Showing 6179 items
matching 1880-1890
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Phillip Island and District Historical Society Inc.
Print, At Cowes, Phillip Island
Very early scene of Cowes showing the jetty, Isle of Wight Hotel and jetty shed. Charles Turner was an English mezzotint engraver and draughtsman who specialized in portraiture. HistoricalA4 colour photocopy of a print of a wood engraving by Charles Turner of the Cowes jetty. Large beige frame around print.At Cowes, Phillip Island. from the commemorative work, Victoria in 1880, published in Melbourne to mark the International Exhibition held that year. Fine prints of notable buildings and street scenes, as well as views of the country and suburban areas of the colony. Wood engraving.cowes jetty, charles turner, isle of wight hotel, jetty shed, wood engraving -
Federation University Historical Collection
Map, Creswick Gold Field Map, 1981
A fragment of the original 1880 map is also held in the collection. See 116Rectangular geological map with brown paper strip on top edge with 4 holes on top edge. Scale is 40 chains to one inch.Geologically and topographically surveyed by Ferdinand M Krause. Lithographed by R. Shepherd. Printed by J. Finnie. Mining Department, Melbourne. Preprinted with additional shaft and lead detail. F. D. Atkinson, Government Printer 1981creswick, krause, surveyor, smeaton, spring hill, tourello, ascot, dean, bullarook, gold fields, gold -
Clunes Museum
Photograph
JOHN RALPH WHO WAS THE CONDUCTOR OF THE CLUNES METHODIST CHOIR, CIRCA 1880BLACK CARDBOARD WITH AN OVAL SHAPED PHOTGRAPH OF JOHN RALPHJOHN RALPH, CONDUCTOR OF METHODIST CHOIRlocal history, photography, photographs, churches - wesley -
National Wool Museum
Photograph
Mr McCook was manager of "Marathon" 1875-1880, the owner was Samuel WilsonMr McCook. Marathon Bought of W Gibson & Son Tasmania/ 1876/ 51 two tooth ewes & 1 (Ram)/ @ 5 5..0 each 130 Guineessheep breeding - history sheep stations - history, mccook, mr a - marathon gibson, w - w gibson & son, marathon, sheep breeding - history, sheep stations - history -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Magpie Primary School, Victoria, 2019, 18/05/2019
The red brick Magpie Primary School opened on 31 May 1880.Colour photographs of the Magpie Primary School during the 2019 Federal Election. Includes historical information from a brick pathway.magpie, magpie primary school, education, magpie state school -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Magpie Primary School, Victoria, 2019, 18/05/2019
The red brick Magpie Primary School opened on 31 May 1880.Colour photographs of the Magpie Primary School near Ballarat, Victoria. magpie, magpie primary school, education, magpie state school -
Eltham District Historical Society Inc
Photograph, Burman's Photographic Rooms, Possibly Jane Shillinglaw, c.1880
Jane Shillinglaw was born at Merri Creek, Victoria, June 14, 1846. She had a son, Joseph Shillinglaw (1863-1865) with an unknown partner. Joseph died as a toddler. She subsequently had a second child, a duaghter, Jane Davidson born 1870 She married William James Sommerville, ten years her junior at hawthorn on June 2, 1887. Jane died at Balwyn, Victoria on June 26, 1893. According to Sands & McDougall Melbourne Directory, Burman's were operating from 209 Bourke St. East and St George's Hall (73 Bourke St. East) from 1879-1885 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1879-1885, 1880, burman's photographer 209 bourke st east and st georges hall melbourne, jane sommerville (nee shillinglaw 1846-1893), unknown -
Bendigo Historical Society Inc.
Photograph - KEN BICE COLLECTION: LANSELL'S 180 MINE, 3100 FT
Copy of photograph: Lansell's 180 Mine, 3100 ft. written on base of photo. In biro: taken early 1890's, very rich mine on Victoria Hill. Image shows poppet head on LH side, various timber buildings in centre, brick chimney in front of large shed. Needle chimney on Rh side. This is a digital only photograph.bendigo, mining, lansell's 180 mine, victoria hill, lansell's 180 mine, mining, needle chimney -
Bendigo Historical Society Inc.
Financial record - COHN BROTHERS COLLECTION: 1894 INSOLVENCY DOCUMENT - STATEMENT OF LOSSES
Part a,b,c, relate to insolvency documents of Robert Neave. Part a, Notice To Creditors Of General Meeting under the Insolvency Act of 1890 sent to creditors by Messrs Braham and Pirana of Trustees Chambers No 412 Collins Street Melbourne. Cohn Bros Victoria Brewery named as creditors./ part c - Statement of losses in the estate of Robert Neave to January 1894document, financial statements, insolvency -
Bendigo Historical Society Inc.
Document - CHURCHES OF BENDIGO COLLECTION: PRIMITIVE METHODIST CONNEXION
Tickets of membership for Anthony and Elizabeth Hall. Six from 1884, eight from 1885, eight from 1886, ten from 1887, seven from 1888, eight from 1889, three from 1890 and two from 1891. On all tickets the words First camp meeting held March 1807, first class formed. 1810church, history, primitive methodist -
Port Melbourne Historical & Preservation Society
Photograph - Savings Bank and Riall Bros Printers, Bay Street, Port Melbourne, c. 1900
COPYRIGHT PUBLIC RECORDS OFFICE Digital image of black and white photo of the "Savings Bank" (later State Savings bank of Victoria) and Riall Bros Printers in Bay St. Approx date 1900. The Port Melbourne branch of the Savings Bank opened on 1 March 1886 in leasehold premises. Land was purchased in 1890 and a new building was erected in 1891.built environment - commercial, state savings bank of victoria, bay street, business and traders - printers, riall brothers pty ltd -
Bendigo Historical Society Inc.
Book - AUSTRALIAN NATIVES ASSOCIATION COLLECTION
Exercise book with blue marbled with white, red and dark blue containing a list of the winning members and member names of the Australian Natives Association Sandhurst branch. Picnic Art Union 1890 and 1891. Pasted in the back is a receipt from A. N. A. National Fete and Art Union dated January 26th, 1891 to Mr Curnow for 484 Art Union Tickets.book, bendigo, a. n. a., australian natives association, mr curnow -
Whitehorse Historical Society Inc.
Article, Clues Found on Artists' Camps, 1984
Article by Simon Kinch, more light has been shed on Blackburn's place in The Australian Artists' Camps era of 1890's. Mr. Ossie Green contacted present day members of the McCubbin family. A number of paintings were painted at Blackburn Lake and later after McCubbin married, he bought a cottage in Blackburn, the exact location is unknown.artists camps, mccubbin, frederick, abrahams, louis, green, oswald stuart, box hill artists camp, blackburn lake -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 72 Charles Street, Kew, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Victorian villa of Hawthorn brick. Built in 1890 and with Grade B heritage listing by the City of Boroondara. Rear additions and alterations in 1999. Replacement verandah roof and floor in 2020. Stone fence has been replaced with a palisade fence. The pen and ink architectural drawing on drafting film of 72 Charles Street, Kew was made by Margaret Picken in 1997.72 CHARLES ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 72 charles street -- kew (vic.) -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Weapon - Bayonet, Scabbard and Pattern 1892 Bayonet Frog, Bayonet, Scabbard and Pattern 1892 Bayonet Frog on Sam Brown Belt on Jack's mannequin
This type of bayonet was used by infantry Rifle Regiments of the British Army and by Infantry Battalions of the Australian State Defence Forces in the 1890's; then by some infantry battalions of the Australian Army especially in a ceremonial roleThere is no record found of this type bayonet frog in use by 4th/17th/19th Light Horse Regiments. Use by VMR (the colonial predecessor to 4th/17th/19th Light Horse Regiments) is unlikely. Bayonet, Scabbard and Pattern 1892 Bayonet Frog on Sam Brown Belt on Jack's mannequin. Bayonet frog made of 'buff' leather, and stained brown on the front. Hand stitched with reinforcing tin plated copper rivetsold hand writing illegiblebayonet frog 1892 1888 buff leather, bayonet and scabbard of usual materials, -
Learmonth and District Historical Society Inc.
Photo.Rain W, Richards & Co. Photos Ballaarat, William Rain
William Rain was Auditor of Ballarat Shire and Road Board, during the period 1873-1890.He was also a teacher in Sunday School at Learmonth Uniting Church 1884-1887,and Superintendent 1887-1930. Original Historic PhotoPhoto of William Rain,is Sepia in colour and set In dark Brown frame (moulded),with gold trim on inner edge and dark brown mount with "wood grain " effect.Name plate is gold metal set at bottom of mount.William Rain.ballarat shire council, rain william, auditor 1873 1890, learmonth uniting church sunday school teacher 1884 1887 -
Port Melbourne Historical & Preservation Society
Document - History of Swallow & Ariell's fire bell, 2000
Bell moved from Swallow & Ariell after 1890; given to St Albans Anglican in Coburg 1930, then transferred to St Oswalds in Pascoe Vale in 1960. Now in Eastern Hill Fire Museum.Paper recording history of Swallow & Ariell's fire bell.'taken to 'Fire Brigade Museum Eastern Hill September 2004' handwritten in inkfire and fire services, swallow & ariell ltd -
Dandenong/Cranbourne RSL Sub Branch
Medal, Military Merit Medal (Austria - Hungary)
The Military Merit Medal was founded by Emperor Franz Joseph 1st on March 12 1890. The Medal was awarded in both peacetime for meritorious service and in wartime for outstanding acts. ( Including bravery or military merit).Historic Significance.Bronze, Silver or Gold Medal with bust of the reigning Emperor on the obverse side. The words "SIGNUM LAUDIS" (Latin for "Sign of Praise") on the reverse. It is surrounded by a wreath of half - laurels and half- oak leaves. The medal is surmounted by a dual crowns "Karl 1st type" and worn from a tri-fold ribbon. On the ribbon there are two crossed swords. -
Numurkah & District Historical Society
Pianola Rolls
Pianola rolls belonged to Beverley Moss's paternal grandmother (Emily Moss, nee Tomlinson). Born approx. 1890 of Tallygaroopna, formerly of Katamatite. Farm selected at McKenzie Rd, by Henry Amos Moss70 x pianola rolls in original boxes Most have readable labels. Some damaged boxes pianola, piano, music, family entertainment -
The Beechworth Burke Museum
Photograph - Photograph Reproduction, 1890
The photo is taken in 1890 and a man is depicted, entering the main gates of the Mental Hospital at Beechworth, with the lodge on his right side. The man is dressed according to the australian fashion of that time, wearing a dark suit and a top hat. The countryside surrounding the Hospital is in the background. The Mayday Hills Hospital was constructed between 1864 and 1867, with buildings created in a number of periods. It formally opened on 24 October 1867 and, along with the Ovens Hospital and the Benevolent Asylum, made Beechworth a prominent social welfare centre in Victoria. The need for an institution of this kind was arisen due to the increased number of people with mental disturbances (induced by the harsh living conditions on the goldfields) and the remoteness of the district from Melbourne. The site was chosen for its panoramic view of the countryside, the hilltop atmosphere and the native fauna, all contributing to the cure of patients. It was designed in Italianate style and around 250 workmen were employed for its construction. The Hospital was originally named the “Ovens Lunatic Asylum” but, during the centenary celebrations in 1967, the name was officially changed to “Mayday Hills Hospital”, showing the gradual shift in the perception and understanding of mental health conditions over the last decades. The Hospital lies on the traditional land of the Kulin Nation.This photograph is historically significant as it provides an insight into the location, surroundings and the exterior of the Mayday Hills Hospital at the end of the 19th century. It also contributes to the understanding of the district`s development and its importance to the course of Victoria`s history. Moreover, it adds information to the scientific research and the way mental health conditions were treated at that time.Black and white rectangular photograph printed on paper unframed.Obverse: Asylum Gates & Lodge/ Reverse: 3451-1/mental hospital, beechworth, australian fashion, dark suit, top hat, countryside, mayday hills hospital, ovens hospital, benevolent asylum, institution, mental disturbances, social welfare, living conditions, goldfields, workmen, italianate style, kulin nation, mental health, ovens lunatic asylum, patients -
Stawell Historical Society Inc
Photograph, Stawell Shire Hall 1866
Post card of the Stawell Shire Hall built 1866. The Shire Hall in Longfield Street Stawell has seen many changes over time. The building originally had a brick facade as seen in this photo. The post card also shows the changes in vegetation around the building. In front of the two arched front windows of the building are two tall Dracaena's possible planted in c 1890's. The decorative fence was not in very early photographs of the building but appears in photographs around c 1890. The post card is located in Albun 14, p.9.Black & white post card of the Stawell Shire Hall. The building has a brick facade with trees in the background. In front of the two arched front windows of the building are two tall Dracaena's either side of the entrance. There is a decorative fence with posts either side of the entrance gates to the building. The post card is located in Albun 14, p.9.The Shire Hall, Stawell Victoria. Real Photo Series. M. 672. on the back Valentines real photo series POST CARD branches Sydney London Dundee Capetown Montreal Toronto all in a box. Published by the Valentine & Sons Publishing Co.Ltd. Melbourne, Sydney & Brisbane.stawell -
Greensborough Historical Society
Photograph, Unidentified female, 1880c
Studio portrait of unidentified female, taken circa 1880. From the Partington collection.Sepia studio portrait of unidentified woman."Stevenson Todmorden" (ie: West Yorkshire, England)partington family, studio portraits -
Coal Creek Community Park & Museum
Evening purse, c1880
Donated by Mrs Barns, former resident of Kardella South. Was her mother's in 1880.Black velvet evening purse with velvet fringing -
Tatura Irrigation & Wartime Camps Museum
Photograph, Tatura Railway Station, 1986
Photograph of Tatura Railway Station The railway line to Tatura was first opened in 1880.Black and white photograph of Tatura Railway Stationon back: Tatura Railway Station 1986 -
National Wool Museum
Book, Sheep Breeding in Australia
"Sheep Breeding in Australia" by George A. Brown, Walker, May and Co., Melbourne, 1880.sheep breeding - history sheep - australian sheep breeding, brown, mr george a., sheep breeding - history, sheep - australian, sheep breeding -
Mont De Lancey
Underwear combination, Female
Made from pillowslips - dating from 1880, from Mrs. D.H. Adamson.White cotton ladies combination with lace on neckline, sleeves and hem. combinations, underwear -
The Beechworth Burke Museum
Animal specimen - Diamond Firetail, Trustees of the Australian Museum, 1860-1880
The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail -
The Beechworth Burke Museum
Animal specimen - Thylacine, Reynell Eveleigh Johns, 1860-1880
The Thylacine or Tasmanian Tiger, was a large nocturnal carnivorous marsupial now believed to be extinct that was native to both Australia and New Guinea. The Thylacine is believed to have first appeared over two million years ago with documentation of the species appearing on rock-art that have been dated as far back as 1,000BC. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Burke Museum Thylacine is of great historic, scientific and cultural significance as Australia's most notable example of a species made extinct within living memory. Poignant images of the last known thylacine linger in national consciousness and remain an evocative symbol of the impact of humankind on the natural environment. The Burke Museum thylacine has immense social significance not only for its ability to tell a story to present and future generations, but also for embodying the mythic tiger that lives on elusively, we hope, in the Tasmanian wilderness. Attempts to clone the thylacine from material held in museums attest to the passion that this iconic animal evokes in the scientific as well as mainstream community. Medium sized lean female thylacine with four stocky legs and a stiff tail. The fur is short and coarse and in a light brown-yellow colour with 15 dark brown stripes across the width of the body. The head is long and narrow with two small pointy ears and a large jaw with up to 30 visible teeth.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, thylacine, tasmanian tiger, rare -
The Beechworth Burke Museum
Animal specimen - White-Necked Heron, Trustees of the Australian Museum, 1860-1880
The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown. [illegible] Heron / See Catalogue, page 33. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron -
The Beechworth Burke Museum
Animal specimen - White-Neck Heron, Trustees of the Australian Museum, 1860-1880
The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. It is facing forwards but looking over its left shoulder. The eyes of this specimen are made from yellow glass. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron