The Lifeboat Queenscliffe was built in Adelaide and commenced service at Queenscliff in 1926. She was taken out of service in 1976 by the Marine Board of Victoria and subsequently offered to the Borough of Queenscliffe for care and display. The Lifeboat is listed on the Australian Register of Historic Vessels (ARHV). To view the classification follow the link to the Queenscliffe page on the ARHV site. During her 50 years of service the Queenscliffe attended many calls for assistance both inside and outside the Heads. Some of the vessels and calls for help the lifeboat attended were: 1960 - Army Commandos lost in the Rip 1967 - The search for the late Prime Minister Harold Holt 1974 - The last attendance to a vessel was to the Brisbane Trader which was on fire The shed which housed the lifeboat is located on the Queenscliff 'New' or 'Steamer' Pier (built in 1884). This shed includes the internal section of the slipway used to launch and retrieve the lifeboat. The external slipway and some other structures associated with the lifeboat shed have been removed. Originally fitted with two masts, the stern mast being removed in the 1960's. A retractable centre plate was used when under sail. Delivered with an 80 hp Wayburn petrol motor which was later replaced by a 72 hp Gardiner diesel. Top speed of 7.5 knots and a range of 350 miles.Photograph of lifeboat Queenscliff at sea under sailQueenscliffelifeboat, a. macfarlane & sons

P. S. PEVENSEY: Dimensions: 111ft 5 ins X 23 ft X 6ft 8 ins. Tonnage:130 tons Built: 1910 at Moama, N. S. W. References : Book: Murray river Paddle Steamers by D. Wardle Permewan , Wright & Co. : pp. 72, 129, 157 The P. S. PEVENSEY holds historical and social significance for the Port of Echuca, being the cornerstone of their paddlesteamer fleet. The PEVENSEY was renamed for the TV series All the Rivers Run, to P. S. Philadelphia , playing a staring role in the program, which has resulted in the PEVENSEY becoming a tourist attraction and has increased tourism to the Port of Echuca. The PEVENSEY was originally designed for use on the Murrumbidgee river, named after Pevensey station on that river. It was then owned by Permewan Wright & co operating out of Echuca for many years. She returned to Echuca in 1975 to begin another life as part of the Port of Echuca tourism operation.Colour photograph of the wharf and the back of the P. S. Pevensey, moored at the Port of Echuca wharf , c.1979. In front of her is a punt , a small paddle boat and to the right of the photograph part of the back of the P. S. Etona. The Cargo shed and the cranes can be seen on the wharf. Photograph taken looking south along the river.. Printed on reverse: This paper manufactured by Kodakriverboats, p.s.pevensey, echuca, port of, paddle steamers, echuca wharf

The O'Maras, of Sandringham fishermen. Early mud brick house. Located in Moorabbin and was still there in 1940. The house was situated in Reserve Road, almost opposite Wangara Road, (formerly Cemetery Road). About twelve years ago, (* the writer states no year), there was a vacant block where the house used to be - it was next to a electrical factory. 2x Black and White Photographs. (i) An 1898 photograph showing two men with a fishing boat on the beach. A beach house / shed , paling fence and tall tea-trees are seen in the background. (ii) A large early mud brick house with a tin roof, chimney and a water tank sitting on a block of grassed landWritten on back (i) The O'Maras / Sandringham / fishermen 1898 (ii) Mud brick house at Moorabbin ( house was there in 1940) / Situated in Reserve Road almost opposite Wangara Road / ( formerly Cemetery Road ). About 12 years ago there was a vacant block where the house used to be and it was next to an electrical factory. unsigned undatedthe o'maras, sandringham fisherman, 1898, mud brick house, moorabbin, wangara road, reserve road, electrical factory, early settlers, pioneers, shire of moorabbin, sandringham, beaumaris, mentone, fishermen, dairy farmaers, poultry farmers, market gardeners,

black and white photo ( 5 copies ) of Central Deborah poppet head with sheds, ( corrugated ) in foreground and right ( background ) On front printed ' Central Deborah Mine - off High St., Golden Square - now purchased by City Council for Mining Museum. On back : mng 23 5 copies / RHSV, Bendigo Branch.Robert Wallace Studioes, 6 Ruth Street, Golden Square Phone BGO 37565 ( on back )organization, business, central deborah gold mine

Sepia photo, corrugated iron building with 2 double doors. Large building with hip and valley roof. Tall metal ? Tubular chimney at back left. Pallets and containers stacked against wall. On back in ball point pen ' Rosella Factory, Brougham St. In pencil ' new sheds from brick stores'A.W.M Gibbony, ,Pall Mall Bendigoorganization, business, rosella factory

Robert Mate Mate (Gapingaru), an initiated elder of the Woorabinda_Berigada tribe of Central Queensland has researched the stories on the CD Rom in conjunction with Gordon Patston, an experienced astronomer. The stories from Arnhem Land to Tasmania give a fascinating insight into this rich area of Aboriginal culture and shed new light on Australia?s skies.CDastronomy, dreamtime stories, folklore, stars

Hand coloured photograph showing S S Gippsland leaving Kalimna Jetty. Small boats tied to far side of jetty, shed at left end of jetty. Jemmys Point beyond Kalimna, hummocks and the entrance in far background, point of Rigby Island on right. Kalimna beach in foreground. Lakes Entrance Victoriaships and shipping, topography, waterways, jetties

21 slides of buildings on the Burnley Campus including: 1, 3, Dairy, 6. Principal's garage, Greenhouses, 8. Media Bins, 2, 4, 5.Engineering. Stamped "9 Sep 1985" Aug 85 and 22 Library Sep 85. 11-14. Landscape Shed. 24. Orchard. Some not identified.burnley campus, dairy, tech block, principal's garage, greenhouses, media bins, arboriculture, engineering, library, landscape shed, machinery shed, orchard

BHS CollectionDiggers & mining. Life Of The Selectors. Man ploughing a field with 2 horses. A child alongside appears to be playing with the dog as the dog has a stick in its mouth. The home is in the background along with a shed. Markings: Life Of The Selectors Set 432 No. 10. On Our Selection - a photograph of a painting by J. A. Turner. Used as a teaching aid.Visual Education Centreeducation, tertiary, goldfields

Set of four photocopied plans or drawings on A3 sheets of "Wattle Park" .1 - P8504 - Curator's Lodge, Wattle Park - 1939 .2 - P8503 - Wattle Park Chalet - 20/2/1939 .3 - P8574 - Office and Sheds - 29/6/1939 .4 - P8505 - Golf House - 20/2/1939trams, tramways, drawings, depots, property, wattle park

Report - printed onto a folded double folio sheet, titled "The Melbourne, Brunswick and Coburg Tramways Trust - Quarterly Report - to January 19th, 1918. Gives notes on Statistics, finances, contracts, shelter sheds, and the Engineer and Manager's Report of Mr S. Robertson. Dated 5/2/1918. Three Copies held.trams, tramways, mbctt, reports, construction, finances, operations

Set of four colour prints of the TMSV's operations at Bylands - late 1980's. Photographer unknown. Printed on Kodak paper. .1 - general view of site. .2 - 427 inside shed on jacks .3 - W2 643 at the museum terminus .4 - Ex Ballarat 36 returning to the museum terminus carrying passengers..trams, tramways, tmsv, bylands, tram 427, tram 36, tram 643

Photograph was probably taken sometime before 2007, as another photo in this series does not show the "Big Red Shed" behind the school. That building is shown on Google Street View shots taken in 2007. Rutherglen Common School No. 522, which is now the Common School Museum, would be to the left of the current school in the photo.Colour aerial photograph of Rutherglen Primary School No. 522, showing the rear of the building and its rooftop.rutherglen primary school, rutherglen state school, school buildings

2 copies with inscription below|1 x 9 x 14|1 x 12.5 x 17.5|View of Flagstaff and Rocket Shed from the Eastern Pier of Lakes Entrance, this was the New Works, (photograph 1906c - A Maclachlan)|Enlargement black and white 20.5 x 28|Also copy in Caire P01049Black and white photograph showing two ladies on Eastern Pier, view of beach, dune and flagstaff on right, entrance and northern end of pier and works buildings on left, Kalimna escarpment in background. Lakes Entrance Victoriajetties, boats and boating, waterways

Information display card regarding the 'Big' Deborah Gold Mine, located near the junction of Abel and Adam Street, Golden Square. Earliest work recorded 1860. Shaft 2076 feet. Operations suspended in 1952. Gold yield 51,935 ounces. Battery shed still on site containing a 5 head stamper which was originally a 20 head stamper. The battery was manufactured by Horwood's Foundry, Bendigo. Photos of mine site taken in 2012: a.Engine room concrete footings, iron work visible. Pepper corn trees in background. Pampas grass in foreground. Steel mesh fence on RH side, enclosing the poppet head site. b. Concrete footings, peppercorn tree in background. c. Corrugated iron shed constructed over the stampers. Steel mesh front. d. Steel poppet head, no winding wheel at top. Pampas grass in foreground. e.. Stamper shed and steel poppet legs in background enclosing dilapidated wooden poppet head legs. f. Close up image of weights in stamper room g.Winding wheel on stampers h.Looking upwards to top of stampersbendigo, mining, deborah gold mine

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke KeoghVirtual Imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

This tub probably dates from the early to mid 20th century and would have been a common item in households in those times. It could have been used for laundry items or for other washing processes in the kitchen. Wash houses in the early to mid 20th century were usually separate buildings or sheds outside of the house.This item is retained for display and discussion purposesThis is an oval- shaped metal tub wider at the top than at the base. It has a ridged top, a strengthening metal band around the base and two metal handles. It is somewhat rusty.vintage household items, warrnambool & district historical society collection

View of San Remo and the Pier taken from Westernport Bay entrance. "U" shaped pier, busy with fishing vessels, a large shed on the connecting Jetty to beach and the frame of a new building. Beyond is the Pier Hotel, more buildings to the extending left. Behind the coastal trees to back of photo is a tree lined bare hill.The Pier, San Remolocal history, photographs, jetties, san remo, black & white photograph, mona condrick

A house on the main street in Halls Gap. Photograph of a weatherboard house with an attached garage. A man and three children are standing in front of the house and a dark coloured car can be vaguely seen in the garage. To the left there is the edge of a building with a large ice-cream sign attached and to the right there is a shed set slightly back from the building and the edge of another building. There are wooded hills in the backgroundbuildings, houses

Photocopy of photograph : poppet head, conveyors, shedding and chimney - Garden Gully United Mine. Printed on top of photocopy ' Mine Managers' Association, Bendigo goldfields On bottom of photocopy ' The Garden Gully United Company's Mine' James Lerk 26.22 1999 ' this poppet head is now on the top of Camp Hill. On back Mng 67.organization, business, garden gully united mine

black and white photo : Central Deborah Gold Mining N.L. poppet head with corrugated iron sheds in foreground and right rear. On back Mng 49 ' Central Deborah 1960's ? ' On front op ' Central Deborah Mine, off High St., Golden Square. Now purchased by City Council for Mining Museum. 'Robert Wallace Stucioes, 6 Ruth St., Golden Square.organization, business, central deborah gold mine