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Surrey Hills Historical Society Collection
Book, Blackburn: A Picturesque History, 1978
This book focuses on the area's history and traces the development through settlement, adaptation and consolidation to the present. It discusses the history of early families, the railway, land boomers, churches and school. Robin da Costa, later Mrs Robin da Costa- Adams, came to live in Balwyn Road, Canterbury and joined the Canterbury History Group.Hardback book of 144 pages, indexed with multiple black and white photos.In Jocelyn Hall's writing: "Donated to Surrey Hills Neighbourhood Centre".(mr) james blackburn, meader's travellers' rest hotel, blackburn hotel, blackburn post office, blackburn railway station, blackburn pioneers, blackburn company, (mr) george augustus goodwin, (mr) thomas r b morton, blackburn brick works, st john's anglican church, blackburn methodist church, blackburn church of christ, blackburn presbyterian church, st thomas the apostle peace memorial church, seagoe common school, the courier blackburn, blackburn library, blackburn primary school, blackburn open-air school, blackburn creek hotel, blackburn college, blackburn kindergarten, newark grammar, blackburn hall, morton park, blackburn lake sanctuary, backhouse's dairy, blackburn lake, wandinong sanctuary, barelli bakehouse, blackburn cool store, blue moon fruit co-operative ltd, 1st blackburn scouts troop, blackburn and district tree preservation society, hotels, (ms) robin da costa -
Surrey Hills Historical Society Collection
Book, Garnie's Army: the history of the Mont Albert Cricket Club, Jan-98
This is a club history of the Mont Albert Cricket Club.This is a club history of the Mont Albert Cricket Club.Presented to the S. H. Centre History by Dr. Greg McKiecricket, mont albert cricket club, garnie's army, (mr) (dr) greg mckie, sports and recreations, surrey hills golf club, north balwyn club, howard road methodist cricket teams -
The Dunmoochin Foundation
Oil Painting, June Byford
Portrait of a woman with light short hair wearing an orange shirt with multi-coloured jumper against a white background. Inscribed lower centre 'June Byford May 26 '77'.clifton pugh, painting, portrait, june byford -
Stawell Historical Society Inc
Photograph, Kodak Australia, Landsborough Court House 1925, C 1925
Weatherboard building corrugated iron roof decorative awnings on windows. Landsborough Court House 1925. Picket fence in foreground. Courthouse top left. Court-House bottom centre in white. -
National Wool Museum
Folder, Apparel Conference 1985
Conference folder, Apparel Conference 1985. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.APPAREL CONFERENCE 1985/ INTERNATIONAL WOOL SECRETARIAT DEVELOPMENT CENTRE...wool marketing textile industry, australian wool corporation, gunn, sir william, wool marketing, textile industry -
Latrobe Regional Gallery
Drawing, BELL, George b.1878 Kew, Victoria d. 1966 Toorak, Victoria, Untitled, Not dated
Ink on paperSigned 'George Bell' centred along right edge of drawing.life drawing, figurative drawing, study, body, pose, human form -
Robin Boyd Foundation
Book, Ken Auletta, Greed And Glory On Wall Street:The Fall Of The House Of Lehman - The spectacular collapse of one of America's most successful firms, 1986
SoftcoverA packet of Gold foiled Christmas Gift stickers in the centre of the bookwalsh st library -
Hume City Civic Collection
Domestic object - coffee grinder
This object was used for grinding coffee beans. Originally purchased by Susan Barnett for $2.50 in an 'OP' shop.A honey coloured wooden coffee grinder with a metal lid and a red handle.BE/ (insignia in centre of a dog straddling a globe) / HA / GESCHMIEDETES MALHWERKdrinks, coffee grinder, dink comsumption, george evans collection -
Kew Historical Society Inc
Photograph, Centenary Celebrations, Willsmere [Kew] Mental Hospital, 1972
This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972. THE GOVERNOR & DR BURT / HISTORICAL EXHIBITION IN OT DAY CENTREwillsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital -
Kew Historical Society Inc
Headwear - Striped Silk & Chiffon 'Cocktail' Hat, Beverly, 1950s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Black and white narrow woman’s hat designed and or retailed by Beverly of Melbourne surmounted by a band of black chiffon that forms a loose bow at the back.Label: Beverly 13 Centre Place, Melb. MF 8873milliners -- melbourne -- beverly, women's clothing -- hats, headwear, cocktail hats -
Orbost & District Historical Society
document, Pulp Mill Women's Awareness Group, 1989
This document was produced in 1989 by the Pulp Mill Women's awareness Group to inform the community and raise awareness of the pulp mill proposed for Orbost. Chair of the group was Heather Richardson and secretary was Beryl FearnleyThis document is a useful reference on the pulp and paper mill issue which caused much concern in the community and resulted in the formation of several new community groups.A 4 pp document with plastic binding. Document contains research on the proposed Orbost pulp mill.In top left corner -PULP AND PAPER MILL RESOURCE CENTREpulp-mill-orbost -
Bendigo Military Museum
Domestic object - TRAY, WOODEN
This tray was sent home by a soldier called Ern Goodridge. Believed to be WX34399 Hughie Ernest Goodridge. Serving tray made out of 11 strips of different timbers. All edges are curved. At the ends are metal handles that have been chromed.In the centre of the tray inscribed on a metal plaque "NEW GUINEA 1943"new guinea, trench art, souvenirs, wwii -
Port Melbourne Historical & Preservation Society
Plan - Port Melbourne Town Hall, c. 1915
Plan of 'New Town Hall' i.e. 1915Tiny calculations in pencil, bottom centre and right; contract no. (no signatures)port melbourne town hall -
Charlton Golden Grains Museum Inc
Photograph - Postcard, Shopping Centre, Charlton. Vic
Postcard part of a set of photos of Charlton buildings c. 1950 produced for sale at Jones Newsagency.. Businesses on the LH side - Kitchin/Kerrs Garage, Post Office, ANZ Bank, State Bank. On the RH side - East Charlton Hotel, Globe Hotel,. Fire station at far end of High Street.Copy of a postcard showing High St Charlton looking west. Cars parked on both sides of the street and several cars driving toward photographer. Woman walking past Holden dealership. Mobil Service sign. Businesses on the LH side - Kitchin/Kerrs Garage, Post Office, ANZ bank, State Bank. On the RH side - East Charlton Hotel, Globe Hotel,. Fire station at far end of High Street.Shopping Centre, Charlton. Vic. The Rose Series P. 2743kitchin garage, kerrs garage, anz bank, state bank, east charlton hotel, globe hotel, high street -
Wodonga & District Historical Society Inc
Photograph - Fred Rochow Railways Collection - Driver Tom Symonds and Fireman Billy Hyde, 3 August 1986
The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.At Spencer Street Station on the last “Southern Aurora". The locomotive was G516. Driver Tom Symonds was based in Wodonga from 1955 to 1987. He served as AFULE Branch Secretary from 1962 to 1963 and 1966 to 1971. G Class Locomotives - G Class locomotives were primarily intended for hauling freight services, they were also used on passenger trains such as the “Southern Aurora” and the “Intercapital Daylight”. Locomotive G516 came into service in December 1984. After a series of contractual changeovers between companies it was transferred to QR National and is still in operation, The "Southern Aurora", the overnight Sydney-Melbourne express, was one of the icons of Australian railways in the 1960s and 1970s. Uniquely in Australia, it conveyed only First Class passengers, all of whom were accommodated in air-conditioned sleeping cars, all equipped with showers. The Southern Aurora was introduced when part of Australia's rail gauge problem was solved with the construction of a new standard gauge line. The new line was a 317 km long line running from Albury, NSW, parallel to the existing broad gauge line to Melbourne, connecting Australia's two largest cities by standard gauge. The Southern Aurora consisted of 14 stainless steel cars: a luggage van, a power van, a dining car, a lounge car, and ten First Class Sleeping Cars. The total capacity was 198 passengers. For a number of years, there were no intermediate stops for passengers, and the train had the longest non-stop run in Australia, 430 km from Goulburn to Albury. Dining car crews changed at Goulburn and Albury, and locos were changed at Albury. The first train ran from Sydney on Thursday 14th April 1962, with full regular services starting from both Sydney and Melbourne on Monday 16th April 1962. The classic S Class locomotive was used to haul the early Southern Aurora trains. From 1984 it was also hauled by the new G Class locomotives, On the morning of 7th February 1969, the southbound Southern Aurora collided head-on with a northbound goods near Violet Town, Victoria. Nine passengers and crew were killed, and seven carriages were destroyed. A steady decline in patronage saw the withdrawal of the service in August 1986. At top of locomotive "G516". In centre of locomotive, "V" insignia of VLinerailways wodonga, fred rochow, wodonga railway men, g class locomotives, the southern aurora -
Rutherglen Historical Society
Photograph - Image, 1891 (Approximate)
Associated with Burgoyne's winery (Mt Ophir)Photograph of Mt Ophir cellar and surrounding country side. Printed on photographic paper (sepia) on cardboard mountOn small board near centre of picture: "Burgoynes Australian Wine"mt ophir, burgoyne's winery, mount ophir -
Bendigo Military Museum
Map - MAP, MOUNTED VIETNAM, C. Late 1960’s
Australian area of Operations.Map of Phuoc Tuy Province showing civilian access areas in colour. Laminated surface on board backing with black border &mall hanging strap on back.Top centre: “UNCLASSIFIED. LATE SPECIAL OVERPRINT (SHEET 1)map, vietnam -
Federation University Art Collection
Work on paper - Bookplate, 'John Zelma'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A nude woman lies on her side reading a book with a two story house surrounded by trees and shrubs in the backgroundZ 363 (0), signature 200/65 bottom centrebookplate, keith wingrove memorial trust, australian bookplate design awards, printmaking, life drawing -
Glenelg Shire Council Cultural Collection
Postcard, Looking to Whalers Point, Portland, 1930s
Formerly owned by James and Ada Brimblecombe, Heywood, then by Merle Lewis, Mt. GambierBlack and white photographic image printed on card, depicting a beach and grassy dunes with people in foreground, and cliffs and a lighthouse in background.Front: LOOKING TO WHALER'S POINT, PORTLAND (printed, lower centre)landscape photography, coastal scene, whalers point -
Glenelg Shire Council Cultural Collection
Painting, C Dell, The Francis Henty Homeward Bound, 1856
Art Collection Previously located in History HouseThe painting depicts a large sailing ship with orange masts and is almost in full sail. To the left of the ship are two other sailing ships. To the right are several sailing ships and white cliffs with a port. In the foreground is a rough green ocean with several seagulls in midflight. The background is a blue sky with numerous dark clouds. The work has a heavy gilded ornate frame and exposed canvas.Front: C DELL 1856 Back: Sticker of the Conservation Centre -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - T. C. Jarrett, Chairman, Portland Harbour Trust, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Theo Jarrett (blue pen, centre)port of portland archives, theo jarrett, portland harbour trust -
Glenelg Shire Council Cultural Collection
Painting, Joshua Black, c. 1850
UnknownPortrait of a man against a blank brown and black background. He is in formal attire, with black jacket, high-collared white shirt and black cravat. His hair (black) is parted on the left and he has side burns descending past his cheekbones. Framed in a black frame with gilding.Front: (no inscriptions) Back: (no inscriptions) Conservation Centre, Melbourne - label. -
Glenelg Shire Council Cultural Collection
Painting - Painting on cloth - Tongan Tapa Cloth, n.d
Clircular tapa cloth painted and sewn to a round wooden frame. View of a village painted on front of cloth, depicting a pole and wire fence with palnts at base, and palm trees and bushland in the background. The huts have thatched roofs.Front: Tonga Friendly Islands (lower centre, black dye) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Glenda Simmonds, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: GLENDA SIMMONDS (blue pen, centre)port of portland archives, glenda simmonds -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Governor General visiting Port, November 1988, 1985
Port of Portland Authority archivesFront: (no inscriptions) Back: Nov/ 1988 (pencil, centre right)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Governor General visiting Port, November 1988, 1985
Port of Portland Authority archivesFront: (no inscriptions) Back: Governor General (blue pen, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Domestic object - Plate - "Willow pattern plate", n.d
Displayed in History House (Cabinet, South wall)Willow-pattern plate with brown design.Front: Base: Willow/AF & S (brown print, centre) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Procession during Portland Centenary, 1934
Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary celebrations in Portland.Black and white photograph showing street scene, lower edge a moving car, followed by horses with rider, rows of people, two-storey building on left-hand side, row of trees upper left to right-hand edge. Possibly a procession during the 1934 Portland centenary celebrations.Back: (All-over pattern "velox" "20" (centre right)esther winifred hall, photography, henty, portland centenary, 1934 -
Glenelg Shire Council Cultural Collection
Souvenir - Pen, n.d
Teal coloured plastic biro, yellow lettering.Front: 'NELSON PARKS and VISITOR CENTRE' (08) 8738 4051