In August 2016, the Greensborough Football Club held a function to celebrate inductees to the Hall of Fame. Gary Partington and family accepted awards on behalf of the Partington family.Digital image of colour photo.greensborough football club, gary partington

In August 2016, the Greensborough Football Club held a function to celebrate inductees to the Hall of Fame. Gary Partington and family accepted awards on behalf of the Partington family.Digital image of colour photo.gary partington, greensborough football club

In August 2016, the Greensborough Football Club held a function to celebrate inductees to the Hall of Fame. Trevor Partington was elevated to Legend status for his contribution to the Club.Digital image of colour photo.trevor partington, greensborough football club

Newspaper clipping from The Courier, Monday 25/1/2016, titled "Vintage ride a hit at lake Wendouree" in an item reporting the BTM's operation of the horse tram in Wendouree Parade the previous day. Quotes Peter Waugh as Marketing Manager. Item written by Brendan Wrigley, photo Kate Healy with Len Millar on the brake.horse tram, btm, events

A4 colour printed copy of "Yarra Trams Preston Depot & Workshop - Site Layout", produced prior to the formal opening of the depot on 17/4/2016. Shows the various buildings, tracks, locations. Provided by John Prideaux form the site induction document - notes that some of the eastern and western fans track layout various.See image for notes.trams, tramways, yarra trams, plans, preston workshops, preston depot

Glasses are from Dixon's Hotel, now the Commonwealth Hotel in Orbost. Laura Dixon held the hotel licence from 04/04/10 until 05/02/17.The Commonwealth Hotel opened New Year's Day 1901. Mr Jasper Drew held the first licence. It still stands today.Three beer glasses - assorted shapes and sizes.Two glasses - Dixons Hotel One - ULVA New South Wales Glass regulation 5commonwealth-hotel dixon-laura glassware beer-glasses

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016. This upstairs bedroom is a modern extension.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Typed minutes of Committee Meetings of the Women members of Heidelberg Golf Club 2015-2016. Note the change of name from "Lady members" to "Women members" in 2014.Volume 22 of a complete set of Associates' (Women's) minutes from the foundation of HGC to the present day.Multiple pages, typed, in purple plastic spiral binder book.committee minutes, women's golf, associates, ladies' golf

Anzac Day Parade Greensborough 25/04/2021. This annual event has taken place in Greensborough since the mid 20th century. In this photograph, a Scottish pipe band leads the parade with a collection of military vehicles behind, most likely from the Simpson Barracks.Colour digital photographanzac day 2021, anzac day parade

An historical account from the Victorian Government Gazette 25/04/1879: Contract accepted - Melbourne Water Supply - B. Barnes & Co. Masonry abutments and piers, also construction and erection of wrought iron aqueduct over Plenty River at Morang. 5250 pounds.History of the Maroondah aqueduct1 p., photocopy of article, downloaded from State Library of Victoriamelbourne water, mmbw, maroondah aqueduct, plenty river

Cranes on the skyline at Watermarc development 2016, taken from Main Street. New Banyule Council offices are being built at 1 Flintoff Street, over the Watermarc building.Digital copy of colour photograph.watermarc, one flintoff, banyule council, main street greensborough

Series of photos loaned for copying by Thelma Nixon Edgar and Emily Nixon Davis .04 - large group of children (and some parents) gathered outside cottage in possibly Thistlethwaite or Gladstone Street.families, montague, sam nixon, mary nixon, thelma nixon edgar, emily nixon davis

Awards such as this trophy were presented at all important race meetings. This award highlights the significance of the presence of women in cycling and to the Club during this period.Trophy depicting a woman cyclist in a silver/gold colour on top of two small wooden pedestals. There is a 04 outline representing the year 2004 on the base pedestal and an inscription in gold on the front of the base. "Geelong West Cycling Club/2004/Women's Aggregate/Natalie Clark"geelong west cycling club; 2004; women's aggregate; natalie clark;

View of east end of Sturt St. looking from intersection of Grenville St. looking up the hill on the buildings on the south side. Two trams in the City Loop, 04-03-1963.'Ballarat 4-3-63, Sturt Sttramways, trams, sturt st., grenville st, city loop

