Photograph - black and white. Portrait of a young woman, dressed in a white coloured dress with lace and puffed sleeves. She has tight curly hair.Mendelssohn, View St., Bendigo.person, individual, female portrait, photograph. portrait of a young female. unknown family collection.

Clothing. Women's black lace wing shaped cape, lined with black satin. RHS at centre front has a loop of cord to fasten the cape.costume accessories, female, women's black lace cape.

B/W: toddler on a chair wearing dress, dark white lace buckled. colour tinted, fair curly hair holding a coured Rosealfred Thomas Huttley ( my Father) Stewart & Co 217 Bourke St. E Near Parliment House Melbourne A Large Framed copy Of This Portrit may be had Price is View taken within 20 Miles of Town.

White machine made guipure lace blouse. Extended short sleeves, opening down front with five pearl buttons. Stand up collar.costume, female

Donated to WHS as a box of items from Barbara RogalskiCream silk Matron's Boudoir Cap, top and edge embroidered in pink and blue silk thread. Side and front edged with 4cm Bedfordshire Lace.costume, female headwear, female underwear

See attachedA Victorian Battenberg Lace collar in two tones of ecru. It is mounted on to pink polished cotton with paper backing. Tape is machine made with infilling by handcostume, female, handcrafts, lacemaking

Made by donor for her children during 1950's.Cream viyella dress with smocked bodice and sleeves, with pink and blue rosebuds. Neck has white lace trim and press stud at opening at backcostume, infants'

A square of plastic 'lace' decorated with yellow ric-rac with a metal ring on three corners and a self fabric loop on the fourth. Made to carry food.domestic items, food storage & preservation

Cotton camisole with lace inserts. 5 Pearl buttons. Ribbon drawstring and neck, cotton drawstring at waist. Pintucking on front and sleeves. Short sleeves.costume, female underwear

Belong to Evelyn OSborne, mother of donor, Barbara Keene. A gift from Spain.Tortoise shell ribs with gilt etchings. Linen centre with coloured spanish design edged with cream nylon lace. Gilt metal loop handle.costume accessories, female

Donated by DonorWhite cotton petticoat. Draw string at waist. 21cm placket, with three buttons closing the back; 38cm added frill of cotton and lace to the hemline.costume, female underwear

Long stole of fine tulle with four lines of embroidery running down length and heavier embroidery of machine made guipere lace at each end.handcrafts, lacemaking, costume, female

Farnell Mardling is believed to have been a Councillor and Mayor of Rutherglen Borough, and was on the committee that was responsible for the building of the Common School in 1872. Persons identified in the photograph are: Back row (left to right): John Brennan, H.O. Mardling, Mary Brennan, James Mardling, John Mardling. Centre Row: Pauline Brennan (Daughter of Michael), Hynes Mardling (on knee), Mary Anne Mardling, T.P. Mardling, Wilfred Mardling (on knee), Mary Mardling, Farnel Mardling, Sophie Brennan, Michael Brennan. Front Row: J.P. Mardling, Eileen Mardling (Daughter of H.O. & M.A.), Marie Mardling (Daughter of T.P. & Catherine), T.M. Mardling, Winifred Brennan, Josie Brennan (Daughters of Michael).Black and white photograph of a large family group, posing in front of a veranda with iron lace. Caption of separate piece of paper identifies the people in the photograph.Written at bottom of photo: "Photo. 1. Farnel's House, Springhurst" Written on the left of the caption: "Photo.1." At top of caption paper: "Summer Time. (1907 approx.)?"mardling family, brennan family, john brennan, h o mardling, mary brennan, james mardling, john mardling, pauline brennan, hynes mardling, mary anne mardling, t p mardling, wilfred mardling, mary mardling, farnel mardling, sophie brennan, michael brennan, farnell mardling, j p mardling, eileen mardling, marie mardling, t m mardling, winifred brennan, josie brennan

Farnell Mardling is believed to have been a Councillor and Mayor of Rutherglen Borough, and was on the committee that was responsible for the building of the Common School in 1872. Persons identified in the photograph are: Back row (left to right): John Brennan (Father Jack - Redemptionist Order), John Mardling (Son of Farnel), Mary Anne Mardling (nee Hayes - sister of Catherine, wife of H.O.), Henry Oliver Mardling (Son of Farnel), William Mardling (Son of Farnel), James Mardling (Son of Farnel), Nell Mardling (Wife of William). Centre Row: Michael Brennan, Sophie Brennan (nee Mardling - daughter of Farnel, Wife of Michael Brennan), Farnel Mardling, Mary Mardling (nee Purtell, Wife of Farnel), Thomas Purtell Mardling (son of Farnel), Catherine Mardling (nee Hayes - Wife of T.P., sister of Mary Anne. Front row: Hynes Henry Mardling (Son of H.O. & M.A.), James Patrick Mardling (Son of H.O. & M.A.), Kathleen Mardling (Daughter of T.P. & Catherine), Thomas Mathew Mardling (Son of T.P. & Catherine, Wilfred Mardling (Son of T.P. & Catherine).Black and white photograph of a large family group, posing in front of a veranda with iron lace. Caption of separate piece of paper identifies the people in the photograph.Written at bottom of photo: "Photo. 2. Farnel's House, Springhurst" Written on the left of the caption: "Photo.2." At top of caption paper: "Winter time. 3rd June 1912" mardling family, brennan family, purtell family, john brennan, redemptionist order, john mardling, mary anne madling, henry oliver mardling, william mardling, james mardling, nell mardling, michael brennan, sophie brennan, farnel mardling, mary mardling, thomas purtell mardling, catherine mardling, hynes henry mardling, james patrick mardling, kathleen mardling, wilfred mardling, thomas mathew mardling, farnell mardling

William Cook was one of the earliest settlers in Vermont. Having returned from the W.A. goldfields he married Jane Maggs in 1880 at Wickliffe, Victoria and his only child, Amy, was born in 1881 at Box Hill. William Cook's property fronted Whitehorse Road, Mitcham and ran north almost to the Mullum Mullum Creek. He shared part of his eastern boundary with the Schwerkolt family. William Cook specialised in cherries and became known as 'The Cherry King'Sepia photograph mounted on card of a woman and a girl standing in front of a wooden house with iron lace on the verandah. A path leads down the side of the house.cook, amy, jane, orchards

McNamara collection Petticoat was made by Isobel from a nightgown (possible from her granddaughter's).- Cotton petticoat made from adult nightdress - Lace (broderie anglaise) trim - Pin tucked front - Back placket with press stud fasteningNilmcnamara collection, cotton, child's clothing, handmade

Francesca Schwerkolt (nee Both) was the daughter of Wilhelmina Both (nee Kruse) who was the 2nd wife of August Schwerkolt. She was also the wife of Louis Schwerkolt .(1858 - 1935), son of August Schwerkolt and his first wife and they had five children.Sepia photograph of a woman with short curly fair hair and a lace-decorated dark dress. Written: (Cissie) Francesca Both Schwerkolt 1874 - 1946both francesca, schwerkolt, francesca

Black leather school shoes for girls. Raised heel. Round silver-edged eyelets for black laces. Stored in a Charlie Brown shoe-boxCharlie Brown Ariella 8 1/2shoes, footwear, children's school shoes, black leather

Very small plastic doll in red and white checked frock & head scarf, frock with lace collar, jointed limbs and opening closing eyes.toys, dolls, plastic

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This lingerie dress is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from the first years of the 20th century.Long white cotton muslin lingerie dress with inserted panels of white lace and additional white and black embroidery applied to the shoulders, waist and hem. australian fashion - 1900s, women's clothing, white muslin dresses, embroidery, tea dresses, lingerie dresses, rosemary vaughan-smith

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black wool vest with a lace up front. The vest is heavily embroidered in an abstract multicoloured floral motifs. It is lined with a fine olive green silk. women's clothing, australian fashion - 1970s, vests

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Lace collar attached to the neckline of a garment. It is narrow over the back , widens at the shoulders and tapers down in a triangular shape to a point on either side at the front. lace, women's clothing, collars

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream collar. Panels of locked stitch lace onto netting are alternated with cut work. The neck edge is bound with fabric to attach the collar to a garment lace, women's clothing, collars

The current site of the Kew Recreation Centre in High Street Kew previously housed the Kew Depot on the corner of Disraeli Street. In nearby Derby Street, a number of original Victorian era buildings were gradually replaced due to development of the Baths precinct and commercial development.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Derby Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.Annotation verso: "House in Derby St., next to Kew Baths (Demolished?)"dorothy rogers, derby street (kew), victorian houses -- kew (vic.)

This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Gladstone Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.Annotation verso: "Mr Williams cottage in Gladstone St, Kew. He was Miss Louisa Henty's coachman. Hailed from West Indies. Built about 1900."dorothy rogers, victorian houses -- kew (vic.), houses -- gladstone street (kew), louisa henty, gardeners -- kew (vic.)