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Victoria Police Museum
Carte de Visite (Patrick Gascoigne), J. Weller, 1875-1880
Photographic image of Patrick Charles Gascoigne in his mounted constable uniform. Photograph is taken in a studio with his hat and right hand resting on a mock wall. Bushland setting created behind.Mtd Const. P.C. Gascoigne (blue pen on rear)kelly gang, edward kelly, ned kelly, glenrowan, constable gascoigne, patrick charles gascoigne, police murders -
Tatura Irrigation & Wartime Camps Museum
Photograph, Alan Whiting, 1924
Taken for the Victorian State Rivers and Water Supply Commission.Mounted medium sized black and white photograph. Waranga Basin earth wall concrete reinforced (middle of picture) / Tree and hut near water filled borrow pits right centre.irrigation, victorian state rivers and water supply commission, waranga basin -
Tatura Irrigation & Wartime Camps Museum
Photograph, Alan Whiting, 1924
Taken for the Victorian State Rivers and Water Supply Commission.Mounted medium sized black and white photograph. Waranga Basin outlet structure and regulator / Concrete arches and pylons / Steel handrails / Rock and earth fill walls either side of channel.irrigation, victorian state rivers and water supply commission, waranga basin -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Franz Korbler, Darfeingang bein Damghan Iran, 1944 Loveday SA
Painting by Franz Korbler. Architect/artist, born Vienna Austria, arrested Teheran Persia September 12941. Interned Loveday Camp SA and Tatura Camp Victoria 1945-1947.Water colour of brick wall, with stone entrance. Lady standing in doorway, pot to right of her. Man standing centre of picture just in front of the entrance. Blue sky at top of picture.franz korbler -
Stawell Historical Society Inc
Photograph, Stawell Fire Brigade 1955, 1955
Group Portrait of Stawell Fire Brigade Members in Dress Uniform 1955 Framed: Back Row: (L to R) E. Walsh, E. Dickens, A. Smith, J. Miatke, A. Oliver, J.Hall, H. Dunn, C. Prosser, A. Parsons. Centre Row: J. Grainger, C. Richardson, F. Crouch, H. Chapman, R. Maddocks, R. Ledgar, A. Dunn, K. Floyd. Front Row: R. Phillips, S. WHelan, F.Court, G. Huse, R.Chapman, P. Fenwick, I. O'Neil, R. Rickard B.Thompson.B/W Photo: Three rows of males in dress uniforms; mix of navy and red uniforms with caps: Backrow standing in front of curtain and end wall, remaining two rows seatedStawell Fire Brigade 1955 Chapman's Studios Stawellstawell -
Tatura Irrigation & Wartime Camps Museum
Photograph, Eberhard Schuster, September 1991
Eberhard Schuster was a German wool buyer and interned in Camp 1 during WW2. He is standing in front the skittle alley which he operated at Camp 1. Photograph taken in 1991.Colour photograph of Eberhard Schuster, standing in front of a stone wall, behind which are gum trees. Mr Schuster is attired in brown strides, white jacket, black beret and walking stick.german wool buyers, eberhard schuster, camp 1, skittle alley -
Hume City Civic Collection
Photograph, Early 1970s
The Macedon Street Bridge over Jacksons Creek is important because it was built on one of Victoria's first important roads. It replaced a smaller lighter bridge in 1857 and continued to be used until the early 1970s.A black and white photograph of a two arched bluestone bridge over a creek. A wooden post and rail fence painted white has been constructed in front of the original stone wall of the bridge.bridges, bluestone bridges, jacksons creek, macedon street, george evans collection -
Queen Victoria Women's Centre
Photograph, 5 February 1996
Colour photograph. North exterior wall of building facing south west. in 2015 is the QV square towards the QVWC office and the QVWC building's north entrance. Taken during restoration inspection. building construction, historic buildings, cultural structures and establishments -
Queen Victoria Women's Centre
Photograph, C.1997
Colour photograph. In the dining area in the annex on the ground level of the QVWC building. Three unidentified women in frame sitting down. Taken facing south east. Black and white artwork on the wall. cafe, historic buildings, art exhibitions -
Queen Victoria Women's Centre
Photograph, c.1998
Colour photograph. In QVWC building in level one locker room. Red metal locker taking up most of the rame. A sign on the wall in the background. This is a styled photo and was probably for Qmag newsletter.historic buildings -
Queen Victoria Women's Centre
Pamphlet, Celebrate a woman in your life, c.2009
A4 page. Folded twice to create a pamphlet. Donation/nomination form for the shilling wall. A project to create an enduring tribute to Victorian women at the QVWC. Colour images on both side of the page. ticks in blue ink have been added onto the pamphletfundraising events, pamphlets -
Mt Dandenong & District Historical Society Inc.
