A book of 272 pages including illustrations and maps as well as an index and bibliography.non-fictionWritten by Jim Darby and edited by Mark Ashkanasy, this book features over 700 photographs and explores the resort's evolution from its ski club roots to a thriving destination. It traces the history of Mt Buller, from its exploration by skiers in the 1920s to the establishment of the Mount Buller Ski Club in 1923. It includes the construction of ski lodges, the introduction of rope tows and chairlifts, and the expansion of facilities to accommodate increasing numbers of visitors, capturing the spirit of Mt Buller, including its ski lift companies, ski patrols, ski schools, clubs, and mountain personalities. mt buller alpine resort, mt buller history, ski resorts victoria

This 1977 Jubilee Year publication was a special project undertaken by the Form 5 Politics Class at Salesian College, Rupertswood, as part of the school’s commemorative efforts to reflect on its past, present, and future. Created during a year of celebration and reflection, the project was both a civic and educational exercise, allowing students to explore the structure and culture of their school through the lens of political systems. Organised under the themes of Legislative, Executive, and Judicial branches, the publication presents a unique and structured interpretation of the college’s operations and community life. It includes contributions on key aspects of the school such as the Salesian order, the Parents and Friends Association, academic and sporting programs, the media, and the Old Boys’ Association. The project reflects the educational ethos of the time—encouraging inquiry, collaboration, and pride in one’s school. It also highlights the role of student voice in shaping the narrative of the college’s history. As a student-led initiative, this publication stands as a testament to the creativity, engagement, and reflective spirit of the 1977 cohort.This 1977 Jubilee Year publication, compiled by the Form 5 Politics Class at Salesian College, Rupertswood, is a significant historical document that captures the voice, perspective, and civic engagement of students during a milestone year in the college’s history. Created as a special project, the publication reflects a thoughtful and structured examination of the school’s identity through the lens of political systems—Legislative, Executive, and Judicial—demonstrating both creativity and critical thinking. The document is notable for its student-led authorship, its comprehensive scope—including reflections on the Salesians, the Parents and Friends Association, media, agriculture, academics, sport, and alumni—and its collaborative spirit. It offers a rare and valuable insight into how students of the time understood and interpreted the structure and culture of their school community. As a preserved artifact, this publication contributes meaningfully to the archival record of Salesian College. It not only documents the educational and social environment of the late 1970s but also highlights the enduring values of participation, reflection, and pride in community that continue to define the Rupertswood legacy.A 27 page stapled document, with a yellow front page (cover), detailing the history of Salesian College, Sunbury to 1977.salesian college, rupertswood, sunbury, 1977, jubilee

Ill, maps, p.159A collection of stories of capture, imprisonment and escape in World War I and II. Covering experiences in Europe and in South East Asia, the book presents contrasting PoW experiences - of daring escapes from Colditz Castle, and of endurance and slow suffering in Japanese camps.world war 1939 – 1945 - prisons and prisoners - japanese, world war 1939 – 1945 - prisons and prisoners – germany

This glass slide depicts a group of school children standing in Queen Victoria Park (previously Beechworth Botanic Gardens), circa 1900. Queen Victoria Park was first secured in 1858 by the Beechworth Council with the assistance of the Central Board of Health (CBH). The CBH was a firm believer in the socially beneficial effects of parks and other recreation areas which is why they aided the council in securing the parkland. the council held a local competition for the design of the park and decided on a plan called "Better late than never" by Hungarian nobleman, J.A. Rochlitz. The first non-native trees were planted in 1861 and have since been heritage listed on the National Trust's register of significant trees. There are nine trees located in Queen Victoria Park that are currently on the National Trust's register. These are the Loblolly Pine, Italian Cypress, Shore Pine, and the Big Cone Pine. These trees hold significance as they date back to 1875 and show rare and localised examples of these types of species which are not seen in many other places in Victoria. The trees in the background of the glass slide depict a species of the pine tree and may be some of the trees still standing in Queen Victoria Park today.This glass slide captures social and historical significance as it not only captures a moment in time of these school children, but it also shows environmental significance for the heritage trees depicted in the background.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, queen victoria park, indigo shire, school, j.a. rochlitz, beechworth council

