RAAF blue forage hat without badge. x two blackened RAAF buttons of 11mm dia at front.“36088 Bennetts. RG.” “Made in Aust 1944.”uniforms - airforce, costume - male, headwear, metalcraft, raaf

Item issued to Peter John Umina. Refer Cat No 2446.Great Coat woollen, khaki colour with gold coloured metal buttons, rear has a short back belt.uniforms - military, costume - male, great coat

Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative. This apron is very similar in style to the other children's clothing which indicates it could have been made in the early - mid 1900's. It is preventative of aprons which little girls wore over their dresses at the time. This items has good historical significance because it shows the style of aprons which little girls wore over their dresses in the Kiewa Valley during the early to mid 1900's. This is part of the children's clothes in the KVHS collections which gives this item more interpretive capacity. Natural coloured linen with red binding around the edges. 2 white buttons. Would fit a small child.clothing. children. apron.

Blouse white linen with vertical pintucking and appliquè on front frilled collar. Short frilled sleeve minus buttonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, blouse

Australian Army General Service buttons. Kings Crown.Gilt. (1 large 16 small)( 2 small to U118)badge/buttons, 1948-53, army

Worn by patients at Sunbury AsylumPyjama top in unbleached calico with blue stripe. Pocket on left breast, standing collar, three metal buttons."Pyjama Coat Male" handwritten above pocket in ink (faded to brown).costume, sunbury asylum, george evans collection

Worn by patients at Sunbury Asylum. The calico/flannel petticoats were standard issue up to the 1930s.Bodice unbleached cotton, sleeveless, fastened at back with four metal buttons (one missing), skirt grey flannel.Partially legible "F7" in black ink on left front shoulder - stamp or stencil.costume, sunbury asylum, george evans collection

Blouse was handmade by Judith Fry, the donor and Society member and Society PresidentCream cotton blouse with long sleeves. Collar edged with frill. Centre closing and cuffs have pearl buttonscostume, female

Small silver coated button hook used to catch buttons and pull them through eyelets of boots and shoes.costume accessories, footwear accessories

Dorothy Williams Receipt No 316Used by Dorothy William's family 1950'sMetal Boot Button Hook.Hook on one end for buttons, bent over loop on other end to form handle.T Campbell 250 Clarendon St South Melbournecostume accessories, footwear accessories

White cotton camisole with small pearl buttons. Scalloped edges and flower and cut out embroidery. Drawstring ties.costume, female underwear

acer PowerScroll Eye USB Computer Mouse white-grey body and cord with grey scroll wheel and buttonsAcer

Complete JacketImportant, This item forms part of the Gouge Family Collection. Khaki Dress Jacket with dark green lining and gold buttons. Size ?? Golden Army badge on right lapel ?? Gold coloured corporal stripes on both sleeves. Cloth parachute regiment patch on right shoulder

Set of 24 German buttons on retail card, each with crossed racquets motif. Materials: Metal, Cardboard, Inktennis

Dior-inspired suit jacket. Unlined. Six cloth buttons with bound button holes. Inside hip pads. Label, woven brown on cream acetate, centre back neck: "Ponce De Leon". Handwritten on label in black pen: "43 LANDELS".jacket, 1940s, rosalind landells

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red princess seam coat dress with ten self covered buttons down centre front and crew neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Full length black robe with large blue lapels. Sleeve detail includes buttons and matching blue ribbon.city of greater bendigo ceremonial item

Woollen, Dark Blue Size 40 GCCF Coat 1967 with flat black buttons and adjustable tabs on sleeves.Gallagher1967, great coat, defence

This Cash Register was used for the sale and production of lift tickets, lessons and packages during the 1990s at Falls Creek. The employees who operated the machine were called 'Ticket Tarts'. This item is significant because it was a critical part of the everyday operation of the chair lifts at Falls Creek.A large square cash and ticket machine with buttons and slots for the production of lift tickets. Long cable connected to the back. snow, ski season, ski pass, ski lessons, ticketing, sales

The Graham's Tannery in Buninyong was located on the western edge of town on the Midland Highway (Learmonth Street.). The location is now part of the De Soza Park walking track. Tan leather ankle height left foot boot with six leather finished buttons. Has a leather sole. Embossed shield on sole with the letters CRS entwined in a business identification. footwear, tanneries, industry

