Showing 2823 items
matching victoria.| statistics- robinvale-aboriginal community | cooperatives-aboriginal-robinvale | latje latje tribe. i. monash university. dept. of geography.
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Victorian Aboriginal Corporation for Languages
Book, Shannon Faulkhead et al, Power and the passion : our ancestors return home, 2010
It had never happened before! No one had every taken legal action against the University of Melbourne and the Museum of Victoria, challenging their right to keep collections of the skeletal remains of the ancestor of Aboriginal people ... . For the 25th anniversary of the reburial in Kings Doman Garden, Shannon Faulkhead and Jim Berg tell the story of this significant battle in the history of colonisation of this country. The story incorporates the voices of 22 people, both Koorie and non-Koorie, who were involved at the time- Gatefold.B&w illustrations, b&w photographsmuseum of victoria, koori, koorie, , ancestors, history, histories, melbourne university, laws, melboune, victoria, art, artists -
Whitehorse Historical Society Inc.
Article, The Traditional owners of the Whitehorse region, 1997
Article written for Box Hill Historical SocietyArticle written for Box Hill Historical Society describing the Aboriginal (Koorie) inhabitants of the Whitehorse region. This area was part of the estate of the Wurundjeri-bulluk clan of the Woiwurung Tribe. Kinship and marriage links with the people of the Goulburn River area are described. Daily life as hunter gatherers is described and the pattern of movements within the area. Several locations where traces are still found and where people lived after European settlement are listed. A bibliography is included. 2 pages.Article written for Box Hill Historical Societyaborigines, wurundjeri -
Kiewa Valley Historical Society
Book - A History of the Kiewa Valley, Kiewa Valley Historical Society, A History of the Kiewa Valley by Esther Temple and David Lloyd, Circa 1991
This book was compiled by Esther Temple and David Lloyd with illustrations by Betty Barberis and additional material provided by Clare Roper, Joan Macdonald, Wilma Davies and Nell Bateman. The book was first penned in 1971. It briefly covers the period from the indigenous tribes(broken down into family groupings) known as the "first Australians" who lived in the valley well before English settlers arrived. first white settlement (graziers, miners, stockmen) to smaller settlements.The development or transformation from a pristine(hunter/gatherer) valley environment to one that has been gradually changing to a more commercial rural/industrial landscaped valley. This transformation was made within a time span of two hundred years. The book details the first pioneers and their descendants, along with the changes to their environments both domestic and commercial. The book highlights dates and events that shaped the "feel" of the valley. The extreme hardships faced by pioneer families during the extremely isolated times away from "civilisation".This publication provides an insight to the struggles and victories against the harsh Australian bushland by people who had not been raised in such a sometimes inhospitable environment. It was this transformation which instilled into the Australian psyche of self sufficiency and the ability to grasp onto ideas or "bush" remedies to overcome enormous difficulties. It is is ability that has produced the many inventions useful in the 20th and 21st centuries.This book has a 250 g/m cream coloured cover with print and drawings of rural aspects of historical significance ( Aboriginal and early white settlers). The book contains 124 pages of black and white photographs(139), black and white sketches(75), two pages of sketches and freehand drawings, two freehand maps one county lease /subdivision plan and black and white printing. See KVHS 0237 (B) for the official invitation to the launch of the book.The front top cover heading(in shaded print and enclosed in a banner form) "A HISTORY OF THE KIEWA VALLEY" The bottom printing "BY ESTHER TEMPLE & DAVID LLOYD ILLUSTRATIONS BY BETTY BARBERIS" and at the very bottom "KIEWA VALLEY HISTORICAL SOCIETY" oN THE BOOK SPINE "A HISTORY OF THE KIEWA VALLEY.....BY ESTHER TEMPLE & DAVID LLOYD"early settlers, dederang, tawonga, mount beauty, sec vic hydro electricity, falls creek early settlers, bonegilla -
Greensborough Historical Society
Document (Framed), Batman's Treaty of Melbourne, 06/06/1835
John Batman recorded in his journal that he had signed a treaty with the local Aboriginal people, the Wurundjeri to buy 2,000 km of land around Melbourne and another 400 km around Geelong. In exchange he gave the eight chiefs whose marks he acquired on the treaty, a quantity of blankets, knives, tomahawks, scissors, looking-glasses, flour, handkerchiefs and shirts. Under British law, the treaty was legally invalid as the land belonged to the Crown, not to the Wurundjeri. Although the treaty was declared null and void by Governor Bourke within six months of John and Henry Batman and the Port Phillip Association organising this treaty, it remains an interesting part of Melbourne's early history. Copy of Batman's Treaty of Melbourne, 1835. Original hand written on parchment in triplicate. john batman, wurundjeri, treaty of melbourne, melbourne history, batman's treaty -
Rutherglen Historical Society
Postcard, Lake Moodemere, Rutherglen, 1900-1908
