Yields information about Ballarat's trams during 1964c, the Mt Pleasant terminus.AGFA blue / white plastic mount, colour slide of No. 33 at the Mt Pleasant terminus, c1964. In the background are the shops advertising Robur Tea, Women's Weekly, The Age, and coca Cola. The tram has a Twin Lakes sign. image i2 - cleaned up by PCW - 22-9-2022tramways, trams, mt pleasant, barkly st, tram 33

Yields information about the appearance of tram No. 14 at depot junction in the early 1960's.Black and white photograph of Ballarat tram No. 14 entering Wendouree Parade from the depot, with Lake Wendouree in the background Dated 21/3/1962. Printed on Agfa Gevaert paper in a postcard format. The tram has an Briquette and The Age advertisements on the front dash panel. Photo by Lloyd Rogers.In ink "Ballarat car 14, outside tram depot, Wendouree Parade 21/3/1962. and the number "7/43". In the top left hand corner "14 ex J75?"trams, tramways, wendouree parade, depot, tram 14

16-page booklet 'The Wager of Ivy's Rump' or How Bendigo got its Name. A short story by O. Spaniel Murray Illustrated with B&W photos and sketches. Hand-aged artifact in limited edition - Copy No. 47 Author's real name is Dr R Blackhurst of BendigoSignature 'O. Spaniel Murray' written in ink inside front cover.naming of bendigo, william thompson

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew. The section of the house photographed is of the hall looking into the drawingroom. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens. Interviewer is Lindy WallaceA primary source of information on memories of the Gardens. Iris was born in Williamstown in 1943, has lived in Williamstown all her life and has been witness to changes in the Gardens over those years. CD and transcript of interview with Iris Whitehurst and her memories of the Gardens from her childhood through to adulthood. Iris was born in Williamstown and has memories of the Gardens from an early age. In the interview she talks of playing on the cannons, memories of the Gardens appearance over the years and the contribution of the Friends of the Gardens.iris whitehurst, fish pond, ornamental lake, gates, curator, horse, cannons, williamstown botanic gardens, hobsons bay city council

All photos include George Ballinger, No. 828 Enlisted 8/3/1916, Age 24 in C Company 38th Battalion. 7670.1P includes Charles Barkell, No. 811, enlisted 29/2/1916, age 22 to same unit (top RHS), Walter Montieth No. 936 enlisted 14.3.1916, age 18, KIA 4/10/1917 (Bottom LHS). and Charles Christian Snell who enlisted as John Lewis No. 925, enlisted 11/3/1916, age 21.Various black and white/sepia photos of WW1 soldiers. 1. Landscape photo of 4 WW1 Aust. soldiers posed in two rows (Charles Barkell, Walter Montieth, George Ballinger, Charles Snell). 2. Portrait photo of George Ballinger & Charles Snell (seated). 3. Landscape photo of two soldiers (George Ballinger & unknown). 4. Posed photo of George Edward Ballinger in front of photo board. 5. Portrait photo of George Edward Ballinger. 6. Portrait photo of George Ballinger. 7. Portrait photo of George Ballinger with his image within an oval and an inscription below it.2. On back written "Snell (seated) & Ballinger” 3. On back written "Unknown & Ballinger” 4.- 6. “Ballinger”on back. 7. “Ballinger”on back & "My father George E. Ballinger", "Home studio, A. Power, Brunswick”38th battalion, ww1, photographs

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-42: Thomas William Hobbs BEM. Thomas was born in England and came to the Island in the 1920's to work for the Chicory Farmers. He later owned his own farm at Ventnor and won the Better Farming Competition conducted by the Phillip Island Council. He was always an active community worker. Thomas was a Councillor and served two terms as President. He was the only resident to be awarded the British Empire Medal, Civil Division, for services to Phillip Island. Thomas died 1980 aged 75. His wife Catherine died 1991 aged 87. 466-43: Matilda Richardson. Matilda was born at Kyneton on 12th July 1865 and came to Cowes with her parents in 1869. She attended Cowes Primary School with her brothers and sisters. She became ill in November 1872 and died on 10th February 1873 aged 8 years and 7 months, from a severe bout of Quinsy. It was a great sadness to the family and they went to a lot of trouble to secure Matilda a fine grave in the cemetery. It is the oldest grave in the cemetery and a lasting memorial for her short life.phillip island cemetery, cr. hobbs, matilda richardson grave, nancy mchaffie, edith jeffery

Mitcham RSL collection History of war service- enlisted Geelong 25/8/1915 aged 18. Died 15/4/1917 Bristol England age 19Picture containing service memorabilia for Pentzlyn, Charles Stewart memorial plaque (Dead mans penny) Memorial certificate Kings letter Mothers badge Victory Medal & Mothers medal Photograp |Mounted in black frame Medals & memorial plaque inscribed with namemilitary history, army

Article in The Age newspaperArticle on raising a Tourist Loan for development of Tourist Resorts.local history, documents, newspapers, tourism, black & white newspaper clipping

Article in The Age newspaperArticle on visit of the Premier, Mr Dunstan, to Phillip Island to discuss the proposal for a bridge between San Remo and Newhaven and also to discuss preservation of the Koala.local history, documents, newspapers, bridges, phillip island, koalas, black & white newspaper clipping, san remo, newhaven

Article in The Age newspaperArticle on new reservation are for Koalas at Phillip Island Race Course and also a suggestion by Mr Dunstan, Premier of Victoria, that the penalty for keeping Koalas in captivity should be raised from £5 to £50local history, documents, newspapers, phillip island race track, koalas, wildlife reserves, black & white newspaper clipping, mr dunstan premier of victoria

Article in The Age newspaperArticle stating that a bridge linking San Remo and Phillip Island will be built.local history, documents, newspapers, bridges, phillip island, black & white newspaper clipping, mr dunstan premier of victoria

Article in The Age newspaperArticle on visit of the Premier of Victoria, Mr. Dunstan, to Phillip Island.local history, documents, newspapers, phillip island, mr dunstan, premier of victoria, black & white newspaper clipping, mr dunstan premier of victoria

While the exact history of this item is not recorded, handworked items were an important feature of home and social life in rural districts in the 19th and 20th centuries. Of some local social significance.White cotton hand crocheted teardrop shape evening bag, mesh pattern with scallops radiating from rose motif in centre (front and back), scalloped edge, 3 small decorative baubles, lined with fine cotton,with drawcord. Condition and colour good. Age not determined but probably 20th century.Nonehome made, handcraft, handbag, evening bag, bridal wear, crotchet work, hand work, decorative work

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Two truncated pages of typed notes. No title or date. Scribblings and crosses with pencil and green pen. Topics include: responsible financial management, and the Bendigo Home and Hospital for the Aged.bendigo, council, report, norman joseph oliver , councillor norman oliver. mayor of bendigo. bendigo home and hospital for the aged.

Photocopy of Death Certificate re George Biggins -died 12.12.1926 at Heathcote Hospital age 61 of Septicemia and Cardiac failure / Photocopy taken from Third Schedule Deaths in the District of Heathcote , Victoria book .The main information re: death details are intact , but there is evidence of some writing which is indistinctdocument, george biggins

Memorial card in Memory of Elizabeth Dower of Trebost, Stithians who died 25/10/1889, age 82 years. Card opens out and has a 9 mm black border front, back and inside. On the front is printed In Memoriam, with some filigree work around it. On the inside is a small poem.person, individual, death, memorial card, elizabeth dower

A.O.F., Court King of the Forest, No. 3770, B.U.D. Notice of Intention and Proposition. I hereby give notice of Intention to Propose Mr. John Riggs, age 38 years, Occupation Miner, Place of Birth England, residence Long Gully, Single. The Proposition - Mr John Riggs as a Candidate for admission.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, john riggs

Printed leaflet from A.O.F. B.U.D. Widow & Orphans' Fund detailing the Entrance Fees and Contributions for different ages. Registration Fees for Wife and Children and the Benefits paid to Widows and Orphans'. Some rules printed at the end. John Waller, P.S. Printed by J. Brockley, Printer, Williamson St., Sandhurst.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, aof bud, j brockley, john waller