Steering Gear Operation: All steering was done from the stern of the ship and a steering mechanism was used to connect the rudder to the ship's wheel, often housed in a box-like construction behind the helm. The rudder was, in turn, mounted on a pintle or stern-post held in place by gudgeon's (sockets). The steering was activated with lines attached to the blocks on the two threads (half left hand, half right hand) of the steering gear. As the helmsman turned the helm in the direction in which he wished the ship to travel, the central screw of the steering gear, which was attached to the back of the helm, turned horizontally. This caused the rods on either side of the gear to move backwards or forwards at the same time, which then turned the pintle and rudder to port or starboard. A brief history of the Newfield (1889-1892): - The Newfield was an iron and steel sailing barque of 1306 tons, built in 1889 by Alexander Stephen & Sons Dundee (Yard No 89) for Brownelles & Co., Liverpool. The Newfield was on a voyage from Sharpness to Brisbane on 29 August 1892, with a cargo of 1850 tons of fine rock salt. The Cape Otway light had been sighted in squally, bumpy weather, but the captain was under the impression it was the King Island light. The ship’s chronometers were wrong, and orders were given to tack the ship away from the light, which headed it straight for the cliffs of the Victorian coast. The vessel struck rocks about 100 yards from shore, and five feet of water immediately filled the holds. The captain gave orders to lower the boats which caused a disorganised scramble for safety among the crew. The panic resulted in the deaths of nine men, including the captain when they drowned after the boats capsized in heavy seas. The seventeen men who regained the ship decided to wait until daylight and rowed to Peterborough in the ship’s jolly boat and gig after locals had failed to secure a rocket apparatus line to the ship. The Marine Board inquiry found the wreck was caused by a "one-man style of navigation" and that the captain had not heeded the advice of his crew.The Newfield wreck and its collection of recovered items are heritage listed and are regarded as historically significant. They represent aspects of Victoria’s shipping history and their potential for us today to interpret the maritime history and social themes of the time. The assemblage of various Newfield artefacts held in the Flagstaff Hill Museum is not only significant for its association with the shipwreck but helps archaeologists when examining the relationship between the objects to better understand our colonial marine past.Ship’s steering gear, cast iron, consists of a long round metal rod into which gears have been machined. The thread of the gear from one end to almost the centre winds in a left hand direction while the thread of the gear from the other end to almost the centre winds in the right hand direction. Each end of the rod has a metal coupler attached and two narrower round rods are also attached to the coupling, one each side of the gear rod, the same length as it and parallel to it. Two more ‘S’ shaped couplers are joined to the gear rod. Each of these have an opening through which the gear rod is threaded and can move along. There is another opening in these couplers through which one of the narrower rods is threaded. The other end of this coupler has half length metal rod attached to it by a bolt through the ring at the end of the rod. One end of the steering gear still has the brass hub of the ship’s wheel solidly attached. The hub no longer has its wooden spokes but the ten holes for the spokes can be easily recognised.Noneflagstaff hill, maritime museum, shipwreck coast, warrnambool, peter carmody, carmody, newfield, shipwreck, peterborough, south west victoria, rocket, rocket crew, shipwreck artefact, flagstaff hil maritime museum, steering, steering gear, screw steering gear, sailing ship

Alexander Russell Simpson, the nephew of James Young Simpson, invented these forceps, which are also known as axis-traction forceps.Possibly collected by Dr Frank Forster. Examined and identified by Bryan Hibbard.Set of A.R.Simpson style forceps. Consists of two plated metal forcep blades with ebony handles. The inside of the handle of one blade is engraved with the text 'Left Lower first'. The inside of the handle of the second blade is engraved with the text 'J.GRAY & SON/SHEFFIELD'. The number '12' is engrave on both blades at the point where they interlock. 'Left Lower first' , 'J.GRAY & SON/SHEFFIELD'forceps, obstetrics

Framed and glazed copy of B91.498, unsigned.certificates, a.w. jessep, t.h. kneen, examiners, h.s. coe, 1935

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork

176 p. : small volume, embossed brown cover. Title page, Table of Contents, and first two pages of text missing.non-fictionExamines ways in which young working women can conduct their lives in ways that are true to Christian values. Numerous biblical quotes.christian life, esther copley nee beuzeville

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a captured NVA/VC looks on as Diggers inspect the weapons found in the large underground cache at the K76A Hospital captured on the Nui May Tao Mountain by 6 RAR/NZ during Operation Marsden. photograph, 6 rar/nz, k76a hospital, nui may tao mountain, operation marsden, gibbons collection catalogue, captured nva viet cong sapper, nva/vietcong, 6 rar/nz (anzac), diggers, denis gibbons

Used by the Mah Meri people, Kuala Langat, Selangor (Malaysia), 1936. While Malaysian, this blow-gun is analogous to that used by Indigenous groups from South America with curare. The gun is of bamboo, with a highly polished inner tube of the same. The darts are reeds, made directional by knobs of a tudor wood, with poison made from the ipoh tree and the Strychnos vine The blowpipe examined in this report consists of a long bamboo tube with engraved floral motifs on the outside and a second bamboo tube inside. The mouthpiece is attached to the inner tube and the whole piece can be removed from the outer casing. There is a quiver, filled with darts, a small poisons receptacle, and a single dart and hollow bamboo tube, stored outside the quiver. The objects were donated as a whole to the museum in 1948 by Dr Thomas Edward Marshall. The engravings on the outer case originate from the Mah Meri community in Kuala Langat, Selangor, Malaysia. The floral ‘motif is of a vine with small incisions to reflect the properties/identity of the plant (poisonous/harmful)’. These motifs are generally handed down through the generations and can be used for kinship identification. They are also believed to enhance the performance of the blowpipe. The outer casing is made up of several pieces of bamboo fused together. Broken or damaged blowpipes were not discarded. Broken sections of a pipe could be removed and replaced as required, and the observably different bamboo sections suggest this has taken place at some point. Sap from the perah tree is used to seal or glue the pieces together and the glue is reversible by heating. The Mah Meri created a poison from the ipoh tree for use in hunting. The poison acted swiftly to kill the animal and did not result in secondary poisoning. The way in which the Mah Meri hunted is analogous with other blowpipe hunting practices elsewhere in the world. Blowpipe hunting practices represent a starting point for the introduction of standardised muscle relaxants into surgery during the 20th Century. In parts of South America, plant poisons were used to tip the darts and kill prey. These poisons are known as curare. The crucial ingredient in curare was Chondrodendron tomentosum root. Raw curare formed the basis for Intocostrin, the first standardised, mass produced muscle relaxant. The introduction of muscle relaxants dramatically changed surgery, allowing for more precise surgery and better patient outcomes. Bamboo blowpipes can be found in many museum and heritage collections, particularly those with strong colonial origins or influence. Blowpipes from Borneo seem to be well represented, along with those from Guyana. Blowpipes from Malaysia appear to be less common. More research is required to establish the rarity or representativeness of the blowpipe. Ownership of the blowpipe can be traced back from the museum to Dr Thomas Marshall. It has also been established the blowpipe’s point of origin is among the Mah Meri people of Kuala Langat, near Kuala Lumpur. There is no information regarding the way in which Marshall came into possession of the blowpipe. Provenance cannot be fully established. Despite these difficulties, the blowpipe represents a full set of hunting implements. It is accompanied by a quiver, also decorated with a floral motif, a set of bamboo darts, and a poison receptacle. The quiver also has a waist strap which enabled the owner to strap it to themselves, preventing its loss while hunting. Each object within the set is in good condition, although the inner tubing is beginning to split lengthwise and should not be removed from its outer casing. While the blowpipe and accompanying objects are not of South American origin, the techniques and poisons used are analogous and this object has high interpretative capacity. Hollow bamboo blowpipe with mouthpiece at one end. Two different types of organic fibre have been used at difference points along the shaft to secure different segments of the blowpipe. The item consists of two tubes a thin and unpolished inner tube that has degraded and can no longer be removed, and a polished and decorated outer casing. The outer casing is made up of different sections of polished bamboo, some pieces have developed a deep red hue which is likely the result of prolonged polishing and regular heating over many years, other sections are a lighter yellow indicating that they are newer pieces of bamboo. The entire outer tube is covered in a varied sequence of genomic patterns. The exact meaning of these patterns is unknown however they are passed down through family lineage, the exact family of origin is unknown. Connected to the mouthpiece if it is removed from the inner casing is a piece of cloth with the numbers 2241 written in black ink, their purpose is unknown.curare, malaysia, bamboo

ill, maps, p.208.non-fictionThe Iron Roads of the Australian Outback - the legendary Commonwealth Railways were built through some of the harshest landscapes on Earth. They were railways like no other, where men and women battled extreme temperatures, flash floods and maddening isolation to keep the trains running. This publication is the culmination of 25 years of Outback exploration, research, photography and interviews by author Nick Anchen. The result is a diverse book which brings to life both the beauty and harshness of the Australian Outback, through a collection of fascinating and historic images, along with the memories of former Commonwealth Railways employees. Following an introductory chapter on the vastness and grandeur of the Australian interior - highlighted by the memoirs of 1950s flying doctor Macarthur Job - the book delves into the story of the Central Australia Railway. This was the line built through the 'back of beyond' - the forbidding desert country of South Australia and the Northern Territory. It was here that operators of famous trains such as The Ghan battled searing heat, dust storms and raging floodwaters to keep the trains running. The chapter includes stories by well known Ghan conductor 'Aspro' Lyons, and 'Piano Playing Chef' Paddy Greenfield - along with enginemen Wolf Markowski and John Theel, both of whom worked trains on this famous railway. The story of the North Australia Railway - 'The Line to Nowhere' - is the tale of a ramshackle railway which came alive during the dark days of World War II. The memoirs of wartime engineman Jim Prentice are eye opening, as are the hair raising accounts of surviving Tropical Cyclone Tracy, as told by rolling stock foreman Bill Donaldson. The Trans-Australian Railway was built across one of the harshest and loneliest environments on Earth - the vast Nullarbor Plain. Stories from enginemen Jack Slattery and Ron Howrie, along with Nullarbor resident and roadmaster's wife Cathy Beek, tell not only of the rudimentary living conditions and maddening isolation, but of the great camaraderie amongst the railway people who kept trains such as the Trans-Australian and the Tea and Sugar running. As well as examining the ruins and relics from the long-closed CR narrow gauge lines, the book also includes a chapter on the much-loved Pichi Richi Railway - the last surviving portion of that great Transcontinental Railway dream from another age. commonwealth railways (australia) -- history., central australia railway -- history.

Illustrated book with white front and back covers and red spine. The front cover has a red, black and white photograph of a nurse: Matron Adelaide (Maud) Kellett. Title and author's name are printed in red below this photo. Abbreviated title and author's name printed in white on the spine. Back cover has abbreviated title printed in red and a summary of the book printed in black.non-fictionScarlet Poppies analyses the impact the military paradigm had upon the challenges faced by the 2,468 civilian trained nurses who joine the Australian Army Nursing Service (AANS). The complex relationship between the male dominated military model and the female dominated Nightingale system of nursing training by the First World War nurses is examined in detail.world war 1914-1918, military nursing-australia, nurses, australia army-nurses

This book includes colour photography, black and white illustrations, and detailed maps accompanying advice about the Australian snowfields in the 1970s.Written by the former owner and editor of Skiing News, this is a comprehensive book on the attractions of Australia's snowfields and summer alpine holidays. The first part of the book gives a brief history of skiing in Australia, followed by a detailed guide to planning and organising a ski holiday. It includes advice on which resort to choose and advice on suitable equipment. As well as basic techniques for beginners. The second part of the book examines every major ski resort in Australia. As well as advice on facilities. Six New South Wales, five Victorian and two Tasmanian resorts are covered. skis and skiing australia, australian snowfields

