Rural City of Wangaratta Collection.An oil landscape of Lake Mokoan that has been painted using shades of blue, green, yellow, and brown.Obverse: A. D. MORRIS/ (bottom right)wangaratta art gallery, a. d. morris, ad morris, landscape, painting, lake mokoan

Rural City of Wangaratta Collection, Wangaratta Art Prize 1987.A landscape of a lake scene, painted using oils in a colour palette of green, blue, pink, brown, and grey.Obverse: Wykeham Perry 87/ (bottom left corner) WANGARATTA ART SHOW/ GRAND WINNER 1987/ (plaque mounted on frame)wangaratta art gallery, wykeham perry, landscape, painting, coastal

Rural City of Wangaratta Collection. Wangaratta Art Show - Grand Winner 1998.A oil landscape of Lake Buffalo, painted using shades of blue, green, yellow, brown, and white.Obverse: R SYMMONS/ (bottom right corner)wangaratta art gallery, rodney symmons, landscape, painting, lake buffalo

In 2019 Peoples undertook a residency at the Tuggeranong Arts Centre, Canberra. The original proposal was to explore the suburban gardens. However, it was the man-made lake with a different bloom, blue-green algae that held her attention. The still waters of the lake in the early mornings are tranquil. Becoming more familiar with the Lake, details caught Peoples’ eye. However, she realised the only interaction by humans with the Lake were two men who motored a small boat to the centre of the Lake, a hint as to the connection between tranquility and blue/green algae.Wangaratta Art Gallery Collection. Donated by June Brown.A small embroidery using a colour palette of green, orange, blue and brown depicting a scene of Lake Tuggeranong mounted into a purple spectacle case.sharon peoples, textile, embroidery, lake tuggeranong, landscape

In 2019 Peoples undertook a residency at the Tuggeranong Arts Centre, Canberra. The original proposal was to explore the suburban gardens. However, it was the man-made lake with a different bloom, blue-green algae that held her attention. The still waters of the lake in the early mornings are tranquil. Becoming more familiar with the Lake, details caught Peoples’ eye. However, she realised the only interaction by humans with the Lake were two men who motored a small boat to the centre of the Lake, a hint as to the connection between tranquility and blue/green algae.Wangaratta Art Gallery Collection. Donated by June Brown.A small embroidery using a colour palette of green, red, blue and brown depicting a scene of Lake Tuggeranong mounted into a brown spectacle case.sharon peoples, embroidery, textile, lake tuggeranong

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

A chronicle of Blackburn with photographs, diagrams and maps from the 1850's onwards.non-fictionA chronicle of Blackburn with photographs, diagrams and maps from the 1850's onwards.open air school blackburn no3850, blackburn., morton park, traveller's rest hotel, blackburn lake sanctuary, blackburn creek hotel, blackburn road blackburn, blackburn post office, blue moon fruit co-operative ltd, blackburn railway station, pioneers, gordon crescent blackburn, lake road blackburn, goodwin george augustus, morton thomas richards burrowes, st johns anglican church blackburn, blackburn methodist church, blackburn church of christ, blackburn primary school no 2923, blackburn scout group 1st, blackburn and district tree preservation society, g.f. fankhauser

belonged to Dorothy Meaghers' motherdonated by Ray Meagher who was a councillor 1972-1979. He was also chairman of works committee 1974-76, and Mayor of Nunawading 1976-77. Rays' wife Dorothy was on lake committee and supported the extension of the lake reserve. Ray was also a local builder.1 rectangular cream coloured tray .2 oval shaped hand mirror with handle, coloured cream .3 narrow oblong cream coloured brush .4 oblong cream brush .5 rounded square cream powder container with raised bump on each side .6 lid for powder container with raised bumps on each side square shape .7square handkerchief with farm animals- blue edged .8 round pink coloured powder puff, dark pink. .9 round pink coloured powder puff, light pink. .10 round circle of nylon meshon cream container 'made in England'personal effects-toilet requisites, cosmetics

Letter granting permission to Mr Arthur Gribbin to shoot shag on the Water Supply Reserve. Mr Gribble was senior Constable of Police stationed at Rutherglen. Water supply came from Lake King in the park. Councillors signing were Geo. Audley / Andrew Hunter (M. Gunter?) William Meehan. [check names - Gribbin - Gribble]Document written in black ink on blue paper, stamped with seal of Rutherglen Municipality, granting permission to Mr Arthur Gribbin to shoot shag on the Water Supply Reserve"Borough of Rutherglen / Town Hall / Rutherglen / 1st October 1877" Signed by Councillors and Town Clerk Thos. Reevespermit, water supply reserve, lake king, shag, rutherglen borough

Photograph is of Lake King in Rutherglen Park. Comment on the back of photo may indicate that Therese Billings entered this photo in the Rutherglen Show.Black and white photograph of trees and their reflections in a lake.Square blue rubber stamp on back of photo: "R.B. Billings, Koroit. approval No. 3825. Phone 20. Date..... No........ Chemist" Hand written on back of photo: "Therese Billings. 'By the Lake side'. Section 2"lake king, rutherglen park, billings family

Also two other colour photographs of the mill 04715.1 and 04715.2 10 x 15 cmColour photograph of Don Stephens cutting blue gum logs at his spot mill at Swan Reach Victoriaenvironment, people, waterways

This vehicle is known as a Light Ambulance Vehicle (LAV) and is used for long distance , single patient transport. It provides a better ride and greater comfort for the patient. This vehicle was based at Sale-Lakes Entrance, Victoria and was operated by the Rural Ambulance Service.Four-wheeled motor vehicle fitted out as an ambulance. Bodywork painted white with strips of red and silver diagonal stripes along the sides of the bonnet and side panels. A red/white/blue light strip is attached to the roof above the front windscreen.Registration number PIH229ambulance, motor vehicle, holden, holden commodore vs 1998, light ambulance vehicle (lav), sale, lakes entrance

The postcard has a drawing of a traditional landscape of The Netherlands represented by a lake, house with mills, a boat and a child dressed in a colourful, traditional costume. The handwriten text is a letter home and describes the writer Peter's visit with his cousin. Other items addressed to Mrs Elsum are in the archive (see 00180 a postcard from 1915). The connection to Legacy is not known.This postcard has a historical significance for the family involved and remind them the time when Peter was at Holland. Postcard with a drawing of the Netherlands.Handwritten text in blue pen: "10-10-80, Hello There, greetings from Holland. Spending a couple of days with my cousin & his wife at Leiden, which is very old city with narrow cobble stone streets. Last night Paul & I did a 'pub crawl' on bikes which was good fun. Everyone rides bikes here, they even have part of the road reserved for them! All are well at Takerton, [?], send their best wishes & thanks for your gifts. Mum is writing to you. Thanks for keeping my girl company. See you soon. Love. Peter. Addressed to: Mr & Mrs John Elsum, 52 Davey Street, Mordialloc Vic 3195, Australia." Printed on postcard: gebr.spanjersberg / Rotterdam - antwerpen / Cobas y Cia. Barna. Printed in Spain / [Symbol] 7013 [Air mail stamp] LUCHPOST PAR AVION / P 4579 / PTT / [Postage Stamp] JULIANA NEDERLAND REGINA 55csouvenir, postcard

Ticket printed for use between Lake Weeroona and Golden Square with the various sections noted. Headed "Bendigo & Eaglehawk Tramways". Priced 2d - Children under 12.Demonstrates an early ticket on the Bendigo tramways.Ticket - printed with a blue background, black text and red value. Was stapled to a block.bendigo, tramways, lake weeroona, golden square, tickets

Yields information about the intersection of Sturt and Lydiard Sts tramway centre and Boer War monument.Set of three 35mm slides - AGFA dark blue / white plastic mounts of trams at the intersection of Sturt and Lydiard St - City terminus. 1 - view from the central median on the west side of Lydiard St, looking East with the Commonwealth Bank, Post Office, with many passengers at the location. The Boer War monument /statue is in the centre part of the photograph. 2 - No. 14 about to turn into Lydiard St North/ The short tram stop and End of Section sign are adjacent to the tram. 3 - Tram waiting at the north side tram stop - has a Twin Lakes and Cinzano sign. Has the ANZ bank and the SEC offices in the background.tramways, trams, sturt st, city, lydiard st, passengers, signs, tram 14

Yields information about the SEC Wendouree Parade depot and the activities at the depot after closure.Set of six Colour 27 x 27 mm slide in Agfachrome blue and white plastic mounts. .1 - view of a single trucker with a Twin Lakes sign inside the depot on No. 2 road, number obscured. .2 - view from inside the tram depot with No. 12 outside with the lake in the background. .3 - No. 34 entering the depot being driven by a depot worker in white overalls. .4 - B. Peart standing on the foot step of the Ballarat Scrubber tram at the Ballarat depot - see Reg Item 6447 for a colour print. .5 - Front of the depot from the Lake side - with all gates closed and the long grass alongside the lake. .6 - Bogie tram entering the depot with the depot gates in the foreground - could be 34 - see .3 Photo from the collection of Lilian Butler.ballarat, tramways, trams, depot, sec depot, scrubber tram, tram 12, scrubber, tram 34

Yields information about the View Point line.Set of 8 Hanimex colour slides, white cardboard mount and one AGFA blue and white plastic mount slide of the View Point line: .1 - Point where the View Point line crossed from Ripon St to Wendouree Parade at Webster St. .2 - Trackwork arrangement at the intersection of Ripon St and Sturt St - shows blue stone paving around the tracks. .3 - Ballarat A Power Station - Wendouree Parade and Ripon St .4 - View Point track looking North near the boat sheds. .5 - View Point looking north to the Lake View Hotel, shows part of the View Point loop which has been removed. .6 - Trackwork arrangement at the intersection of Ripon and Sturt St, looking south with the Western Hotel in the view. Shows the shelter at the left hand side. .7 - View of the View Point Loop, with a warning on coming trams sign and the Hotel in the far distance. .8 - View of the curves at Mair and Ripon St. .9 - Looking north from the View Point terminus along Wendouree Parade. Photo from the collection of Lilian Butler. ballarat, tramways, trams, wendouree parade, ripon st, view point, ballarat a power station, sturt st, shelters, signs, mair st