Showing 2688 items
matching 1850-1907
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Glenelg Shire Council Cultural Collection
Tool - Harpoon, 1850-1859
City of Portland Collection|Kurtze MuseumIron utensil featuring shaft with V shaped section on one end and soldi cone shaped section on the other end. Painted with glossy black paint. -
Glenelg Shire Council Cultural Collection
Weapon - Harpoon, c. 1850
City of Portland Collection|Kurtze MuseumIron weapon or tool comprising triangular shaped wedge attached to end of shaft. Painted with glossy black paint.whaling, weapon, harpoon -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Melbourne Morning Herald, Horticultural Society AGM, 1850
Photocopy of advertisement in "The Melbourne Morning Herald" 03.01.1850. Notice of Annual General meeting for 5th January. Not clear enough to scan.the melbourne morning herald, annual general meeting, horticultural society, horticultural society of victoria -
Arapiles Historical Society
Accessory - Fan, 1850-1900
AHS original, local collectionWhite lace patternnatimuk, ladies' fashion, costume accessories, fan -
University of Melbourne, Burnley Campus Archives
Article - Photocopy, The Victorian Horticultural Society, 1850
Photocopies of various pages from Melbourne newspapersvictoria horticultural society, teh argus, the melbourne morning herald -
University of Melbourne, Burnley Campus Archives
Article - Photocopy, Horticultural Society, 1848-1850
Copies of newspaper articles on foundation of (Victoria) Horticultural Societyfoundation, victoria horticultural society, john pascoe fawkner -
Flagstaff Hill Maritime Museum and Village
Decorative object - Wall Decoration, 1850 to 1901
This item is part of the Giles Collection, dating back to the late Victorian era, from the 1880s to the early 1900s, in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hangings that enjoyed the height of their popularity during the Victorian era were of the spiritual type with either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, enamelled or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society. The Giles Family There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as a family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940.The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. This wall decoration reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. Printed card wall hanging with floral design. Religious text on the sign is embossed onto the card and highlighted in silver print. There is a handwritten ink inscription, and a pencil inscription, on the back. A string is attached to two holes on top of the card. Embossed"THE BLESSING / OF THE LORD/ BE UPON YOU." "PS 129.8." In pencil "H/S" In ink "To dear Granny with lots of love / from Dorothy. X X."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, paper wall decoration, religious, home decoration, societal values, victorian moral values, wall hanging, wall decoration, spiritual decoration, bible verse, giles collection -
Villa Alba Museum
Decorative object - Curtain trim, 2 stuffed decorative "ropes", 1850-1900
2 long lengths of trim for curtain ensemble; consists of gold-coloured silk satin like a twisted sausage, padded with cottonwool; the twists defined by narrow gold gimp, now tarnished. Length 1 contains 3 sections of upholstery tacks for pinning the draped length in loops over the curtain drops. -
Whitehorse Historical Society Inc.
Photograph, Lady Wearing Shawl, 1850-1860
Black and white photo (original and copy)of lady wearing shawl (NA2623). It is thought that the lady's name is Mrs.S. Smith (nee Miss.S.Scott) See framed photo NA2194scott.miss.s, smith.mrs.s -
Villa Alba Museum
Decorative object - Curtain tie backs, 3 pairs, 1850-1900
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Part of a group of curtain furnishings which includes a curtain with original fittings, fringe and braid unpicked from other curtains, and these six curtain tie backs. The six curtain tie backs are identical, though one pair is shorter. The tie backs comprise a length of soft, loose (floss) silk cord, made of two thick strands twisted together (cable cord). An elaborate tassel is attached to the middle of each cord, to weight the tie back in an elegant loop, with the loose ends attached to hooks or pins on the window frame. Each tassel is formed of a turned wooden mould, covered with floss silk thread, and further decorated with knotted netting, applied braid, and glass beads. The end of the mould has a large flattened shape, from which hangs a ring of long, bullion metal fringe. This may be silver-gilt: untarnished parts are still true gold colour, while the majority of the fringing is tarnished black. These curtain decorations are truly luxurious; the original suite of curtains would have been very expensive, an eloquent item of conspicuous consumption of luxury goods.Attached handwritten note : "VA Th 7/6/2012 Ric Freeman (Nat Trust member) & Julie Freeman / re soft furnishings, tassels, trimmings, braid set / Jessie, Terry (and Chris St) to view, collect"decorative arts & design, interior decoration - history, curtain accessories, tassels -
Villa Alba Museum
Decorative object - Suite of curtains, 7 drops, 1850-1900
7 curtain panels, all the same size, possibly to fit a 3-light bay window; or alternately, to fit 3 windows in the same room (or something else altogether, if this is not the original total number). Fabric: silk-wool/linen (?) mix, sky blue ground with narrow vertical stripes gold. The fabric is a damask weave with a watered (moiré) finish; the large, woven motif depicts an urn filled with stylised flowers, leaves and curlicues; the spacing of the motifs is more 19thC than older styles. Each curtain drop is decorated with an applied band of narrow, colour-matched gimp braid around the sides and lower end. The bottom hems are weighted with what feels like lead shot. The curtains are lined with sturdy brown cotton. They are gathered at the top edge on drawstring tape; and sewn with small metal hanging rings. Faded vertical bands of sun exposure are visible on most of the curtains, and one panel has a mended tear on a lower side. Otherwise they are in excellent, sound condition.decorative arts & design, interior decoratio -- history, curtains, curtain accessories -
Whitehorse Historical Society Inc.
Decorative object - Photo Frame, 1850 - 60
Ornate frame of light green with gilt. Included in the frame is a black and white photo of lady wearing shawl (NA2623) on display in this cabinet in museum. It is thought that the lady's name is Mrs.S. Smith (nee Miss .S. Scott). See NP855photography, photographs / slides / film, domestic items, ornaments / decorative -
Stawell Historical Society Inc
Book, Lord Byron, The Poetical Works of Lord Byron, 1850
Associated with the Dane Family.Brass bound cover, Gold embossed design, Gold on Red & Blue background. Gold Leaf edges.Associated with Dane Familystawell education -
Clunes Museum
Container - BOTTLE, THE BENDIGO POTTERY, CIRCA 1850
STONEWARE GINGER BEER CONTAINER FOR COLAC AERATED WATER CO.THIS ITEM IS A STONEWARE GINGER BEER BOTTLE COLAC AERRATED WATER CO. GEO. HAY'S GINGER BEER PHONE 85 - THE BENDIGO POTTERY EPSO BENDIGOlocal history, domestic item, containers, eberhard -
Mission to Seafarers Victoria
Book (Item) - Scrapbook, David Hood Duncan, Album, 1850-1900
This scrapbook contains newspaper cuttings, hand written poems and quotes from friends and family members and pressed flowers and ferns. Entries were made in the mid 1800s to early 1900s and relate to Duncan family history. The initials suggest this is Lillie and Olive's father, David Hood Duncan, who created this scrapbook. David Hood Duncan married Ada Blanche Thomson (1861-1928) on 25 November 1896. Ada was the daughter of John Gilmour Thomson (1829-1905) from Moonee Ponds and Hannah Davies (1834-1890) Their first daughter, Lillie, was born on 15 October 1897 in Woodland, South Gippsland where he was a farmer. In 1908, 1910, 1911, 1913, Lillie Duncan sent letters to Patience from the Young Folk section of the Australian. She was writing from Woodlea, Cathkin, where they had moved as there was no school in South Gippsland. They moved to 11 Paxton Street, East Malvern when David retired. He was leasing a farm, Kia Ora, in Koo Wee Rup, the South Gippsland. Ada Blanche died on 28 December 1928. David died on 24 May 1942.This is an album of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals and families involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation.Decoratively embossed word on front cover : "ALBUM" . Inner pages: Handwritten in various inks throughout are poems and quotes. Two unidentified initials followed by Duncan name on the inside page. duncan, poems, quotes, newspaper cuttings, albums, scrapbooks, lillie duncan, olive duncan, poetry, ferns, plants, david hood duncan, ada blanche duncan (nee thomson), epistolary -
Stawell Historical Society Inc
Book, Thomas Hood, The Poetical Works of Thomas Hood, 1850
Associated with Dane FamilyBrass Bound Covers. Gold embossed design. Gold on Red & Blue Background. Gold Leaf edges.stawell education -
Clunes Museum
Tool - GOLD CRADLE & PANNING DISH, JAMES ESMOND, CIRCA 1850
USED TO OBTAIN ALLUVIAL GOLD THE DESIGN OF THIS EQUIPMENT IS MOSTLY BASED ON THE PRINCIPLE OF THE WAY HEAVY MINERALS ARE CONCENTRATED IN ALLUVIAL DEPOSITS. THE PROSPECTING DISH IS USED WHEN WORKING WITH SMALL AMOUNTS OF STONES & CLAY WHILE BIGGER JOBS THE CRADLE OR BANJO IS MORE EFFICIENT. THE GAUZE OF MESH IN THE SIEVE IS VARIABLE. THE CRADLE OR BANJO IS USUALLY SET UP AT RIGHT ANGLES TO A SHALLOW CREEK OR WATERHOLE WITH THE OPEN ENDS TOWARDS THE WATER.1 WOODEN CONSTRUCTION MADE BY HAND WITH GAUZE FILTER IN UPPER SECTION TO SEPARATE QUARTZ ROCKS, SAND AND SOIL. A HANDLE ON BOX LIKE CONSTRUCTION IS USED TO ROCK THE CRADLE WHICH IS MOUNTED WITH ITS ROCKERS RESTING ON WOODEN BEARERS. .2 PANlocal history, mining equipment, mining -
Flagstaff Hill Maritime Museum and Village
Container - Kitchen Canister set, 1850-1870
In early civilization's cereal grains such as maize, wheat, barley etc. were stored in large airy buildings, often raised up from the ground to reduce infestation by pests and vermin. Ancient Egyptian and early Hebrew writings include reference to such buildings. Smaller quantities of food were stored in baskets made from woven grasses or leaves. In more recent times but prior to the invention of the refrigerator many food products were stored in the home as preserves or pickles, often in heat sealed jars. Dry food items were stored in vermin proof metal containers and could be found in any early colonial kitchen. Items such as coffee, tea, rice and sago were stable food types and needed longer term storage and a higher degree of protection from vermin and the elements, a common material used during this time was sheet metal or tin such as is used today in a common form of storage the biscuit tin. An early example of colonial food storage used in a domestic setting, it is interesting to note the subject items have provision to be locked. This indicates the value early colonial settlers placed on the contents and used to prevent pilfering. The subject items are now sought by collectors. Canister set; set of four canisters. Cylindrical matching kitchen storage tins with hinge lid that has a latch closure, and a folding handle on top of lid. Canisters are painted brown and the body has a graphic of a scroll in gold with printed label of contents. The canisters range from small to large, "COFFEE", "TEA" , "SAGO", " RICE" (respective RNs 163.1, 163.2, 163.3, 163.4)Respectively labelled "COFFEE," "TEA," "SAGO," "RICE" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, canister, canister set, rice canister, kitchen canister, food storage, domestic item -
Mission to Seafarers Victoria
Furniture - Dry sink, 1800-1850
Wooden stand . top opens to reveal a basin which drains into a hole underneath.the name Volum is written at the back of the cabinetvolum collection, campaign furniture, seafaring, geelong, whaling, captain, whaler, peterhead, scotland, dry sink, wash stand, sink, james volum -
Australian Lace Guild - Victorian Branch
Textile - Machine Muslin appliqué lace, 1850-1900
Use: Domestic. FashionMachine lace bonnet veil -
Australian Lace Guild - Victorian Branch
Textile - Carrickmacross lace, 1850-1900
Use: Domestic. FashionApplique lace cuffs -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, 1850-1900
Use: Domestic. FashionBobbin lace dress front -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, 1850-1900
Use: Domestic. FashionBobbin lace cuffs -
Clunes Museum
Clothing - BABY CARRYING COAT, CIRCA 1850
BABY'S CARRYING COAT. WHITE PIQUE WITH BRODERIE TRIMcostume, costumes - child, baby carrying coat -
Kew Historical Society Inc
Clothing - Christening gown, 1850-9
In the early 19th century, infant baptismal gowns worn by male and female infants began to be modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A mid-nineteenth century christening (baptismal) gown, constructed of sturdy white cotton featuring a long skirt, high neck and long sleeves. The gown is constructed by hand, and there is evidence of home-finished needlework, The bodice is loosely pleated with gathering at the high waist, A later cotton tie was attached at the centre waist and commercial lace added to the neckline and cuffs.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Whitehorse Historical Society Inc.
Headwear - Bonnet, c. 1850
Owned by members of donor's family in 1850s.White cotton bonnet decorated with embroidered Anglais and trimmed around face and hem. Ties for under chin. Worn in 1850s. Night bonnet.costume, female headwear -
Bendigo Historical Society Inc.
Document - RESEARCH PAPERS: THE NEWS PAPER DONATIONS, 1850
A 10 page document detailing the history behind the importance of the local paper's monthly charity report and the significance of it with the local Chinese settlers. Lecture notes by Carol Holsworth for lectureto BHS on 07/02/2003. -
Bendigo Historical Society Inc.
Clothing - FINE WHITE COTTON, SPLIT DRAWERS, 1850's-1900's
Fine white cotton, with a drawstring in a 1.5xcm deep casing around the waistline. Completely opened at centre front, through crotch, and up the centre back to within 14cm of the waistline. One dart on either side of front, and two darts on either side of back. Machine stitched. A 2.5cm wide cotton lace is inset into a zig zag pattern around each leg. In each V shape a 1.5cm lace insert in a fan,under the V shapes are inserted needle woven bows, shape is inserted. Seven extremely fine pin tucks border the edge of the legs, which have a three cm wide lace edging. Split drawers were worn in the era when women wore corsets. The split front and back allowed women to go to the toilet, as the corsets could not be removed to allow for an act of nature.Accompanying note - No date. The bloomers belonged to Miss Antoinette Catling of Bendigo and were part of her trousseaux. They would be 80+ years old. The linen bed jacket (11400.930) would be about the same age.costume, female, fine white cotton split drawers -
Bendigo Historical Society Inc.
Clothing - VICTORIAN BLACK SILK BEADED BODICE, 1850's - 1900
High round neckline, edged with 1.5cm wide lace. Centre front panel is pintucked with a centre front opening, fastened with ten metal hook and eye fasteners. Five metal press-studs also fasten the overlap of pintucks, but these are possibly a later addition. A 3.5cm wide panel of fine watermark silk defines the waistline, in three 1.5cm pleats. Centre back seam has one .5cm flat pleat or tuck on either side. A 5.5cm panel of fabric is overlaid with a net based, beaded braid, of small black jet beads in a floral design-This braid extends around the neckline, and down each side of the front to below the bustline. This beading is also sewn of the eight cm wide sleeve cuffs. A cream crochet collar-most likely a later addition, is now stitched over the beading around the neckline. Garment is lined with black polished cotton.costume, female, victorian black silk beaded bodice. -
Bendigo Historical Society Inc.
Clothing - CREAM SILK - SATIN LONG SLEEVED BODICE, 1850's
Cream silk satin bodice, with a high round neckline, finished with a seven cm deep, cream lace, boned, mandarin stand up collar - five bones-(one missing) to support the collar. Nine 16cm bones support the shaping of the tapered firmly fitted waist. A ten cm deep yoke at front and back shoulders. Below the yoke is a panel of eleven cm long pintucks right across the front, and on either side of the back. Centre front gathers into a cotton tape band at the waistline. Below the neckline of the centre front, is a panel ten cm deep of cotton lace, then a 13cm deep fine silk, gathered frill, edged with a reinforced silk ruffle. The centre back opening has a double placket, each fastening with alternate hook and eye,hook on either side of opening. Two large hooks facilitate a joining with a skirt.The three quarter length satin sleeves, are a bell shape, and gather into a cream net, eight cm deep band, which fastens with two metal hooks and hand made loops. Over the net is a double frill, 13 cm deep, and edged with a reinforced silk ruffle, as in the centre front panel. This bishop-type sleeve has five X 12cm long pintucks at the shoulderline. A ten cm long row of a feather stitch type of hand embroidery on either side of front bodice-one each side of the gathered centre front panel. Bodice is fully lined with polished cotton.costume, female, cream silk-satin long sleeved bodice