Showing 14197 items
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National Wool Museum
Record, Gramophone, Stars in my eyes / That's for me
Gramophone record used in the mending room of the Foster Valley Mill.textile mills - staff, valley worsted mill -
Victorian Aboriginal Corporation for Languages
Book, Ian D Clark, That's my country belonging to me : Aboriginal land tenure and dispossession in nineteenth century Western Victoria, 1998
Investigating the dispossession of Aboriginal people from their lands in Western Victoria. The methods of dispossession (exclusion etc.) and restrictions, with the consequences of this.maps, tables, b&w photographsdjab wurrung, dhauwurd wurrung, bargundidj, djadja wurrung, djagurd wurrung, gadubanud, girai wurrung, gulidjan, jardwadjali, watha wurrung, wergaia, western victoria, land tenure -
Victorian Aboriginal Corporation for Languages
Book, Irene Watson, Looking at you, looking at me... : Aboriginal culture and history of the South-east of South Australia. Volume 1, 2002
The author is an Aboriginal woman, descendant of a family of long and continuous association with the south-east region of South Australia. This book attempts to overcome some of the difficulties in colonial relationships of the past to piece together the history of the Aboriginal people who survived in this area.maps, b&w photographssouth australian history -
Vision Australia
Article - Text, Something About Me: Michael Lynch
Summary update of Centenary AppealShort piece on Michael Lynch, CEO of Vision Australia Foundation.Cut out newspaper article taken from Stonnington Leader May 28, 2001non-fictionelizabeth maxwell, neil maxwell, vision australia foundation, michael lynch -
Swan Hill Regional Art Gallery
Painting, BRIEN, Michael F, Come sail with me, 2004
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Swan Hill Regional Art Gallery
Drawing, COUTTS, Dr Maryanne, Me sometimes, 1982
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Swan Hill Regional Art Gallery
Print, SIBLEY, Andrew, Come fly with me, 2008
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Gippsland Art Gallery
Print, Frazer, David, Fly Me to the Moon, 1996
Purchased, 1996Wood, Paper, Inkgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Gaffy, Michael Owen, Tell Me About It, 1992
Purchased, 2000Watercolour and ink on paper collagegippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Salmon, William, Why Hast Thou Forsaken Me, c.1960s
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on canvasgippsland, artwork, permanent collection -
National Wool Museum
Record, Gramophone, Come with me, my honey / Rosanna
Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, textile mills - staff -
National Wool Museum
Record, Gramophone, When you wore a tulip & For me and my gal
Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, gramophone, record, textile mills - staff -
National Wool Museum
Record, Gramophone, People like you and me / My devotion
Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, gramophone, record, textile mills - staff -
Latrobe Regional Gallery
Print, ROBERTSON, Toni. born 1953 Sydney, Who me?, c. 1988
Silkscreen printNot signed. Not dated.silkscreen, politician, politics -
Robin Boyd Foundation
Book, Denis Warner, Wake Me if There's Trouble, 1995
SoftcoverInscription inside front cover: "To John and Patricia, old and good friends, with warmest good wishes, Denis Warner". Several cards inserted inside. Reference to the Australian National Gallery in card from Penleigh, Robyn, Ben, Amy & Rupert.walsh st library -
Maldon Brass Band Inc.
Sheet Music, Abide With Me
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Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Book, KENNETH A. MERRICK et al, MESSERSCHMITT Me 262 Described Part 1
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Heidelberg Theatre Company Inc..
Program Review Newsletter Poster Articles, Spare Me Bloomin' Days by C. J. Dennis directed by David Small
1988, 248, david small -
Federation University Art Collection
Printmaking - Linocut, Rew Hanks, 'King Billy. Fetch me my coat!' by Rew Hanks, 2003
Rew HANKS (1958- ) Born Sydney, New South Wales This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed linocutart, artwork, rew hanks, hanks, print council australia, printmaking, linocut, edition -
Federation University Art Collection
Painting, Vienna Bischard, It's Me
Painted portraitportrait, dvc art award -
Federation University Art Collection
Monoprint on BFK, Stitch Me Up Dress, 2000
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, laura dickens, costume -
Federation University Art Collection
Printmaking - Lithograph, England, Zoe, Alice and Me
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork -
Federation University Art Collection
Printmaking - Linocut, 'Let Me Grow' by Leah Warrick
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, leah warrick, printmaking -
Surrey Hills Historical Society Collection
Book, Bruce McBrien, Marvellous Melbourne and Me, 2010
Bruce experienced first-hand life at the top of Melbourne's social strata in the early 20th century. In rich detail, he describes his childhood years living at Harrison House in Spring Street, and paints a vivid picture of inner-city Melbourne in the early to mid- 1900s. His family's social standing gave Bruce a rare perspective on Melbourne life, as illustrated through his many brushes with iconic politicians and celebrities over the years.H25.7 cm; 362p;non-fictionBruce experienced first-hand life at the top of Melbourne's social strata in the early 20th century. In rich detail, he describes his childhood years living at Harrison House in Spring Street, and paints a vivid picture of inner-city Melbourne in the early to mid- 1900s. His family's social standing gave Bruce a rare perspective on Melbourne life, as illustrated through his many brushes with iconic politicians and celebrities over the years.melbourne, social life and customs, australian football - history, history- 20th century -
Whitehorse Historical Society Inc.
Article, Crook Won't Force Me Out, 2015
Anthony LaGrutta, a 92 year old Nunawading World War II veteran was robbed of money in his home on 3 Sep, but intends to stay living there alone.Anthony LaGrutta, a 92 year old Nunawading World War II veteran was robbed of money in his home on 3 Sep, but intends to stay living there alone.Anthony LaGrutta, a 92 year old Nunawading World War II veteran was robbed of money in his home on 3 Sep, but intends to stay living there alone.lagrutta, anthony, world war 1939 - 1945 -
Christ Church Anglican Parish of Warrnambool
Memorial Window: John Edward BENNETT, Crucifixion "I, if I be lifted up from the earth/ will draw all men unto me"
John Edward Bennett was born in Leeds, Yorkshire, 1862. He was devoted to his family and his church, being a churchwarden and a verstryman of this Parish. He was a lay preacher for 40 years in the Dioceses of Melbourne and Ballarat. He was the first Manager of the Warrnambool Woollen Mill. He died on Nov 10th 1928.He was the first manager of Warrnambool Woollen Mill.Stained glass memorial lancet window, central light, west wall, north nave, depicting the crucifixion of Jesus.To the Glory of God and in loving memory of/John Edward Bennett/ sometime Churchwarden and Vestryman of this Parish, and for/40 years a Lay Reader in the Dioceses of Melbourne and/ Ballarat, born in Leeds, Yorkshire, 1862, entered into rest Nov 10th, 1928/ A devoted husband and father,/ a faithful servant of God and His Church/Not slothful in business, fervent in spirit, serving the Lord.memorial stained glass window lancet window bennett je bennett john edward bennett warrnambool woollen mill -
Christ Church Anglican Parish of Warrnambool
Memorial window: William AFFLICK [AFFLECK], "Suffer little children to come unto me" Luke 18.16
Stained glass window, north wall, Sanctuary, main nave. Depiction of Jesus and two children set within a stylised floral and patterned backgroundIn Latin: In memoriam Gulielmi Afflick qui AD MDCCCLXVII Kal: Jun: in vitam ingressus Septimo ante Io Apr:/ AD MDCCCLXXV iridiebahir mater ejus et sorer Maria et Jacobus Wotton Shevill hanc fenestram posuerunt A translation is: "His mother and stepfather, Mary and James Wotton Shevill, erected this window in memory of William Affleck, who entered into this life on June 1st, 1867, and was taken away on April 7th, 1875". -
Monbulk RSL Sub Branch
Book, Random House, Write home for me : a red cross women in Vietnam, 2006
Working as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love.Index, bibliography, ill, maps, p.302.non-fictionWorking as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love. vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 - red cross - women -
NMIT (Northern Melbourne Institute of TAFE)
Book: You, Me, Us ... Nuts by Sandon Mcleod, 2005
Book of 140 pages of poetry written by Sandon Macleod and published by NMIT's Flat Chat Press in 2005. ISBN 0975720295 140 oagesflat chat press, school publications, nmit -
Ararat Gallery TAMA
Functional object, Kyarafuki, Me - sansho, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving