This publication of 119 pages features text, colour images, maps and detailed information related to the 2003 bushfires in Victoria.non-fictionA description of efforts to fight the bushfires in Gippsland in 2003, including maps and illustrations This volume was published as a tribute to the work of staff and volunteers who put themselves at risk to protect local communities. It shows the impact on those communities in Victoria and the support they gave to those involved in fighting largest bushfires in Victoria for 60 years. The Alpine bushfires started on 8 January 2003, a day of Total Fire Ban. Lightning ignited 87 fires in the North-East and East Gippsland regions. Eight of these fires were unable to be contained; they joined together to form the largest fire in Victoria since the Black Friday fires in 1939. The majority of the area burnt in Victoria was public land, 1.19 million hectares of parks and forests, including 60 per cent of the Alpine National Park and 81 per cent of the Mt Buffalo National Park. Firefighting efforts were made difficult in hard to access, remote forest terrain. Approximately 90,000 hectares of private land was burnt.forest fires -- victoria, bushfires, fires prevention and control

Front view of Callum House located on the corner of Falls and Farndons Roads. Built by Bill Farndon. In the background are trees killed by bushfires in 1897. There is a horse and buggy in the foreground. Figures standing have been identified as (from LHS) Jim Clarke, Len Farndon, Jack Clarke, Essie Farndon, Rhoda farndon, Doug Farndon, Mrs Farndon. Driver is Bill Campbell. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.1911 “Callum House” Farndon’s guest house corner of Fall’s and Farndon’s Roads. Later “Bonvenu” and again “The Oaks”. Showing the trees killed by bushfires in 1897. Figures standing are from left – Jim Clarke, Len Farndon, Jack Clarke, Essie Farndon, Rhoda Farndon, Doug Farndon, Mrs. Farndon. Bill Campbell driving.callum house, benvenu, the oaks, essie farndon, bill farndon, rhoda farndon, bill campbell, jim clarke, jack clarke, doug farndon

Bushfire behaviour is influenced by many factors including temperature, relative humidity (RH), forest type, fuel quantity and fuel dryness, topography and even slope. Wind has a dominant effect on the Rate of Spread (ROS), as well as fire size, shape and direction. Temperature and relative humidity have major impacts on fuel dryness and therefore upon the availability of fuel for combustion. A thermo-hygrograph measures and records both temperature and humidity. It produces a continuous record by drawing ink traces on a paper chart held in revolving cylinder. Humidity is measured by shortening or lengthening of specially treated human hair. Temperature is measured by means of a bi-metallic strip. This particular instrument is a seven day recorder. The instrument is driven by clockwork. Serial number 10186 which probably dates from about 1960. The chart indicates it was last used in March 1979.Used for bushfire research.Clockwork Thermo Hygro GraphCasella London 10186 Made in England Research Branch. Forests Commission Orbostbushfire, forests commission victoria (fcv), forest measurement

A digital copy of a colour photograph of a house on the Marysville-Buxton Road near Marysville in Victoria.A digital copy of a colour photograph of a house on the Marysville-Buxton Road near Marysville in Victoria.marysville-buxton road, marysville, buxton, victoria, photograph

Bushfire behaviour is influenced by many factors including temperature, relative humidity (RH), forest type, fuel quantity and fuel dryness, topography and even slope. Wind has a dominant effect on the Rate of Spread (ROS), as well as fire size, shape and direction. Temperature and relative humidity have major impacts on fuel dryness and therefore upon the availability of fuel for combustion. The amount of fine fuel available can increase rapidly from nearly zero when fuel moisture content is more than 16% after rain or a heavy morning dew, to many tonnes per hectare as fuel dries out later in the day and the moisture content drops below 9%. This explosive escalation in the amount of available fuel can happen over a few hours on hot and windy days. A sling psychrometer is a simple device for determining air temperature and relative humidity. It contains two thermometers, one of which is covered with a wick saturated with ambient temperature liquid water. These two thermometers are called dry bulb and wet bulb. When the sling psychrometer is spun rapidly in the air, the evaporation of the water from the wick causes the wet bulb thermometer to read lower than the dry bulb thermometer. After the psychrometer has been spun long enough for the thermometers to reach equilibrium temperatures, the unit is stopped, and the two thermometers are quickly read. A psychrometric scale on the side of the instrument is then used to convert the dry bulb temperature TDB and the wet bulb temperature TWB into humidity information. The wet bulb temperature is approximately equal to the adiabatic saturation temperature. The thermometers fold back into the plastic handle when not in use. Used to measure temperature and relative humiditySling PsychrometerBACHARACH INSTRUMENTS - Pittsburg PAbushfire, forests commission victoria (fcv)

