A selection of reports of activities in the Bundoora area, 1974. Includes reports on St Damian's parish school, Greenwood High, Bundoora scouts and cubs and Bundoora Presbyterian Methodist church.Digital copy of newspaper clipping, black text.bundoora

Coloured photographHighland band members (Unidentified)

Coloured photographSue Macleod making presentation

Coloured photographSue Macleod with Bruce Ruxton -President of Victorian RSL

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Coloured photographHighland Dancers

Black and white photograph"Written on back of photograph" Rupert Hamer

Black and white photographNil

Black and white photograph"Written on back of photograph" Bill Binks - Hammer throw

Black and white photographNil

Black and white photographNil

Black and white photographNil

Black and white photographNil

Black and white photographNil

Sepia photographNil

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Uniform worn by Michelle Ferris, a Warrnambool athlete, who was sponsored by Warrnambool Cheese and Butter Factory. Long sleeved yellow lycra top joined to navy shorts, with a zippered front opening. Australian emblem and Sydney Olympics logo. the left sleeve and right leg have stars of the Southern Cross. The uniform is displayed in a wooden frame.On the frame- in appreciation of continued support of the Warrnambool Cheese and Butter Factory Co Ltd. Michelle Ferris Olympic Silver Medalist 1996 & 2000cycling, warrnambool cheese butter factory, ferris michelle, sydney, olympic games, uniforms

Scanned on 30th January, 2008 from Ida Oke's albums. Ida lives in East Ringwood and also contributed to the East Ringwood Recollections book. Wife of Bob (Robert William) Oke. Both Ida and Bob were heavily involved in the Scout movement, as were Bob's parents - Corrie and Ruby Oke, who both lived in Old Lilydale Road, East Ringwood.

[144] p. : chiefly ill. (some col.) ;non-fictionOlympic Games in Melbourne 1956olympic games, melbourne, olympic games 1956

Multicoloured embroidered cloth in the shape of a disc. Features four segments red, blue and cream - bordered by words"71.72 Laos; Vietnam; Cambodia)participant, south east asia war games

Traralgon Primary School Grey Street. Presented by Brendan Jenkins M.P.

Using 'Village Green Hotel' as an example, Boyd laments on how the development of new Australian Industries' standard of design comfort is rather 'un-Australian'. Further, he criticises how the evolving style of Australian architecture is predominantly inspired by international precedent and questions whether taking foreign elements is considered an Australian style.Original manuscript of an article published as ‘Fun and games at the Village Green’ in The Australian, 03.07.1965.Typewritten, quarto, 4 pagesvillage green, 'un-australian', robin boyd, manuscript, hotel

Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar

Associated documents from Mr R Lloyd provide further information.sheep stations - management wool growing squatters, lloyd, mr robert, australia, sheep stations - management, wool growing, squatters

small wooden plaque