A display of College Pins put together by a Beaconhills staff member. The display board was created from the numerous College Pins held in the College Archive. The display shows almost all of the Pins awarded through the 42-year history of the college at the time of the display board creation. Created 2024 captures the evolution of the house badge and award badge system over the college 42-year lifespan in a near complete collection.badge, pin, beaconhills college, awards

Article calls attention to the experience of Wilma Jones [Oram Young] as a Japanese POW on Sumatra Island during WWII in relation to the Council of Ex-Servicewomen's Associations who were trying to gather funds to make a documentary of stories and experiences such as this before they are lost.Newspaper clipping with four columns of text, headed by a large black and white photograph of an elderly woman sitting at a table looking at documents'THE HERALD / 9 AUG 1989' [Blue ink inbetween lines of headline]japan, sumatra island, wilma jones [oram young], council of ex-servicewomen's associations, elizabeth lucas, catie hewins, returned nurses' association, wwii, world war two, wwll, ww2

A photograph of Melynda Hardie, Club Champion from 1975 to 1978, highlights a period of excellence for Broadmeadows Amateur Swimming Club. Her consecutive wins reflect the club's strong competitive spirit and dedication to nurturing local talent.A photograph of Melynda Hardie, Club Champion from 1975 to 1978, is significant as it captures a period of exceptional achievement for Broadmeadows Amateur Swimming Club. Her consecutive victories underscore the club's dedication to fostering local talent and highlight a legacy of competitive excellence and community pride.A colour portrait of club champion Melynda Hardie (1975-78) on glossy card stock, featuring a black border and white writing.broadmeadows amateur swimming, broadmeadows amateur swimming and life club, club champion, melynda hardie, 1975 to 1978

Index, ill, maps, p.715.non-fictionStory of the 8th Division in the campaigns in Malaya, Singapore, Rabaul, Ambon and Timor where most of the Division was captured by the Japanese in 1942. Also the story of the Australian Prisoners of the Japanese, including Changi and the Burma-Thailand Railway.world war 1939-1945 - australian involvement, world war 1939-1945 - campaigns - south west pacific

On the night of 30-31 January 1942 this small force of 1131 Australian soldiers were stationed at Ambon, an island which formed part of the Netherland East Indies (now Indonesia). An invasion of approximately 20,000 Japanese overwhelmed Gull Force and the majority of the Australian soldiers were taken prisoner. The execution of 229 at Laha, starvation, over work, disease and the absence of medical supplies led to horrific loss. At the cessation of hostilities only 352 of the original 1131 had made it back to Australia. 779 members of Gull Force made the supreme sacrifice and now lie in foreign fields. The Battle of Ambon (30 January – 3 February 1942) occurred on the island of Ambon in the Dutch East Indies (now Indonesia), during World War II. Japan invaded and conquered the island in a few days, facing Dutch, American and Australian forces. The chaotic and sometimes bloody fighting was followed by a series of major Japanese war crimes. Allied casualties in the battle were relatively light. However, at intervals for a fortnight after the surrender, Japanese personnel chose more than 300 Australian and Dutch prisoners of war at random and summarily executed them, at or near Laha airfield. In part, this was revenge for the sinking of the Japanese minesweeper, as some surviving crew of the minesweeper took part.. Three-quarters of the Australians captured on Ambon died before the war's end. Of the 582 who remained on Ambon, 405 died. They died of overwork, malnutrition, disease and one of the most brutal regimes among camps in which bashings were routine. Blood Oath, a 1990 Australian feature film is based on the real-life trial of Japanese soldiers for war crimes committed against Allied prisoners of war on the island of Ambon, in the Netherlands East Indies (Indonesia), such as the Laha massacre of 1942.Brown timber frame with gold coloured inner edge containing badge and tribute on grey backgroundGull Force 2/21 Battalion Ambon Laha In memory of and tribute to the Officers and Men of "Gull Force" comprising of 2/21 Battalion and attached Units.gull force, 2/21 battalion, ambon, ww2

Photograph of Private later Corporal Sperry Bodsworth born 27/8/1909. In 1940 aged 30 years he enlisted in the Army and assigned to the 2/21 Battalion. On 13/12/1941 the Battalion was deployed from Darwin to Ambon in the Dutch East Indies, now Indonesia, to form part of "Gull Force". The Battle of Ambon occurred between 30 January to 3 February, 1942. In April 1942 Bodsworth was listed as missing and on 1/6/1942 was reported as a Prisoner of War. Bodsworth was awarded a Mention in Despatches.The Battle of Ambon (30 January – 3 February 1942) occurred on the island of Ambon in the Dutch East Indies (now Indonesia), during World War II. Japan invaded and conquered the island in a few days, facing Dutch, American and Australian forces. The chaotic and sometimes bloody fighting was followed by a series of major Japanese war crimes. Allied casualties in the battle were relatively light. However, at intervals for a fortnight after the surrender, Japanese personnel chose more than 300 Australian and Dutch prisoners of war at random and summarily executed them, at or near Laha airfield. In part, this was revenge for the sinking of the Japanese minesweeper, as some surviving crew of the minesweeper took part.. Three-quarters of the Australians captured on Ambon died before the war's end. Of the 582 who remained on Ambon, 405 died. They died of overwork, malnutrition, disease and one of the most brutal regimes among camps in which bashings were routine. Blood Oath, a 1990 Australian feature film is based on the real-life trial of Japanese soldiers for war crimes committed against Allied prisoners of war on the island of Ambon, in the Netherlands East Indies (Indonesia), such as the Laha massacre of 1942.Brown timber frame containing black and white photograph of WW2 Soldier wearing slouch hatww2, gull force, ambon, sperry bodsworth, pow

Index, ill, maps, p.336.non-fictionBetween the wars A second A.I.F. The volunteers To the Middle East After the fall of France Victory at Sidi Barrani Before Bardia The battle of Bardia The capture of Tobruk The engagement at Derna Beda Fomm and Benghazi The capture of Giarabub Appendixes : 1. The A.I.F. in the United Kingdom ; 2. The 6th Division's operation order for the capture of Bardia ; 3. Abbreviations ; 4. A.I.F. colour patches, 1941. world war 1939-1945 - campaigns - north africa, world war 1939-1945 - australian involvement

This 1984 photo shows Grades 2 and 3 at Jacana Primary School, once located in Melbourne’s northern suburbs. The school, now closed and demolished, served the local community for decades. This image offers a nostalgic glimpse into a bygone era of local education and childhood in Jacana.This 1984 photograph of Grades 2 and 3 at Jacana Primary School captures a moment in the educational and social history of Melbourne’s northern suburbs. As the school no longer exists, the image holds historical value, preserving the memory of a once-vital community institution and its students.Colour photograph on matte paper.White Label: PH-4471 Blue Label: PH-5189 Brown Label: See attached Sheet 1jacana primary school, education, class photograph, 1984, d. stanton, s. phillips, h. nagten, a. gough, c. hennessy, r. perceval, t. gray, l. ziervogel, s. gibbon, l. bailey, t. narman, b. wehbe, l. manson, d. scarffe, m. tiernan, m. miller, a. andre-janz, t. blythe, t. ponicwaz, i. szuhai, h. alderman, k. muscat, j. cilia, n. urlich, s. paniewaz, grade 2 & 3

This colour photograph of Jacana Primary School's Prep and Grade 1/2 classes in 1980 encapsulates the essence of an institution that served as a vital community hub from its establishment in 1959 until its closure in the early 2000s. The image stands as a testament to the cherished memories and significant role the school played in the lives of its students and the broader community. This colour photograph of Jacana Primary School's Prep and Grade 1/2 classes in 1980 is a significant historical document. It captures the essence of an educational institution that was a cornerstone of the Jacana community from its founding in 1959 until its closure in the early 2000s. The image is a testament to the school's enduring impact on its students and the community, preserving cherished memories and highlighting the school's role in shaping local history.A colour photograph on matte paper with white borderjacana primary school, photograph, school photograph, education, 1980

This 1994 photograph of Jacana Primary School’s students and staff holds lasting historical and emotional significance as a visual record of early childhood education within a now-closed institution. It reflects the school’s vibrant community spirit, cultural diversity, and nurturing environment, preserving the legacy of a place that once played a vital role in shaping young lives and fostering local identity. As a snapshot of its era, it also offers insight into the fashion and hairstyles of the time, making it a meaningful artefact for former students, staff, and the broader community.This photograph of the students and staff of Jacana Primary School in 1994 holds enduring historical and emotional value as a visual record of early childhood education in a now closed institution. It captures a moment in time that reflects the community spirit, diversity and educational environment of Jacana during its operational years. As the school has since closed, the image swerves as a poignant reminder of the role Jacana Primary played in shaping young lives and fostering local identity. It is a valuable artefact for former students, staff and the broader community, preserving the legacy of a place that once stood as a cornerstone of learning and connection. The image is also a record of the fashion and hairstyles of the era. Colour photograph, mounted on white card with a black border and laminated.jacana primary school, students, staff, 1994, education

An item in the Ovens and Murray Advertiser of Tuesday 17th December 1872 stated that in the prospect of the good times coming on the completion of the North-Eastern railway, Wodonga was rapidly extending its borders; new buildings are going up in every direction, and business men were flocking there from other parts of the district. One of the most recent arrivals was Mr J. J. Cunningham, late of Growler's Creek. On Saturday 4th January 1873 a notice in The Albury Banner and Wodonga Express informed residents of the Wodonga District that J. J. Cunningham had commenced business as a Chemist and Druggist in Sydney Street, Wodonga. With a carefully selected stock of drugs, patent medicines, horse and cattle medicines, and miscellaneous articles of fancy goods and tobaccos, he promised prompt service and attention to detail. He also provided a service in teeth extraction. It is unsure when John James Cunningham left Wodonga, but in 1896 an action was taken against him in the Supreme Court by Pauline Rennie of Echuca for damages of £500 for negligence and unskilfulness as a chemist and druggist when he had mistakenly given her 10 grains of cocaine instead of a pain-killing medication she had requested. The Court gave a finding in her favour but with damages of £75. This item is significant because it captures an early business in Wodonga in the 1870s.A black and white photo of a man standing in the doorway of his business in Wodonga.Above door: CUNNINGHAM / CHEMIST & DRUGGIST On windows: Patent Medicines / Teeth Extracted & Stopped / Cattle Medicinesearly wodonga businesses, j j cunningham chemist and druggist, wodonga 1870s

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible.The series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings. community arts., oral history - portland c.e.m.a.

The "Listening to the Voices" project aims to preserve the recorded memories of Portland C.E.M.A. ( Council for Encouragement of Music and the Arts) early members in order to enable access to local historians, family historians and current members. Bob and Jean Stuchbery were active members in the post WW2 era and throughout the 1950s. Jean made cameo appearances into the 1980sThe series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.oral history - portland c.e.m.a., portland council for encouragement of music and the arts

