Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record.Pair of jungle green coloured shoulder boards in original clear plastic packaging. Paper label with item details included.On paper label: '8456-66-031-1890, SLEEVE, SHOULDER, OFFICER, GREEN, SMALL, QTY. 1 PAIR'.uniform, shoulder boards, officer, kevin john herdman

This newspaper was sent by the Shire President Cr F. Deery from Bairnsdale to P.C. Cameron, Orbost Shire President. It was sent on the first aeroplane to arrive in Orbost. The Commonwealth plane in the charge of Lieut. Oakes landed in Mr McPhee's paddock at Newmerella. It left for Sale on the same day.The purpose of the plane's visit was to raise subscriptions towards the WW1 peace loan. There is a plaque commemorating the oversubscription to the peace loan by the Shire of Orbost by 1919.A yellowed Herald newspaper from September 9 1919. It has the brown paper packaging in which it was sent. It is tied with string.newspaper document herald-melbourne first-aeroplane-orbost peace-loan

Set of four individually wrapped components. Handle carrying sub-assembly. Set contained in an elongated clear plastic package.No. 1005-49-960-0008carry handle, subassembly

Found in former bookshop when it closed in 2009.5 tee shirts in slightly different colours, materials and different sizes. Yellow and black. Uniform. 4 in original packaging. Burnley Horticultural College logo on front / Burnley Arborist on back.

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.An assortment of late nineteenth and early twentieth century medical items, including medicine bottles, ointments and a package of cotton wool.medical, medicine, history of medicine, haeulser, haeusler collection, wodonga, albury wodonga

Two sealed packets of packing gauze. Printed stamp on each package reads 'NUFOLD RAYTEC packing gauze/ONE ROLL/100mm x 2m'. Each package is also stamped with the number '054U'. Packing is printed with a blue and red design noting the contents as sterile and being manufactured by Johnson & Johnson.surgery

Displayed in History House.Yellow Kodak envelope with film inside. Film of Portland and WarrnamboolFront: Portland/Warnambool/AG Phillips/160 Kangarro Rd/ Flat 8 Oakleigh/Victoria (blue pen, front of package) Back: 12 27 November/25 November 1968 (stamp, back of package)film, super 8, negative, portland, warrnambool

Rectangular; khaki coloured; metallic zip that runs along two sides and the top; one outside pocket with press stud; carrying strap at back; two flaps both sides of strap with metal attachments for securing. Contents inside include shoe horn; pocket knife with two blades; two packaged large field first-aid dressings; two vials (in cardboard packaging) of Morphine Tartrate; one bottle of drinking water purifying tablets; one packet of 8 wound tablets; two packets sulfanilamide wound powder; one box 4” bandage compresses; one box eye dressing containing 3 cotton pads, 3 sets adhesive strips, 2 tubes boric acid ointment and 1 tube ointment; one packaged small first-aid dressing; one package containing two tubes of boric acid ointment. There is also a small piece of foil which was found deep inside the kit but it is unknown if it actually belonged here. Contents in outer pocket - one package containing ten iodine applicators; one package of adhesive 1” bandage gauze.On outside of kit - “Kit, First Aid Aeronatic U.S.” Underneath kit - red painted cross Pocket knife - Inscription on both sides with logo (M inside circle) “McEwan-Younger Ltd. Edinburgh”

Small cream booklet containing 22 small photographs of Lucerne, Switzerland. Cream package has a rounded rectangular cutout in the front.Front: Luzern und See, Lake of Lucerneglobetrotter, lucerne, photographs, luzern, switerland, postcard

Tin metal with label 3 Kings Pocket Package/Plain Tree Tobacco Company. 130mmL x 90mmW x 65mmHflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Photo of a table with several packages and a vase of white flowers. The sign ''Welcome to the 1988 Gas Cooking Competition for Schools'' above the tableKodakevent, entertainment, school's cooking competition

In 1976, artist and illustrator Robert Ingpen painted six watercolours of views of Churchill Island. These were distributed widely and reproduced onto different media.Set of six cork coasters with prints of different scenes from Churchill Island painted by Robert Ingpen. In its original packagingchurchill island, robert ingpen, maurice hudson

In 1976, artist and illustrator Robert Ingpen painted six watercolours of views of Churchill Island. These were distributed widely and reproduced onto different media.Set of six cork placemats with prints of different scenes from Churchill Island painted by Robert Ingpen. In its original packagingchurchill island, robert ingpen, maurice hudson

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton tea) from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

Heavy duty cardboard cylinder with one fixed and one removable end cap. There are cotton webbing straps attached for carrying the tube and for securing the removable end cap.Internally, there is a tapering inwards of the cardboard liner. Under the removable cap, is a ring shaped rubber protector. The outer layer of the cardboard tube has a cotton cloth cover which has been painted brown.The removable end cap is marked “C279 MK N2 1952 M/W”war, explosives, packaging

Item issued to Reginald Charles Allardice No 418557 RAAF, refer Cat No 3627.5 for his service details.First Field Dressing in a fine Kahki coloured water proof package. The item is still in its original plastic cover over the dressing.“First Field Dressing - To open - Contents - Directions, Do not handle gauze or dressing”wounds, dressings, military.

When Lagoon announced their imminent departure from Port Melbourne, PMH&PS arranged a farewell display for the 1999 Festival. Anne CALLAGHAN and Peter PARRINGTON went to the factory to collect information and memorabilia, and to take these photos.From a group of colour photos taken at Lagoon Confectioners February 1999 prior to their leaving Port Melbourne: Male employee at packaging machineryindustry - food, business and traders - confectioners, lagoon confectionery pty ltd, bob mcquade, dean mcquade, lorraine mcquade

New pale blue cotton T-shirt in orignal packaging. Screen printing in royal blue with Methodist Order Knights symbol and text. "I JOINED THE ORDER OF KNIGHTS FOR A LIFETIME OF ADVENTURE"

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Purina 'fancy feast') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton 'Green Tea') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

Royal Wedding souvenir for the wedding of Prince Charles and Lady Diana SpencerTwo soaps with pictures of Prince Charles and Lady Diana Spencer attached. One dish printed with identical picture. All in original package Ceramic soap dish and permanent picture soap.

A Dunlop 'Lady Maxply Fort' racquet with clear plastic packaging on handle. Materials: Wood, Paint, Adhesive tape, Leather, Plastic, Nylontennis

'Tennis' game. Consists of a wood block 'court', two die and two plastic pegs. No instructions or packaging Materials: Wood, Ink, Plastictennis

Anlaby’s sheep are born, bred and shorn at their farm located in South Australia. The wool is then scoured at Michels in Adelaide, combed and turned into Tops at Cashmere Connections in Bacchus Marsh, and then Spun and Woven at a historic mill in Scotland named Johnstons of Elgin. Sewing is completed by artisan seamstresses and packaging is from a local Adelaide family business. Established in 1839 just North of the Barossa Valley in South Australia, Anlaby is the oldest continuing merino sheep stud on mainland Australia. Fredrick Dutton employed Alexander Buchannan to bring sheep to the buoyant market in Adelaide from Goulburn NSW. Several others speculated on possible successes, including Buchannan and a flock of 18,000 sheep were walked overland. The trek took nine months. During this time the Adelaide market prices had collapsed. Having found land with a spring of sweet water, Dutton decided to keep his flock of 5,000 stud sheep and purchased a small parcel of land that is now called Anlaby. The property prospered and Buchannan was employed as manager for the next 25 years. At its height Anlaby covered 250sq miles – 160,000 acres and employed 70 men. The first bale of wool from South Australia to be auctioned in London came from Anlaby. The Anlaby stud also provided the foundation ewes for the well-known Bungaree merino stud in 1841. With prosperity came a large house and gardens for Buchannan in 1861. Anlaby was inherited by Henry Dutton from his uncle in 1895. Squire Dutton, as he was known, continued to grow the family’s fortunes and spent his money expanding the grand home and creating a magnificent 10-acre garden. Today the Anlaby merino stud continues and both the house and garden are undergoing significant restorations. Wool continues to be one of the most important elements at Anlaby. It was the source of great wealth in the past and is now directly tied into Anlaby’s future. Anlaby makes beautiful woollen scarves, lady’s wraps, exquisite throws and small range of baby blankets. From the moment a lamb is conceived and through its entire lifecycle Anlaby look after nutrition and quality of life. Twice a year the sheep are shorn and the wool using minimal treatment is washed, combed, spun and woven into the Anlaby product range. This attention to detail results in the buttery softness distinctive of the exclusive woollen range.Throw came with packaging and information card which reads ANLABY in large capital lettering at the top and bottom of either side of card. Throw is white with green edging of 15cm on two edges. Within this edging is the sewing of a tree in white.Wording: ANLABY Pure Anlaby Merino Wool Oldest merino stud on mainland Australia Made in Australia Card. Wording: ANLABY Certificate of Authentication THIS CERTIFICATE AUTHENTICATES THE PRODUCT TO BE 100% AUSTRALIAN AND MADE FROM PURE MERINO WOOL PRODUCED EXCLUSIVELY AT THE ANLABY MERINO STUD IN SOUTH AUSTRALIA THE ANLABY FLOCK (REGISTERED NUMBER 102) IS THE OLDEST CONTINUOSLY OPERATING MERINO STUD IN MAINLAND AUSTRALIA. THE MERINO FLOCK AT ANLABY MAINTAINS A GENETIC LINE STARTED IN 1839 THIS PRODUCT IS PART OF THE LIMMITED EDITION RANGE PRODUCED AT ANLABY. IN 2014 WE CELEBRATED ANLABY’S 175TH ANNIVERSAY ANLABY Reverse. Wording: ANLABY PURE NATURAL WOOL THE SHEEP GRAZE AMONGST THE GUM TREES ON THE ROLLING HILLS OF ANLABY. ANLABY SHEEP ARE CHARACTERISTICALLY BIG BODDIED AND BRED TO FLOURISH IN THE WARM AUSTRALIAN CLIMATE. OUR WOOL IS MINIMALLY TREATED AND THE PRODUCTS ARE MADE IN SMALL RUNS UNDER THE PERSONAL SUPERVISION OF THE OWNERS. WE BELIEVE IN SUSTAINABLE AND RESPONSIBLE FARMING AND MILLING PRACTICES. THE ATTENTION TO DETAIL RESULTS IN THE BUTTERY SOFTNESS DISTINCTIVE OF THIS EXCLUSIVE WOOLLEN PRODUCT. WITH CARE THIS IS A TREASURED ITEM FOR THE NEXT GENERATION. ANLABY www.anlaby.com.auwool, merino sheep, south australia, wool processing, wool processing textile finishing

Two men place large paper packages on to a pallet, with another pallet load of packages to the right of the image. In the background, four workers sit - two of them working on making the paper packages.1 B/W photographroyal victorian institute for the blind