Visual Arts students in the Courtyard at the Gippsland Centre for Art and Design.arts academy, gippsland centre for art and design, churchill, visual arts

Copy of a painting of James Oddie held by the Art Gallery of Ballarat.james oddie, ballarat school of mines

30 page printed Bulletin with articles about women and art.joy hester, juliette peers, janda gooding, kathleen o'connor, m.e.mcguire, kirsty gorter, experimenta, barbie, the women's gallery, april-kaye ikinci, jane whelan, pat hillcoat, judith brooks, patricia piccinni

Colour photograph of a an art deco building in Sturt Street, Ballarat. sturt street ballarat, art deco, statue

Seven people stand at the Ballarat Fine Art Gallery (later Art Gallery of Ballarat). They are the first gallery guides at Ballarat. L-R - _ _ _ , Greg Binns, - , Brian McLennan, Betty Collierballarat fine art gallery, art gallery of ballarat, gallery guides, greg binns, betty collier, brian mclennan

Hetti Perkins introduces this collection of reproductions of of Western Arnhem Land bark paintings, rock art, woven fibre art and wooden sculpture that was exhibited by the Art Gallery of NSW in 2004, emphasising the cultural foundations of the Kuninjku artists, their beliefs, artistic conventions and innovations. The book includes interviews with traditional rock and bark artists (including some language), and essays describing the connection of the people to the land, their spiritual beliefs and their art. There are also reproductions of works on paper and woven forms and an essay on the role of women in producing these art forms. An essay by Professor Jon Altmann is entitled "Brokering Kuninjku Art: Artists, Institutions and the Market. A chronolgy details the history of aboriginal art in the area, there are biographies of the artists whose works were included in the exhibition, a list of the works themselves, a glossary of place names, art terms, aboriginal, linguistic and anthropological terms, and a select bibliography. The list of contributors includes, as well as the two mentioned above, Dr Murray Garde, Apolline Kohen, Steven Miller, Cara Pinchbeck and Dr Luke Taylor.Colour photographs

The Ballarat Technical Art School was a division of the Ballarat School of Mines. A custom built building was opened in 1915. A plan on linen showing the proposed fittings for the new Ballarat Technical Art School Building built in the grounds of the Ballarat School of Mines. The plan has been hand coloured and designates rooms for freehand and plant drawing, model and cast drawing, Modelling Room, Light and Shade Room, Lecture room, Head Master's Office, attendant's office, cloakroom, storeroom, Castings Room, Sheet 7 W.J.G. 5.3.14ballarat technical art school, buildings, ballarat school of mines, plan

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. An Illustrated Dictionary of Words Used in Art and Archaeology Author: J W Mollett Publisher: Sampson Low Marston Searle and Rivington Date: 1883Label on spine with typed text PAT 703 MOL Pastedown end page has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, an illustrated dictionary of words used in art and archaeology, j w mollett

Colour photograpic montage of art class Colour photographs adhered to cardboardon verso 'Hockney inspired'photographic montage, colour photograph, art class, betty collier, val d'angri, alistair heighway

Black and white photograph of an art tram with the words "RAAF 70th Anniversary" on it. graphic design, art tram, melbourne tram, royal australian air force, anniversary

East Ringwood Progress Association Community Fair and Junior Art Competition.

The competition was to increase awareness of the pioneering of Phillip Island. 155 entries were received and winners were compiled in the booklet. Art competition winners were Open- Frances Reith and Maree Chaston. Secondary- Neil McRae and Shannon Condick. Primary- Laurie Chisholm and Paul Matthews. Essay Competition winners were Open- Patsy Hunt and Audrey Nicol.. Secondary- Judy Nicol and Cameron Ashe. Primary- Joanne Scrase and Richard Patching.HistoricalLarge yellow coloured booklet with green binding with typed pages, photos and drawings. Also a draft copy of the booklet pre printing which has typed sections pasted onto pages.Snippets of Phillip Island History. Entries from The Shire of Phillip Island Art and Essay competition 1982, conducted in association with the opening of the library, heritage centre and meeting room.chicory industry, the speke, phillip island cemetery, swimming baths, churchill island, ventnor state school, ventnor hall, killara ferry, motor racing

Photograph of Princes bridge Melbourne with one cable tram set crossing. In the background is the then new Flinders Street station building. Note the clock on the right hand side of the photograph that was later transferred to Spencer Street station. Yields information about Princes Bridge in 1910.postcard - decorative border with a photo of Princes Bridge within an oval - embossed. On the rear is a letter dated 21/12/1910. Card by Marlborough Art Series.See note on rear.tramways, trams, yarra river, princes bridge, cable trams, flinders street station, clocks

SoftcoverInscription on title page, black ink: 'Patricia Boyd' Typed letter (2 copies), c. letter size, thin paper. Folded in quarters and loosely placed within paperback book. Titled 'RADIOCARBON - DATING'. art, walsh st library

Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read.This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered 16 page instruction book with black and white photographs and detailed instructions explaining how to tat and eight tatting projects including how to make a collar and handkerchief edgings, published by Paragon Art Needlecraft of Sydney.Front cover - "PARAGON BOOK NO. 104" "PRICE 1/3" "Learn to/ TAT' Back Cover - "36/D5 E/A DO2" - handwritten in pencil flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, tatting, tatting pattern book, tatting instructions, handicraft, needlework, shuttle, tatting shuttle, paragon needlecraft, paragon craft book

non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture

Written on back of photograph, "1957 - Combined Ringwood schools art show".

Plan of a new entrance for the Ballarat School of Mines Technical Art School Building. ballarat technical art school, ballarat school of mines, g.d. and n.e. hewitt, architectural plan

Four colour photographs showing pipes at the back of the Ballarat Technical Art School.ballarat technical art school, ballarat school of mines, pipes, water pipes

4-page typewritten list of art works, artists, and sale prices (in guineas).

Newspaper clipping, from a glossy colour printed magazine or publication, titled "Melbourne's Tram art gets the brush-off" about the last Transporting Art tram by Stewart Merritt. Has a photo of Stewart leaving from the tram and of the side of the tram showing the themed art of "Victoria State of the Arts". Notes that it was launched last month by the Minister for the Arts, Race Mathews.trams, tramways, transporting art, ministry for arts, w2 class, tram 439

Early draft of an article exploring the relationship between art, science and architecture.Typewritten, handwritten major pencil edits, quarto, 5 pages. Page 1 is missing.Page 1 missing, pages 4 and 6 handwrittenprefabrication, art, science, third culture, third culturalists; statler-hilton vision, robin boyd, manuscript

Black and white photograph of Gippsland Centre for Art and Design Students Drawing from Lifegippsland centre for art and design, gippsland institute of advanced education, visual arts, alumni, drawing, lifedrawing

Colour photographs showing the interior and the Stained Glass Windows at the Ballarat Technical Art School.ballarat technical art school, stained glass window, gribble building