Photograph, Kalorama Post Office, FiveWays c1994, c1994
The post office business had recently been removed to the shop at Silvandale but the post boxes are still set into the wall. The post office building had been on this site for about 100 years.fiveways, kalorama, post office -
Surrey Hills Historical Society Collection
Photograph, Interior of Anne's Pantry, 1991
There is a 1991 SHNN article and photo of Nick and Judy Hilverda. The girl in the photo is Nick and Judy's daughter, Jenny.A coloured photograph shows a lady, wearing an apron, standing behind a display case full of cakes. There are wire baskets hanging from the wall in the background and another display case to the left of the picture.union road, surrey hills, businesses, cake shop, pastry shop, shopkeepers, anne's pantry, (mr) nick hilverda, (mrs) judy hilverda, (miss) jenny hilverda -
Flagstaff Hill Maritime Museum and Village
Drill
Drill press metal wall mounted self feeding belt driven. Embossed Buffalo Forge Co Buffalo N Y. Plate on front embossed 418. Black paint evidentflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Gas Light Fitting
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Gas Light Fitting, Brass wall mount of a swinging armed gas bracket, with gate valve. Has heavy concretion. Artefact Reg No S/76. Recovered from the wreck of the Schomberg.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, gas light fitting, brass gas light fitting -
Warrnambool and District Historical Society Inc.
Document, Bereavement McDonald, 1922
This is a card sent by the family of Samuel McDonald in 1922 thanking the Warrnambool Club members for their sympathy following a recent bereavement. The Warrnambool Club was established in 1873 as a gentlemen’s club and the Warrnambool Club building in Kepler Street which still stands today was erected in 1877. Samuel McDonald, a Justice of the Peace, died in Malvern, Melbourne, at the age of 78. His wife was Eliza Spiers McDonald. Samuel McDonald was buried in the Warrnambool Cemetery so it is presumed he was a resident of the city at one stage.This card is of interest as it has a social history showing the type of bereavement card used in the 1920s. – a plain card with a black edging. These cards could be purchased in bulk with a blank sheet for inserting the relevant details. The connection to Samuel McDonald and the Warrnambool Club is also interesting.This is a small cream-coloured card with black edging. The card has printed material and a small slit in the top left hand corner indicating that it has been pinned to a notice board or wall. ‘The family of the late Mr Samuel McDonald return(s) sincere thanks for kind sympathy in their recent bereavement. December 1922’samuel mcdonald, warrnambool club -
Christ Church Anglican Parish of Warrnambool
Thanksgiving window: Walter & Fanny MANIFOLD, "St John"
Stained glass, lancet window, north wall, north nave. Depiction of St John with the symbols of a quill, ascribing to him the Gospel of John, and an eagle representing the soaring loftiness of of his writings.St John. /"The disciple whom Jesus Loved". / To the Glory of God. A thankoffering for many happy/ years from Walter and Fanny Manifold. 1st June 1914 -
Parks Victoria - Mount Buffalo Chalet
Skates
Ice skates used to skate on Lake Catani. Ice skating was a popular activity for guest and visitors to Mt Buffalo. Ice skates were provided for hire by the the first Lessee of the Chalet, John Newton and also Norwegian born Hilda Samsing, who took over from him in 1919 and did much to pioneer and promote winter sports in the Victorian Alpine region . Ice cover on the Lake has not been sufficient for safe skating for many decades. 'After its initial popularity, skating at Mount Buffalo dwindled in the post-war years. According to Museum Victoria curator, Michelle Stevenson, few collections hold historic ice-skates, so any early examples identified in the Chalet collection will be important for their rarity." (Pg 94. Historica) 'Ice-skating was a popular recreational activity in the later nineteenth and early twentieth centuries...According to Michelle Stevenson, Australian Collections hold little material culture relating to its practice other than images and film. The few pairs of ice skates in the Chalet collection, which are in good condition, are important for their rarity as well as for illustrating the popularity of skating on Lake Catani prior to WW2.' Pair of black leather ice scates, mounted on wall. Skates feature white laces, metal blades and brown leather reinforcing area around laces and ankles.Boots are stffed with 1993 newsprint.On skate blade, "Made in Canada 11 1/3 CCM / Senior A" On boot sole , "Made by J Molony " plus worn name label. -
Rutherglen Historical Society
Image, October 1929
Photocopies of Hume Weir photographs 1928-29One of two black and white photographs, photocopied onto a single sheet of A4 paper. This one is of construction work on a dam, showing lower part of dam wall, and featuring one of the valves.Written on paper next to photo: "Needle valve Hume Weir Albury Oct '29"hume weir, construction, dam construction -
Whitehorse Historical Society Inc.
Instrument - Record
Collection of Margaret ScarlettFlat, round Bakelite record. Hole in centre. Red sticker in middle - 'His Master's Voice'. 'Dinah' / reverse side 'Love to Whistle' - Fats Waller and his Rhythm . Speed 78Polydor - Allan's (see above)musical instruments, accessories -
Port Melbourne Historical & Preservation Society
Photograph - 1888 memorial stone from original Seamen's Institute, Missions to Seamen, Port Melbourne, Alison Kelly, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, 1888 memorial stone from original Seamen's Institute, set into interior wall outside doors to chapelmissions to seamen, built environment, alison kelly -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Henry House Daycare Centre Portland, Henry House Portland, n.d
Colour photograph of Henry House Day Care Centre. Front of building, garden and paving, from Glenelg Street. Plaque on front wall of building 'Henry House Day Care Centre'. -
Glenelg Shire Council Cultural Collection
Equipment - Whale Oil Lamp, n.d
Vintage brass Dutch whale oil lamp. Round base, single spout burner. Oil well lid attached by chain to wall support, also 13 cm hanger hook -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - building, Portland, n.d
Black and white photo glued to orange card. Wall (?internal) of two-storey timber building. Partial wooden staircase, 2 doors, one on each floor with distinctive shaped tops.Back: 'BV' - top right corner, handwritten, blue birobetty vivian, building -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authority Archivesport of portland archives, main breakwater, construction, battery point, portland harbour, harbour development -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Grant Quarry, n.d
Port of Portland Authority ArchivesBack: Border ruled in pencil 'Cape Grant Quarry Loading a s stone, (1) 5'4" approx' all in pencil -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Port of Portland staff, n.d
Port of Portland Authority Archivesport of portland archives, staff, gathering, event -
Kew Historical Society Inc
Photograph - Giant Red Gum. Victoria Park [Kew], c.1950
In 1871, Victoria Park, beside the Boroondara General Cemetery was set aside as a public reserve. As the Park developed, exotic plants were added to existing specimens. In 1910, a photograph of ‘The Oldest Inhabitant: A Giant Red-gum Tree’ in the Park was included in the Jubilee History of Kew. Fifty-one years later the tree was re-photographed by Colin Campbell. A 2007 Master Plan developed for the City of Boroondara advises the retention of this now dead River Red Gum, including a ‘managed risk zone’ and planting under the heavily lopped tree.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small monochrome snapshot of the former giant River Red Gum that until it died was a major feature of Victoria Park, Kew. In the background is the red brick wall of the Boroondara General (Kew) Cemetery.Annotation verso: "Giant Red Gum. Victoria Park. Still there over 100 yrs old"dorothy rogers, victoria park (kew), river red gums -
Yarra City Council
Artwork, other - Mural, Rebecca Atkinson, Queep Queep, 2023
'Queep-Queep’ means ‘birds’ in Woi-wurrung language—the language of the Wurundjeri people—the Traditional Owners of the land on which the building is standing. Referencing what lived and flourished in this area prior to European invasion, the artwork acknowledges the important Aboriginal history of the area now known as the City of Yarra. The six native birds depicted in the artwork can all be found living within the City of Yarra: the male red-rumped parrot, kookaburra, superb fairy wren, rainbow lorikeet, raven, and wedge-tailed eagle. Many south-eastern Aboriginal people recognise the wedge-tailed eagle as Bunjil—the creator spirit. Bunjil is the head of the Kulin Nation and is very powerful. Bunjil created the land, waterways, animals, plants and even the people. He is watching over the land to ensure that we are caring for Country—reminding us to respect ourselves, respect others and respect the environment.'Queep-Queep' is a site-specific artwork commissioned for the new Richmond Kindergarten, Lord Street, Richmond, 2023.Two aluminium birds (a wedge-tailed eagle and a raven) at the entrance to the building, and a large, colourful mural of Australian native birds painted in a graphic style on the other side of the wall facing into the playground.accompanying plaquebirds, bunjil, country, kulin nation, environment, public art -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - School 89 - 1977
School 89 - 1977 - Group 1- Autographed photo of students nurses Black and White photo in Folder. 31 nurses in 3 rows. Front row is sitting and back two are standing. Male nurse is standing in the middle of the 2nd row. Brick wall at back 31 signatures on back of photsnursing history, nursing information, nursing training