In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Boston University Law and Education Tower, Boston, Massachusetts, USA, 1962. (Architect: Josep Lluis Sert.)Made in Australia / 12 / AUG 64M / Encircled 23 (Handwritten) / Encircled 70F (Handwritten)boston, slide, robin boyd

Cream ceramic mug with gold rim and lettering. Celebrates the 40 year anniversary of California (Cal) Gully kindergarten (1962-2002) The names of 57 children enrolled in 2002 plus the teacher (Julie Lebkowski) and assistant (Pauline Coburn) are inscribed on the mug.

Eppalock. Construction. Shows water in the bottom of the lake, or possibly river running into it. Markings: Eppalock Dam. Dec 1962 near Lyal.Kodakcivil engineering, water supply, eppalock

Set of 2 round cloth badgesOperational Support Unit RAAF VietNam Australian Vietnam Forces 1962-1973 vietnam badges, operational support unit r.a.a.f. vietnam,

Commemorative bottle of wine. Part of a set with wine glassWhite label. "To all those who sffered and died Vietnam 1962-1973"wine bottle

This is the home of Ernest Lance Young and Beryl Mair and the childhood home of their children Barbara, Ken and Laurie. Lance was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitty. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls list him as a manufacturer. His address after marriage was 11 York Street, Mont Albert. He is buried in Box Hill Cemetery (M-*-0867) along with his father. He served in WW2 (Service Number - VX104733 enlisting at St Kilda) and after returning took over his father's business. The Mair family were resident in Barton Street for several generations. Beryl's father Dave Mair was a keen sportsman and founder of the Kangaroo Social Club of cricketers. This is part of a large collection relating to the Mair, Deakin and Young families. Black & white photo of the street view of 11 York Street, Mont Albert, looking down the driveway. Although the house is heavily screened by a mature garden with several large trees or shrubs, part of the front and one side can be seen. It is a weatherboard house with a terracotta tiled roof and Californian bungalow in style.In blue biro on rear: "11 YORK ST/ MONT ALBERT / 1962 APPROX" ken young, barbara young, laurie young, laurie newton, beryl mair, ernest lance young, lance young, york street, mont albert

Yields information about preparation of tramway statistics to enable the Transport Regulation Board to plan bus replacement., Yields information about preparation of tramway statistics to enable the Transport Regulation Board to plan bus replacement.Copy of a Memorandum sent by the Melbourne office, Engineer and Manager SEC to the Manager Ballarat Branch, 6/2/1962, requesting the preparation of statistics for the Transport Regulation Board planning of the Motor Omnibus Services. Has a long list of items. Similar letter to Bendigo. Also refers to Reg Item 7930 and 7932 for the response.trams, tramways, reports, passengers, employees, fares, tramcars, routes, revenue, finances, tickets

Yields information about the passenger traffic in Ballarat during Feb. 1962Report - typed folio sheet, titled "Passenger Density and Direction per house each route - weekdays", with Item No. 13 and dated February 1962, crossed out, listing each route, time, number of school children (SCH), includes View Point. See Reg Item 7921 and 7931 for similar reports.trams, tramways, reports, passengers, ballarat

Yields information about the tram services on the Mt Pleasant line.Negative and Digital images of the Wal Jack Ballarat Negative file of No 11 outbound to Mt Pleasant in Barkly St, photographed from the back yard of Wal Jack's sisters home, near Eastwood St, possibly 28-10-1962 - see Reg Item 5262 for another similar photograph of Ballarat 43. trams, tramways, barkly st, mt pleasant, tram 11

Photo of No. 39 about to cross railway line, Lydiard St. Tram fitted with dash canopy lighting, small triangles, Provincial Hotel and Ballarat B signal box in background. Austin A40? car in photo heading north. Tram heading south. Has 'Sebastopol' destination. Taken on 24-3-1962.'SEC Ballarat, No. 39 at Railway Xing, Ballarat R.Stn, Lydiard St. Nth, 24-3-62.' in blue inktramways, trams, lydiard st., railway crossing, level crossings, signals, tram 39

Agfa Colour slide, cardboard, by Keith Caldwell dated March 1962 of W6 948 turning from Elizabeth St into Victoria St, destination of North Melbourne, route 50. Has the Victoria Market on the right hand side. Also in the background are advertisements for Vealls Westinghouse Refrigerators, Dunlop Tyres and a surplus stores.In ink " Mar 62"trams, tramways, elizabeth st, victoria st, north melbourne, route 50, tram 948

Dyeline print of Drawing R10-313 - Motor Bus Data, dated 22/2/1962. Gives data by class, depot allocation, chassis, operation type - one or two man, number of vehicles, body builder, capacity, turning circle, wheel bases, Tare weight, overall length, width and height.On outside corner - "Data Sheet Buses" in red ink and number "R10-313" in black ink.trams, tramways, buses, mmtb, lists

Visiting seafarers signed the books on arriving at the mission.The logbook provides an insight into which ships and the origins of their crews were visiting Melbourne from 1999 to 2004. On the cover is a yellow post-it note bearing the words: Melbourne Visitors Log 27/10/99 06/08/04visitor, logbook, seamen, sailors, seafarers, mission to seafarers, seamen mission, flinders street, nationality, ship

The donor, Ada Barclay, was a member of the Flying Angel Club, Missions to Seamen (which is now Mission to Seafarers) in Townsville and Sydney. One of the badges connects her with the Ladies' Harbour Lights Guild in Queensland. The Sanctuary Window and other items at Flagstaff Hill Maritime Village are part of the St Nicholas Seamen’s Church Williamstown Collection. The window is dedicated to the seamen from the Merchant Navy and was organised by a group of women, some of whom were also in the Ladies’ Harbour Lights Guild, dedicated to the care of seafarers across the world. The Sanctuary Window above the altar in Flagstaff Hill Maritime Village's St Nicholas Seamen’s Church’ is titled "Christ Showing the Helmsman the Way". This round, stained glass window was originally installed in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The window was donated to St Nicholas Seamen’s Church as a memorial to the members of the Merchant Navy whose lives were lost in the Second World War, 1939-1945. The donor was the Williamstown Lightkeepers Auxiliary, an independent ladies association working with the Williamstown Missions to Seamen. Some of the members of this Auxiliary were also members of the Ladies’ Harbour Lights Guild. This set of badges is significant historically for its connection to the Merchant Navy organisation, the Ladies’ Harbour Lights Guild and the Flying Angels Club. Through this connection, the badges are also connected to the history of the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of this set of badges to the Ladies’ Harbour Lights Guild and what is now the Mission to Seafarers, highlights the strong historical and continuing community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Set of four metal and enamel badges pinned in a vertical row to a red ribbon. Each badge is connected with seafarers. Three badges have a crown on the top of a circular badge, a wreath around the circle and the letters "MN" in the centre. One of these also has "Australia" below the circle. The remaining badge has the words "The Ladies' Harbour Lights Guild" around the border on a blue background, and a blue flag in the centre on a gold background. The flag has a gold angelic figure on it. The figure has wings and is holding a book. "MN" "AUSTRALIA". "THE LADIES' HARBOUR LIGHTS GUILD" Badge 02 - "ANGUS & COOTE / SYDNEY" Badge 04 "MANAFOLD / BRISBANE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, sailors rest, bethel sailors’ church, bethel floating church, ladies’ harbour lights guild, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seamen's church williamstown collection, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, ethel godfrey, alice sibthorpe, pin badge, lapel badge, merchant navy, flying angel mission sydney, angus & coote sydney, manafold brisbane

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'WORTH NEWTOWN / OLD HOUSE / E MARCUSE Reverse: B 11/ 023 / BEECHWORTH NOSTALGIA / BW - 04 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Interior of Bendigo Locomotive Depot. This was one of a number of photographs taken during two visits by George Coop between October and November 1962, arranged with the assistance of VR staff.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencygeorge coop collection, bendigo, bendigo railway station, d3-640, d3-class steam locomotive, k-168, k-class steam locomotive (vr newport workshops), r-704, railway turntable, railway workshop, r-class steam locomotive

Newspaper articles 'Bialik's Headmaster' and 'Ernest Gets Bialik Post' published in unknown newspaper, 9 November 1962. Please contact [email protected] to request access to this record.shakespeare grove, principal, 1960s

The Ballarat School of Mines was established in 1870 and was a predecessor institution of Federation University. The first president of the Ballarat School of Mines was Redmond Barry.Half leather bound ledger containing handwritten minutes of the Ballarat School of Mines. Includes: * Foundation Class in Pharmacy and Botany (17/04/1979) * Female Telegraphy Students (12/06/1917)ballarat school of mines, henry richards caselli, w.h. barnard, flude, usher, august hoelscher, warrington rogers, james oddie, robert m. sergeant, ferdinand krause, curator, w.p. bechervaise, james flude, school of mines exhibition committee, james bickett, hugh grey & son, ballarat juvenile industrial exhibition, charles shoppee, g.o. preshaw, alfred mica smith, rivet henry bland, r.w. newman, noble wilson, william burbidge, marie barbour, george hall, susan cahir, mary troy, pharmacy, botany, f.f. bailliere, richard viccars, mary usher, f. pinkerton, pyrites works, james campbell, telegraphy, william bailey, judge rogers, ballarat school of mines certificates, william f. west, j. bryant, henry obree, w.h. odgers, edward debois, james darby, redmond barry, pharmacy board, w.h. keast, george perry, f.w. niven, fedinand von mueller, benjamin trewhella, d. miliken, charles strachan, william wilson, r.a.f. murray, e.p. figgis, charles flude, laboratory, john richards, eyres brothers, john armstrong, h.b. de la poer wall, c.f. crouch, william h. keast, frank pintkerton, hugh grey

Melva Mason - Her Life, 10/02/1924 - 13/04/2004 History of the firm W. D. Mason Pty Ltd, founded in 1894. Seven pages, no photos, soft coverBette McLaughlan.bendigo, history, geneaology w. d. mason

Colour Negative No. N396, of Bendigo Birney No. 30 on the North Bendigo line at the Bridge St. loop. Tram has the destination of Golden Square. Photo possibly 17/6/1962. Colour laser printed copy of image stored in box 73. Image scanned at hi res 27/5/2020 and image updated.In red pen on folder that contained negative, "NR69B" and "17 Jun 62". trams, tramways, bendigo, bridge st, north bendigo, tram 30

Colour Negative No. N397, of Bendigo Birney No. 29 at the Eaglehawk terminus, with the Eaglehawk Town Hall in the background. Tram has a Briquettes roof advertisement. Photo possibly 17/6/1962. Colour laser printed copy of image stored in box 73. Image scanned at hi res 27/5/2020 and image updated.In red pen on folder that contained negative, "NR68B" and "17 Jun 62". trams, tramways, bendigo, eaglehawk, tram 29

Colour Negative No. N401, of Bendigo Birney No. 30 at Myrtle St loop on the Golden Square line. Tram has the destination of Golden Square. Photo possibly 17/6/1962. Colour laser printed copy of image stored in box 73. Image scanned at hi res 27/5/2020 and image updated.In red pen on folder that contained negative, "NR71B" and "17 Jun 62". trams, tramways, bendigo, golden square, myrtle st, tram 30

Colour Negative No. N407, of the Bendigo No 11 on the North Bendigo line at the Bridge St. loop. Tram has the destination of Golden Square. Photo taken possibly on 5/8/1962. Colour laser printed copy of image stored in box 73. Original negative hires scan and image updated 28/5/2020.In red pen on folder that contained negative, "NR95B" and "5 Aug 62". trams, tramways, bendigo, north bendigo, bridge st, tram 11