number in album 03357.02Black and white photograph trophy winners Peta Maher, Corina Cross, Jean Crawford, Peter Field, Doug Anderson, Alan Postlethwaite, Shannon Salisbury, Dean Crosbie, Kate Anderson, Kylie Graeme, Kaye Andrew, after Fun Run Lakes Entrance Victoriasports, recreation

This worn and solied exercise book was used by Andrew Crawford (BC 1952) to record handwritten notes and diagrams from his Leaving level wool classing classes at Ballarat CollegeSoft covered No 122 exercise book with sewn binding and fabric spine; patterned covers and faint-lined pages; marked wear and soiling; handwritten inscription on front coverHandwritten inscription on front cover; Andrew Croawford / Leaving wool-classing / Ballarat Collegeandrew-crawford, woolclassing, student-work, 1952, ballarat-college, leaving, curriculum,

L-R: Nrs ? Couzner, ? Bond, Mary Crawford, ? Menzel, Frances Vaughan, Elsa Wilkie, Grace Knottman. Front L-R: Nrs Mavis Orr & Muriel Nichollscouzner, bond, crawford, menzel, vaughan, wilkie, knottman, orr, 1940s, ballarat, hospital, prendergast, nurses, nicholls

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

University related material of Merle Bush; a. Handbook for Janet Clarke Hall (Trinity College) University of Melbourne, Year 1924. (7 pages); b. Booklet ''Wilson HLL - Centre and Symbol of the University'' by R M Crawford (MUP, 1952) - published post fire of Jan 1952)education, tertiary, university

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Major Mike Crawford, Battery Commander, 104 Battery, Royal Australian Artillery at Fire Base Betty, Long Binh/Bien Hoa Province. He appears to be in a contemplative mood at 4 RAR/NZ (ANZAC) Headquarters at the Fire Base. (Circa March 1969)maj mike crawford, 104 battery, raa, fire base betty, 4rar nz, long binh, bien hoa province, gibbons collection, denis gibbons, photographer, vietnam war, battery commander, 4 rar/nz (anzac)

Two other copies black and white 15.5 x 23 cmBlack and white postcard, taken from across the lake, of the Club Hotel and Stables, Dave Coate's residence, Mitchelson's double story house, Coate Bros Garage (later Crawford's), Robin Hood Inn and Broome's Federal Guest House, launch and houseboat moored in the lake. Lakes Entrance VictoriaLakes Entrance from the South Sidewaterfront, boats and boating, township, retail trade

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Document. Profit and Loss account. One page document of receipts and expenditure for an unknown gold company. Names mentioned include J Evans, W E Brown, T Horsfield & Co., Silberberg & Co., Crawford, Quick, Hyett & Rumer, Jaques Fisher & Co. (Document is possibly for Marong Gold Co.)cottage, miners, profit and loss account, j evans, w e brown, t horsfield & co., silberberg & co., crawford, quick, hyett & rumer, jaques fisher & co.

Black & white photograph, Bert Graham Collection, Maurie Erwin is presenting something to Joan Crawford and shaking her hand as well, with others in the background watching. Names appear on the back with in red ink 58-59 Graham. Also 6 1/2 X 4 3/4, 5/6.bendigo, clubs, bendigo east swimming club

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

These four officers were a familiar sight leading the Anzac Day March in Melbourne in the 1960s. They represented the four World War One Light Horse Regiments raised in Victoria.Black and white photograph of four returned servicemen in uniform and mounted on horseback outside of Waltons Store in Melbourne. Inscription along lower edge of photo.Manuscript on lower edge of photo "ANZAC DAY 1966 8th, 9th, 13th, 4th Light Horse / Col A Crawford, Capt H Ewart, Lt JE Holland, Col JR Hall"light horse, anzac day, melbourne, hall, ewart, crawford, holland

A letter from Hector Crawford to Robin Boyd regarding purchase of The Flying Dogtor scripts by country stations. Attached is a letter (dated 11 Feb 1964) from R. A. Marshall, Executive Officer of Australian Television Facilities, regarding the negotiations.Typewritten, 2 pages

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Three empty unclaimed letter envelopes and one buff coloured returned Letter envelope, postmarked My 4 91. Other letters to Mr. Downie, Back Creek My 4 94; Mr. W. Donohue, Echuca, Ja 24 94; Mrs. Crawford, Myrtle Creek, Jy 4 98.business, legal, connelly & tatchell, connelly & tatchell collection - document, mrs crawford, mr w donohue, mr downie, connelly & tatchell

Music for the People Sunday 3 February 1946, 3:15 PM Memos from JM Harry, Dist Traffic Supt SS regarding tram arrangements to Mr McCutchan / McLean and Mr Mazoletti. Memo dated 30 January 1946. Letter to Hector Crawford regarding signage on trams advertising the concert.Notations written in red pencil on memos and letter.trams, tramways, events, hanna st depot, malvern depot, botanical gardens

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Back L-R Norma Maloney, Pearl Wall, Nance Wall, Anne Newton, Peg Abbott, Nancy Crawford, Fat Abbott Front L-R Phyllis Roeby, Lilly Newton, Mrs Sharpley, Mrs Freeland, Mrs Lindsay, Silvia Vance, Mavis East Presented To Lord and Lady Huttingfield at Stawell Town Hallsocial

Group of four sepia toned photographs of businesses in Sandhurst. (a) L. Macpherson's horse bazaar, Charing Cross, 1850's, (b) Southern Cross Hotel, R. Hansen, Saddler, Macpherson's saleyards. Photographed by Chevalier, Pall Mall, Sandhurst © W. Anderson and son, Commercial House, Mitchell Street Sandhurst, 1879, (d) C. Crawford, Bath Hotel (meals 1/- , beds 1/-) Circa 1850's. For information on Lewis Macpherson, Charles Crawford, Christian Hansen, Charles Hansen, Charles Rohrs, Robert Sawers, Jane Sawers, Richard Baker Anderson of Kenilworth, Mitchell St, William Webb Anderson, Stella Anderson, Richard E. Anderson, Albert Henry Anderson - See Research field for further information.Chevalier, Pall Mall, Sandhurstbuildings, commercial, various, l. macpherson and co. saleyards, c. crawford bath hotel, w. anderson and son, mitchell st, southern cross hotel, r. hansen saddler. hansen & rohrs. christian hansen. charles hansen. louis macpherson.. lewis macpherson. charles crawford. jane sawers. robert sawers. anderson, richard baker. w. anderson and sons.

Back L-R: Grace Fletcher, Dorothy Grills, Margaret Williams, Joan Sircum, Elsie Downing. Middle L-R: Frances Vaughan, Mary Crawford, Muriel Nicholls, Eileen Kane. Front L-R: Marion Symons, Joyce Cairns, Monica Robinsonnurses, 1940s, fletcher, grills, williams, sircum, downing, vaughan, crawford, nicholls, kane, symons, cairns, robinson, prendergast, ballarat, hospital

This letter accompanies a Crawford Productions publicity brochure and a set of scripts for The Flying Dogtor. A synopsis of the six adventures is included. The programs are each five minutes and will be aired starting March or April 1964. Boyd is suggesting that Penguin might be interested in publishing the scripts, accompanied by many illustrations.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964.2 pages: 1st page handwritten, 2nd page typewritten (duplication of letter)the flying dogtor, robin boyd, brian stonier, penguin books

The notes detail contents of attachments (items D481.2 and D481.3). The letter notes that Joan Sutherland still worked as a secretary until she entered Mobil Quest, despite having sung quite a lot in Sydney. Hector Crawford was the conductor of the Australian Symphony Orchestra and Director of the Quest.hector crawford, joan sutherland, mobil quest, robin boyd

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits