Fawn cloth hardcover religious family saga novel, The caravan Returns by Australian author Eileen Finlay. Has black writing of title, author and publisher on spine only.fictionA third in a series - Australian family religious saga about the le Maires and Macdonalds portraying both the elderly and modern young people with tenderness and sympathy.religious fiction, family stories, family saga, australian fiction

Dark green fabric covered novel, Mother's Little Girl by Ethel Turner (Mrs H.R. Curlewis) and illustrated by A.J. Johnson, with gold lettering on front cover for title and author with a gold illustration of two children sitting on a bank. Spine has gold title and author and floral pattern. Has black and white illustrations throughout.fictionAn Australian story of a family that has too many children and not enough money, so gave up for adoption their last baby, Sylvia to its aunt. young people's fiction, australian fiction, family life

A green hardcover book, Subtropical Cultivations and Climates - a Handy Book for Planters, Colonists, and Settlers, by R.C Haldane, on agriculture for subtropical countries especially Australia. Plain front cover, gold lettering on spine of title, author and publisher. Contains some black and white illustrations and charts.non-fictionA non fiction book by R.C. Haldane on subtropical cultivations and climates - agriculture for Australian planters, colonists and settlers.agriculture, subtropical plants, australian climate, early settlers

Stories by Robert Bruce Plowman, the first patrol padre to the Australian Inland Mission 1912 - 1917. This is the first book in a trilogy.Brown hardcover logbook with the title, The man from Oodnadatta by R.B Plowman on front cover with black lines and a tiny black symbol. Spine has title, author and publisher. Black and white photographs throughout and endpapers have maps of the area and of Australia. Second Edition."Auntie - "Best wishes", from "Jean "Auntie" 22/9/33non fiction book, australia, religion

349 page PDF - contains bookmarked table of contentsnon-fictionThe Australian Jewish Almanac was published in Melbourne in 1937. It was the first Yiddish book published in Australia and brings together works from Yiddish writers both in Australia and from overseas. Edited by the renowned Yiddish writer Melech Ravitch (or Melekh Ravitsh) it provides a unique survey of the views and concerns of Jewish immigrants in Australia in the 1930s. The Almanac contains short fiction and non-fiction pieces including histories of Jewish communities in Australia, political commentary and translations into Yiddish of works by Australian authors. Digitisation of the Almanacs was funded by Martin Munz in honour of his parents Hirsch & Estera Munz.jewish immigrants, yiddish melbourne, melekh ravitsh, pinchas goldhar, hirsch munz, newman rosenthal, peretz hirshbein, bezalel stavarowsky, jacob trevaks, nathan spielfogel, aron patkin, yosef laftvitch, jean campbell, henry lawson, shimon zander, l. zabinsky, israel sher, solomon wynn, shmuel weissberg, yiddish literature

458 page PDF - contains bookmarked table of contentsnon-fictionThe Second Australian Jewish Almanac was published in Melbourne in 1942 to mark the 30 Year Jubilee of the Kadimah. Edited by a collective of Hertz Bergner, Pinchas Goldhar, Bonem Warshawski, Hirsch Munz it provides a unique survey of the views and concerns of Jewish immigrants in Australia. The Almanac contains short fiction and non-fiction pieces including histories of Jewish communities in Australia, political commentary and poetry. Digitisation of the Almanacs was funded by Martin Munz in honour of his parents Hirsch & Estera Munz.jewish immigrants, yiddish melbourne, melekh ravitsh, pinchas goldhar, hirsch munz, hertz bergner, bonem warshawski, j. giligitch, dr. m. lazarson, chaim rosenstein, dr. j. h. gentili, a. yonavitch, brian fitzpatrick, isaac horowitz, y. n. steinberg, aron patkin, dr d. berger, yiddish literature

463 page PDF - contains bookmarked table of contentsnon-fictionThe Third Australian-Jewish Almanac was published in Melbourne in 1967 to mark the 55th Anniversary of the Kadimah. Edited by the Cultural Committee of the Kadimah it provides a unique survey of the views and concerns of Jewish immigrants in Australia. The Almanac contains short fiction and non-fiction pieces including sections on the Kadimah, Jewish Life in Australia, How Others See Us, Essays and Stories, Poems and Drama. The Almanac also includes a section in honour of those lost in the Holocaust and greetings to the Kadimah on the occassion of the 55th Anniversary. Digitisation of the Almanacs was funded by Martin Munz in honour of his parents Hirsch & Estera Munz.jewish immigrants, yiddish melbourne, hirsch munz, yiddish literature, l. friedman, chaim rosenstein, dovid herman theatre, sender burstin, a. zimmerman, a. troy, shmuel bennet, hertz bergner, chaim shoshkas, jacob pat, melekh ravitsh, mendel mann, dr. berl frimer, abraham zukiert, moishe ajzenbud, y. m. levin, j. honig, yitzchak wiener, sheva glass-wiener, y. kirsh, m. balberyszski, y. orbach, ben zion patkin

A Tale of the Australian 1850's.Green cloth-bound hardcover book. Faded cover with worn edges & spine. Loose binding, cover separating from body. Ragged edges to pages. Moderate foxing throughout. 261 pp. Fair condition.Flyleaf, '2012' crossed out, '1012' underlined. Kilmore Mechaics Institute stamp.adult fiction, kilmore mechanics institute library.

Ochre & tan cloth-bound hardcover book with gilt detailing. Front cover embossed with decorative border. Back cover embossed with decorative wide border.Some fading. Binding a little loose. Some foxing and marks throughout. Evidence of previous repairs to secure cover to body. Illustrated. 319 pp. Good condition.On flyleaf, 'Herbert Chapman/Forbes/Australia'.adult fiction, chapman

Blue cloth-bound hardcover book, worn at extremities & some loss of colour. Brightly coloured dust jacket torn at front & back. Previous hinge repair/reinforcement. Binding tight. Foxing to back & front pages. 319 pp. Good condition.Nil.australian fiction.

A very marked and damaged brown fabric covered book with the faded title The Twins of Emu Plains printed on the front cover with twin girls sitting on a window seat reading a letter. The back cover has dried mould at the bottom and also inside at the back on some pages. The inside front and back of the spine is showing signs of breaking away from the covers. There are a few illustrated black and white plates. Foxing is seen on the edges of the pages. p.256.fictionTwin 16 year old sisters bravely assist their father on his farm while Emu Palins is in the grip of a disastrous and seemingly endless drought. Being young the twins treat trouble as a tremendous joke , and by their lightheartedness and practical help their harassed parents are able to carry on. Adventure and incident abound in this tale.adventure fiction, farm life fiction, drought - australia

A badly damaged red fabric hardcover book Pals Annual for the Boys of Australasia with a black, red and white lined illustration on the front cover in a large square of a cowboy cracking a whip on a farm. The covers are detached from the pages which are tanned, some torn and with foxing on the edges. There are a year's worth of magazines included date from Volume 1 No.1 Sat August 26 1922 to Volume 3 No. 34 Saturday April 14 1923. Price 3d. each. There are black and white illustrations throughout , and a coloured plate,. There is a coloured plate frontispiece as well as a green background lined illustration. At the end of the book is a lengthy story, Wilson's Wheel by Andrew Walpole. p. 817 - 854. There are missing pages 847 - 850. Total p. 854.fictionA large annual for Australasian Boys of Pals weekly magazines from Sat August 26 1922 to Sat April 14 1923 including a lengthy adventure story at the back - Wilson at the Wheel.children's magazines, boys annual, adventure stories, australian fiction

A blue covered rectangular hardcover book titled in red text and black text on the front cover - Under the Southern Cross with a white map of Australia and Papua with five grey stars of varying sizes with lined rays around each one. Inside on the title page is printed, Glimpses of Australia - Issued under the the direction of the GOVERNMENT OF THE COMMONWEALTH OF AUSTRALIA. Department of External Affairs, Melbourne 1910. On the back of the title page is printed Sydney: William Applegate Gullick, Government Printer for the state of New South Wales. 1911 above an ornate lined symbol. Opposite the title page is a detailed map of Australia showing six states, the Northern Territory but not the ACT which didn't become a territory until 1911. The ACT (Self-Government) Act 1988 established the framework for the ACT Self-government.non-fictionA non fiction book showing full page black and white photograph glimpses of the six states and one territory of Australia in 1910. The ACT is not shown as it was not a territory until 1911. There is simple text describing each photograph at the top and bottom of each page.australia, australian states, australian territory, australian life, australian cities

ill, p.263.fictionA romantic novel based on the history of the North Shore of Sydney.australian fiction, north sydney - history

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

fictionThe Mad Galahs weaves historical fact into a stirring tale of Australian Infantrymen at war.vietnam war, 1961-1975 - fiction, infantrymen

Thrilling true stories of animals who have worked and played alongside Australia's fighting forces.fictionHere are twenty-one fascinating stories about the forgotten heroes of war: animals who have served beside Australian Forcesanimals - war use - fiction, animal heroes - fiction

fictionBasic training at Puckapunyal: Victimization. Bastardisation. He keeps a diary of the mishaps and misdeeds of an Army which loathes its men.vietnam war, 1961-1975 - fiction, peter turner, michael frazer, australian national serviceman

fictionBasic training at Puckapunyal: Victimization. Bastardisation. He keeps a diary of the mishaps and misdeeds of an Army which loathes its men.vietnam war, 1961-1975 - fiction, michael frazer, australian national serviceman