The tram line proceeds up to the left just pass Moray Crescent where it terminated alongside the railway line in North Bendigo in 1972Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo, bendigo tramways no. 7, george coop collection, moray crescent, north bendigo, railway crossing, railway line, thunder street, tram

Birney (USA manufacture) tram carDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyarnold street depot, bendigo, bendigo tramways no. 28, eaglehawk, george coop collection, golden square, tram, birney (usa) tram car

Photograph of invitation to third year Graphic Design / Multimedia dinner and portfolio show. The dinner was held at the Ballarat Fine Art Gallery, and show at the university Camp Street Campus. For this student show, Melbourne-based designers were brought to Ballarat via special carriage on a V/Line train to Lydiard Street Station and walked to the new Camp Street Campus.Digital photographs of optical disc (DVD rom) in clear plastic case created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2002.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy

Written on back of photograph, "Demolition to make way for Target and market 1984".

Written on back of photograph, "New roadway leading to Target".

Written on back of photographs: SS0346r: "E654. N23A. Work on the market buildings". and SS0346n :"E654. N24A. 18/1/82. Work on the market buildings"

Catalogue card reads, "Seymour St. Ringwood, 1982. ... Ringwood Market." 3 Views.

l.l; N.J.Caireaustralian photographer, albumen, bendigo, golden square, sandhurst, town, city, skyline

Hardcover w/ Dust Jacketchildren's fiction, walsh st library

Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. In 1957 he left for Europe and while there was inspired by the Spanish artist Joan Miro’s unconventional painting style and large scale murals, in particular Wall of the Moon (1957). After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals, some of which were commissioned for Southland Shopping Centre in Cheltenham, Melbourne, 1968 (now demolished), the National Mutual Centre, Melbourne,1964-5 (now demolished), Dee Why Library, Sydney 1966, Woden Valley High School, ACT, 1967, Tullamarine Airport Melbourne, 1969-70 (now demolished), Perth Concert Hall, 1971 and The University of Melbourne,1975 (with John Olsen). This mural is one of only three remaining in the public realm by Tom Sanders (the others are at the Perth Concert Hall (1971) and at the University of Melbourne (1975). Ceramic mural (earthenware tiles) consisting of a playful/organic abstract design similar in style to the Spanish artist Joan Miro. Shades of blue, yellow and black glazes are layered onto matte black and shiny bronze tiles. N/Amural, public art, earthernware, pottery, ceramics, glaze, eltham, ekphrasis2017, eltham town square, joan miro

symbiogenesis, symbio, laughing waters, paul kalemba, aviva reed, community project, public art, eltham town square

aylsham

Devizes is a medieval market town in the centre of Wiltshire, 16 miles from Stonehenge and 8 miles from Avebury. The building of a castle in Norman times dictated the layout of the town which is still visible. It contains over 50 Heritage Plaques. There were people in Devizes locality in prehistoric times and a Roman villa once stood on The green. The Wiltshire Museum is home to one of the best Bronze Age collections in Britain and includes finds from around Stonehenge including the famous Bush Barrow gold. Some convicts that were tried at the Devizes Assizes were transported to Australia. Amongst these was John Chew, transported to Tasmania, but later his family settled in Victoria.devizes, bear hotel, staircase, window

shoppee square, ballarat town hall, streetscape, sturt street, garden, statue, commerical, building, vehicle

Shows cab stand outside Town Hall. Prior to establishment of gardens.ballarat town hall, sturt street, cab rank, vehicles, streetscape

shoppee square, sturt street, lester's hotel, snow's, building, streetscape, vehicle, commerical

Includes Lester's Hotel. Gardens have picket fences. From the Official Programme of Opening of Parliament May 1901.shoppee square, lester's hotel, buildings, gardens, commerical, hotel

This Grocery was in the corner building of what was later known as the Central Springs Motel.Alma Roberts and Gus Gervasoni serve two customers in a grocery store in Daylesford, Victoria. The Customers are Mrs Sudweeks and Mrs Binns.alma roberts, gus gervasoni, grocer, grocery, daylesford, king's grocery, binns, sudweeks, j.w. kings licenced grocery

Department of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour CollectionDepartment of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour Collection

The photograph used in a postcard appears to be taken from the hotel balcony (Golden City) on the corner of Sturt and Dawson Streets, looking northeast. The tram is towing a former horse-drawn tram shortly after opening as no roof destination boxes on the tramcar in Sturt St. Many people promenading in the median strip with covered awnings over the seats, indicating summertime with two horse-drawn vehicles adjacent to the tram, one going either way in Surt St. south side, indicating traffic arrangements at the time. Has a Furniture Crockery store, Lesters Hotel and George Crocker Draper Hotel. Yields infomation about Sturt St and Shoppees Square c1905Black and white print with negative (N149) of an ESCo tram hauling a trailer.ballarat, tramcars, esco, sturt st, shoppee's square, trailers, horse trams, dawson st

The photograph used in a postcard appears to be taken from the hotel balcony (Golden City) on the corner of Sturt and Dawson Streets, looking northeast. The tram is towing a former horse-drawn tram shortly after opening as no roof destination boxes on the tramcar in Sturt St. Many people promenading in the median strip with covered awnings over the seats, indicating summertime with two horse-drawn vehicles adjacent to the tram, one going either way in Surt St. south side, indicating traffic arrangements at the time. Has a Furniture Crockery store, Lesters Hotel and George Crocker Draper Hotel. Yields infomation about Sturt St and Shoppees Square c1905Postcard - coloured - Sturt St, card printed in Germany and number B377 10, with light brown ruled lines on rear.On rear is a letter to a lady in Adelaide with a 1d Victorian stampballarat, tramcars, esco, sturt st, shoppee's square, trailers, horse trams, dawson st

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Tram door Key used to lock drivers door.T shaped, mild steel, tram drivers door keynone

Green soft cover, Size 29cmHx21cmW, 16pagesannual report, jolimont square social club

The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2019gippsland, artwork, permanent collection

Purchased with the assistance of the Crafts Board of the Australia Council, 1982Sterling silver and banksiagippsland, artwork, permanent collection