This photo is of Neddy Wheeler - Dhudhuroa man and language informant to RH Matthews. The photo was taken at Lake Moodemere. Neddy spent the latter part of his life here, especially after his Wife Charlotte and children Thomas, Harry, Dolly and Kate were taken from him in the Kiewa Valley and taken to Lake Tyers.The Aboriginal Protection Board would provide travel passes for him to visit his Country. He died in April 1908Black and white photograph, printed on postcard, showing view of Lake Moodemere, with a man wearing a jacket and hat, reclining on the bank in the foreground.Printed at top of photo: "Lake Moodemere, Rutherglen"lake moodemere, neddy wheeler, dhudhuroa, charlotte wheeler, thomas wheeler, harry wheeler, dolly wheeler, kate wheeler, kiewa valley, lake tyres, aboriginal protection board -
International House, The University of Melbourne
Photograph (Item), Richard Shiell, '10 Ways of Filling in Time at International House - 7: "40 Winks" (Gordon Santo), 1960
Gordon Santo, pictured here, was the first Indigenous student to attend International House, and possibly The University of Melbourne, arriving in 1959 from Queensland to study a Diploma of Physical Education. Santo won the National Union of Australian University Students' Aboriginal Scholarship, a program designed to combat the "peculiar disadvantage" of Indigenous Australians in pursuing education. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell. students, college life -
The Beechworth Burke Museum
Animal specimen - Australian Hobby, Trustees of the Australian Museum, 1860-1880
The Australian Hobby is a medium-sized falcon of the Falconidae family, similar in look to the larger sized Peregrine Falcon. This species is widespread and can be found across most of mainland Australia and Tasmania, preferring lightly wooded areas such as timbered wetlands, open wooded farmland, and some urban areas. Their diet consists of small birds, bats, and flying insects, which are caught mid-air. They sometimes hunt cooperatively to catch their prey. This specimen is an accurate depiction of an Australian Hobby. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australian Hobby has a dark brown cap and cream-coloured half-collar. The back feathers of the bird are also a dark brown colour, while the neck is a cream with lighter brown streaks. The flank is a dappled dark brown, rufous-brown and cream, which transitions back into cream with brown streaks near the legs. The underwing feathers appear to be a banded dark brown and cream. The tip of the hooked beak is black which recedes to light blue-grey and then to yellowish near the head join. The legs are also yellow. The specimen is perched on a wooden perch mount with a swing tag tied around its left leg.23. / Australian Hobby / See catalogue, page, 6 / taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian hobby, australian birds, little falcon -
The Beechworth Burke Museum
Animal specimen - White-Winged Chough, Trustees of the Australian Museum, 1860-1880
The White Winged Chough may be found all over Australia's eastern and southern mainland. They live in flocks of up to 20 birds and are extremely sociable. These birds are very territorial and feed primarily on the ground hunting systematically for worms and insects; however, regardless of this territorial nature, they rear their young in a cooperative nesting effort. The White Winged Chough has a distinct swagger about them but they are often mistaken for both magpies and crows. This mistake is due to the overall dark appearance, and their white makings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-winged Choughs are large black birds, bigger than Australian Magpies. Male and female Choughs share the same black markings on their bodies and white patches on their wings. The bill is downturned and black in colour. The legs are also black and the specimen stands on a wooden mount. In life, this species has vivid red eyes, but in the case of this particular specimen, the glass eyes are a dark reddish brown.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, white winged chough -
Tatura Irrigation & Wartime Camps Museum
Book, Jubilee Exhibition of Australian Art, 1951 and 1985
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. in 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australian in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Soft grey cover with Australian Emblem in white printing and red printing on the cover. Also loose in the book a white card with black writing on it "Sir Hano Heysen ms A998. Tape recording NL.M888. Tape no. 27 pp 309-311 " on one side and "pp 4-7, pp 22-26, pp 50-51" on the other side. A newspaper cutting from The Herald, Thurs., Oct 17, 1985 titled "Life on the Dunera was no TV soap opera"books, jubilee exhibition of australian art, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Primitive art, 1940
Dr Leonhard Adam studied both Anthropology and jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Blue and white soft cover book with black printing front and back. 36 photos and numerous line drawings in the text. Written in Englishprimitive art, leonhard adam, mary clare adam murvitz -
Tatura Irrigation & Wartime Camps Museum
Book, Que es el arte primitivo ?, 1962
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Light brown and black soft cover book with red and white writing.que es el arte primitivo, adam murvitz mc, camp 2, camp 2 tatura, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Primitivna Umetnost, 1963
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Brown and cream hard cover book with red writing on the spine. Brown and cream dust cover with primitive art and writing on the front and spine. 40 pages of reproductionsprimitivna umetnost, adam murvitz mc, camp 2 tatura, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Lehrbuch der Volkerkunde, 1958
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Orange hard back cover with gold writing. Apricot dust cover. Written in German.lehrbuch der volkerkunde, hermann trimborn, adam murvitz, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Haida und Tsimshian
Dr. Leonhard Adam studied both Anthropology and jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Green hardcover book with gold writing on the front and spine.haida und tsimshian, adam murvitz mc, camp 2 tatura, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Booklet, Primitive Art Exhibition, 1943
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Soft cream coloured cover with black and red writing. 8 pages of photographs.leonhard adams, mary clare adam murvitz, camp 2 tatura -
Tatura Irrigation & Wartime Camps Museum
Book, Stammesorganisation und Hauptlingstum der Wakashstamme Leonhard Adam Stammesorgainsation etc. der Wakash-Stamme Leonhard Adam Wakash-Stamme, 1918
Dr. Leonhard Adam studied both anthropology and jurisprudence as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refugee in England. In 1940 interned as a security risk in England, sent to Australia, in June 1940. Interned Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Dark green hard cover book with gold writing on the spine and front cover. Written in German.leonhard adam, anthropology, jurisprudence -
Tatura Irrigation & Wartime Camps Museum
Booklet, Exhibition of Works of Primitive Art
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Grey soft cover booklet with black writing on the front.books, leonhard adam -
Federation University Art Collection
Gouache on paper, Larwill, David, 'On the Picks' by David Larwill, 2003
David Larwill was a founding member of Melbourne’s Roar Studios. His work is influenced by movements as diverse as tribal art, Aboriginal art and abstracted figuration of the 1940s and 1950s. Larwill’s paintings are characterised by their simplified forms and overall pattern. Figures and animals populate his images, painted in an almost child-like naïve manner that is technically very sophisticated. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, david larwill, larwill, gouache -
Federation University Art Collection
Painting - Artwork, John A. Gardner, [Landscape with Mountains] by John A. Gardner
John Andrew GARDNER (1906-1987) Born Camperdown, Victoria John Gardner studied at the Nataional Gallery School Melbourne. He later travelled with Rex Battarbee through central and eastern Australia. He initially worked as a commercial art before taking up painting full time and became known for painting bush landscape and Aboriginal life in oils. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape featuring mountains. art, artwork, john comoner, john a. comoner, landscape, mountains, available -
The Beechworth Burke Museum
Animal specimen - Wombat, Trustees of the Australian Museum, 1860-1880
Wombats are short-legged, muscular, nocturnal marsupials that live in a wide variety of habitats throughout Australia. A common wombat can grow up to 1.2 metres in length and weigh up to 35 kilograms. The name “wombat” comes from the Darug language spoken by the Aboriginal Darug people, who originally inhabited the Sydney area. The wombat was first recorded in 1798 by explorer John Price on a visit to Bargo in New South Wales, however, wombats are depicted on Aboriginal rock-art that date back as far as 4,000 years ago. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Medium sized stocky wombat with a broad head and two muscular forelegs and two weaker hind legs that are met with long sharp black claws. The hair is long, thick and coarse in brown/yellow shades. The head features two small black eyes that have been made from glass, two short pointed ears and a bare nose pad. On wooden mount: BMM 5901 /taxidermy mount, taxidermy, wombat, animalia, vombatidae, burke museum, beechworth, australian museum, skin, reynell eveleigh johns -
Merri-bek City Council
Painting - Liquid nails and spray enamel on canvas, Brian McKinnon, Scars, 2008
Uncle Brian McKinnon (b. 1957 – d. 2023) was a Geelong-based artist and descendent of the Amangu and Wongai people of Western Australia. He created powerful mixed media works that explore his campaign for Aboriginal rights and his childhood experiences growing up in Western Australia. Scars is a deeply personal and political work that reflects on some of the ways in which Aboriginal people have historically been discriminated against and marginalised because of the colour of their skin and cultural practices. Originally exhibited with two other paintings, it was also made in honour of the artist’s children and their struggle to maintain positive self-esteem. Uncle Brian McKinnon said his children inherited keloids from their ancestors: ‘These keloids look like body scars. In this work, I have placed them in the past and the presence of their ancestors through the act of beautifying the marks, which reflect the landscape and the identity of the person wearing the beautification marks. Although the marks on my children are not so beautiful and they are ostracised because of them, this made me think of racist policies and of course the referendum and when my people were seen for the first time as being human.’ -
City of Greater Bendigo - Civic Collection
Badge - Referendum Badge, Yes, 2023
On the 14th of October 2023, Australians were asked to vote on a proposal to change the wording in the constitution 'To recognise the First Peoples of Australia by establishing an Aboriginal and Torres Strait Islander Voice.’ Only 39.9 per cent of legal votes were in favour of this change, and there was not a majority in any of the six Australian States (there was a majority, however, in the Australian Capital Territory). On the 26th June, 2023 Councillors with the The City of Greater Bendigo discussed their position on The Voice to Parliament and decided to support the Yes campaign while pledging to provide information on both sides of the debate to residents. Cr Margaret O’Rourke introduced the motion and spoke at length about the importance for Council to adopt the recommendation. “Recognising the Aboriginal and Torres Strait Islander voice in the constitution ensures that Indigenous Australians have a direct and meaningful role in shaping policies and laws that impact them'. Several Councillors voiced their concern over whether the City could formally support one side of the debate, while seeking to provide neutral information saying that it did not pass the commonsense test. These badges were collected at an event at Rosalind Park on the 27th of September, 2023 attended by Linda Burney, Minister for Indigenous Australians who addressed the crowd.Large badges with YES printed in centre. city of greater bendigo reconcilliation, dja dja wurrung -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society, Indigenous Heritage [Kew], 1965
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing a number of publications, correspondence and newspaper articles/clippings relating to Indigenous heritage in Boroondara. The first major report in the file is ‘An Indigenous Heritage Study’ by Terra Culture in two volumes (City of Boroondara, 2002). An annotation on Volume 2 records that new legislation rendered information in volume 2 incorrect. The file also includes a draft copy of ‘Recognising Indigenous Culture and Heritage Policy 2009-2013’ and ‘Boroondara Connections: Stories of Aboriginal Connection by Residents of Boroondara (ANTaR Boroondara, 2008).kew - history, indigenous people - kew (vic.), aborigines - kew (vic), first peopleskew - history, indigenous people - kew (vic.), aborigines - kew (vic), first peoples -
Victorian Aboriginal Corporation for Languages
Book, Robert Brough Smyth, The Aborigines of Victoria : volume 2 : with notes relating to the habits of the natives of other parts of Australia and Tasmania : compiled from various sources for the Government of Victoria, 2005
Historical work by the Secretary of the Board for the Protection of the Aborigines. (c.1876) Volume two is devoted to Aboriginal languages, including comparisons of Victorian languages with those from New South Wales, word lists, vocabularies, and native names of trees and plants. Volume two also includes details and customs of the aborigines in Tasmania. Includes interesting observations on the works of William Thomas, Alfred W, Howitt, Philip Chaney, Albert A.C. La Souef, John Moore Davis and Rev. William Ridley.robert brough smyth, philip chauncy, william ridley, albert le souef, a. w. howitt, john moore davis, william locke, a. f. a. greeves, language comparisons, phrenology, aboriginal social life and customs, death and burial customs, weapons, tasmania, lake tyers, lake wellington, gippsland, ballarat, brabrolong, lake hindmarsh, kotoopna -
Victorian Aboriginal Corporation for Languages
Book, Julie Reid, Wergaia community grammar and dictionary, 2007
This consultation draft is a sketch grammar of Wergaia, incorporating a revised Wergaia Wordlist (version 1), now renamed Wergaia dictionary, which was developed from recent and historical sources, and funded by the Victorian Aboriginal Corporation for Languages. It is not intended for use as a language course. To fully understand its contents, the reader will need a high level of knowledge about the structure of Australian languages. Rather, it is intended for use as an adjunct to a course in Wergaia, such as the VCE Study Design Indigenous Languages of Victoria: Revival and Reclamation - Wergaia.colour photographs, b&w photographs, word listswergaia, wotjobaluk, barengi gadyin land council inc, grammar, language learning -
Victorian Aboriginal Corporation for Languages
Book, Bruce Pascoe, The little red yellow black book : an introduction to Indigenous Australia, 2008
The Little Red Yellow Black Book is an accessible and highly illustrated pocket-sized guide. It's an invaluable introduction to Australia's rich Aboriginal and Torres Strait Islander histories and culture. It takes a non-chronological approach and is written from an Indigenous viewpoint. The themes that emerge are the importance of identity, and adaptation and continuity. If you want to read stories the media don't tell you, mini-essays on famous as well as everyday individuals and organisations will provide insights into a range of Australian Indigenous experiences.maps, b&w photographs, colour photographsindigenous history, culture, art, sport, health, education, employment, reconciliation, resistance, governance -
Warrnambool and District Historical Society Inc.
Book, Jimmy of Murrumbar by E D Oakley, 1938
This book subtitled, ‘A Story of the Amazing Ability and Fidelity of an Australian Black Tracker’, has been written in the late 1930s by Edward Daniel Oakley (1877-1962). He was the fourth child of Thomas and Eliza Oakley who had the farm, Oakbank, near the mouth of the Hopkins River, Warrnambool (Otway Road area today). Edward Oakley first worked at Saltau’s shipping office in Warrnambool then ran a dairy farm, Halifax, near Cudgee. He later had wheat farms in the Grampians area and at Willaura before returning to Warrnambool in 1923. He built a row of shops in Liebig Street and opened a boot and shoe store. He was instrumental in persuading Fletcher Jones to open a shop in Warrnambool. After he retired he researched and wrote the story of Jimmy of Murrumbar. This book is of high significance because: 1. It was written by a local Warrnambool businessman, Edward Oakley. He and other members of his family were prominent residents of the city in the late 19th and early to mid 20th centuries 2. It was written in the late 1930s and tells of the story of a young aboriginal boy, one of the early writings appreciating the talents and worth of young aborigines. This is a hard cover book of 181 pages. A buff-coloured dust cover has been pasted over the hard cover and it has a black, grey and white illustration of a young aboriginal boy being chased. This illustration is repeated in black and white on the second page. The titling on the cover is in red and black printing. The front cover has become almost detached from the pages. An inscription on the inside cover is handwritten in black ink. The book has a foreword, an appreciation, a contents page and 23 chapters. ‘Best Wishes for a Happy Birthday from Graeme Dorman Dec 8th 1942’ edward oakley, history of warrnambool, aboriginal literature, jimmy of murrumbar, thomas and eliza oakley -
Bendigo Historical Society Inc.
Postcard - WES HARRY COLLECTION: 7 POSTCARDS, 1904 - 07
Group of seven postcards from various people addressed to Mrs. A Stephens (nee Palmer). Five of the cards are depicting Theatre Actresses. (a) Unknown Actress, (b) Caricature of a surprised face with the words ' I was very surprised ' hand written underneath, (c) Miss Delia Mason, (d) Miss Gabrielle Ray in ' The Lady Dandies ', (e) Billie Burke , (f) Hand tinted card depicting women at an Aboriginal Camp, entitled ' Lubras camp, Maloga ' , (g) Unknown Actress.postcard, actresses, actresses, delia mason, billie burke, gabrielle ray, lubras camp maloga -
Warrnambool and District Historical Society Inc.
Book, Lake Condah Mission etc
This is a book by Vanda Savill giving information on the Lake Condah Aboriginal settlement, its inhabitants and its immediate neighbouring settlers. Lake Condah Mission settlement in Western Victoria was established in 1867. Vanda Savill (1913-2005) with her husband ran a dairy farm and the Bower Birds Nest Museum and History Centre at Heywood. She was passionate about keeping alive the local people’s personal histories and for 20 years, in the 1970s, 80s and 90s, she wrote and published many books on the areas around Heywood. This book is of interest as it gives information on the history of Lake Condah Aboriginal Settlement and the neighbouring settlers in this area. It is also of interest because of the author’s warm and conversational writing style. This is a soft cover book of 164 pages. It has a red cover with black and white images on the front cover of a church and a hand holding a pen. It has been stapled. There are many black and white sketches, illustrations and photographs in the book. The text has been handwritten in cursive script and then printed. lake condah aboriginal settlement, history of western victoria, vanda savill, warrnambool, history -
Emerald Museum & Nobelius Heritage Park
Book, Yarra Ranges Regional Museum, Oil Paint and Ochre, The incredible story of William Barak and the de Purys, 2015
This book tells the story of William Barak and the de Pury family, where descendants of both sides still live today. It also has national significance as a story that explores the complex, first generation negotiations between Aboriginal and European people. Also the establishment of Coranderrk Aborignal Station at Healesville and the growth of the wine industry in the Yarra Valley. William Barak was a Wurundjeri leader and the de Purys' were a wine making family. The book complemented and exhibition called Oil Paint and Ochre 29 Aug - 22 Nov 2015.Soft cover paperbackwilliam barak, de purys, corranderk