A pictorial journey of Marysville before the 2009 Black Saturday bushfireA book of photographs taken in and around Marysville before the 2009 Black Saturday bushfires. Marysville was almost completely destroyed in the fire and this book showcases natural attractions, locations to eat and stay and some of the local flora and fauna in and around the district.Hardcover. Front cover has a photograph of the Corner Cupboard Cafe in Marysville taken at night.In memory of those that lost their lives and property in the/ Black Saturday fires/ on the 7TH of G=February 2009marysville, photographs, victoria, australia, black saturday, bushfire, 2009, 7th february 2009, angelina lodge, darmody lake, galipolli park, murchison street, meeting of the waters, marysville bakery, marysville patisserie, lolly shop, bruno's sculpture garden, crystal journey, flora, fauna, coralyn falls, steavenson falls, keppel lookout

LAMINATED BLACK AND WHITE PHOTOGRAPH OF OLD CLUNES HOSPITAL. AT CRESWICK ROAD CLUNES BUILD 1873 DESTROYED IN BUSHFIRE IN 1944. STAFF AND VISITORS STANDING IN FRONT OF HOSPITAL.local history, photography, photographs, hospital [old], wood chop

Victorian Railways Newsletter February 1969 Special report on bushfires. Glossy paper with colour photos on front of bushfires in relation to railway property. The contents include photos of effects of the fire to VR property, closure of State coal mines, photos of fire destroyed bridge at Diamond Creek, Molesworth, the Powlett River Coal Field in 1910 (Wonthaggi), and Kirrak Mine. Printed at the Victorian railways printing works Laurens St North Melbourne.magazine, government, victorian railways, victorian railways newsletter / photos of effects of the fire to vr property/ closure of state coal mines / photos of fire destroyed bridge at diamond creek / molesworth/ the powlett river coal field in 1910 ( wonthaggi) / kirrak mine / printed at the victorian railways printing works laurens st north melbourne

Black and white photographTyped on back of photograph- "Ringwood Rifle Club. Remains of the club hut after the bushfires of January 1962. Bruce Mitchell in foreground."

From the early 1960s, the Forests Commission had pre-season arrangements in place with local aeroclubs and pilots across regional Victoria. Air observers from FCV districts routinely flew during the summer months in small, fixed-wing aircraft on fire spotting missions and to map fire boundaries. The information was often needed quickly by crews on the ground or in the control centre and these small chutes were used to drop messages and maps from the reconnaissance aircraft on a low pass above a cleared area like a football field. About 3-foot long when fully extended, they had a small pouch secured with a press stud for the map or package. The chutes were made from tough canvas with a small, weighted sandbag at one end and a long yellow streamer tail on the other to help direct its fall and locating it on the ground. Drop chutes were still in common use in the 1990s, but the increased availability of helicopters combined with improved digital data transfer made drop chutes redundant. Simple, but now redundant technologyAerial drop chute"Return to Forests Comm Vic" stenciled on sidebushfire

The origins of the humble handheld driptorch have been lost in time. They are widely used for ignition in controlled burning operations in forest and grasslands. The “Pacific Forester“ with its short central wand and somewhat leaky ball-valve was made by the American Wajax company in the 1940s. The Pacific Forester is slightly different in design from the more robust and common “Panama” driptorch first manufactured in 1933 and used extensively by Queensland cane farmers. The Panama is closely related to the current “Firebug” used in Victoria which is manufactured by Rodney Industries in Brisbane and has an offset wand design which gives it good balance. The fuel is a mixture of petrol and diesel and every FCV District had their own closely-guarded secret formula ... 2:1, 3:1, 1:1, 4:1 or 3:2 ratio. There was also the choice of 91, 95 or 98 octane petrol mixed with summer or winter diesel. Occasionally some of the old Avgas or Jet-A1 lying around the depot was added with a splash of engine oil to make the mixture stick to the fuel to be ignited. The fuel mixed also varied between autumn or spring, heathland, mixed forest, or high-intensity slash burnsCommon driptorch used throughout AustraliaDrip torch with handle Wand has loop and valve. The loop is designed to assist with even flow of fuel which flows out onto the burning head of the wand. Pressure equalising value in top of aluminum fuel container which holds 4 litres of burner mix. Gravitational feed of the driptorch allows the unit to drip fire, making it simple and quick to operate. Instructions for use. CF+L written with texta pen.bushfire

bushfire

Interim report of Bushfires Royal Commission on the 2009 Victorian bushfires26 p. : col. ill., maps ; 30 cm.ISBN 978192337765

Black and white photographWritten on back of photograph- "Ringwood Rifle Range after the bushfires of January 1962. Scene looking towards the hut at 300 yard mound."

Bogong Village was built for the workers of the State Elecricity Commission of Victoria who were employed to construct the Kiewa Hydro electric Scheme. This photo shows their homes and offices etc., Lake Guy and the spillway during construction days.Bogong village was built as part of the Kiewa Hydro Electric Scheme. This photo gives a view of the village when it was at its peak. Large photo of Mt Bogong Township with snow on the mountain in the background and the spillway over-flowing in the foreground. Some small trees amongst those burnt by the 1939 bushfire. (2 photos - one an enlarged copy)bogong village. kiewa hydro electric scheme. s.e.c.v.. lake guy.

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Two men embrace in despair. One man throws his arms around the other man's shoulders. The other man holds the other's back. Surface treatment is textured. Dark metallic brown colour with figures starting to turn a green patina. Note stuck with tape underside of sculpture 'Savage Art Prize Peter Wegner (phone number) The Embrace 2011'wegner, bronze, figurines, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary figure sitting on rock/log with elbows resting on knees and hands on head. Face looking down in despair. Surface treatment is textured. Dark metallic brown colour with figure starting to turn a green patina.Sticker underside of sculpture 'No. 205640 (AP)'wegner, figurine, bronze, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Three figures embrace in despair (two men, one woman). One throws his arms around the other two figures who are consoling each other in an emotional embrace. Surface treatment is textured . Metallic brown colour. 'WEGNER THE WAKE 1 AG205643'wegner, figurines, bronze, black saturday, sculpture

Police motorbike riding through a bushfire zone between Cockatoo and Belgrave around the time of the Ash Wednesday fires. In the background is a signpost that has been relatively untouched but melted into a twisted shape by the heat of the fire. Circa 1983.police vehicles; motor transport branch; motor transport section; wireless patrol; motor cycle patrol; police motorcycles

In early 2003 bush fires covered much of North East Victoria. Submissions were requested by the 'House Select Committee' for comment on various aspects of the fire in order to help prevent bush fires in the future.Simon Paton is a local resident of the Kiewa Valley where the bush fires occurred. His report includes other residents statements on various aspects of the fire and its prevention and impact on the local area. A booklet of 45 A4 pages with clear plastic cover bounded by black plastic spine. A Submission to the House select Committee on the recent Australian bushfires 29 April 2003. Submission Convenor: Simon Paton, Callaghans Creek, VictoriaThroughout in black pen markings and notes.2003 bush fires; north east victoria

Colour photograph of Connie and Alec Smith's studio built after the 1939 bushfire. Photograph was taken many years later when the studio was owned by Reg and Phil Preston (potters). Includes background information from Audrey Cahnalec smith, connie smith, studio, reg preston, phil preston, potters, warrandyte

Mary RASMUSSEN (1940- ) A student of John Gilbert, Mary Rassmussin (Davidson) established her own pottery in 1980. In 1993 she was employed as a Ceramics tearcher at the Ballarat School of Mines. In 2009 Mary Rasmussen celebrated ten years continuous service teaching Ceramics at the Federation Univeristy Arts Academy. In 2015 she curated the 2015 Clunes Ceramics Award. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two wheel thrown vessels, woodfired. .1) Light coloured finish .2) Brown and rust finish This work was purchased from the Victorian Bushfire Appeal Concert 'Ballarat RemEmbers', March 2009. Works were donated for the appeal.art, artwork, mary rasmussen, ceramics, woodfire