Medhurst Wines operates in Gruyere, Yarra Valley. The winery is on land once owned by David Medhurst, formerly of Greensborough. These items were a gift to David's descendant, Faye Fort (nee Partington).Clear glass wine bottle 750 ml, screw cap, in black cardboard presentation box in red and white gift bagLabelled Medhurst Chardonnay 2016 Yarra Valley; with, black poly cotton apron, with pocket, embroidered Medhurst in white.medhurst family, medhurst wines yarra valley

A recording of Seven Last Words, an oratorio by Clement Francois Theodore Dubois as Les Sept paroles du Christ (The seven last words of Christ), first performed at Easter 1867. This performance is by the Diamond Valley Choral Society on 01/04/1983, at St Andrews Box Hill.1 audio cassette in clear plastic caseHandwritten on cassette: "Seven last words - Dubois - St Andrews Box Hill. Good Friday 1.4.83".diamond valley choral society, seven last words (oratorio), clement dubois

Visiting seafarers signed the books on arriving at the mission.The logbook provides an insight into which ships and the origins of their crews were visiting Melbourne from 1999 to 2004. On the cover is a yellow post-it note bearing the words: Melbourne Visitors Log 27/10/99 06/08/04visitor, logbook, seamen, sailors, seafarers, mission to seafarers, seamen mission, flinders street, nationality, ship

The donor, Ada Barclay, was a member of the Flying Angel Club, Missions to Seamen (which is now Mission to Seafarers) in Townsville and Sydney. One of the badges connects her with the Ladies' Harbour Lights Guild in Queensland. The Sanctuary Window and other items at Flagstaff Hill Maritime Village are part of the St Nicholas Seamen’s Church Williamstown Collection. The window is dedicated to the seamen from the Merchant Navy and was organised by a group of women, some of whom were also in the Ladies’ Harbour Lights Guild, dedicated to the care of seafarers across the world. The Sanctuary Window above the altar in Flagstaff Hill Maritime Village's St Nicholas Seamen’s Church’ is titled "Christ Showing the Helmsman the Way". This round, stained glass window was originally installed in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The window was donated to St Nicholas Seamen’s Church as a memorial to the members of the Merchant Navy whose lives were lost in the Second World War, 1939-1945. The donor was the Williamstown Lightkeepers Auxiliary, an independent ladies association working with the Williamstown Missions to Seamen. Some of the members of this Auxiliary were also members of the Ladies’ Harbour Lights Guild. This set of badges is significant historically for its connection to the Merchant Navy organisation, the Ladies’ Harbour Lights Guild and the Flying Angels Club. Through this connection, the badges are also connected to the history of the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of this set of badges to the Ladies’ Harbour Lights Guild and what is now the Mission to Seafarers, highlights the strong historical and continuing community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Set of four metal and enamel badges pinned in a vertical row to a red ribbon. Each badge is connected with seafarers. Three badges have a crown on the top of a circular badge, a wreath around the circle and the letters "MN" in the centre. One of these also has "Australia" below the circle. The remaining badge has the words "The Ladies' Harbour Lights Guild" around the border on a blue background, and a blue flag in the centre on a gold background. The flag has a gold angelic figure on it. The figure has wings and is holding a book. "MN" "AUSTRALIA". "THE LADIES' HARBOUR LIGHTS GUILD" Badge 02 - "ANGUS & COOTE / SYDNEY" Badge 04 "MANAFOLD / BRISBANE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, sailors rest, bethel sailors’ church, bethel floating church, ladies’ harbour lights guild, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seamen's church williamstown collection, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, ethel godfrey, alice sibthorpe, pin badge, lapel badge, merchant navy, flying angel mission sydney, angus & coote sydney, manafold brisbane

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'WORTH NEWTOWN / OLD HOUSE / E MARCUSE Reverse: B 11/ 023 / BEECHWORTH NOSTALGIA / BW - 04 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Newspaper clippings titled: “Metcard mural's long and winding journey” by Tom Cowie Newspaper clipping from the Age 17/04/2020 Josh Cohen has created "Metcard Art", recreations of Melbourne's landmarks using Metcards. Metcards were sourced from personal collection, friends and eBay and artwork took 6 months to produce. Created for the Signature of M art competition in 2007.trams, tramways, metcard, melbourne, art

Remembrance Service and football match between Greensborough Football Club and Lower Plenty Football Club commemorating the 50th anniversary of the Battle of Long Tan, Vietnam War,13th August 2016Colour leaflet, printed both sidesvietnam war - battle of long tan, greensborough football club, lower plenty football club