index, ill, maps, p227.non-fictionTells the story of the gauge problem in Australia, how it happened, why it happened and why there has been faliure to fix the problem and the consequences of the ongoing problem. "From the early days of Australia’s rail networks in the 1850s, different colonies adopted various rail gauges for their own reasons. Even after the Federation on January 1, 1901, the new nation’s leaders missed the chance to create a unified national policy for rail gauges and chose to avoid addressing the issue. This book, generously supported with photographs, timelines, and insights from seasoned rail industry experts, covers a span of 170 years. It examines the political and social attitudes of the time and highlights the missed opportunities to resolve the rail gauge problem dating back to the 1880s."--Publisher's blurb.railroad gauges -- social aspects -- australia -- history, railroad gauges -- australia -- history.

Index, bibliography, ill, p.185.non-fictionThis volume is one of a series that chronicles the rise and fall of Nazi Germany. It examines German espionageworld war 1939-1945 - espionage, world war 1939-1945 - diplomatic history

Index, bibliography, ill, p.192.non-fictionExamines Hitler's campaign to develop a militant new Reich in Germany.germany - social life and customs - 1933-1945, national socialism

Index, bib, ill, , maps, p.208.non-fictionExamines the military leaders, campaigns, battles, tactics and strategy of the African theater of war during World War II.world war 1939-1945 - campaigns - north africa, afrika corps

Index, bib, ill, , maps, p.208.non-fictionExamines the military and political events, battles, campaigns, and leaders of World War II in China, Burma, and India.world war 1939-1945 - campaigns - burma, world war 1939-1945 - campaigns - india

Illustrated hardcover book with dustjacket. Book has a maroon cover with abbreviated title, authors names and illustration of a nurse in gold print on spine. Dust jacket is pink with white panels at top and bottom. Title is printed in maroon and black ink on front top panel, and authors names printed in blue ink on bottom front panel. Four portrait sketches of various nurses in small white ovals appear on the pink area of both front and back covers. Abbreviated title and authors names are printed in black ink on spine, along with coloured illustration of nurse.non-fictionCommencing with the rudimentary nursing arrangements of the mid 19th century Victoria, this book examines the gradual introduction of new concepts of nursing the sick and revolutionary approaches to the organisation of the nascent profession.royal australian nursing federation-victorian branch-history, nursing education-victoria-history, nurses-victoria-history

Illustrated book with white front cover that has four coloured illustrations of women in various activities. Title and authors' names are printed in red ink, along with a book description in black ink on the front cover along with publisher's logo and four red lines. Abbreviated title, underlined, in white ink, and authors names in black ink are printed on an orange background on the spine along with the publisher's logo. The back cover has a summary of the book printed in orange, along with another three illustrations of women, publisher's logo and 'Victoria 150 ' logo on a yellow backgroundnon-fictionThis book explores the experiences of women in Victoria over 150 years, highlighting their diverse roles in public and private life. It features more than fifty women, from convicts to nuns, actresses to soldiers, settlers to writers, and housewives to political activists, showcasing their social and personal diversity. The book emphasizes the home's importance, alongside the marketplace, and examines the significance of both reproduction and production. It provides a new perspective on Australian history, focusing on women's place, relationships between public and private life, paid and unpaid work, and the intersection of politics and gender. women-victoria-history-19th century, women-victoria-history=20th century, women-victoria-social conditions

Index, ill, p.530.non-fictionOnly six escapees survived the Sandakan death marches of 1945 in North Borneo, the worst atrocity ever inflicted on Australian soldiers. 1787 Australian and 641 British POWs perished. Previous descriptions of the numerous violent acts have yielded little understanding of a situation where the real struggle was to keep one's humanity when so many were losing theirs, whether Allied POWs, local residents of Borneo, Javanese slave labourers, or Japanese soldiers. Understanding this extraordinary story is aided by reference to a wide range of sources in different countries and disciplines, and by examining the perspectives of all players in this terrible game of survivalworld war 1939-1945 - prisoners of war - sandakan, world war 1939 – 1945 - prisons and prisoners - japanese