A sealed Wilson can of three 'Optic Yellow Championship Extra Duty Felt' tennis balls, Ring pull top and plastic reclosure cap. Adhesive label on front states:NEW!/LONGER LASTING COVER'. Materials: Metal, Ink, Rubber, Synthetic materialtennis

An unsealed Chemold 'Rod Laver' tennis ball can. Metal ring-pull seal missing. Has plastic reclosure cap. Contains two of the three original balls. Can autographed by Rod Laver. Materials: Metal, Ink, Rubber, Synthetic materialtennis

Court House Patrick Street with photo taken on angle Flanked by metal fence with stone base. Slate roof with ventilators chimneys. Parapet round roof on the single story. Arched windows and entrance. Three children sitting in Gateway.B/W Photgraph of a Substrantional Stone Building - Flanked by a metal Fence on a stoone base - Slate roof, with ventalators, Chimneys - Parapets on the single story Arhed windos and enterance. three young boys sitting in front of the gate, the one to the left is wearing a cap.stawell building, court house

Postcard - St Kilda Road, view looking south at the Shrine of Remberance, BP House and on the far right part of the now demolished Prince Henry's Hospital. Trams in the view are W2 345 (Carnegie Route 4) and SW6 913 (City, Route 4). Tram 813 has adverts for Coffey Ford and T&G insurance along with others. The driver of 913 has his cap on an angle.Yields information about St Kilda Road around the Shrine, c1970 and tram services.Postcard colour - St Kilda Road, with W class trams and the Shrine of Remembrance - National View - Murfett publishingtrams, tramways, st kilda road, w2 class tram, sw6 class tram, tram 913, tram 345, shrine of remembrance

Items in collection of K W Peatling. Refer Cat No. 5140.2. Box 173 for service details. Water bag holds the equivalent of 3 bottles.1. Clear rubber bladder with screw neck spot for filling, with green plastic cap. 2. Camouflage, plastic pouch for water bladder, webbing straps on back with black plastic buckle, metal press stud for closure on front, 3 eyelets in bottom on pouch.1. AGM M#G Co 1971 ^ 8465 66 024-4020equipment, army, water bag

Camisole. Cream cotton, 4 metal buttons,covered in fabric. eyelet and embroidered pattern on front and sleeves, and across shoulders at back.Bodice is gathered at front and back, onto a peplum, which has rounded fronts. Short cap sleeves, edged in embroidered cotton scallops.costume, female, underwear

Black & White studio portrait head & shoulders matron, wearing lace cap, floral brooch. Printed on front. Charlemont Sydney and Melbourne. Also reverse The Royal Arcade Sydney,and at 114 Elizabeth Street Melbourne. 117 68 pencilled reverse, doubtful date.Charlemont & Co Sydney & Melbournephotograph, person, female

Photograph, Horse and Jockey with a Maltese cross on the chest and sleeves of the top that he is wearing, and white pants, black boots, and a Maltese cross on his cap. There are stables to the right and white picket fence behind the horse. On the back is; purchased from S.Hall, C.D.G.M.Bgo. July 1980.photograph

Black and white photograph of medical staff. Two males in suits, two in white coats. Thirty four nurses in uniforms of the time. Small caps, aprons, black stockings. Matron centre second row from front has veil. Mounted on fawn board.W Vincent Kelly, Bendigoperson, group, hospital staff

Holland Bros. Engineers, iron and brass founders, Bendigo. Catalogue for grave rails, caste iron lace work, balcony panels, spandrills, Corinthian caps, newel posts, veranda columns, crushing roller, wheels. The catalogue is made up of 27 loose pages.books, catalogues, holland bros

Charity Day, Wangaratta, 1914.Digital image copied from a black and white photograph of a person dressed in Scottish outfit (kilt, tam-o-shanter cap) seated in buggy harnessed to a goat, surrounded by crowd of onlookers including two children dressed as jockeys (one wearing number 25)Captions written and printed on photograph 'One of the [?] Charity Carnival', 'WANGARATTA 12/8/14', 'Thelma Studio'wangaratta, goat, race, charity carnival, wangaratta charity carnival, goat race, scottish outfit, animals

A 'The Winner' wooden tennis racquet with solid convex throat. Rounded handle with thin grooves, and leather end wrap and leather butt cap. Model name imprinted across throat on obverse. Materials: Wood, Lacquer, Metal, Glue, String, Ink, Leather, Guttennis

A metal tennis racquet frame with double shaft and green plastic string-buffers around head. Black plastic shaft casing and butt cap. Handle wrapped with brown leather grip tape. No model name. Materials: Metal, Adhesive tape, Leather, Plastictennis

A Wilson Jack Kramer Superrally tennis racquet, enamel painted in black and gold. Butt cap feature 'W' trademark. Leather handle grip by Moody. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Plastic, Paint, Ribbon, Adhesive tapetennis

A Wilson Set Point tennis racquet. Shaft features Wilson logo and model name. Butt cap features 'W' trademark. Leather handle grip features floral perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Plastic, Plastictennis

A Wilson Citation tennis racquet. Wilson logo features across base of head. Model name features along shaft. 'W' trademark features on lower shaft and butt cap. Materials: Wood, Nylon, Ribbon, Plastic, Glue, Lacquer, Metal, Ink, Painttennis

A sealed plastic container of three Wilson 'US Open Tournament Select - Regular Duty Felt' grass court tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis

A sealed plastic container of three Wilson 'US Open Tournament Select - Regular Duty Felt' grass court tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis

A sealed plastic container of four D.F.S.A. 'Roland Garros French Open' tennis balls. Intact metal ring-pull lid and plastic reclosure cap. Entire container shrink wrapped in printed plastic. Materials: Metal, Ink, Plastic, Synthetic material, Rubbertennis

Belonged to Lt. Col. Duffy MC - see catalogue No. 4991P.1 & 2. Officers Peak cap - blackwood felt fabric cap with red edge trim and red wool felt hat band and black leather chin strap secured by gilt Australian Military Forces metal buttons. At front of hat band is a gold coloured embroidered badge of a lion over a Queens crown. peak decorated with gold braid. 1. Lining - black satin fabric with plastic cover, mid brown leather sweatband. Makers label "Commonwealth/Government/Clothing Factories/Melbourne" 7 3/6. 2. Lining - brown satin fabric, mid brown leather sweatband. uniform, military

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections, bubble in glass. Bottle has foul smelling contents inside. Mouth has hard capped cork seal with black, hard rubber capped stopper. Side of mouth has ship or mark. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has some diagonal creases and a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle

Two part object. (1) A Slazenger 'Phantom IMF' tennis racquet with open throat, plastic butt cap and handle wrapped with leather. Manufacturer name across base of head. Model name printed along left throat pillar. Plastic butt cap features manufacturers name and cat logo. Logo also featured at base of throat.(2) Full length navy blue vinyl racquet cover with two zippers and printed with manufacturer's name and logo and model name. has woven adjustable shoulder strap. Materials: Metal, Adhesive tape, Plastic, Leather, Ink, Vinyl, Graphitetennis

A Spalding, "Rosie Casals" Impact-240 Model tennis racquet, featuring whipping around shoulders. Two tone green paint from grip to top of shoulders. Manufacturer's name along side edges of shaft and on butt cap; endorser name on throat and rest of model name along shaft (both sides). 'S' symbol spray-painted across net. Perforated leather hand grip and white plastic butt cap. Name 'WOODS' engraved by hand into throat on reverse and shaft on obverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Leather, Plastic, Adhesive tapetennis

Sewell WAAF. Refer to other Cat No - Sewell name - 252.2.Coloured Portrait, head and shoulders of female Air Force Officer. She is wearing a dark blue cap and jacket. Light coloured shirt with a dark tie. On her peaked hat are (3) badges - a crown, a Flying Eagle and some sort of Laurel emblem. Service + W.A.A.F.Nilportrait, waaf

William Bailey Jackson enlisted in the AIF No 5813 in the 18th reinforcements 6th Batt on 14.7.1915 age 44 years. Embarked for England 3.7.1916, hospitalised aboard ship (not stated why), embarks for Australia 4.5.1917 classed with Senility and Rhuematism for discharge, discharged from the Army on 11.8.1917. Refer Cat No 3446P for his son George’s service. Black / white photo of WWI soldier, Private William Bailey JACKSON wearing a peaked cap & leather leggings. Standing beside him is Charlotte, wearing dark clothing, a dress below her ankles & shiny leather footwear. The photo is glued to a cardboard back piece.Bottom right: “Kalma 57 & 59 Pall Mall Bendigo” On rear: “William Bailey Jackson, Charlotte. With best love to (? illegible) from mother & father”photography-photographs, military history - army

Robert Charles Roberts No 3200 RAAF. Enlisted 17.1.1938, Rose to the rank of T/Sgt LAC 1.11.1939, transfer to Aircrew 26.11.1940, commissioned 29.7.1941, embarked for Canada 15.9.1941 then UK, posted to 455 Sqd (UK) 24.2.1942. Reported missing 10.4.1942 then presumed dead 11.4.1942.Coloured photo, cream background., head & shoulders portrait of Robert Charles ROBERTS in RAAF uniform. Peaked cap, white shirt & tie, Air Force wings badge on L breast. Brown wooden frame with gold trim, glass front, fawn cardboard backing.In black texta on back: Lyn Harrisonphotographs, raaf, framed