Jacket with black background and multi-coloured lurex flowers and leaves. 5 buttons on front 'Noel Wells Australia'. Noel Wells Australia

The Royal Australian Navy Uniforms are based on the uniform of the Royal Navy. They reflect traditions that can be traced back to the Royal Navy (England) and demonstrate the relationship between the two. The Royal Australian Navy Uniforms are based on the uniform of the Royal Navy. This collar is part of a Naval Ratings Uniform which was presumably owned by J.M. Parsons.This collar is one part of a naval ratings uniform which consists of four parts. The uniform is representative of the Royal Australian Navy uniform and can be traced to the Royal Navy (England). The complete uniform shows the connection between Australia and England since European settlement.Navy cotton Collar with three narrow cream stripes around neck and over shoulders. Two side pieces and two loops. One middle piece. The collar fits over the head with side pieces and middle secured with tie fasteners through loops. Owners name printed three times in capitals on reverse side of collar "J.M.PARSONS"navy, naval ratings uniform, naval ratings collar, collar, ran, royal australian navy, j.m. parsons, j parsons, parsons, military uniform

This hat and hat box was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. McDade is the surname of Dr Angus’ daughter Berry (Berenice) McDade nee Angus. This had belonged to her father Dr William Roy Angus, Surgeon and Oculist (1901 –1970), who wore it on the ship T.S.S. LARGS BAY when travelling from Australia to Scotland for extended studies to be a “Fellow” of the Royal College of Surgeons in Edinburgh in the 1929. This bicorn cocked hat was worn with the narrow points towards front and back. It is decorated with flat gold braid or ‘lace’ with a geometrical design. Regimental lace was worn on the uniform and headdress of regimental officers in the 19th century. Gold lace chevrons were worn on coats to signify rank. Drummers and Foot Guards also wore regimental lace on their garments to distinguish them from other military personnel. In the late 19th century the English and Welsh infantry officers’ uniforms displayed a rose-pattern lace. The gold bullion and underlying crimson ‘eyes’ have been used to signify the rank of the owner. The crimson eyes were used for military, blue eyes for naval personnel. Different numbers and colours of the bullion and eyes may have been used to represent different military ranks. The Regulations specify nine tassels and eleven underlying eyes but there could have been variations. We have not yet been able to identify the rank for this particular hat. The gold button’s emblem has a cross with five stars, a crown, and the motto “AUT PACE AUT BELLO”, translated “either in peace or in war”. Museum Victoria has a similar button and writes that buttons with this design were used in the nineteenth century by the Victorian Volunteers. The Australian War Memorial Curator of Military Heraldry advised Museum Victoria that these buttons dated from 1880-1892 and were worn by regular, unranked soldiers. The Australian War Memorial has a hat that is very similar in design, described as an “Artillery Staff Officer’s cocked had with plume, worn by Volunteer Artillery Staff in the Victorian Colonial Military Forces”. That hat is different in that it has a plume and the braid and button are silver. Berry MdDade, the donor, has used the hat many times as a dress-up hat but doesn’t know the origin of it. The hat seems to fit the design of the Staff Officers in Victorian Volunteers in Colonial times, but the button on this hat was used for unranked volunteers. Also, military uniforms usually have very clear manufacturer’s labels, as they are made by reputable companies under contract to the Defence Department. The manufacturer’s mark is not discernible on this hat. The origin, original wearer and use of this particular hat is unclear. The military bicorn cockade hat belonged to Dr William Roy Angus and is part of the W.R. Angus Collection. It is significant for still being located at the site where it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Black bicorn cocked hat and case. It appears to be part of a 19th century Colonial full dress military uniform. The long, narrow crescent-shaped hat is made of beaver fabric and the crown is lined with crimson silk and finished with a hand stitched leather sweatband. On one flat side there is a pleated black silk, lace cockade woven in the pattern of oak leaves and acorns. The cockade is overlaid with a double row of gold lace braiding secure with a Victorian Volunteer’s gold button. Wide diagonal bands of black lace braid trim are on each side of the gold braiding. The other side of the hat is plain. The front and back points of the hat each have seven gold bullion tassels with nine underlying twists of crimson ‘eyes’. The fitted metal carry case has a catch and a metal plaque on one side. The button bears a crown and cross with five stars and a motto. Inside the hat is a white name tag with clear adhesive over it, with black printed text with the name “Mc Dade”. The hat is part of the W.R. Angus Collection. The hat has no maker’s marks although there is a darker colour in the centre where there could have been a label. Inside the hat is taped a printed label; “Mc DADE 801 1032” Button’s emblem- a cross with five stars, under a crown, all within a buckled belt with the motto “AUT PACE AUT BELLO”. The plaque on the case has no legible marks. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, t.s.s. largs bay, berry mcdade, 19th century colonial military uniform, artillery staff officer’s cocked had, victorian volunteers, victorian colonial military forces, colonial militia, aut pace aut bello, cocked hat, cockade hat, bicorn hat, military bullion, oak leaves and acorns pattern, gold bullion tassels, military heraldry, w.r. angus collection.

