canvas greenequipment, vietnam, army

Canvas Coveredequipment, ww1, army

Gift of Corbett and Yueji Lyon, 1996enamel on canvas

Gift of Mack Jost, 1994acrylic on canvas

Gift of Mack Jost, 1993oil on canvas

Mack Jost Bequest, 2001oil on canvas

Gift of Mack Jost, 1991oil on canvas

Mack Jost Bequest, 2001oil on canvas

Mack Jost Bequest, 2001oil on canvas

Gift of Mack Jost, 1991oil on canvas

Mack Jost Bequest, 2001oil on canvas

Gift of Mack Jost, 1994oil on canvas

Mack Jost Bequest, 2001.oil on canvas

Donated through the Australian Government's Cultural Gifts Program by Mia Heriot, 2005oil on canvas

Gift of the artist, 2001oil on canvas

Gift of Mack Jost, 1986oil on canvas

Gift of Mack Jost, 1983oil on canvas

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995oil on canvas

Purchased through the Horsham Art Gallery Trust Fund, 2006oil on canvaswimmera related

Back pack used to carry portable two-way radios and spare batteries to remote bushfiresCanvas backpackFCV Radio Labbushfire

Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground

oil on canvasek prac 2015

acrylic on canvasek prac 2015

Oil on canvasSigned l.l. cnr, oil "C. Beckett"foreshore, beaumaris

Oil on canvasVerso: Signed l.r. scratched "W.B. McInnes". Not datedlandscape. seascape. coastal view.

Oil on canvasRecto: Signed and dated l.r. oil "John Ford Paterson 1893"forest. tree ferns.

Acrylic on canvasSigned and dated l.l. pencil "Joseph Brown 1998"hill

Oil on canvasSigned l.r. cnr., blue paint "FORBES".boy, river

Oil on canvasVerso in charcoal u. centre "RODNEY FORBES / CUP DAY 1992 / OIL 111.6 X 83.7 CM " (in a square box)backyard, bbq, police, sunbather, dog

Oil on canvasSigned and dated l.r. oil 'F Mesaric 07"figure