ill, p.12.non-fictionA pictorial guide to the 1/48 scale models of locomotives of the Victorian Railways in the Museum of Applied Science of Victoria.model trains - australia - history, tourist railways and museums - victoria

ill, p.12.non-fictionA history of the locomotives that worked on the privately owned Silverton Tramway from South Australia to New South Wales.locomotives - south australia - history, silverton tramway - history

12 typewritten pagesnon-fictionReview of the 'More Than Just a Look' exhibition.national gallery of victoria, elizabeth pickhaven

Photo supplied by J. Sinclair reproduced (cropped) on p48 of The Diamond Valley Story by Dianne H. Edwards, Shire of Diamond Valley 1979. "Twin sons of Harry Sinclair who came to the district from Scotland in 1860." William and Harry were born 25 Feb 1869 in Diamond Creek. William died 12 Sep 1943 at Heidelberg and Harry died 1947 at GreensboroughBlack and white copy of photo printed on glossy photographic paper 30.5 x 40.5 cm (12 x 16 inch); image size approx. 18.5 x 28 cmdiamond creek, diamond valley story, harold sinclair, henry colling sinclair, henry sinclair, william alexander sinclair, william sinclair

Newspaper Clipping from the Ballarat Courier of 28/12/1999 featuring a colour photograph of BTM driver Dave O'Neil sheltering on tram 123 during a heavy downpour on 26/12/1999 during the 25th anniversary celebration of the operations of the tramway by the BTM. Photo by Jeremy Banister of The Courier."Tuesday 28th Dec. 1999" in bottom right hand corner in blue ink.trams, tramways, btm, storms, 25th anniversary

Photos show the construction of King St overpass in Flinders St which was part of the project to construct a bridge over the Yarra River and provide a new southern outlet road between the city and eventually St Kilda Junction. The overpass construction was commenced in 1959 with tramway works first commencing. It was demolished in 2005. 1 - looking west at Market St. 2 - looking east from Spencer and Flinders St with the railway viaduct behind. 3 - Tram lines diverted onto the new overpass. Note the hand-powered overhead tower on the left behind the compressor. 4 - Tracks partially diverted. 5 - Looking east at Spencer and Flinders St with a Dunlop tyre truck in the view. 6 - prior to the diversion onto the new bridge. 7 - Looking east near William St. with W2 451 (Route 48, North Balwyn) in the view. 8 - Bridge works near King St. Original tracks still in use. 9 - Looking east prior to the introduction of the temporary tracks on the south side of the new overpass. 10 - SW6 852 and a W2 on new overpass trackwork - old trackwork being demolished. 11 - Cross over at Spencer St in Flinders St, prior to change over. 12 - Looking west at Flinders and Spencer St with SW6 853 turning into Spencer St.Yields information about the construction of the King St overpass in Flinders St during 1959.Set of 12 black and white prints of the construction of the King St overpass in Flinders St.trams, tramways, flinders st, king st overpass, construction, bridges, w2 class, sw6 class, tram 451, tram 853, tram 852

Parade College graduate Lucas Zugaro earned the Victorian Curriculum and Assessment Board's 2013 VCE Leadership Award for his social justice work during his senior school years.News clipping, black text, colour image.Source written on fron: DV Leader 18/12/2013parade college, lucas zugaro

Probably donated by Commercial Club AlburyWooden shield with cast metal slouch hat (no rising sun badge) in the centre, attached with three screws. Beneath that, a brass badge of Australia. "Diggers Day Commercial Club Albury the 30-12-1939" slouch hat, shield, albury, commercial club, diggers day

ink on paper student's technical drawing: 12 x 12 horizontal steam engine cylinder No 4technical drawing, engineering drawings, steam engine, g. murrowood, h. smith

Newspaper Clipping from "The Mail", 12-12-95. P 4 "Maroondah players"'. George ArundelBagpipe player George Arundel thinks there is something special about a man with a beard dressing up in a skirt and playing the pipes. "It's the theatrics of it all that I love", Mr Arundel, a member of the Ringwood Highland Pip[e Band, said. Mr Arundel began playing the bagpipesas a boy growing up in Glasgow in 1966, and has been playing them ever since.

F/O POLKINHORN .T. M96. 3867. 12/7/45. Information has no correlation in Service Records.1. Dress coat - navy blue colour, cotton twill, navy blue cotton sateen lining with beige cotton fabric lining to sleeves. Full belt with bakelite and metal buckle. Buttons - black colour bakelite with metal shank. Emblazoned with the King's crown and a wedge tailed eagle in flight WW2. Set of RAAF wings above left top pocket. Rank Insignia on sleeve. 2. Trousers - navy blue colour cotton twill and button fly. 3. Tie - black colour rayon fabric.3. Makers label - black ink print on label - "David Jones/ FOR SERVICE/ SYDNEY" Black ink typewritten - "F/O POLKINHORN. T. /M96, 3867, 12/7/45" Blue ink handwritten - "Ball"uniforms, raaf, ww2

Yields information about the alternative working used by the SEC when part of Sturt St was not available.Digital image from the Wal Jack Ballarat Album of a photograph of No. 37 climbing the Sturt St hill on the north side, running wrong line ex Mt Pleasant, due to road repairs on the south side of the street, 12-4-1962, Photo Wal Jack . Has the Ballarat Co and Patersons buildings in the background. Tram has the destination of Mt Pleasant. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC, Ballarat No. 37 from Mt Pleasant climbing Sturt St hill north track 3.10pm 12-4-62, south side of Sturt St under road repairs" and Wal Jack stamp in top right hand corner with number "T1266" written in.trams, tramways, sturt st, mt pleasant, tram 37

Small monochrome photograph of birds, mainly chicken, on the deck of a shipWritten in pencil "12"food, fowl yard, chicken, ships, cooking

Slide. Devonshire Group of mines with Duchess Tribute Gold Mine in foreground. Mine shed with 'Ducches Tribute' printed on side. Poppet heads, chimney stacks, mullock heaps, and mine buildings in the background. 'Mungo mines in the background, early 1870's' (Albert Richardson).No. 12 on bottom of slidemine, gold, devonshire group., bendigo mines-jack hattam collection

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Unknown location, USAMade in USA / 12mit bemis professorship, mit, robin boyd, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Children's Peace Monument, Hiroshima, Japan. (Architects: Kazuo Kikuchi and Kiyoshi Ikebe.)9 / 12 (Handwritten)japan, slide

Acquired when "Classweave Industries" closed down.12 16/87textile mills - staff woollen mills, classweave industries pty ltd federal woollen mills ltd, cloth - worsted, twisting, twisting machinery, textile mills - staff, woollen mills

Pink and white striped cotton maternity dress. Square neckline with short sleeves. Seven pleats across centre of front with a white pearly button on each side at hip level. Three bands across at neck and another three at hip level. Back of dress is identical to the front.Daly Jones 12costume, female

Colour slide in a mount. Victorian terraces, unknown location, Australia12 / First (Handwritten)slide, robin boyd

Used in VietnamBrass case used for starting armoured vehicle.Cart.Elec.Eng.Start. ME71/12

Agfa plastic mount (blue base, white cover) with a photo of No. 34 northbound in Lydiard St. Nth early 1961. Tram is in the process of being fitted with dash canopy lights and tiger strips. The tram is about to use the crossover in Lydiard St. North. Has the George Hotel and Hoyts theatre in the background. Slide rescanned at 3200 dpi 24-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 12" in penciltramways, trams, lydiard st. nth, crossover, tram 34

Agfa plastic mount (blue base, white cover) with a photo of Bendigo 29 at Charing Cross, with another single truck car behind it (possibly No. 7). Has two SEC crewman (Driver and Conductor) standing at the front of the tram. In the background is the Ezywalkin Shoe Store and the City Club Hotel in the background. Tram has the destination of North Bendigo and has a SEC Briquettes roof advertisement."BES 12" in penciltramways, trams, bendigo, north bendigo, charing cross, city club hotel, tram 29

David FERRY (1957- ) Born in Blackpool, United Kingdom. David Ferry studied painting at the Camberwell Schools of Art and printmaking at the Slade School of Fine Art in London. He is currently Professor of Printmaking and Book Arts at the Cardiff School of Art, Cardiff Metropolitan University,Wales. He was Former Associate Professor of Fine Art Media, at the Long Island University, New York, USA, and former Head of Printmaking at the Winchester School of Art, UK. David Ferry was awarded a Fellowship of The Royal Society of Arts for his contribution in the foundation of the Curwen Print Study Centre in Cambridge where he became its first Artistic Director in 2003. In 2010 he was made Professor of Printmaking at the Cardiff School of Art and Design, and a full Fellow of the Royal Society of Painter / Printmakers (RE).Framed screenprint which forms part of a series called ‘Cake walking in Scotland’ which was printed 2015/16. It is a Digital Archive print with gold and silver leaf and glitter and varnish. "Upon entering a strange place, the visitor is disorientated. He looks for key markers that can act as signposts to help him find his way. These markers are taken from his past experiences, giving shape to his perceptions.’…’ Ferry was born in the seaside town of Blackpool and educated at London art colleges during the late 1970s at the height of British Punk. These early foundations continue to assert themselves in the mischievous and disruptive nature of his photomontage. He argues that early understandings of oneself, along with the characters and situations one encounters, shape our viewpoint. These act as familiar signposts that enable us to negotiate our understanding of the world. Employing what he refers to as a collage mentality, Ferry collides and layers fragments to explore his subjects.’ Writes Stephen Clarke on David Ferry’s work in ‘The Double Negative’. (htt05 April 2019)ps://www.roeandmoore.com/shop/the-corrie-by-david-ferry/, accessed One of an edition of 12.david ferry, printmaking, artist in residence, screenprint, art, artwork

Framed perspex engraving of an abstract tree. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 4/12kenneth jack, available, printmaking, landscape, trees, abstract

Small foot shoe last with instep slide and groove in foot space. piece missing in cast in instep slide in foot space. 2cast holes on sole. dirty and dusty12 cast on toe

Dean BOWEN (1957 -) Born Maryborough, Victoria Dean Bowen's work combines humour and gentle irony with technical proficiency to explore the world around him. 'The car park epitomises qualities found in the best of his post 1990 work. Born out of the daily grind of stop-start commuting by car along Melbourne's Punt Road to and from his former workplace, the feeling of this large work (just over two metres long) is of duality. On the one hand there is the crowded chaos of a relentless number of cars choking the roads; on the other, order is imposed in his aerial view of cars 'parked' around intersecting roads as well as the actual charting of roads and interstitial spaces. Zooming in as though from above, cars are alternately cross-sectioned and flattened in outline. Despite his denial that there is nothing reminiscent of Aboriginal art in this work, to the onlooker there are quite a number of similarities. Not that he presumes anything of the Aboriginal experience or imagery (indeed, that it is unconscious is probably the only reason it works), such qualities are nevertheless present. The aerial perspective, for example, is so like the Aboriginal system of painting song lines and dreaming tracks from above. And as seen in the famous 'X ray' paintings of Arnhem Land, his cars and buildings are cross-sectioned to reveal the objects (usually humans) within. The impression of Aboriginally is further given by his use of earthy browns and by the outlining of shapes (cars, roads, trees).' (Susan McCulloch) This work was selected by the Art Acquisitions Committee (1995) to be placed in the 1870 Founders Hall at Mt Helen Campus. The Federation University Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A multiprint etching depicting a carpark that won the 1994 Fremantle Print Award;Edition 12/20art, artwork, dean bowen, bowen, etching, multi-plate etching, printmaking, printmaking etching, carpark