Colour photograph of a ceramic form by Peter Pilven.peter pilven, ceramics, australian studio pottery

Connie NGAI This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A ceramic tea set in black and white. It comprises of two black bases, three small teapots and three cups with ceramic stirrers. art, artwork, connie ngai, ceramics, teaset, teapot, available, ceramics available, alumni

Denise LAS Denise Las studied Ceramics at the Ballarat College of Advanced Education when this work was purchased in 1984. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two saggar fired ceramic forms.art, artwork, denise las, ceramics, available, available ceramics, ballarat college of advanced education, alumni

Rainbow Workshop Tutor Rainbow Workshop Tutor Brown Ceramic vase with two figures on the top - AR0004

Robert MAIR Robert (Bob) Mair (1943- ) Born New Zealand A potter who trained at the Sturt Pottery in Mittagong under Les Blakebrough and later set up a pottery at Clifton Pugh’s Dunmoochin estate at Cottles Bridge near Melbourne. He then worked with John Olsen for two years from 1969-1970, with Mair throwing and Olsen hand-decorating the pots. During the 1970s, Bob Mair worked in goldfield production pottery in Ballarat with Robert Pitman before moving to Clarendon in the Adelaide Hills in South Australia in 1982. In the late 1880s and 1990s Robert Mair is working at Sturt Pottery timeline again in the late 1980s/1990s as a visiting potter under Campbell Hegan. In the early 2000s, he and partner Janie Kerr set up a pottery at Braemar in the Southern Highlands of NSW. They then moved, first to Sutton Forest where they took up a residency at Hillview, the former summer residence of the governors of NSW, then to Wingham in the Mid North Coast region of NSW. Mair’s work may be marked with an impressed ‘RM’, an impressed tricuspid symbol or both. In Clarendon, he continued to use the tricuspud symbol with an impressed ‘Old Clarendon Pottery Adelaide’ stamp. A Ballarat mark has not been identified, but simse this lidded pot was found in Ballarat it could be a cross in a circle?Lidded ceramic container with blue bamboo like design on the outside.australian studio pottery, ceramics, bamboo

The insulator factory and ovens were located on the SW corner of Velma Grove and Mount Dandenong Road approx. Quarrying for clay was done in the nearby area. Refer photographs of the factory.Two ceramic insulators made in East Ringwood from local clay. Colour grey. Conical with indentation in middle for wires. There is a second 'skirt' inside to enhance insulating performance. The inner hole is threaded.

Green ceramic with four rings on base, therefore it holds 3 pieces of toastEnglandkitchen, toast

THE POSTER SHOWS ALL ITEMS AND THE NAMES OF THE ARTISTSPOSTER - SHOWING CLUNES CERAMIC AWARD 12TH SEPTEMBER - 3RD OCTOBER 2010local history, documents, poster, ceramic award

Painting depicting a four piece mural of an abstract design. Inscribed in chalk on frame lower left 'Sketch for Ceramic Mural'. Inscribed on reverse of frame "Donald Laycock/ Design for a Mural 1954'.donald laycock, painting, ceramic mural

Len CASTLE (23 December 1924 – 29 September 2011 ) Born New Zealand 'My best work is when intuition and conscious choice come together successfully.' Len Castle trained as a secondary schoolteacher and started making pottery in 1947. Initially self-taught, he was the first potter to be awarded a fellowship from the Association of New Zealand Art Societies, travelling to St Ives to work with Bernard Leach in 1956-57. He lectured at the Auckland Teachers' College until the early 1960s, before concentrating on making stoneware at Titirangi, New Zealand. Len Castle was an artist in residence at the Gippsland Centre for Art and Design (GCAD).Two piece press moulded ceramic form with glaze wash surface.ceramics, len castle, gippsland campus, jan feder memorial ceramics collection

Made for the 25th anniversary of the Cadbury Factory in Ringwood in Canterbury Road.White ceramic mug with purple writing and banner. White label tied with silver paper ribbon.Cadbury Ringwood Silver Jubilee 1967-1992

Maldon Pottery was established in 1973 by Neville Wilson (1946-1996), Tom Metcalf (1948- ) and Graham Masters (1950- ) on Barringhup Road, Maldon, Victoria. Tom Metcalf and Graham Masters Masters graduated from Bendigo College of Advanced Education all Bendigo graduates. Wilson ) He was a skilled drawer and did all the brushwork. Metcalf (1948- ) graduated in 1968, did two years' work experience at Non-porite in Melbourne, then worked as a thrower and decorator at Bendigo Pottery from 1971-73. He is T.M. on Epsom ware. Masters (1950- ) graduated in 1973 and established the Enterprise Pottery at Myers Flat with Morris Hesse in 1974, so must have joined the partnership later than the others. He left in 1984 to set up his own Sweenies Creek Pottery. Metcalf left in the late 1980s, leaving Wilson to operate the pottery by himself until his death in 1996. As well as using the Maldon Pottery stamp, Wilson signed some of his work with his name or an impressed 'N'. Photograph of a hand thrown ceramic bottle, with glaze design depicting an Australian landscape in the 'continuous trees' pattern.maldon pottery, ceramics, australian studio pottery

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed ceramic torso.art, artwork, emily moody, ceramics, human movement collection, torso

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Nineteenth-Century English Ceramic Art Author: J F Blacker Publisher: Stanley Paul & Co Date: 1911 Label on spine cover with typed text PAT F 738 BLA Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service Fly paper has stamp stamp from Warrnambool Public Museum warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, nineteenth-century english ceramic art, j f blacker

Cream coloured ceramic planter with roses hand painted onto upper part. Milford Ware, F&S, England.

Partial manufacturer's stamp on side near base not yet identified reads 'Port... das OLASO... Pottery'. Further research needed.Pale coloured, bottle shaped ceramic jar with no stopper. Has a partial but illegible maker's mark. Further identification required.'Port... das OLASO... Pottery'.pottery, containers, jars, ceramics

Used in the printing process in the later part of the 19th Century.Used in the printing industryCream fluted bowl shaped item. Ceramic. Top has large split in middle with two smaller openings at either end.Registered copying press water well 4409 in black lettering on top surfacewarrnambool, water well, printing

Invalid feeding cups were common in Victorian and early 20th century. They were ideal for patients and the infirm to be able to drink food, soups and broths while propped up slightly in bedCommon item which could be purchased at the chemist and was well suited to its purpose.Small white china cup with spout and partially covered top.Made in England stamp on base.cup, ceramic

Drinking mug, white with gold rim, ceramic. Heathmont Primary School with a 'badge'. Epacris floral motif. +Additional Keywords: Hose, C.R.Underneath: C.R. Hose Glassware Pty Ltd Est 1945.; Designed and Decorated in Australia

This work was completed by a male Diploma student at the Gippsland Centre for Art and Design (GCAD). Ceramic sculpture features an anvil shape on wheels. If you can assist with information on this artist or artwork please use the email link below.ceramics, gippsland campus, anvil, sculpture

During the Victorian goldrushes of the 1850s thousands of Chinese migrants arrived to seek their fortunes. At that time many came to the lucrative gold fields of Northeast Victoria. After the Gold rush, many Chinese migrants returned home. However, a number settled in the area as merchants, hawkers and market gardeners in surrounding towns including Wodonga, the Ovens, King, Buffalo River and Kiewa Valleys. They also rented lands and established themselves in the hops and tobacco farming industries. These spoons were found by Mr Robert Black when he was ploughing a paddock on his farm in Kergunyah, Victoria in the 1930s.2 small ceramic Chinese spoons. Spoon 1 has a clear light green glaze. Spoon 2 is decorated with a blue painted pattern.chinese immigration to victoria, chinese market gardens, chinese migration northeast victoria

John O'LOUGHLIN After retiring in 2001 at the age of 58 John O'Louhlin studied Ceramics at the University of Ballarat. The spiritual is evident in his work whose ceramic artworks engage with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. He completed a Master of Arts [By Research] Degree.Photograph of a green glazed pot by John O'Loughlin, win an impressed studio stamp on the base..pottery, john o'loughlin, ceramics

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ceramic, ceramic puppet, puppetry, puppet, puppateer

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Lidded ceramic pot with blue crystalline glaze.art, artwork, coralee asker, asker, crystalline, ceramics

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga.This item comes from a collection used by a prominent citizen of Wodonga. It is representative of ceramic domestic items used from the 1920s onwards.A pair of ceramic bookends in the form of cocker spaniels standing on a pile of books, the top book of each pile being open. Dogs coloured black and white and the books are red.On back of base on each bookend: "306"bookends, domestic items

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga.This item comes from a collection used by a prominent citizen of Wodonga. It is also representative of a domestic item common in the 1930s.2 ceramic beer mugs. 1 has dark brown glaze with green trim and features Japanese characters. The 2nd reflects a traditional German style design but was manufactured in Japan,.beer steins, domestic items