Ribbons are = Reserve Forces Medal 2 Rosettes (15 years plus 2 x 5 year extras) and National Medal. "Joseph Thomas Jones" was in the Bendigo CMF Unit for many years. 6 Coy RAASC - 15th TPT Sqn.1. Jacket Black. Four pockets. Top pockets held shut with brass buttons. Gold Sgts stripes on arms. Sleeve cuffs have two brass buttons each. Chest parts held shut 5 brass buttons. Epaulettes have a brass button each. The vertical type collar has an RACT badge on each side. Ribbons - Qty 2. 2. Trousers, black. Two white stripes down outside of leg. Fly is zipper type.Jacket has "Jones" written in it. Trousers have "J.T. Jones" .cmf, transport corps, 15 tpt sqn, j. t. jones, passchendaele barracks trust

"James Locke BLUNDEN" R/33905 A33905. Enlisted 6/2/45. Discharged 21/1/64. Rank Chief Airman AHI, HMAS SYDNEY. Korea = rank Leading Airman on HMAS SYDNEY 31/8/1951 - 22/02/1952.1. Jacket - black colour wool twill with cotton sateen lining, double breasted with gold painted metal buttons with shank. Service Ribbons for WW2, Korea, Long Service. On lapels embroidered crown, aeroplane and letter "H". On sleeves - 3 gold buttons - denotes senior sailor ranks NCO. Buttons with Crown, Anchor and Australia". 2. Trousers - black colour wool twill, five button fly. Handwritten name on back pocket calico lining. 2. Back pocket lining - handwritten, black ink "J. BLUNDEN"uniform, ran, ww2, korea

Clothing. White cotton ladies long sleeved shirt. Round neckline with 2.3 cm band. No collar. Buttons on outside of band at front LH side and centre back. Front opening. Four button holes on RH side with placket with four 1cm pearl look plastic buttons. Set in long sleeves gathered into 5cm cuffs. Cuffs fastened with two 1cm pearl look plastic buttons. Yoke across back of shoulders. Old box 573.costume, female, ladies long sleeved shirt.

Two 2cm cotton fabric covered buttons close the waistband of the drawers, at the centre front. A 33cm wide gathered panel at the centre front, fastens to the waistband with two 1.5cm plastic buttons-(possibly replacement for original buttons). This gathered panel may suggest that these drawers were worn during a pregnancy. The 75cm long legs are trimmed with two bands of floral embroidered, and cutwork lace-eight cm deep lace. waistband is 6.5cm deep. Machine stitched, no seams.costume, female, white cotton, lace trimmed drawers

Donated after Les Hooper served 33 years with Royal Artillery.00038.1 Royal artillery mess jacket of staff sergeant. Jacket is black with red piping. 00038.2 White dress mess gloves with button. 00038.3 Royal artillery dress mess trousers.00038.1 Dress mess jacket with gold buttons, showing staff sergeants rank and Corps. 00038.2 White dress gloves. 00038.3 Black trousers with red piping.

This badge was issued to Pt. Roussac M L who served as a nurse in ,A.A.W.M.S. WWIISilver Rising Sun badge with pin clasp for use on Woman's uniform lapelAustralian Commonwealth Military Forces Rising Sunroussac mena l, a.a.w.m.s., army nurse, rising sun badge, roussac mena l, a.a.w.m.s., army nurse, rising sun badge, mena roussac