Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample. Morning and Evening Weekly Ticket, price 1/3, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, light red and light green, numbered 0004 available only between Grant St (Mt Pleasant) and Doveton St. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. In the bottom right hand corner has a perforated triangular section which could be removed. Has the words "P.M. Friday" printed on it. Note this part has been taped back onto the ticket. Ticket has been removed from a block - has staple hole at the top. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on."04" in pencil in top right hand corner.trams, tramways, tickets, weekly tickets, esco

Kindly scanned from Ringwood Branch archival collection

A4 book with glossy colored cover showing the area of Red Bluff and the title written in white across the bottom. The back cover is white. There are 50 pages including some with black and white photos.On the title/cover page Karral's signature and date 'February 2021'red bluff, karral miller, kiewa valley

Summary "A young man from the working-class suburb of Fitzroy was on the cusp of a brilliant career and was the talk of the Academy's salons. Far from his humble origins, he now stood shoulder to shoulder with the leading figures of London's art world. Max Martin was an enigmatic achiever who stood briefly on the mountaintop but died in obscurity. It was over thirty years after his death before a painting of his was acquired by a public collection. The National Gallery of Victoria, Newcastle City Gallery in New South Wales and the art collection of the State Library of Victoria now all hold his work. What made him turn his back on painting at the height of critical acclaim? How close was he to a career in mainstream ballet and what drove him to march for disarmament in his later years?"--Booktopia.artists, eltham, max martin, biography

Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.beryl bradbury (nee stokes) collection, billy cart, circus, eltham council, michael treloar

"Take your speed humps and stuff someone else's street up, not this one."Colour photograph1991, protests, simon miller, speed humps, streets

"Artist Hilary Jackman gets her kicks from looking at life, a fascination that has given her paintings a distinctive style." Digital scan of magazine articleDigital fileartist, hilary jackman, eltham

Tunnel Rat (Field Engineer).behind the wire, jack "jacko" miller

Gift of the artist, 2002

Red, cloth covered book of 144 pages. Inside front cover: Dorothie Kurasek. Notes throughout book written in margins.williamstown high school, 1965, english text books, the crucible, dorothie kurasek

o vertigo!

j. miller & co, manufacturing, building, persons

Tailors & Drapers. Plate 344 Chuck Photo Series.alex miller & sons, bridge street, commercial, shop, persons

2005, 343, youth production, anne smith

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre Company.Program Photos Reviews Poster Articlesheidelberg theatre company, htc, all my sons by arthur miller, chris mclean, 2017

1985, 229, director alice bugge, heidelberg theatre company inc.

1981, 208, director alice bugge, heidelberg theatre company inc

1971, 140, directed by elaine robinson, city of heidelberg repertory group, heidelberg theatre company inc

1966, 101, city of heidelberg repertory group, heidelberg theatre company inc, director william (bill) cherrey, royal south street competitions (ballarat) 1966 adjuciation, royal south street competitions (ballarat) 1966 winner, mordialloc arts festival winner

1963, 80, city of heidelberg repertory group, heidelberg theatre company inc, directed by alice o'donnell

2019, heidelberg theatre company inc, directed by chris mclean, 430, artspace artist - liz gridley, arts space coordinator teresa schipano, eddie carbone played by mark tregonning, beatrice played by catherine christensen, catherine played by ruby duncan, alfieri played by ian mcmaster, marco played by nick wright, rodolpho played by jack kenny, mr lipari/tony played by laurie jezard, mrs lipari played by lynne mcgregor, mike played by luke styles, louis played by anthony edward, officer 1 played by david peters, officer 2 played by siobhan larkin, submarine played by harry gravell, production coordinator karen wakeham, lighting design michael rowe, set design chris mclean, sound design john rowe, stage manager melanie belcher, ass. stage manager and rehearsal prompt bobby parish, costume design wendy drowley, costumes assistant catherine christensen, dance choreography christian del'olio, fight choreography robert shook, special props warren lane, props melanie belcher & chris mclean, scenic artists gaye billing and mal cother, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, sound and lighting operator john rowe, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein