Scene from Big Hill Area overlooking Stawell showing Main Street and Grampians in Background.stawell

Black and white photograph.Image shows street scene looking east towards clocktower in original position in middle of Warrandyte Road intersection. Moran and Cato store on corner of Melbourne Street, opposite Station entrance.

This film is a curated collection of iconic early Australian films. There are three sequences. The first sequence consists of a segment of 1908 boxing match between Jack Johnson and Tommy Burns at Sydney Stadium, 1906 Hawthorn street scenes, and a 1909 VFL Football final. The second sequence consists of 1896 Melbourne Cup, 1906 Sydney street scenes and Baldwin Spencer footage of Australian indigenous ceremonial dance. The third sequence consists of a bush ranger scene from "Robbery Under Arms" (1920), a great escape scene from "The Sentimental Bloke" (1919) and Sydney Harbour boat chase from "Let George Do It" (1938). These sequences are repeated several times. These would have been selected by Robin Boyd for screening at the Australian Pavilion at Expo 70 in Osaka, where Robin Boyd was Exhibitions Architect. 16mm black and white silent film inside a circular metal canister with lid. Duration-39:33 minutes. Head out - Loose archival wind placed in archival film storage container.expo 70, jack johnson, tommy burns, melbourne cup, spencer baldwin, early australian film, robin boyd

Photograph shows a rural scene - a farmyard with stacked wood and disused farm equipment - in Lower Plenty, 1990s.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.lower plenty, farms

Photograph shows a rural scene with gumtrees and pylon. This is near the confluence of the Plenty and Yarra Rivers, Lower PlentyPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.yarra river, plenty river, lower plenty

Photograph shows a rural scene with gum tree and pylon, looking towards Bulleen from Lower Plenty.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"bulleen, lower plenty

Victorian ladies. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photographcharles marshall, world war 1, victoria

Victorian gents. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photographcharles marshall, world war 1, victoria

Victorian grandstand. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photograph"Les.R. Fitzroy Cup"charles marshall, world war 1, victoria

This photograph shows what could be a Victorian country scene. The caption includes a notation "Speight Street Northcote."Digital copy of black and white photograph. "Speight Street Northcote" and other notescharles marshall, world war 1

St Kilda Pier, with Esplanade hotel in background, Alfred Sq. Scene of large crowd , four boats.black and white postcard, unmounted, original, goood conditionPublished By Kellett &Co Series M1781

Mining Scene Flat Reef at 800ft level Underground in Magdala-Cum-Moonlight Gold Mine 1895Underground miner inspecting overhead Quartz reef. stawell mining

Mafeking Goldfield Mt William Mining Scene c1900. Businesses. Mafeking Post office and other businesses.stawell

Oil painting of a bush scene, painted by Phyll Davidson. Adapted from an oil painting by Lloyd Rees.Oil painting with timber frame and glass On label on reverse: "Toward the high country. Adapted from an oil painting by [Lloyd] Rees. Artist Phyll Davidson". Framer's label " Framed by Keith Hoad"phyll davidson, lloyd rees, oil paintings

Australian Army Campaigns Series - 5 - Malaya (1942). Soft cardboard cover with front & back flaps. Mid green, white & black print on front, spine & back. Background colour is off white with large black / white photo of 2 soldiers in a battle scene, on front, group of 4 black / white photos of military scenes. 253 pages, cut plain, glossy white, illustrated with black / white & colour photos, maps, diagrams, illustrations. Owner's label attached on top of title page: Black ink stamp, RSL Club Branch.book, malaya, army series.

Document. Greeting Cards. Small white card with green & gold border top, bottom & right. Dark black/brown scene with a family around a camp fire in the bush. The scene is framed by a gold border which has an uneven outer edge. Green ivy vines to the right and bottom left. Kind Thoughts printed in dark green with gold decoration around the first letters of the words. Card and insert held together with a pale green ribbon.person, greeting cards, malone collection, malone collection, greeting cards

The Vliet is a canal in the western Netherlands, in the province of South Holland. It starts at the Oude Rijn at Leiden and joins the Delfshavense Schie canal at Delft. Places along its banks include Voorschoten, Leidschendam, Voorburg, The Hague and Rijswijk. The canal was dug in 47 AD under command of Roman general Corbulo, who wished to connect the river Rhine, of which the current Oude Rijn stream in Roman times was the main branch, to the Meuse estuary. It is unclear what the canal's trajectory was beyond the current city of Delft; the Delfshavense Schie canal, which connects Delft to the Nieuwe Maas river was not dug until 1389. In the Middle Ages the Vliet was an important trade link that attracted all kinds of trade, as it flowed through the heart of the County of Holland. Windmills have been constructed alongside the Vliet, including the completely renovated mill 'De salamander' in Leidschendam. The Vliet area was particularly attractive among richer families, who built their mansions along its banks.An historic small town scene etched (or possibly printed) on thin metal and subsequently fastened to a plywood backing. The delicately presented scene is said to show the intersection of Old Church Street and the Vliet Canal bridge in Voorburg, as well as a section of wharf. On the canal are one large and two much smaller vessels. A very tall crane-like construction arises from the wharf to the roof of waterside buildings. The people are soberly dressed in possibly 17th or 18th century costumes.On the reverse has been written: "Oude Kerkstraat Brug over de Vliet Voorburg". (Old Church Street; Bridge over the Vliet canal; Voorburg). However, research proves that the church is actually the Old Church in Delft, a short distance further down the Vliet Canal.

Many were ANZAC Heroes. Some were criminals. Some were both. Leading war historian Peter Stanley reveals the citizen soldiers the army regarded as bad characters.Title: Bad Characters, Sex, Crime, Mutiny, Murder And The Australian Imperial Force. Soft cardboard cover, with black & red printing on front, spine & back. Mottled yellow with light grey print background. Front cover displays sepia photo of a group of ten soldiers in uniform. Back cover displays sepia colour photo of a group of soldiers, some in uniform. 286 pages, cut plain paper, illustrated in black & white, photos, line drawings & lithographs.books-biography, military history-army, bad, characters

''The Chinese'' - typed 8 paged History tutorial paper by Wendy Allan (no date or other information). Covers - early (pre discovery of gold) use of Chinese ('coolie) labour for farming purposes; gold- era Chinese and 'agents'; overland from Robe; attitudes to Chinese; Chinese camps in Bendigo ( Ironbark; White Hills; Back Creek; Charcole Gully; Kangaroo Flat; Long Gully; Peg Leg); crime; resentment; post-alluvial;developments union exclusion of Chinese. Bibliography.Wendy Allanbendigo, chinese, history, labor shortage. chinese labor. asiatic coolie-labour. captain king. governer gipps. ironbark. white hills. back creek. charcoal gully. kangaroo flat. long gully. peg leg.

Set of four pamphlets A4 size, for distribution or display on trams/tram, railway stations stops etc. .1 - Travel all weekend anywhere in Zones 1 and 2 for $3.50/day .2 - Royal show 2013 - take the tram to the show. .3 - Breathe Easy - tram shelters and platforms will be smoke free from 1/3/14. .4 - Victorian Seniors Festival for 2013 and free public transport. .5 - Reporting taggers to the Police or crime stoppers - Graffititrams, tramways, yarra trams, tickets, royal show, festival program, smoking, ptv, graffiti

The Grinton Collection. Cabaret du Ciel and Cabaret 'Enfer"- adjoining buildings in Paris, France. Refer Cat No 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a street scene with a number of close-up building frontages. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a lifetime". "C. Cabaret due Ciel and Cabaret 'Enfer". framed accessories, camera on the somme, 38th bn, ww1, grinton

The Grinton Collection. Bomb damaged buildings. Refer Cat No. 1280 for Jack Grintons service details.Photograph - framed. Photograph - black and white photograph on paper depicts a street scene of bomb damaged timber and brick houses. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "D. Bombed houses".framed accessories, camera on the somme, ww1, 38th bn, grinton

The two images were part of a book called, The All Australian Memorial as part of a fold out section. the two pages were lose in the book.Large timber frame, mid brown colour, dark green mount with glass. 2 black &white panoramic photos of the 1st Australian Division, Egypt. Camp scenes with tents, pyramids & sand.Below photos in black ink: "The 1st Australian Division, Australian Imperial Force - Egypt, 1914-15" Handwritten in black felt tip pen: "Property Bendigo RSL Museum, Peter Ball"photography-photographs, military history - army, eygpt pyramids, 1st australian division

Community art project coordinated by Grant Finck - MURAL PROJECT, CITY OF PORTLAND for Community Youth Programme.31 glazed ceramic tiles set onto wall at the Civic Hall, Bentinck Street, with cement in an open arrangement. Each tile depicts scenes of the sea and maritime flora and fauna in blue and grey.

Displayed in History House (in window recess).Black and white photograph of seventeen men standing and sitting around table. Framed in a mount with a description of scene. Framed under glass in wooden decorative frame with white paint. Frame decorations deteriorating.Front: Portland Identities/Card Club at Martin's Corner/Portland 1953. (black text, above and below image)

This pamphlet would have been produced to encourage tourism in East Gippsland.This item is a useful reference tool.Two pamphlets, titled "East Gippsland _ Last Unspoiled Frontier". On the front is a coloured photograph of a boat moored at a jetty at sunset. Inside are coloured photographs of East Gippsland scenes with black print information.pamphlet-east-gippsland tourism

The first Buninyong municipality was established in 1858. The paper for the book was donated by Ballarat Paper Mills Pty Ltd.Cream soft covered booklet with yellow ribbon. The book includes notice of the special meeting, minutes of the 1st and 2nd meeting of the Buninyong District Road Board, images of Archibald Fisken, scenes of Buninyong.'Cr D.K. Coxall'buninyong, archibald fisken, john adams, j macdermott, shire of buninyong

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. The featured image of Captain Cook's Cottage suggests that the doily was embroidered around the time of the transfer of the cottage in Melbourne. The cottage was constructed in 1755 in England and was brought to Australia in 1934 and installed in the Fitzroy Gardens, Melbourne. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of 1930's needlework.Doily, ovate in shape. White cotton embroidered with a cottage scene and named "Captain Cook's Cottage"; the image includes flowers, trees and a bird. The edge is crocheted. Part of the Chamberlain Dale Lees Collection. Embroidered on doily "Captain Cook's Cottage"flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, captain cook's cottage

Print titled Daybreak showing a scene of mountains, lake and 2 women between column in tones of Blue & Autumn Colours on Card with Black Mount, markings read 'Reinthall & Newman NY Daybreak'painting, print, landscape, daybreak, landscape