Catalogue card reads, 'Council ceremonies. Unveiling stone at Poppet Head 1985 and then opening of Poppet Head 1987'.

Catalogue card reads, 'Council ceremonies. Unveiling stone at Poppet Head 1985 and then opening of Poppet Head 1987.'

Catalogue card reads, 'Council ceremonies. Unveiling stone at Poppet Head 1985 and then opening of Poppet Head 1987.'

Catalogue card reads, 'Council Ceremonies. Unveiling stone at Poppet Head 1985 and then opening of Poppet Head, 1987'.

This medal was awarded to the school children of Australia in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. It was won by John Wolfgang Elischer for his depiction of a man hand-sowing wheat. The wheat has grown to represent the seven States of Australia on the other side of the medal. Elischer was an Austrian sculptor and an Associate of the Royal Academy.Fifty Years of the Commonwealth of Australia 1901 - 1951.This medal was awarded to the school children of Australia in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. It was won by John Wolfgang Elischer for his depiction of a man hand-sowing wheat. The wheat has grown to represent the seven States of Australia on the other side of the medal. Elischer was an Austrian sculptor and an Associate of the Royal Academy. This is a round medal and is bronze in colour. On the front is a man throwing seed on the ground with the dates, 1901-1951, and on the back the words, "FIFTY YEARS COMMONWEALTH OF AUSTRALIA". along with a carving of the sun and seven ears of wheat representing the States and Territory.1901, 1951, commonweath australia medal

International Harvester Co. medal commemorating the centennial of the 'Reaper' harvester. Issued in 1931, it names Cyrus Hall McCormick as inventor of the Reaper. Son of a Virginian farmer, he developed his father's earlier ideas into a viable harvesting machine capable of harvesting up to fifteen acres of wheat and other grains each day. Without it, only three acres could be cut. McCormick established a manufacturing business that quickly became one of the leading industrial companies in the United States. After his death the compnay merged with several competitors to form the International Harvester Co.This medal commemorates the centennial of the reaper by the International Harvester Company in America and aboard.A round medal made of copper with the face of Cyrus Hall McCormick on the frontObverse - Bust of McCormick wearing coat and bow-tie facing left; above are the words, CYRUS . HALL . McCORMICK, on the left 1808 / 1884, on the right the words, INVENTOR / OF THE / REAPER. Reverse - A horse-drawn reaper working right, with the words above, INTERNATIONAL HARVESTOR COMPANY; below, CENTENNIAL OF / THE REAPER / 1831 1931.centennial, cyrus hall mccormick, international harvester

The Mount Helen Union Building was renamed the Albert Coates Centre.Photograph of a polished silver plaque commemorating the opening of the Mt Helen Union Building Stage 1 Redevelopment by Olympian Peter Blackburn.Union Building Redevelopment - Stage 1 was opened by Mr Peter Blackman Olympian on 6th September, 2000 Professor David Caro, AO OBE Professor David James Chancellor Vice Chancellor University of Ballaratunion building, university of ballarat, david james, peter blackburn, david caro, plaque, mount helen campus, albert coates centre

Glass produced for graduates of the Nursing course at Ballarat College of Advanced Education, 1988Glass tumbler with gold etching around upper edge and gold emblem and writing on sideBallarat C.A.E. Diploma of Applied Science Nursing 1986-1988nursing, ballarat college of advanced education, glass, applied science

The print depicts the evolution from WW2 Commandos to present-day post-WW2 Commandos, to 2005. The print celebrates the formation of the post-WW2 Commandos and their 50th anniversary in 2005.Framed print, showing WW2 and post-WW2 Commandos and the original post-WW2 'Strike Swiftly' beret badge. Limited edition print 12/100.2 commando company- 1st commando regiment- golden jubilee- 50th anniversary- commemorative print- post-ww2 commandos

This was the "Order of service" for the inaugural unveiling of the WW2 Commando Cairn at Tidal River, Victoria. Lt General Sir Edmund Herring, Lt Governor of Victoria addressed the assembly, 2 Commando Company soldiers were the Guard of Honour, and the 4/19 PWLH Regt band played. This was the first official memorial to WW2 Commandos, located at Wilsons Promontory where the Commando units were first trained. A memorial ceremony is held in November each year since 1964. Honour rolls of WW2 and post-WW2 Commandos who died in battle or training were added in 2011.2 sheet quarto (four sides) white semi-glossy paper with black type and logo. Order of service.Niltidal river wilsons promontory commando memorial cairn ww2 honour rolls post-ww2 national

Ringwood State School No. 2997 was opened in December 1889 and closed 108 years later in 1997.Metal spoon with circular crest at topwith concentric circles of dark blue, light blue and red in centre with 2997 marked in it."All for one and one for all" motto

Unopened green bottle Brown Bros 1975 Shiraz depicting Bell Sioux helicopterBell Sioux 47G-2 The first army helicopter aviation 1975 Shiraz produced and bottled for the Australian Army Aviation Corps Brown Bros Milawacommemorative bottle, aviation

Unopened green bottle of 1985 Tauriga Port commemorating AATTVAATTV Perservere Australian Army Training Team Vietnam 1985 Tauriga Port Bonneyniew Winery Barmera SAcommemorative port, aattv

Unopened green bottle Port 161 Recce Sqn161 Recce Flt 1965 161 Recce Sqn 1986 21st anniversary Portcommemorative bottle, 161 reconnaissance squadron

Clear glass mug Melbourne reunion of Vietnam VeteransMelbourne Reunion of Vietnam Veterans 1988 Internatuional Veitnam Forcescommemorative glass, reunion, vietnam veterans

Clear glass mug - Melbourne Rreunion of Vietnam VeteransMelbourne Reunion of Vietnam Veterans 1988 International Vietnam Forcescommemorative glass, vietnam veterans

Clear glass gold rim and embossed VVAA Badge and welcome home parade 1987commerative glass, welcome home parade, vietnam veterans

Etched glass riverina Vietnam Veterans decanterRiverina Vietnam Veterans Leeton 1977 - 2007commerorative decanter, vietnam veterans

Clear glass gold rim and embossed VVAA badge and welcome home parade 1987welcome home parade, commerative glass

Ill, maps, p.130.non-fictionCommemorative issue celebrating the 65th year of News Bulletinex prisoners of war and relatives association, ex prisoners of war - biography

A framed collection of photographs, medals and text. The top left hand corner has eight coloured photographs (slightly faded). Centre top is the Rising Sun badge, to the right of the badge are a further eight faded photographs. Below the Rising Sun badge are the war medals issued to Keith Payne OAM. Below this are two photo's of Warrant Officer Class II Kevin Arthur Wheatley and Major Peter John Badcoe. In the centre is a list of Australian Military And Support Groups. To the right of this list are two photo's, first is Warrant Officer II Rayene Stewart Simpson and the second photo is of Warrant Officer Class II Keith Payne. Below these photo's from left to right are: A map Vietnam, in the centre is the Roll of Honour and to the right is a synopsis of the Vietnam War. A plaque on the bottom "Limited Production No 69/528 Editions.vietnam, roll of honour, wheatley, badcoe, simpson, payne

Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018