Showing 534 items matching "ash"
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Melbourne Water
Ashtray, Graceburn Weir, Healesville Souvenir, 1930s-1940s
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally.This Souvenir glass ashtray, used as a receptacle for ash from cigarettes, features a photograph of the Graceburn Weir on the base, with text reading “The Graceburn Weir, Healesville”. Rather small in size, this ashtray has a unique shape with four protruding glass points to place cigarettes. melbourne metropolitan board of works, mmbw, maroondah, dam, healesville, melbourne water, scenic view, souvenir, glass, ashtray, graceburnweir -
Bendigo Military Museum
Photograph - Fortuna Falcons Football Team - Army Survey Regiment, Bendigo, 1995
This set of nine photographs was taken at an Army Survey Regiment Australian Rules Football social game at Golden Square Football Oval, Victoria in 1995. It is possible the game was between Product Construction Squadron and Data Acquisition Squadron, as it is apparent there are a mixture of Officers, WOs SGTs, CPLs and SPRs in each of the two teams. It is unlikely it was against another unit as it seems the CO LTCOL Duncan Burns and his counterpart are involved in the coin toss, and neither was wearing football boots. This set of nine photographs was taken at an Army Survey Regiment Australian Rules Football social game at Golden Square Football Oval, Victoria in 1995. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour. 1995. All players unidentified. .2) - Photo, colour. 1995. L to R: Doug Willis, others unidentified. .3) - Photo, colour. 1995. L to R: unidentified (x2), Dough Willis, Rod Skidmore (yellow guernsey) .4) - Photo, colour. 1995. L to R: Bob Thrower, Rod Skidmore (yellow guernsey) others unidentified. .5) - Photo, colour. 1995. Greg Byers (Umpire) .6) - Photo, colour. 1995. L to R: Jim Ash (background), Rhys De Laine. .7) - Photo, colour. 1995. Jim Ash. .8) - Photo, colour. 1995. L to R: Rod Skidmore, Anthony Chamberlayne, unidentified (x3), Greg Byers (umpire), unidentified (x2), LTCOL Duncan Burns, unidentified, Rohan Hill, Bob Thrower, Doug Willis, Jim Ash, Mark Bird. .9) - Photo, colour. 1995. L to R: Jim Ash, Bob Thrower, Derek Percival, unidentified..1P to .9P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr -
Kiewa Valley Historical Society
Ash Tray Pocket, Circa mid to late 1900s
This flip top pocket steel ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. Tin plated mild steel round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access. personal effects, tobacco waste products, smoking accessories -
Kiewa Valley Historical Society
Ash Tray Pocket
This flip top pocket aluminium ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This light weight aluminium pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. The covered lid reduces odors and eliminates ashes from being blown around.Aluminium round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access.personal effects, tobacco waste products, smoking accessories, tobacco -
Eltham District Historical Society Inc
Newspaper article, Advertiser Magazine, The Advertiser celebrates 126 years of tradition, 18/08/1999
A brief history of the Evelyn Observer local newspapers established at Kangaroo Ground in 1873, from "Advertiser Magazine", forerunner of "The Local Paper" published by Ash Long.Newspaper articleharry gilham collection, evelyn observer, community newspaper, kangaroo ground, andrew ross, robert charles harris -
National Vietnam Veterans Museum (NVVM)
Artwork, other - Trench art , ash tray
Base of a mortar cylinder which has been made into an ash tray. Lining of inside of tray has been painted red. there is a brass post in the centre of the tray. the post has cord wound around it.Engraved on the outside of the tray is "HMAS Vandetta - vietnam 1969HMAS Vandetta - Vietnam 1969trench art, hmas vendetta -
Glen Eira Historical Society
Ephemera - Carnegie Cricket Club
This file contains nineteen Carnegie Cricket Club season match cards owned by the club’s Honorary Secretary for 1930-1931, and life member, Mr. T. E. S. Ash. The cards encompass the years from 1930-1931, 1936-1938, 1940-1941, 1943-1951 and 1952-1960. Each of the match cards list the office bearers for the year as well as the club’s fixtures. Some contain handwritten annotations by Mr. Ash as to the outcomes of the matches.ash mr., shelton j. n., reid s. h., price c., harratt f., stevenson h., donaldson t., walker a., cakebread e., gregg r., tebbs j., tempany t., quinn p., price f., lonch w., newing s., henderson e., reader a., larter f. t., harwood h., ash t. e. s., neerim road, bone j., jenner t., paul j., richards u., diamond c., mckee w., reid s. h., robertson g., sherwood j., tyers s. w., allaway j. e., clarke t. b., goldman a., jukes a., spencer w., beaumont c., carnegie, wishart g., bone r., boxshall k., cameron h., johnson a., hubbard l., larter f., price c. l., moore d., allaway e., ash t., louch w. h., goodall m., reid g., graham j., reid m., wilde w., willison p., murrumbeena, henty street, crussell j. a., williams h., allan p., pooley p. c., greig g., pierce l., caples r. w., newbury c. j., chamberlain a., cusack r., driver w. j., mau r., moore d. c., wishart m., pummeroy k., bailey f. i., brown r. w., whelan j. g., parker c., rofe r., wilkins d., dann e., tebbs j. (junior), yenden road, loush w., neville street, williams r. h., greenway a., lewis j., rolfe d., saunders r., wishart d., st. anthony, glenhuntly, stocks w., christie a., greenway a. e., caulfield south, ireland p., mcdougall c. j., burke s., pert r. g. a., mimosa road, carn. soc., carnegie socials, caulfield sth, ormond a, sweetnam r. w., price f. n., bone r. n., burke s. r., mcintosh a., ormond, caulfield east, ormond park, murrumbeena c, murrumbeena d, elsternwick, murrumbeena e, carnegie soldiers, mccarron a., newbury c. r., middleton j., o’connor j., cakebread j., morton l., lyons street, mckinnon, carnegie traders, bone r. j., north road, caul. f’balls, caulfield north, clarke t., whitelaw w., sweetman r. w., jury j., macfarlan i., daniells j. (senior), price r., bull a. j., tranmere avenue, wakeman o. w., coorigil road, bailey i., james p. c., ormond b, james p., pert r., green w., knox h., reid street, caulfield, heib j., price v. j., elliot a., phillips n., wilde w. j., cusack s., tyers n. s., hender b., george d., ford j., castles p., rolfe d. h., cusack r. s., gamble h., louch w. h., pearce e., koornang road, koornan road, harrington a., somerville h. j., grange road, sutherland m., bent street, rowland s., chestnut street, ariadne avenue, rankin ian, caulfield city, carnegie r. s. l., caulfield foot, murrumbeena foot, whitelaw m., chilvers r., kennedy d., mclatchie h., murrumbeena z, ormond c. of c., murrumbeena b, bentleigh, crussell j., mckee g., andrews e. j., andrews n., somerville h., moonya road, murrumbeena park, sweetnan r. w., hubbard l. c., harwood h. j., wilkins d. (senior), sporting clubs, cricket, clubs and associations, volunteers -
Otway Districts Historical Society
Photograph, Beech Forest: NA locomotive taking coal, c.1955
To a dead end spur at Beech Forest station a locomotive depot was provided with a coal stage, ash pit and water tank as part of the original facilities of the station. Coal was transported from Colac by rail and hand-shovelled up onto the stage from an NQ truck positioned alongside. Twin water columns on the stage ends enabled two NA class or both ends of a Garratt locomotive to take water simultaneously. Beneath the trestle was the ash pit.B/W. 200mm x 271mm. An NA locomotive on trestles taking coal at Beech Forest. A child watches.beech forest; railways; coal stage; na locomotive; -
Stawell Historical Society Inc
Souvenir - Realia, The Main Street 2 Piece Ceramic Souvenirs
Souvenir Tea Set1 Ash Tray with coloured view of main street showing Post Office with Telegraph Pole and Post Office Hotel, Triangular, Chipped, 15 cm high, 14 cm at base. Egg cup with Main Street in Colour c1920's with Geo Mitchell Store.Royal Staffordshire Guaranteed English Bone China Made in England Crown Royal Grafton Bone China made in England Egg Cuptourism -
Whitehorse Historical Society Inc.
Decorative object - Ashtray, 1940's
From the collection of Margaret ScarlettTriangle shaped cream crockery ash tray. Fine green line around top edge. An indentation to hold lit cigarettes in each corner. Transfer of a bulldog sitting on Union Jack with warships and planes in the background on bottom of ashtray. 'Britain's Challenge' written on top of illustration and 'Come On..' below.'Britain's Challenge' Come On.. Empire England Ivory 741personal effects, smoking accessories, civic mementoes, souvenirs -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, Tower Hill - international geological significance, c2015
tower hill, volcano, natural heritage, koroit, landscape, ash, geological, international significance -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, Tower Hill - international geological significance - maar, c2015
Digital Photographs of tower hill near Koroit Victoria tower hill, volcano, natural heritage, koroit, landscape, ash, geological, international significance -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Untitled [Jar] by Owen Rye, c1985
Owen RYE (05.11.1944 - ) Born Cooma, New South Wales Internationally recognised in the field of Ceramics, Owen Rye was a lecturer at the School of Visual Arts, Gippsland Institute of Advanced Education (incorporated into Monash University 1992), 1985-91 and senior Lecturer at the Gippsland Centre for Art and Design, Monash University (later Federation University) from 1992-2003. Proficient in the use of the wood-fired Anagama kilm, the surface of his work is dependant upon the placement of the item in the kiln, with ash glaze developing where ash and embers coat the form. Wheelthrown Anagama [woodfired] stoneware. Jan Feder Memorial Ceramics Collectionjan feder memorial collection, jan feder, owen rye, ceramics, gippsland campus, artwork, artist, gippsland centre for art and design -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Scancolor (Australia) Pty Ltd, Marysville-Victoria, Pre 2009
A colour photograph taken along the Black Spur.A colour photograph taken along the Black Spur. The Black Spur is part of the Maroondah Highway and winds its way from Healesville to Narbethong and is considered to be one of Victoria's most picturesque drives. This postcard was produced by Scancolor Australia as a souvenir of Marysville.MARYSVILLE/ Victoria - Australia. On the way to Marysville the narrow highway/ climbs the Black Spur through large tree ferns/ and tall mountain ash trees. scancolor Australia (03) 555 1944 CS 4069marysville, victoria, black spur, maroondah highway, scancolor australia, postcard, souvenir -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Scancolor (Australia) Pty Ltd, Marysville-Victoria, Pre 2009
A colour photograph taken along the Black Spur.A colour photograph taken along the Black Spur. The Black Spur is part of the Maroondah Highway and winds its way from Healesville to Narbethong and is considered to be one of Victoria's most picturesque drives. This postcard was produced by Scancolor Australia as a souvenir of Marysville.MARYSVILLE/ Victoria - Australia. On the way to Marysville the narrow highway/ climbs the Black Spur through large tree ferns/ and tall mountain ash trees. scancolor Australia (03) 555 1944 CS 4069marysville, victoria, black spur, maroondah highway, scancolor australia, postcard, souvenir -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fire screen
This decorative fire screen is placed in front of an open fireplace to prevent hot sparks and ash from causing damage. Open fires were common in Australia in the 19th and early 20th century, for both cooking and heating.Fire screen, crescent shaped, brass pressed sheet, with a ship motif within a rectangular area. Ship is a 3 masted sailing vessel, a Spanish galleon. Made in England, c. 1930.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, fire screen, fire guard, domestic item, heating, cooking -
Geoffrey Kaye Museum of Anaesthetic History
Container - Bottle, chloroform
Chloroform was a popular anaesthetic agent in the early period of medical anaesthesia.Empty brown bottle of chloroform, with brown glass stopper.Printed on manufacturer's label: CHLOROFORM / B.P. / ANAESTHETIC / POISON / CHLOROFORM SHOULD BE KEPT IN A COOL / AND DARK PLACE. / W. J. BUSH & CO., LIMITED / MANUFACTURING CHEMISTS / ASH GROVE, HACKNEY, LONDON / MADE IN ENGLANDchloroform, anaesthesia, w.j bush & co., london -
Robin Boyd Foundation
Furniture - Bed
The beds of both Penleigh and Suzy Boyd (item F105) seem to be made of mountain ash. An advertisement in the Argus (Wed 7 November 1956) by Myer Emporium for the "Meyer Robson" Studio Divan looks to be the same as these beds in Walsh St.Single bed with timber frame and mattress and sliding timber drawer attachedwalsh st furnishings, robin boyd -
Uniting Church Archives - Synod of Victoria
Photograph, Lorraine Wall and Frank Wyley, 1986
Lorraine Wall presents a cheque for $12,474 to Frank Wyley as representative of the Cockatoo Uniting Church for rebuilding of the church after the Ash Wednesday bushfires. Mrs. Wall, her parents Olga and John Rowe and Russell were organisers of poster sales.Colour photograph of Lorraine Wall and Frank Wyley."Lorraine Wall Frank Wyley C&N 25/9/85 p 14"wall, lorraine, wyley, frank, cockatoo uniting church, ash wednesday bushfires -
Ballarat Heritage Services
Photograph, Clare Gervasoni, Tower Hill Crater, 11/09/2020
Tower Hill is 18km west of Warrnambool and is accessed from the Princes Highway. Tower hill is a dormant volcano, with associated conical hills, large and small craters, basalt outcrops from lava flows and layers of Ash from long ago eruptions. Panorama of the crater at Tower Hilltower hill, crater, volcano -
Ballarat Heritage Services
Photograph, Clare Gervasoni, Tower Hill Crater, 11/09/2020
Tower Hill is 18km west of Warrnambool and is accessed from the Princes Highway. Tower hill is a dormant volcano, with associated conical hills, large and small craters, basalt outcrops from lava flows and layers of Ash from long ago eruptions. Panorama of the crater at Tower Hilltower hill, crater, volcano -
Ballarat Heritage Services
Photograph - Image - Black and White, Gum Trees on Tower Hill, Victoria, c1950, c1950
Tower Hill is 18km west of Warrnambool and is accessed from the Princes Highway. Tower hill is a dormant volcano, with associated conical hills, large and small craters, basalt outcrops from lava flows and layers of Ash from long ago eruptions. A black and white image of two trees in a barron landscape at tower Hill,Victoriagum trees, tower hill -
Nillumbik Shire Council
Clay: Leanne Mooney, Leanne Mooney, Tiles from the Boomerang Studio, 2002
'Tiles from the Boomerang Studio' is a prototype of the work 'Year 2052', created while Mooney was an Artist in Resident at Laughing Waters in the Boomerang studio in 2002. Records of flora were collected in and around the Gordon Ford garden in Laughing Waters Road. The work 'Year 2052' is made up of '77' tiles and was acquired by Geelong (Regional) Art Gallery in 2003. Whilst working at the Boomerang studio, local based artist Mooney noticed that “a battle raged in the bush between non-indigenous plants and indigenous plants”. She also noticed how humans “invade” land, changing the surrounding environment and causing irreversible damage. This work is an interpretation of the fragility and value of Nillumbik’s indigenous flora and of its conflict with introduced species. The title of the work (Year 2052) and look of these ‘fossilised specimens’ asks viewers to cast themselves into the future and to look back at today. “These tiles have been found; an incomplete record of flora collected in and around the Gordon Ford garden in Laughing Waters Road. The tiles appear to have been made at the beginning of the millennium. The viewer is asked to contemplate which species are missing”. Mooney works with collected indigenous items to emphasis the beauty of their natural shapes, while at the same time introducing selected materials of contrast or sympathy. Her work creates a great sense of “stillness and peace, of simplicity and connection with the natural world as well at the vanishing Australian bush.”This work is made up of seven handbuilt earthenware oval/round clay 'tiles' - (eight pieces - with one tile intentionally broken), brown in colour and bisque and blackware fired, giving a matt black ash coating on each of the tiles' surface. Each tile has an imprint of a floral specimen indigenous to the Laughing Waters area in Eltham. Each tile has an imprint of the following specimens: tiles, earthenware, flora, indigenous, bisque, boomerang, ford, laughing waters -
Nillumbik Shire Council
Sculpture: Michael WILSON (b.1943 Hastings, Victoria), Cicada, 1997
Michael Wilson learnt the craft of Goldsmithing after seeing well known sculptor and silversmith Matcham Skipper working in his studio at Montsalvat in and around 1970. This work is a gift to the Eltham Community in recognition of his twenty five years of developing his goldsmith skills and operating his business within the Shire. Wilson officially opened his commercial premises in 1985. Michael Wilson is a local jewellery maker. His work is influenced directly by the environment in which he lives. This sculpture is representative of his distinctive style of work as a nationally and an internationally recognised Designer and Goldsmith. Made of steel and powdercoated in aluminium with a concrete base. Decorative elements such as the ring encasing the cicada and the cicada's wings are guilded with 24ct gold leaf. The steel rod is burgundy in colour with the cicada painted a dark olive green to represent the 'Green Grocer' variety common in Eltham. The colours used in this sculpture match the surrounding Elm and Ash trees in the landscape. N/Apublic art, cicada, wilson, gold, green grocer, jewellery -
Federation University Art Collection
Ceramic, Salt Glazed Teapot by Arthur Rosser, c1986, c1986
Arthur ROSSER Arthur and Carol Rosser have been based at the Eungella Pottery in Dalrymple Heights, QLD, since 1976. Specialists in woodfiring and the use local clays and ash, salt and shino glazes, as well as firing with oil and gas as well as wood. Salt glazed teapot with lid.arthur rosser, ceramics, jan feder memorial ceramics collection, gippsland, gippsland campus, woodfire -
Ringwood and District Historical Society
Newspaper - Printed, Ringwood City News Vol. 1 No. 8
10-page Ringwood City News volume 1, number 8, 24th August 1984. Weekly circulation of 30,000 when combined with Croydon City News. Ringwood local office: Rossprint, 1st floor, 23 Ringwood St, Ringwood, 870-3666. 1 Devon St, Croydon - phone 725-2555. Free. Publisher Ash Long. -
Tatura Irrigation & Wartime Camps Museum
Ashtray, 1940 - 1946
Miniature bath shaped metal ash tray. On one side there is a rest for a cigarette. The bath shape rests on 3 ball shaped legs. Has been painted blue by the donor. Originally metal unpainted. The head end is higher - sloping down to the foot end. Presumably made by POW's during WW2. Found in 1956 in a tunnel by a Dhurringile boy.ash tray, metal work, dhurringile pow camp, presbyterian church, orphans, orphanage -
Nillumbik Shire Council
Public Art: Susie KUMAR & Naomi KUMAR, Benchmark (Location: Conventry Oval, Elizabeth Street, Diamond Creek), 1997
1996 Nillumbik Art in Public Places Award (installed late 1997). A biennial program that ceased in 2007. The program commissioned artists to make and install public art in various sites around the Shire. Award judges that year were Tony Trembath and artist Peter D. Cole. Susie Kumar has a Bachelor of Landscape Architecture degree from RMIT and Naomi Kumar has a Bachelor of Fine Art in photography degree from VCA. The Kumar sisters designed the sixty meter gently curving bench in response to the topography of the site, Conventry Oval. The sculpture is designed to describe the boundary between the formal oval and the natural creek bank and a considered relationship to the bike track and the river. It forms a link between the activities and aesthetics of its environment. The work is a comical interpretation of the utilitarian public bench. From a distance the bright red runners (the colour of the local football team's stripe) appear to float about the surrounding green. One end of the work is straight and finished. The other remains 'unfinished' hence allowing for the concept of unlimited extension. The 'legs' (steel hurdles) are arranged with a sense of movement and rhythm in sympathy with the activities happening around the work and with the stands of trees in he background. 'Benchmark' also serves as a functional purpose; providing a choice of places to sit to watch action on the oval. Stainless steel, timber (Victorian Ash) and red enamel paint. Sixty meter long red bench that gently curves in response to Conventry Oval. Bolted on top of evenly spaced stainless steel hurdles, four rows of timber runners are joined to provide unbroken continuous lengths. The bench stands on a framed bed of crushed rock (Lilydale topping).N/Abench, sport, wood, victorian ash, stainless steel, public art, ekphrasis2017 -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Panton Hill Fire Fighters Memorial Park, 2 February 2008
Five volunteer fire fighters who died in Upper Beaconsfield on Ash Wednesday, February 16, 1983, are honoured by the Panton Hill Fire Fighters Memorial Park on the main road. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p119This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, panton hill fire fighters memorial park -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO 3770 COLLECTION: MEDICAL CERTIFICATE
Blue paper Memo A.O.F. Court King of the Forest No. 3770 dated Sep 4 1876. I hereby certify that William Hall of Ash-- St. is able to follow his usual employment. Signed by H. l. Atkinson. Signed at the end by William Hall declaring himself off the Sick Funds of the Court. Printed by J. Brockley, Printer, Bridge Street, Sandhurst.societies, aof, correspondence, ancient order of foresters no 3770 collection - medical certificate, court king of the forest, william hall, h l atkinson, j brockley