A small booklet including information, photographs and text describing key people and events involved in the Oldina Ski Club.non-fictionThe Oldina Ski Club, founded in 1963, is a member-owned club with a lodge at Falls Creek and an apartment at Mt Buller. The club was established by an intrepid group of young people who came together with a shared love of the Australian high country and a desire to keep skiing. They had all been part of a national fitness program run from Howmans Gap just below the emerging village of Falls Creek. At a meeting in 1962 attended by around 100 people, a decision was made to start a club and build a lodge. "Oldina," is an Aboriginal word for snowflake. The club's Falls Creek lodge was one of the earliest private ski club lodges built at Falls Creek. This booklet attempts to capture some of the highlights of 50 years of the Oldina Ski Club.oldina ski club, accommodation falls creek

Ill, maps, index, p.358.non-fictionOriginally published in 1960, the author of this book is one of the planners of the Imperial Japanese Army's invasion of Malaya and the capture of Singapore-Colonel Masanobu Tsuji himself. In it, he "unreservedly attributes Japan's victory in Malaya to the patriotic fervour and self-sacrifice of the frontline officers and men of her 25th Army, which, in advancing six hundred miles and capturing Singapore in seventy days, achieved one of the decisive victories of World War II and accomplished a feat unparalleled in military history. world war 1939-1945 - campaigns - singapore, world war 1939-1945 - campaigns - malaya

Index, ill, p.191.non-fictionIn You’ll Be Sorry! Ann Howard honours grandmothers and mothers in a superb account of women’s participation in the Services during World War II, and their ensuing battle for equal opportunity that set the foundation for the Women’s Liberation Movement of the 70s.You’ll Be Sorry! is an absorbing account of the experiences of women serving in the Australian Women’s Army Service, and other Services.Ann Howard captures the resistance and prejudice 66,000 women experienced as they left home to join the Services in WWll.women - australia - social conditions, australian womens army service

This colour photograph of Jacana Primary School’s softball team, taken in 1987, offers a vivid glimpse into the school’s dynamic sporting culture and its role as a central pillar of the community from 1959 until its closure in the early 2000s. More than a record of athletic participation, the image preserves the energy and camaraderie of late-1980s school life, reflecting the social values and collective spirit that defined the era. It stands as a visual reminder of the school’s commitment to fostering teamwork, resilience, and community pride through extracurricular engagement. This 1987 colour photograph of Jacana Primary School’s softball team holds notable historical and cultural significance, capturing a moment that reflects the school’s strong sporting spirit and its role as a central institution in the Jacana community. Operating from 1959 until its closure in the early 2000s, the school was a hub of learning, social connection, and extracurricular activity. The image preserves the energy and camaraderie of late-1980s school life, offering insight into the values of teamwork, participation, and community pride that defined the era. It stands as a lasting visual record of the school’s legacy and its enduring impact on generations of local families. A colour photograph of a school Softball team on satin finish paper.Back (Blue Label): PH. 5534jacana primary school, photograph, school photograph, education, softball, 1987

Pdf transcription of Interview 1984non-fictionTranscription made in 1984 of an oral history recording. Eric Thorpe was a foundation member of Portland C.E.M.A., active in the Literary and Dramatic Groups and on the Executive. His memories of the early decades of the organisation were recorded by Lesley Jackson in 1984. Recording is no longer available. Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible.oral history - portland c.e.m.a., portland council for encouragement of music and the arts

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible. Olive Meissner was a foundation member of C.E.M.A. and an active member of C.E.M.A. Dramatic Group for many years. She explains the quest to find a "clubrooms" for C.E.M.A. and chats about festivals and plays that she performed in. An entertaining story about visiting Ireland and meeting up with an adjudicator of a play festival concludes the interview. The series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.pdf documentcommunity arts., oral history - portland c.e.m.a.

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible. Fred Merryweather was an active member of the C.E.M.A. Dramatic GroupThe series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.pdforal history - portland c.e.m.a., portland council for encouragement of music and the arts

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible. Dorothy Woolcock's recording was damaged, but the full 1983 transcript and most of the audio have survived. Dorothy was an office bearer on the CEMA executive and the Arts Council Branch and instrumental in running Arts festivals in the 1960s and early 1970s.The series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.community arts., oral history - portland c.e.m.a.