Wood family home (1969-2011) pre and post construction by Knox and HellemonsKodachrome 35mm colour transparency in cardboard mount Processing date FEB70M6Inscribed in ink "Progress Rd looking east Eltham North from 184 to Lower Rd 1970"eltham north, progress road

Wood family home (1969-2011) pre and post construction by Knox and HellemonsKodachrome 35mm colour transparency in cardboard mount Processing date FEB70M6Inscribed in ink "View south from 184 Progress to Scenic Crescent, Eltham North 1970"alistair knox design, eltham north, hellemon, houses, progress road, scenic crescent

These brooches were made by Hans Beck, a German Templer who was born and lived in Palestine. When WWII broke out, he was sent to Australia on the "Queen Elizabeth" in 1941 and interned in Tatura Camp 3. His wife and children were left behind in Palestine. His daughter Ingrid said that although they were behind barbed wire, they were safe. Hans worked as a manufacturing jeweler in Sydney after his release from Internment. He sent for his family on 1947. A 1 x wooden triangular shape with a small four petal flower made of tiny white shells. A metal stick pin is attached to the back. B 1 x wooden heart shape. Two flowers on stems made from small pink shells. Each flower has five petals. A group of four tiny white shells sit between the flowers. A vase is carved into the bottom of the heart. A small safety pin in attached to the back. C 1 x wooden oval shape. Group of three pink shell flowers on green stems. Two flowers have six petals and a centre made from shells. The centre flower has only one petal. A bow of tiny white shells at the base of the brooch. Small safety pin attached to back. D 1 x wooden round shape. A cluster of shells in a floral pattern. A small bright red shell in the centre of cluster. Pin on the back is broken. E&F 2 x wooden round shape. A cluster of small shells in a floral pattern. One dark wood, one lighter coloured wood. handmade, brooch, shell, beck, queen elizabeth, templer

Robert BARRON (1957- ) Born in Harpenden, England. Robert Barron first worked full-time with clay in 1976, the family pottery at Croydon, Victoria. In 1979, he left Australia on a five-year journey to New Zealand, North America, England, Europe, and South Korea to work with skilled potters in woodfiring. During this time, he visited Michael Cardew at Wenford Bridge Pottery, Cornwall, UK., and was engaged as an apprentice at Cornwall Bridge Pottery, Connecticut, USA. Returning to Australia in 1984, he established Gooseneck Pottery at Kardella, Victoria. With the assistance of a Crafts Board grant Robert Barron built a 1000 cubic ft five-chambered Nabori-Gama style woodfired kiln. This kiln one of the largest wood-fired kilns in Australia. Robert Barron is influenced by the philosophies of Bernard Leach and Michael Cardew.artwork, artist, ceramic, gippsland campus, robert barron

Private Wood served with the Army Service Corps during WWI. The 'M2' in his number indicated his probable trade was an electrician.Court mounted WWI 1914-1915 Star awarded to Private J T Wood ASC (British Army). On reverse: "M2-104369 / Pte J.T. Wood / ASC". wood j t private, army service corps, asc, wwi

Printed invitation one of 4 invitaions in the set ,to invite Mr & Mrs H. H. Bradley from His Majesty's Ministers of State for Australia to Celebrtae the Opening Parliament of the Commonwealth of Australia to meet their Royal Highness The Duke and Dutchess of Cornwell and York. To an evening reception at the Exhibition Building Melbourne on the 9th of May 1901, at 8 o'clockSignficant collection of 4 invitatons of national signficance Plus a printed Momento from the Duke and Dutchess 00533 Evening reception to Meet the Duke and Dutchess 00534 Invitaion from the Govenment of Victoria 00535 Invitaion from Edmund Barton the Prime Minister 00536 Invitaion from the Govenment of Victoria for a conversazione 07/05/1901 at 8 pmMounted offset print. The print is mounted on brown mount board. The print has an embossed seal of Duke and Dutchess of Cornwall and York. Printed invitation from the miniters of state to invite Mr and Mrs H H Bradley to attend the reception.Invitaion hand written. On the left is a maiden , dressed in red with a helment carrying a British Shield on the Right hand side is a maiden dressed in purple carrying a St shield . The print is bordered by vines and leaves with scrolls for text details. The print has silver and gold highlights.Printed: His Majesty's Ministers of State for the Commonwealth of Australia/ request the honour of the presence of... / in the Exhibition Building, Melbourne, on Thursday, 9th May, to witness/ the Opening of the Parliament of the Commonwealth./ Edmund Barton/ Prime Ministermelbourne, australia, commonwealth, printed offset, invitaion, celebrate opening parliament commonwealth australia, parliament, duke dutchess cornwall york, mr mrs h h bradley, exhibition building, 1901, 09 05 1901

1855 British Lancaser No 10 pattern Sword Bayonet. Long straight blade swelling out beyond the back edge towards the point witha single edge and a pipe back. Brass hilt with chequered compressed leather hand gripsSerial No. 945 Stamps on blade.

Born: Addlestone, Surrey, England 1851; Arrived: Melbourne, Victoria, Australia 1878; Died: Bondi, New South Wales, Australia 1942NeoclassicismGift of Mr Philip Bacon, 2002Two naked women listening to a Faun play twin pipes.painting, figures, faun, allegorical, flute, tambourine, flowers, nude, mountains, sky, mythical

Born: Addlestone, Surrey, England 1851; Arrived: Melbourne, Victoria, Australia 1878; Died: Bondi, New South Wales, Australia 1942NeoclassicismGift of Mr Wayne N. Kratzmann, 2005painting, mythical, figures, centraur, child, faun, tambourine, grapes, trees, sky, nude, dancing

Gift of Beverly Brown in memory of her father Dr Joseph Brown AO OBE, 2015

Gift of Mack Jost, 1990graphite and chalk on paper

Gift of Mack Jost, 1990graphite and chalk on paper

Purchased through the Horsham Art Gallery Trust Fund, 1977

Purchased through the Horsham Art Gallery Trust Fund, 1977

Purchased through the Horsham Art Gallery Trust Fund, 1977

Purchased through the Horsham Art Gallery Trust Fund, 1977

Purchased through the Horsham Art Gallery Trust Fund, 1977

Purchased through the Horsham Art Gallery Trust Fund, 1977

A children's story book with large font text and colourful illustrations telling the story of a new dollar coin. It consists of 30 pages.fictionThis book was produced by the WAW Credit Union with the aim of educating children about money and how it can take different forms as it is used throughout the community. It gives a message about how banking with a Credit Union impacts on the entire community. WAW Credit Union has been operating in various forms since 1956. The WAW stands for Wangaratta, Albury, Wodonga, reflecting its area and names of former credit unions from which it merged.banks and banking - juvenile literature, waw credit union, credit union wodonga

ill, p.56.non-fictionPictures of steam locomotives in New South Wales.steam locomotives - australia - history, railroad steam locomotives - new south wales - history

ill, p.56.non-fictionPictures of steam locomotives in New South Wales.steam locomotives - australia - history, railroad steam locomotives - new south wales - history

ill, p.54.non-fictionA pictorial history of steam locomotive operations on the New South Wales Railways especially around the Newcastle area.railroad steam locomotives - new south wales - history, railroad operations - new south wales - history

250 p. : black cover, section of original dust jacket pasted to front. Title and author's name hand printed on spine.fictionfiction, helen ashton

Yields information about Geelong trams in the late 1940's.Black and white print of Geelong 16 at the Belmont terminus. The side destination is set at North. Unknown photographer. Based on other similar photographs, possibly 29/3/1948. Based on the handwriting on btm5869i, the photo is by Leon Marshal-Wood.Has the word "Geelong" in pencil on the rear.trams, tramways, geelong, belmont, tram 16

Yields information about Geelong trams in the mid 1950's and the interior of the tram depot.Photograph - black and white of the interior of the Geelong depot showing spare armatures and an inspection pit. Tram 39 is at front of the depot, awaiting an AETA tour. Photo dated 2-4-1955. Based on handwriting, photo by Leon Marshall-Wood.In ink on the rear, "Geelong Tram Depot 2-4-1955"trams, tramways, geelong, depot, aeta, armatures, tram 39

Yields information about Geelong trams in the late 1940's and the appearance of the Radiax Truck.Black and white print of Geelong 23 at the Railway Station, showing the Radiax truck. Photo dated 29/3/1948. Based on the handwriting on btm5869i, the photo is by Leon Marshal-Wood. Negative scanned at 3200dpi 9/6/2020 9/6/2020.On the rear in ink "29/3/1948, Radiax truck under Geelong No. 23".trams, tramways, geelong, railway station, radiax trucks, trucks, tram 23

Yields information about Geelong trams in the late 1940's and the appearance of tram 23.Black and white print of Geelong 23 at the Railway Station, awaiting passengers for the AETA Special. Photo dated 29/3/1948. Based on the handwriting on btm5869i, the photo is by Leon Marshal-Wood. Negative scanned at 3200dpi 9/6/2020 9/6/2020.On the rear in ink "29/3/1948, Geelong # 23" at railway station"trams, tramways, geelong, railway station, radiax trucks, trucks, aeta, tram 23