A small tan cloth covered hardcover book with the title: Simple Studies in British History Part 1 B.C. 55 to A.D. 1603 printed in black lettering on the front cover with the publisher, a round publisher symbol and 1/9 at the bottom. The title is printed on the spine. This is a Second Course of Reading in British History by William Gillies, M.A. Inside, opposite the title page, is a foldout map of the British Empire throughout the world, showing the empire in red. Black and white illustrations and photographs are included. At the back is included three other history titles. It is quite damaged and worn through use. Pp.168.non-fictionA simple study in British History for secondary school students with a fold out map of the British Empire at the time - published in 1920. There is a list of the dynasties and kings and queens and a table of Periods in British History which can be referred to.great britain - history, history, textbooks

A badly damaged red cloth covered hardcover book with the title: Stories in British History for Young Australians printed in black lettering on the front cover with the publisher, a round publisher symbol and 2/6 at the bottom. The title is printed on the spine. This is a First Course in British History by William Gillies, M.A. Inside, opposite the title page, is a lined sketch of Oliver Cromwell. Black white illustrations, maps and photographs are included. At the back is an Index as well as three additional recommended titles of other history books. Considerable markings, lists and a love poem is scribbled at the back. It is quite damaged and worn through use. Pp.315.non-fictionA simple study in British History for secondary school students with a fold out map of the British Empire at the time - published in 1920. There is a list of the dynasties and kings and queens and a table of Periods in British History which can be referred to.great britain - history, history, textbooks

Large maroon leather hardcover Webster's International Dictionary of the English Language - Australasian Edition with the title printed in gold lettering in a circle with the publisher's symbol. Gold lines are on the edges of cover with the letters A - M in gold on the right hand side. Alphabetical A-Z thumb tabs, an index and appendix included as are coloured plates throughout. The front cover is detached from the spine, leather is worn and the gilt faded.non-fictionAn International dictionary - Australasian edition dictionaries, reference books

Small grey paperback book, with the title The Great Unknown printed in black lettering on the front cover with a decorative symbol. Underneath is, These narratives are true stories of my own life in the Australian Bush, 1888 - 1897. The author, L.O. Dowker Price One Shilling. The author writes about his life in the Australian Bush and working with station men and aboriginal people. There are a few black and white full page illustrations. 79p.non-fictionTrue narratives of the author's life in the Australian bush 1886 - 1897. The author tells of leaving England by sailing ship, and his life settling in Australia. He spent some time working with station men and aboriginals.australian bush, aboriginal peoples, bush stories australia

A thick brown hardcover book titled - Sacred Songs & Solos revised and Enlarged with Standard Hymns 1200 pieces compiled under the direction of Ira D. Sankey written on the front cover in black text and script. The spine has the title at the top and the publisher Morgan & Scott Ltd at the bottom as well as decorative plain lines across it. The spine is broken and the covers are loose. There is a Metrical Index and Index at the back. Four hymns and their page numbers are written on the back endpaper in grey pencil.non-fictionA collection of 1200 pieces of Sacred Songs and solos compiled by Ira D. Sankey who sang most of the old favourites in the great Revival Meetings together with a number of new recently popular pieces published for the first time. The book was used at Conventions, Evangelistic and Fellowship Meetings, in Places of worship, Sabbath schools, and Mission halls.hymns, religious books

Small, orange and white tin box with hinged lid for one hundred detonators.On lid: "Nobel No. 6. 100 detonators for rich explosives. Alfred Nobel. Thistle Brand. Manufactured in Gt. Britain. Glasgow" "6 6" on front and back panels, "For use wherever safety fuse is allowed" on left side panel and "Must be handled with great care and kept dry. The composition must not be scratched or pricked with a pin, nail, knife blade or other hard substance, as any act of this kind may cause explosion" on the right side panel.explosives equipment

Honourable Discharge Certificate presented to Thomas W Gaudion on 18.5.18.White cardboard with red scrolling, Honourable Discharge certificate for Thomas W. Gaudion on 18/5/1918"Thomas W. Gaudion Australian Imperial Forces served with honour and was disabled in the Great War. Honourably discharged on 18.5.18"certificates of appreciation

Donated by Brigadier D.O. Magee. Great grandson of John and Mary Burgi.Australian Army military jacket with insignia and decorations. Khaki in colour with three ribbon bars. Has epaulettes, red collar, gold buttons, belt with brass buckle, and matching khaki shirt and knitted tie.CGCF 1969 Victoria on collar of jacket.military uniforms

Black and white photograph of MMTB No. 58 in Wellington St. St Kilda, about to enter St Kilda Junction and continue to St Kilda beach via Fitzroy St St Kilda, late 1925 or early 1926 - Wellington St electric line opened 27/12/1925. Note the sign on the left hand pole about travel to Malvern and St Kilda Beach, the workmen and that another tram has left heading outwards. On the right hand side is part of a sign advising people to catch cars to the Esplanade. Photo from the Collection of the Department of Infrastructure now with the Public Records Office - image number H102. Note: this photo is now out of copyright and was not an original VR photograph, but one copied from another source and collected as their Heritage series. See Image 3673i2 for a digital image of the card photograph at the PRO on 7/1/2019 that this photograph comes from. Further notes from Rod Atkins: Note the Electrical box at base of the pole on left hand side of the photo. No section insulators yet as power would have been stretched from Dandenong Road / Chapel Street right through to Fitzroy Street to run the first services. Great shot of the "H" car. Malvern bound is a another Californian combo car, but with original destination boxes and PPTT style "No" on the left side of the apron but cant make out the number.Has Department of Infrastructure copy right stamp on rear and number "H 102" in ink on rear and "2-3"trams, tramways, mmtb, st kilda junction, wellington st, trackwork, st kilda beach, tram 58

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbrat residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built thier home from mud-bricks and recyclked materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139 Standing on a hilltop at Arthur Street, Eltham, the Jelbart residence and former barn were part of a major change that transformed Eltham’s character in the late 1960s. Built from the late 1940s to the mid 1950s when Eltham was a rural community, they are all that remain of what was once a family property of around 250 acres (100 ha). As population pressure increased in the late 1960s, owners Ron and Yvonne Jelbart, decided to subdivide their property. The break-up of this property into the Woodridge Estate in the early 1970s, was a major factor towards transforming Eltham into the suburb it is today.1 Although standing only a few minutes from Eltham’s busy hub and hundreds of houses in Woodridge, scarcely any urban sound disturbs the peace. Views from the two buildings are almost exclusively of trees and extend to Mt. Dandenong to the south-east, the Great Divide to the north, and Melbourne city to the south-west. The Jelbarts had lived in Eltham since the early 1940s when they bought a poultry farm in New Street, now Lavender Park Road. Although Jelbart was primarily a businessman importing office machinery, he was keen to farm dairy and beef cattle, so the couple bought rough bushland at what was then the end of Arthur Street. But a shortage of building materials following World War Two hampered their plans to build their new home, so they followed the example of the Eltham Artists’ Colony (later called Montsalvat) and used mud-bricks and recycled materials.2 With great determination the family and friends constructed their house. Massive timber frames and huge quantities of mud-bricks were made on site. The barn was built first in 1945, and two years later, while camping inside, the Jelbarts started building their house. It took eight years to construct the two buildings, even with the help of professional tradesmen. The buildings, with timber frames infilled with mud-brick and plastered, are reminiscent of the English Tudor style. The Jelbarts are of Cornish stock. Much of the timber framework came from demolished bridges or warehouses, and recycled slate was used for roofs and floors. Quality second-hand materials were readily available in the late 1940s and 1950s when there was much demolition in Melbourne and little respect for heritage. A former 19th century Toorak mansion Woorigoleen provided the magnificent stone fireplace, the timber panelling and the parquetry floor in the living room. The large stone gateposts at the entry of the property came from Melbourne University. Almost no mechanical equipment was used to build the 55 square house and the 25 square barn. Massive timber frames were erected using block and tackle pulleys and timbers were shaped, sawn and drilled by hand. Son and architect Ian, with his family, have lived in and extensively renovated both buildings since the early 1970s. Ian transformed the steep ridge of the property into a plateau, where the main house Kinloch stands, surrounded by terraces and lawns. The grounds retain many native plants, including massive yellow boxes – some nudging 80 years. Ian attached 70 metres of pergolas draped with wisteria, roses and grape vines, to three sides of the house. The beautiful garden is featured in the book Through the Rose Arbour by Rosemary Houseman. The two-storey barn – now a house – retains traces of its original use. The cow-shed with milking and feed-rooms, and the machinery-shed remain. The house, separated on the ground floor by a breeze-way, soars two storeys and includes a mezzanine. These are connected by spiral staircases, to timber-beamed and plaster-lined high-pitched ceilings. The house also descends to a wine cellar. Curiously the roof is of corrugated iron on the south and slate on the north, to save costs. Small-paned windows and three French doors open onto the front lawn, which extends to Jelbart Court.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens