which include 4 plates and handle. Plates include, Asia,Africa,Victoria,The world Geo-Map Stamp Setfrankston primary school, rubber stamps, education, geo-map, victoria, asia, the world, africa, playcraft production

The Gown of the Year Program was a gala event in Melbourne's cultural calendar. Australia's supermodels of the day, such as Diane Masters (pictured), Bambi Shmith, and Betty Jackson modelled clothes by Melbourne's leading designers, Hall Ludlow, Le Louvre, and others. Diane Masters has played a seminal role in contributing to the Design Archives through her personal and professional fashion archive, her role in the Hall Ludlow collection and archive, the Laurie Carew collection, and her generosity in gifting items from the Frederick Romberg archive to the RMIT Design Archives. She has been and remains a key figure in Melbourne and Australian fashion. Suzanne Davies, 2017Black and white photograph features fashion designer Hall Ludlow (right), holding his trophies for winning the 1959 Gown of the Year at the Menzies Hotel, Melbourne. Model Diane Masters (right) is wearing the winning gown: a pale full length gown with short sleeves, scoop neck, and ruffled skirt. The matching coat also features small ruffled down its length.Verso: Stamped in black ink, bottom right: 'Photographed by/ ATHOL SHMITH/ F.R.P.S . . F.R.S.A/ 125 COLLINS STREET, MELBOURNE/ TELEPHONE MF 5[illegible]4australian fashion, fashion design, mid-century modern

Barber House, Carlton was designed by Edmond & Corrigan and built in 1980. The drawing was commissioned by Edmond and Corrigan. This image was published in Transition magazine, No.27/28 1989.This drawing of Barber house by Robert Pearce, who was best known as a fashion designer, broke the mould of how architecture could be represented. Suddenly it was understood as a part of contemporary culture. Illustration of Edmond & Corrian's Barber House, CarltonStamped in black ink, bottom left: 'Robert Pearce'architecture, domestic architecture, illustration, design

Premier 23rd January 1893 – 27th September 1894. Born in Alnwick, England, Sir James Patterson (1833-1895) migrated to Victoria in 1852 to try his luck on the goldfields. After little success he turned his hand to farming, and later operated a slaughter yard at Chewton. Patterson served on the Chewton local council, being elected mayor four times before moving with his wife Anna and family to Melbourne in 1870. Patterson established a real estate business, and after two unsuccessful attempts to enter parliament in 1866 and 1868, he won the by election for Castlemaine in the Legislative Assembly in December 1870. He would hold this seat until his death 25 years later. Patterson served in Sir Graham Berry’s brief August to October 1875 government as Commissioner of Public Works and Vice-President of Board and Land Works. He repeated these roles two years later in Berry’s second government and additionally served as Postmaster-General, and in Berry’s third government was Commissioner of Railways and again Vice-President of the Board of Land and Works. In April 1889 after a time in Opposition, Patterson became Commissioner for Trade and Customs in Duncan Gillies’ Government. The following year he returned to the familiar positions of Public Works, Board of Land and Words and Postmaster-General. By 1891 Patterson was leader of the opposition, and when William Shiels’ government succumbed to a motion of no confidence, led by Patterson, he became premier on the 23rd of January 1893. During his premiership, James Patterson was also Chief Secretary and Minister for Railways. His term as premier coincided with a period of severe economic depression, and his enforced economies earned Patterson few public admirers. In May 1893 his government attempted to prevent a run on bank withdrawals and stabilise the sector, by declaring a 5 day 'bank holiday'. Patterson was awarded a knighthood in May 1894, however this did not increase public confidence in his government who were not returned to power in the August 1894 election. Again leader of the opposition, James Patterson died suddenly of influenza on the 30 of October 1895.This portrait was presented to Sir James Patterson by 'grateful citizens of Victoria' in appreciation of his services during the land boom depression. In 1929 the painting was donated to the Victorian Parliamentary Library by H. Lavinia Patterson, the wife of Sir James Patterson's nephew Colonel George Patterson.Oil on canvas, framed. Frame: ornate wood, gesso mouldings, unglazed. Signed on bottom right corner "G. Coutts" Stamped inscription along inner edge of canvas: "WINSOR AND NEWTON". Inscription on canvas, handwritten in ink: "13 1 92" from reverse.patterson, james brown (1833-1895)

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

Postcard format with old tree fern in foreground and Range View Nursery, Olinda on hill in background.Stamped on back of card in purple ink: E. Woolrich "Range View" Olinda Handwritten in pen: Olindarange view nursery, ted woolrich

Wooden, slotted handle racquet with a 14 1/2 inch head. Partial inscription across top of racquet head on obverse: 'LEE SPECIA...', i.e. a 'Lee Special' model racquet. Inscription across neck of obverse: HARRY C. LEE & CO./NEW YORK. Company monogram across neck of reverse, and stamped on leather butt cap: L&C/TRADEMARK. Manufacturing and patent information along the sides of the handle, with the numbers '403' and '14 1/2' punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquertennis

Wooden, slotted handle racquet with a 14 inch head. 'AUSTRALASIAN' model, as inscribed across top of racquet head on obverse. Inscription across neck of obverse: HARRY C. LEE & CO./NEW YORK. Company monogram across neck of reverse, and stamped on leather butt cap: L&C/TRADEMARK. Manufacturing and patent information along the sides of the handle, with the numbers '247' and '14' punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Cloth tapetennis

Wooden, slotted handle racquet with a 14 1/2 inch head. Handwritten inscription across side of racquet head on obverse: LOUIS A. RENFROW. Surname also written across outside of head. Inscription across neck of obverse: HARRY C. LEE & CO/NEW YORK. Company logo 'LEE' on neck of reverse, and stamped on leather butt cap. Butt cap has a red and gold sticker adhered over it, advertising a St.Louis sproting company which originally strung racquet. Manufacturing and patent information along the sides of the handle, with the numbers '500', 'FS78' and '14 1/2' punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquertennis

Wooden, slotted handle racquet. Inscription across neck of obverse: HARRY C. LEE & CO/NEW YORK. Company logo 'LEE' on neck of reverse, and stamped on leather butt cap. Manufacturing and patent information along the sides of the handle, with various, indecipherable numbers punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquertennis

A wooden, slotted handle racquet with a 14 inch head. Inscription across neck of obverse: DREADNOUGHT/DRIVER/... Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Company monogram 'L&C' is stamped on leather butt cap. Manufacturing and patent information along the sides of the handle, with size and production numbers punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquertennis

A wooden, slotted handle racquet with a 14 inch head. Inscription across neck of obverse: DREADNOUGHT/DRIVER/... Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Company logo 'LEE' is stamped on leather butt cap. Manufacturing and patent information along the sides of the handle, with size and production numbers punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Stringtennis

A wooden, slotted handle racquet. Inscription across neck of obverse: DREADNOUGHT/DRIVER/... Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Company logo 'LEE' is stamped on leather butt cap. Manufacturing and patent information along the sides of the handle, with size and production numbers punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Stringtennis

A wooden, slotted handle racquet with a 14 inch head. Inscription across neck of obverse: DREADNOUGHT/DRIVER/... Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Company logo 'LEE' is stamped on leather butt cap. Manufacturing and patent information along the sides of the handle, with size and production numbers punched in. A blue and yellow lozenge shaped sticker below the neck on reverse features information of racquet gut manufacturer. Materials: Wood, Leather, Metal, Gut, Glue, Lacquer, Paper, Ink, Stringtennis

A wooden, slotted handle racquet. Inscription across throat of obverse: VINCENT RICHARDS/GOOD SHOT! Inscription across throat of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Company logo 'LEE' is stamped across leather butt cap. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Metal, Plastictennis

A wooden racquet, with a split open throat. Inscription across the base of the head of obverse: "RANGER". Inscription across the base of the head of reverse: HARRY C. LEE & CO. Company logo 'LEE' is stamped upon orange leather butt cap. Manufacturing details feature on left side of stem. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, Gut, Stringtennis

A wooden racquet, with a split open throat. Inscription across the base of the head of obverse: "RANGER". Inscription across the base of the head of reverse: HARRY C. LEE & CO. Company logo 'LEE' is stamped upon orange leather butt cap. Manufacturing details feature on left side of stem. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, Gut, Stringtennis

A wooden racquet with a 14 inch head. Inscription across throat of obverse reads: SPECIAL. Company trademark across throat of reverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/PROVIDENCE, R.I. Brown leather butt cap has company monogram 'NMCO STANDARD' stamped in gold. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, String, Nylontennis

A wooden racquet with a 13 inch head. Inscription across throat of obverse reads: NARRAGANSETT/THIRTY. Company trademark across throat of reverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/PAWTUCKET, R.I. Brown leather butt cap has company monogram 'NMCO STANDARD' stamped in gold, however, the address featured is that of its former Providence, R.I. factory. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, String, Gut, Plastic, Cloth tapetennis

A wooden racquet with a 13 inch head. Inscription across throat of obverse reads: NARRAGANSETT/FORTY. Company trademark across throat of reverse: NARRAGANSETT MACHINE CO./NMCO/STANDARD/PROVIDENCE, R.I. U.S.A. Burgundy leather butt cap features same trademark, stamped in gold. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, String, Gut, Plastictennis

A wooden racquet. Inscription across throat of obverse reads: NARRAGANSETT/FIFTY. Company trademark across stem of obverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, [R.I.] Inscription along the throat of reverse: DRIVER. Company symbol (an arrangement of triangles and squares) in centre of stem of reverse. Company logo 'NMCO STANDARD' is stamped in gold onto red cloth butt cap. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, String, Gut, Clothtennis

A wooden racquet. Inscription across throat of obverse reads: NARRAGANSETT/SIXTY. Company trademark across throat of reverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PROVIDENCE, R.I. Company logo 'NMCO STANDARD' is stamped in gold onto brown leather butt cap, but is obscured by sticker advertising original gut string supplier. The handle features a bound, white cloth grip. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, String, Nylon, Cloth tapetennis

A wooden, open throat racquet. Inscription across base of head of obverse reads: SIXTY. Inscription across base of head of reverse: NARRAGANSETT. Company trademark across stem of obverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Company logo 'NMCO STANDARD' is stamped in brown onto curry-coloured, cloth butt cover. The handle features a bound, light brown, soft leather grip. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Gut, Cloth, Plastictennis

A wooden, open throat racquet. Inscription, starting across base of head of obverse, down the stem, reads: REGISTERED/MODEL/66/NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Company logo 'NMCO STANDARD' is stamped in brown onto curry-coloured, cloth butt cover. The handle features a bound, light brown, soft leather grip. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Gut, Cloth, Plastictennis

A wooden, open throat racquet. Inscription, starting across base of head of obverse, and down the stem, reads: SEVENTY/NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Inscription across base of head on reverse: NARRAGANSETT. Company shield device and monogram feature below on stem. Company logo 'NMCO STANDARD' is stamped in black onto brown cloth and leather butt cap. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Gut, Clothtennis

An open throat, wooden racquet. Inscription, across base of head of obverse: BLUE PHANTOM. Inscription across base of head on reverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Company logo 'NMCO STANDARD' is stamped into a blue cloth and leather butt cap. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Gut, Clothtennis

A wooden racquet with a convex throat, and altered handle. Inscription across throat on obverse: 1920/SPECIAL. Red and yellow Reach 'baseball' trademark features on throat on reverse. Manufacturing details feature across right side of stem: A.J. REACH/MAKERS. Trademark is also stamped onto butt cap. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Paint, Leather, Cloth tape, Stringtennis

S&SL brand "The Demon" model tennis racquet. Fish tail shaped butt. Stamp on neck states 'Made for the Melbourne Sports Depot'. Stamped on handle: 'Made in England'. Paper tape wrapped around shoulders. Materials: Wood, Gut, Adhesive tape, Inktennis