Small cane basket with two handles containing various samples of coloured unspun woolNone

The 2007 Emerging Writers' Festival was programmed by Steve Grimwade and ran from Friday, 25 May to Sunday, 27 May 2007, at the Melbourne Town Hall, State Library Victoria and Federation Square. Special events in 2007 included: - Friday night launch featuring a keynote speech by Waleed Ali on issues key to emerging writers - The 48-Hour Play Generator - Scrabble - the best in wordplay – the Festival's Saturday night party - Independent Press and Zine Fair – all day Sunday in the Atrium - RMIT Gallery art/text exhibition from May 1 - Speed Dating for writers and editorsA collection of digital photographs, taken at various events associated with the 2007 Emerging Writers' Festival.2007 emerging writers' festival, steve grimwade, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

The 2009 Emerging Writers' Festival was programmed by David Ryding and ran from May 22nd until May 31st. Program highlights include Speed Dating, The First Word and the Weekend Town Hall Conference.A collection of digital photographs, taken at various events associated with the 2009 Emerging Writers' Festival.2009 emerging writers' festival, david ryding, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

The 2011 Emerging Writers' Festival was programmed by Artistic Director Lisa Dempster. The festival ran from May 26 until June 5th, 2011.A collection of digital photographs, taken at various events associated with the 2011 Emerging Writers' Festival.2011 emerging writers' festival, lisa dempster, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

The 2012 Emerging Writers' Festival was the ninth Emerging Writers' Festival - and the year that marked the beginning of EWF Digital. Lisa Dempster was Artistic DirectorA collection of digital photographs, taken at various events associated with the 2012 Emerging Writers' Festival. 2012 emerging writers' festival, lisa dempster, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

The 2008 Emerging Writers' Festival was held in May and was the fifth time the festival ran. It was the first EWF programmed by Artistic Director David Ryding, with special events including a Zine Fair, 48 Hour Play Generator and a series of artists responding to the work of singer songwriter Paul Kelly.A collection of digital photographs, taken at various events associated with the 2008 Emerging Writers' Festival.2008 emerging writers' festival, david ryding, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne, paul kelly

In 2020 during the period of lockdown due to COVID the National Wool Museum asked their volunteers to make and donate blocks made from a variety of materials found in their homes, for an ISO quilt. The NWM reached out to the patchwork and quilter community to find a local quilter to sew the donated blocks together. The quilt is sewn together and quilted by Judith Oke, 2020-2021. Judith is a local patchwork and quilter and a member of Geelong Patchwork & Quilters Guild. Through the process she was inspired by the tradition of wagga quilts, where bits and pieces are stitched together, sometimes lined with whatever the sewer found available, such as clothing and sacking, to provide warmth. In construction of the finished quilt the challenge was combining 10 inch blocks made from a variety of materials, with uneven sizing. The aim was to combine these very different blocks into a harmonious whole. To this end a light and dark pattern was planned, with the blocks to be sewn onto a blanket. The choice to layer the blocks over each other, rather than sew an even seam was aimed at emphasizing the make do nature of these ISO blocks. Due to the weight of the blanket a decision was made to sew the blocks onto a base before the whole was stitched onto the blanket. The blanket was sourced from NWM donations. The rich, red of the blanket provides a bright, warm background for the colourful squares. Some of the light weight blocks were backed with iron-on interfacing to strengthen them for sewing. The edges of two of the woven squares were blanket stitched with knitting wool. The 10 inch donated blocks/squares were machine sewn to a cotton sheet base, with liberal use of blanket stitching, as the blanket was too heavy to sew the blocks directly onto the blanket. The base with squares was then machine sewn onto the red blanket backing.Various multi coloured and designed patchwork squares sewn onto a red woollen blanket. isolation, covid, quilt, wool

Coloured photograph of children's bedroom in Schwerkolt Cottage showing small bed and various artifacts.schwerkolt cottage & museum complex, nunawading & district historical society

Cream various woven thread tray cloth with eight woven designs in centre. Fringed.manchester, table linen

8 printed maps of various sizes covering city of Nunawading. Scale 1:2500non-fictionA collection of maps of the City of Nunawading from Diana Coles, City of Whitehorse Community Chest. coles diana, civic maps, city of nunawading, whitehorse road, blackburn road

8594.2 Eleven B&W photographs of various staff/tutors at Lister House, Bendigo.ndsn, nursing

Various cook-books and handy hints books from 1950's and 1960'srecipes, cooking, household, kitchen, cookbooks, handy hints

Darwin after the bombing; convoys taking supplies; Alice Springs cup 1942; various

7 assorted marker buoys of various shapes and colours; black, green, red and yellow.

Blue and brown index book. Listings of the various items on stock are under the appropriate letter.business, inventory

Loosely bound pages, some with maroon and grey hard cover, from various yearsVictorian Government Gazette, crown coat of arms, dates: 1886, 1889, 1891, 1894, 1895, 1896, 1897, 1901, 1902, 1906, 1907, 1912, 1913, 1914, 1915, 1928, 1929, 1933, 1935, 1938, 1939, 1941, 1942, 1943, 1944, 1945, 1952.

One of three traffic warning lanterns donated by the City of Kew in 1984. The lanterns were used by the City Engineers Department for emergency street lighting to indicate dangerous conditions. The red glass in the lanterns symbolically represented danger.The Kew Historical Society is fortunate that the City Engineer, Mr Poulter, donated a number of items held by the City of Kew to the Society for safekeeping, rather than identifying them for destruction. The most significant items donated included old maps, including those issued by the Board of Works. Other items included photographs of public works undertaken by the Department. These traffic warning lanterns, while less historically significant, are indicative of a period of rapid urban development in the district during the post war period.City of Kew warning lantern (left) previously located in various streets and plant nurserytraffic lanterns -- city of kew, emergency lighting, public works -- kew (vic.)

One of three traffic warning lanterns donated by the City of Kew in 1984. The lanterns were used by the City Engineers Department for emergency street lighting to indicate dangerous conditions. The red glass in the lanterns symbolically represented danger.The Kew Historical Society is fortunate that the City Engineer, Mr Poulter, donated a number of items held by the City of Kew to the Society for safekeeping, rather than identifying them for destruction. The most significant items donated included old maps, including those issued by the Board of Works. Other items included photographs of public works undertaken by the Department. These traffic warning lanterns, while less historically significant, are indicative of a period of rapid urban development in the district during the post war period.City of Kew warning lantern (centre) previously located in various streets and plant nurserytraffic lanterns

One of three traffic warning lanterns donated by the City of Kew in 1984. The lanterns were used by the City Engineers Department for emergency street lighting to indicate dangerous conditions. The red glass in the lanterns symbolically represented danger.The Kew Historical Society is fortunate that the City Engineer, Mr Poulter, donated a number of items held by the City of Kew to the Society for safekeeping, rather than identifying them for destruction. The most significant items donated included old maps, including those issued by the Board of Works. Other items included photographs of public works undertaken by the Department. These traffic warning lanterns, while less historically significant, are indicative of a period of rapid urban development in the district during the post war period.City of Kew warning lantern (right) previously located in various streets and plant nurserytraffic lanterns

Grainy photograph of Oswald's Improved National Rock Drill with various tools laying in front.Oswald's Improved National Rock Drillmining

"In my woodblock print I have focused on the architectrure, streetscape and layout of the city. I am itrigued with teh organisation of cities and in teh creation of my own image. In this work I have almalgamated site drawings of buildings, streets and various structures to create a fish eye viewof the inner west of Sydney. By creating such a cityscape I form an historical document and record of the specific place."Anne STARLING (1967 - ) Born Sydney, New South Wales A graduate of the City Art Institute/UNSW College of Fine Arts, Anne Starling completed a Master of Art in 1994 and Master of Fine Arts by Research in 2012. Human interaction with the urban and industrial landscape is central to the work of Anne Starling. She focuses on the neglect that has occurred due to misuse and exploitation by industrial manufacturers, and the social and ecological structures of areas surrounding of Rhodes in Sydney, Fremantle in Western Australia and Port Kembla in New South Wales.Through relief and drypoint prints she examine changes that occur in this environment, presenting a commentary on the degradation and pollution of land by industry and the surrounding urban landscape. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed black and white relief print (woodblock) representing a collage of various Sydney architecture. art, artwork, anne starling, printmaking, woodblock, print council of australia, sydney, architecture, bridge, cityscape

Pictures taken of QBIC Industries staff, including Anne-Marie O'Connell, Jaina Unmoepa, Selwyn Brown, Les Gregory, Henry Chicowski and Wayne Suffolk.17 col. photographs and transparencies of QBIC Industries staff + various negatives at the back of the albumqbic industries, anne-marie o'connell, jaina unmoepa, selwyn brown, les gregory, henry chichowski, wayne suffolk

Collection of nine expended projectiles of various calibres. Some have damage from firing. projectile, bullet

collection of 4 various rifle rounds, 3 rifle projectiles and a 9mm pistol round wark vc club, inert, ammunition

Set of Kiddicraft plastic building beakers - set of 12 in various colours, complete with box.educational toys, toys

A set of notes compiled by L/ Frank Doolan about the Intermediate Legacy Club (ILC). He spoke at the 1974 reunion and perhaps these notes formed part of his speech. Background: The ILC was formed in 1929. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members. The name came from the signallers' code Disabled Servicemen's Sons. During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. Post second world war some ILC members were nominated into Legacy, others drifted away in civil occupations. It was found difficult to recruit new blood into the ILC and eventually membership waned when the boys from the Don Esses clubs found other youth activities to join. The ILC ceased to meet regularly in the mid fifties. However a strong comradeship still existed between members and they would meet in one anothers homes. Members were always ready to help the senior Legacy Club in any way in their power and still helped at Christmas parties and summer camps. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy. Was in a folder of material collated about the ILC by an early archive committee. A record of the activities of the ILC from the point of view of L/ Frank Doolan who was on the archive committee in the 1970s and started collecting historical information.White note paper of various sizes handwritten by L/ Frank Doolan about the ILC.Handwritten in red pen ILC18 which was part of an early archive project numbering system. Stamped with 'Frank J Doolan' and his address in grey ink.ilc, junior legatee

Photos during Badge Week in September 2008. Photos show the preparations inside Legacy House with President Graeme Standish briefing a group of school children, and defence personnel.A record of the fundraising for the Legacy Appeal in 2008.Colour photo x 4 of various badge sellers in Legacy House for Badge week.Printed on the back No.< > Clarendon Photos 1820 which is the frame numbers and place of processing. Negative numbers 3A, 5A, 8A, 10A (see also 00767, 00771, 00772, 00773, 00774).legacy appeal, fundraising, badge week

Photos during Badge Week in September 2008. Photos show the preparations inside Legacy House with defence personnel sorting money and collection tubs. The advertising poster that year had a small boy in a slouch hat and the line "I miss my Dad. With Legacy's help we won't be alone."A record of the fundraising for the Legacy Appeal in 2008.Colour photo x 5 of various badge sellers in Legacy House in Badge week.Printed on the back No.< > Clarendon Photos 1821 which is the frame numbers and place of processing. Negative numbers 4A, 10A, 12A, 18A, 22A (see also 00767, 00770, 00771, 00772, 00774).legacy appeal, fundraising, badge week, adf personnel