Item used in offices earlier part of the 20th century, waste baskets were sold in great numbers with many differing designs from the 1830s most from this time were made of willow or bamboo. Later wire mesh and pressed steel were used.An early example of a wire mesh industrial type of waste basket used in office situations.Basket metal waste paper with wire mesh joined to iron ring at top and flat round cork base.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Hand tinted photograph of Lake Weeroona. Bamboo, flax, pampas grass, trees, family of ducks in water. Inscriptions: on back - in grey lead pencil 'Lake Weeroona', On mount - printed BLS at front - 'Lake Weeroona'. History: with note 'photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo, ph 438269'. :Photographs Francis (Frank) Thomas Kennedy'.Francil (Frank) Thomas Kennedyplace, public gardens, lake weeroona, see also 2001.152.01, 2001.153.01, 2001.154.01, 2001.157.01, 2001.158.01, 2001.159.01, 2001.161.01, 2001.162.01

Sepia photo of three rows of school children on Sunday School picnic, teacher at left. Child at front right on tricycle. 28 children, 1 adult. In background, bamboo blind hanging in front of weatherboard wall, brick chimney ? at right. Grapevine ? at right and top. In foreground lying on ground reed stalks ? Some girls in pinafores, black stockings and boots. Boys in sailor suits and boots.person, group, sunday school picnic

A Chemold Rod Laver tennis racquet, whit ribbon whipping around shoulders. Model name features across base of head. Australian national coat-of-arms features on throat. Lower shaft features decal of blue, red, and white Chemold trademark. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Adhesive tape, Leather, Rubber, Glue, Lacquer, Metal, Bambootennis

These AIF items were issued to NX84949 O F Atkins during his enlistment 21 Jan 1942 - 14 Dec 1945. Photographs and Newsapapers were collected whilst O F Atkins was posted overseas. The Books I believe would have been acquired post discharge. These documents are originals that belonged to NX84949 O F Atkins, a member of the AIF during WW2. O F Atkins served in the Middle East from 23 August 1942 to 28 February 1943 and Borneo from 25 May 1945 to 5 December 1945.This is a comprehensive collection of items obtained during the enlistment of NX84949 O F Atkins - including Soldiers Paybooks, Drivers Licences, Demobilization Proceedure Book, Dog Tags, Corps Bagdes, Colour Patches, a Self made Dagger in a bamboo sheath, Prayer Books, Photographs and an Album, Newspapers The AIF News 17 October 1942, Enemy Propaganda leaflettes, Books Soldering On, Khaki and Green, Stand Easy. Variousnx84949 o f atkins, ww2, aif, middle east, borneo, documents, photographs

Possibly a version of 'The Comfyhold Fan' - trade mark US patent.|Also it is possibly made in Japan.Silk fan with wooden handle, A straight fan rather than folded. Cream background with bird of paradise on green bamboo with pink cherry blossom. Thin multi coloured border. Modern Chinese Fan Known as a rigid or screen fan. Stretched over a circumferential frame of very thin wood which was usually braced by a handle that continued across its diameter behind the silk. A cooling device of the Chinese.costume accessories, female

Vietnamese gothic cut silk chasuble. These vestments were purchased by Monsignor Henry Nolan and re-sold to his fellow priests in the diocese to raise money for Vietnamese orphanage children following the Vietnam conflict. Monsignor Nolan served as a military chaplain in Vietnam. The vestments feature Vietnamese Christian motifs such as this with a bamboo cross with an Asian incense burner.vietnam, nolan, chasuble, gothic, embroidery, asian, incense, cross.

.1) Native Headman's axe, from Mt Hagen area New Guinea. One end has a blade of shaped green stone. The other end timber, originally had a diamond shaped hole, now broken. The handle stem & 2 blades are held together with intricate bamboo weaving & adhesive. .2) The plain wooden handle had been sawn off some time ago, it was glued on for display.Written on side 1: Headman's Axe, Mt Hagen ethnographic material - tools + implements, military history - souvenirs

Used by the mother-in-law of the donor who spent a lot of their adult life living in Asia prior to WWII.Cardboard folded case that unfolds to reveal 62 bamboo knitting needles stored via elastic ties. There is one labelled fold with knitting needle sizes and several instances of printed text containing English numbers and Japanese characters. When folded up, the item is secured with a push button. The front cover has a blue sticker which depicts two hands with knitting needles, there is also yellow and white text.

A Rawlings, John Newcombe Signature tennis racquet, with ribbon whipping around shoulders, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION features along shaft. Rawlings 'R' trademark features on lower shaft. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Adhesive tape, Paint, Leather, Rubber, Bambootennis

3 part object. Three identical Chemold 'Rod Laver Elite' model tennis racquets, each with whipping around shoulders, handle wrapped in perforated leather and plastic butt cap embossed with manufacturer's 'C' logo. Model and manufacturer's name on throat. Endorser signature decal along shaft. On crown is printed: 'BAMBOO LAMINATED'. Materials: Wood, Plastic, Ink, Vinyl, Fibre, String, Leather, Adhesive tapetennis

This diorama is the focal point the Prisoner of War Gallery. It was originally designed and installed by a collaborative group of artists and craftsmen, all themselves former Prisoners of War in 1995. Bamboo for the display and replica prosthetics was sourced from Thailand. The mannequins are artistic interpretations of identified POW surgical staff and doctors. The original display was moved and reassembled during the Gallery redevelopment process in 2015. All items presented within the diorama are based on POW recorded drawings and diaries of experiences in the Thai Burma Railway POW camps.1:1 scale diorama showing operating theatre in POW camp on Burma Thai Railway together with reproductions of prothesis and improvised equipmentthai burma railway;

Object. Circular in shape and 22 cms in diameter. The fan has a bamboo handle 26.5 cms long. Long strands of woven cane have been machine stitched into a circular shape, with the outside round in green dyed cane. (twenty rows of woven can make up the fan). A Floral design, 15 cm long is painted on one side of the fan-leaves, petals and centre of flower in green, red, yellow. Markings as above.costume accessories, female, circular cane fan

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the pattern of the square hearth tiles in the third bedroom of Villa Alba. The glazed decorative tiles are painted in a pattern of climbing green ivy on a black base. The tiles have borders on two sides using a repeated black and white pattern. The tiles are laid so that the pattern of the ivy extends to the rear of the hearth. An oriental element with the design is the use of bamboo on which the ivy climbs. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

A Bancroft Bjorn Borg Monte Carlo tennis racquet, with bamboo lamination, ribbon whipping around shoulders, and leather handle with X-formation perforations. Bancroft logo features across base of head. Throat and shaft feature model name and 'Bjorn Borg' logo, along with 'BJ' trademark. 'B' trademark features on lower shaft, and butt cap. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Ribbontennis

A Chemold Rod Laver tennis racquet, white ribbon whipping around shoulders and a leather handle grip with quatrefoil perforations. Model name features across base of head. Australian national coat-of-arms features on throat. Lower shaft features decal of 'Town and Country' trademark, through which the racquet was sold. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Adhesive tape, Leather, Rubber, Plastic, Glue, Lacquer, Metal, Bambootennis

A Bancroft Players Special tennis racquet, with string whipping on shoulders, bamboo laminate, hide reinforcements under shoulders, and leather handle with X-formation perforations. Bancroft logo features across base of head. Throat features model name. Wreathed 'B' trademark features on lower shaft. Older 'B' trademark on butt cover. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, String, Adhesive tape, Paint, Hidetennis

A Bancroft Forest Hills tennis racquet, with bamboo laminated frame, and patterned leather handle. Bancroft logo features across base of head. Throat features model name, and linear decal image of Forest Hills main court. Wreathed 'B' trademark on lower shaft, and red 'B' trademark on butt cap. Illegible autograph features along shaft on obverse. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Painttennis

Collection of letters and photographs of Rohan D. Rivett, war correspondent and prisoner of war. Includes letter from John W. Davis of New York law firm Davis Polk Wardwell to Herbert Robinson Brookes regarding Rivett's 1946 book, Behind Bamboo, and his (Davis) views on Russia and post-war Europe. The souvenir programme is dated September 1944, Tamarkan Thailand. Thirty three pages, brown paper cover."Memories of the Gay 90's" by Rae N. Nixonrohan d rivett, herbert robinson brookes, prisoners of war, behind bamboo, rae nixon, signals 8 division

Dr Polk was one of the first Doctors to set up a medical practice in Melbourne and attended patients in the Brighton and Moorabbin area c1850. His Grandson Mr C. Bland donated the cabinet to CMHS.This portable cabinet with writing board was used by Dr Polk , one of the first Doctors to practice medicine in Melbourne c1850 .A small, wooden portable cabinet with 3 sections that belonged to Dr Polk GP c1850. Two side cabinets that lock together by grooves on inner sides, and a flat writing board that sits on a shelf at the top of the inner sides. One of the cabinets has 4 drawers, one of which has a lock. The other cabinet has 1 drawer and a cupboard with a door lock No Keys are available, The cabinet is decorated on the outer surfaces by inlaid bamboo squares with metal decorative hinges and handles and at the corners on the door. polk dr, bland c. melbourne, medical practitioners, moorabbin, brighton, pioneers, early settlers, market gardeners, dairymen, farmers,

A wooden racquet (.1), with Slazenger-brand handle grip, and black and silver butt cap, featuring Slazenger logo and black panther emblem. Emblem also features across throat and stem, on both sides. Inscription across the base of the head, on both sides: SLAZENGER. racquet is accompanied by a gold, black and white racquet head cover (.2). Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Paint, Adhesive tape, Synthetic material, Metal, Bambootennis

A Bancroft Super Winner tennis racquet, with hide reinforcements, bamboo laminated shaft, ribbon whipping from shoulders to shaft, and leather handle with patterned perforations. Bancroft logo features across base of head. Throat features decal of Bancroft heraldic shield trademark. Model name features across shaft. 'B' trademark features on butt cover. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Ribbon, Adhesive tape, Paint, Hidetennis

A Bancroft Super Winner tennis racquet, with hide reinforcements, bamboo laminated shaft, ribbon whipping from shoulders to shaft, and leather handle with X-formation perforations. Bancroft logo features across base of head. Throat features model name. 'B' trademark features on lower shaft and butt cover. Inscription across lower shaft: REGISTRATION/NUMBER/18436. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Ribbon, Adhesive tape, Paint, Hidetennis

A reprint colour photograph of s small shed surrounded by bamboos. The picture and texts are on a white paper and laminated. Written above the photograph. HOME AWAY FROM HOME John Methven, the Regimenta Signals Officer (RSO) of 7Bn, 1967, set up a comfy home at Battalion Headquarters during an extended operation. Aside from being responsible for all communications throughout the Battalion, ground to air and back to task force, the RSO manned the Battalion Command post for several two hour shifts each night.John Methven, The Regimental Signals Officer (RSO) of 7BN, 1967 set up a comfy home at Battalion Head Quarters during an extended operation.photograph, 7th battalion, john methvan, 7 rar

A Rawlings, John Newcombe Signature tennis racquet, with ribbon whipping around shoulders, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION features along shaft. Black Rawlings 'R' trademark features on lower shaft. Red, white and black 'R' trademark features in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Adhesive tape, Paint, Leather, Plastic, Bambootennis

A Bancroft Players Special tennis racquet, with string whipping on shoulders, bamboo laminate, hide reinforcements under shoulders, and leather handle with X-formation perforations. Bancroft logo features across base of head. Throat features model name. Wreathed 'B' trademark features on lower shaft. Red 'B' trademark on butt cover. Autograph by Virginia Wade features along shaft on reverse. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, String, Adhesive tape, Paint, Hidetennis

A Chemold Roy Emerson Junior Pro tennis racquet, with ribbon whipping around shoulders, bamboo lamination, and leather handle grip with X-formation perforations. Chemold logo features across base of head. Model name features across throat and along shaft. Red, white and gold Chemold trademark features at base of shaft. Plain, white plastic butt cap. Autograph by Emerson features along shaft and throat on obverse. Materials: Wood, Nylon, Ink, Plastic, Leather, Glue, Lacquer, Metal, Ribbon, Paint, Adhesive tapetennis

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Another Kyoto confection, a kind of sweetened rice paste, is simply but strikingly wrapped in a package marked with its name (uiro) in vigorously written characters. Simplicity could hardly be carried further, but, as seen in this ensemble of three separate packages, the effect is altogether engaging. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving