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Brighton Historical Society
Clothing - Dress, Evening dress, c. 1909
This evening dress belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A yellow and lime green silk and net evening dress from c.1909. The bodice is constructed of a golden silk satin with an over bodice of a very soft gold net with soft gold and lime green embroidery decorated with flower and bow motif's. The neckline is bateau like in shape with the edge following the flowers of the lace design. The bodice is sleeveless with a loose detached cap that hangs down over the top of the arm with a lace covering. The under fabric of the bodice is shaped and lightly boned but the over lace is looser, nipping in at the waist where it joins the skirt. At the back, the bodice neckline scoops lower than the front with the lace overlay creating a v shape at the centre back. The bodice is secured with hooks and eyes and waist tapes. The skirt is flat fronted and floor length consisting of the same golden yellow silk with soft gold and lime green embroidered net over skirt. The lace net over skirt features larger motifs and greater embellishment towards the bottom of the skirt. The lace over lay also has an edge that follows the design of the lace rather than a straight edge. At the back the underskirt is flat and shaped but the over skirt is lightly gathered and loose hanging. The skirt finishes in a full skirt and a rounded, small train.woolbrook, septimus miller, cantala, henry 'money' miller, gwendoline miller, clara miller, 1900s fashion, caulfield, brighton general cemetery -
Whitehorse Historical Society Inc.
Clothing - Child's synthetic fur bolero/cape, C 1970's
... Child's synthetic fur bolero/cape Clothing Child's cream ...Child's handmade cape/bolero. Made for child c 1970's.Child's cream synthetic fur bolero with hood and lining.clothing, handmade, c1970, child -
Flagstaff Hill Maritime Museum and Village
Leisure object - Boudoir Doll, c. early 1900s
The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll -
Whitehorse Historical Society Inc.
Costume - Doll's dress and bonnet, 1945
Dress and bonnet was used on the childhood doll of Rosalie Whalen (nee Schwerkolt). Doll NA5163 and another dress NA5166.Doll, whose name was Janet was given to Rosalie Schwerkolt Whalen as a child in 1945 with a lemon voile dress and matching bonnet and a patterned voile dress.Lemon coloured doll's bonnet and match lemon coloured doll's dress. Dress has bodice with V shaped bib style collar two lines of blue stitching and pink and white variegated thread trim. Sleeves have pink braid with blue stitching vertically from armhole to cuff. Gathered skirt has three lines of blue stitching around hem line. Bonnet has frill and a sun visor trimmed with pink and white variegated thread. Doll is NA5163 and other dress is NA5166doll, dolls clothing, handmade, sewn -
National Vietnam Veterans Museum (NVVM)
Clothing - Child's jacket, August 1969
... Brett 31/08/1969. Clothing Child's jacket ...Bought by Phil Rogers, Australian Army no. 2790936 during his time of service in South Vietnam (1969-1970) to celebrate the birth of his son.Donated to the museum by the serviceman himself. This commemorative jacket demonstrates the poignant personal sacrifices made by those in service as significant family events continue at home in their absence.Child's bomber-style jacket made of khaki camouflage print polyester, hand embroidered. Purchased in South Vietnam in 1969 by Phil Rogers, Army No:2790936, B Company 6 RAR, and posted home on the birth of his son Brett 31/08/1969.Back: My daddy is in Vietnam/Vung Tau, 69-70/ Viet Nam plus a labelled map of Vietnam. Sleeves: Golden dragons Front: Tiger's head, Crossed South Vietnam flag and USA flag.commemorative clothing, children, family, vietnamese craft, craft, souvenir -
National Vietnam Veterans Museum (NVVM)
Clothing - Clothing, Children's, Child's Commemorative jacket, 1/08/1969 12:00:00 AM
... Brett 31/08/1969. Child's Commemorative jacket. Clothing ...Child's bomber-style jacket made of khaki camouflage print polyester, hand embroidered. Purchased in South Vietnam in 1969 by Phil Rogers, Army No:2790936, B Company 6 RAR, and posted home on the birth of his son Brett 31/08/1969.Back: My daddy is in Vietnam. Vung Tau, 69-70, Viet Nam plus a labelled map of Vietnam. Sleeves: Golden dragons Front: Tiger's head, Crossed South Vietnam flag and USA flag.commemorative clothing, souvenir, children -
Whitehorse Historical Society Inc.
Clothing - Child's Dress, Childs Dress
... . Neckline has lace edging. Childs Dress Clothing Child's Dress ...Early childs dressChild's long white dress with lace top, has short cotton sleeves with lace edging. Two ties in front to tie at the back. There are pintucks in the front. Three white buttons on the back, one missing. Neckline has lace edging.costume, children's, handcrafts, dressmaking -
Whitehorse Historical Society Inc.
Clothing - Child's Petticoat
... tucking and crochet lace at hem. Clothing Child's Petticoat ...Child's white cotton half petticoat. Wide waist band with 3 buttonholes. 5 layers of pin tucking and crochet lace at hem.costume, children's underwear -
Whitehorse Historical Society Inc.
Clothing - Child's Bonnet, 1924
... cord threaded through edges. Made in 1924 Clothing Child's ...Bonnet was made by Donor's mother, Mrs Harris in 1924Cream silk crochet bonnet with silk cord threaded through edges. Made in 1924costume, children's headwear -
Whitehorse Historical Society Inc.
Clothing - Child's Dress and Cape, c1860
... . Clothing Child's Dress and Cape ...Made on a long sea journey to Australia. Made by Nora Driscoll O'Donnell on her sea voyage from England to Port MacDonnell.S.A. (near Mr Gambier)A child's white dress with eyelet embroidery known as broderie anglaise with blue ribbon at neck, three buttons at back and drawstring waist. It has a matching half length white cape with eyelet embroidery and collar.costume, infants' -
Whitehorse Historical Society Inc.
Clothing - Child's Petticoat, Unknown
... cotton child's clothing handmade Nil - Cotton petticoat made from ...McNamara collection Petticoat was made by Isobel from a nightgown (possible from her granddaughter's).- Cotton petticoat made from adult nightdress - Lace (broderie anglaise) trim - Pin tucked front - Back placket with press stud fasteningNilmcnamara collection, cotton, child's clothing, handmade -
Brighton Historical Society
Doll, Bead doll, c.1937
Made by the cousin of Brighton local Olga Black. The cousin gave her the doll in 1937, when Olga was around seven years old. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Handmade painted wooden bead doll representing a sailor. Cream coloured body and limbs and pink head. The body is made from one long oval bead and the limbs from small round beads.doll, child's toy, childhood, sailor, olga black -
Working Heritage Crown Land Collection
Clothing - Leather shoe
Leather shoe- Black leather child's or women's low cut shoe. The leather is dry and desiccated with a layer of dirt over the surfaces. Due to this process the leather has hardened. The shoe has been torn in half with only the heel section remaining. Two pieces of the heel have separated from the shoe and are lying loose. historic building, former royal mint -
Federation University Historical Collection
Photograph - Photograph - black and white, Child with pedal car
... century childrens' clothing mid 20th century Child with pedal car ...A child (possibly Alison Watson b1948 in Murtoa, Victoria) standing next to a toy pedal car.pedal car, toys, toys mid 20th century, childrens' clothing mid 20th century -
Whitehorse Historical Society Inc.
Clothing - Christening gown and petticoat, 1881/1882
Brian Millane's grandmother made gown and petticoat in 1881/1882. Used in 1967 at christening of Brian and Michelle's first child. Was worn by many generations of the Millane's family.Long cotton christening gown with handmade eyelet/broderie anglais on skirt and bodice. Four tucks on each side of broderie anglais on bodice. Sleeves and neckline edged with lace. Opening at back pearl button and tie at waist. Pin-tucks in skirt layered between broderie anglais lace. Petticoat is sleeveless with lace and tucks at hemline. Opening at back of bodice with ties.millane family, st john's church mitcham -
Whitehorse Historical Society Inc.
Clothing - Blazer -Boy's
Child's grey flannel long sleeve blazer with three pockets. Three large grey buttons.Made from the famous 'Doctor' Regd Flannel All Pure Wool|College Wear Made By Leonard E. Buck.|S McCutchencostume, children's uniform -
Whitehorse Historical Society Inc.
Clothing - Vest
Child's sleeveless wool vest in light brown. Criss cross pattern in dark brown and other patterns in blue, red and green. V neck.Tailored for perfect fit Sutex Pure Wool 36costume, children's -
Surrey Hills Historical Society Collection
Digital photo, Our Holy Redeemer First Communion class, 1951
According to the donor, Fr Fitzpatrick is the priest on the RHS of the Communion group.This is one of a series of photos that document John Turnbull’s First Communion. They are representative of this important rite of passage in the Catholic Church in the 1950s. The sacrament of First Communion is an important tradition for Catholic families and individuals. Originally this was celebrated when a child was 10, 12 or even 14 years of age, however in 1910, Pope Pius X issued the decree Quam singulari, which changed the age at which First Communion is taken to 7 years old. Traditions of celebration surrounding First Communion usually include family gatherings and parties to celebrate the event. The first communicant wears special clothing. The clothing is often white to symbolize purity. It is more elaborate for girls but boys wear ‘Sunday best’; it could be a suit and tie or even a tuxedo. Many families have formal professional photographs taken in addition to candid snapshots in order to commemorate the event and some churches arrange for a professional photographer to attend after the ceremony. A black and white photo of 16 visible boys (plus one additional boy almost completely obscured to the right of the group), 23 girls and 2 priests. The boys are wearing shorts and white shirts with ties. The girls are wearing white dresses and veils. The children are grouped with 12 boys in the back row and 4 kneeling in the front. The girls are in the front and centre rows and the priests are either side of the group. Behind the group is a large cypress tree and to either side the church and (?) school building. One of the boys is John Turnbull. On rear in black ink: "John's 1st COMMUNION / 1951 / JOHN IS BACK ROW / 2ND FROM LEFT". our holy redeemer church, our holy redeemer school, john turnbull, fr tim fitzpatrick, first communion, children -
Surrey Hills Historical Society Collection
Digital photo, John Turnbull and John Garzoli, First Communion, 1951
There was a Garzoli family living at 116/118 Windsor Crescent in the 1930s and still there in 1954; there was another Garzoli family also at 18 Windsor Crescent in 1954.This is one of a series of photos that document John Turnbull’s First Communion. They are representative of this important rite of passage in the Catholic Church in the 1950s. The sacrament of First Communion is an important tradition for Catholic families and individuals. Originally this was celebrated when a child was 10, 12 or even 14 years of age, however in 1910, Pope Pius X issued the decree Quam singulari, which changed the age at which First Communion is taken to 7 years old. Traditions of celebration surrounding First Communion usually include family gatherings and parties to celebrate the event. The first communicant wears special clothing. The clothing is often white to symbolize purity. It is more elaborate for girls but boys wear ‘Sunday best’; it could be a suit and tie or even a tuxedo. Many families have formal professional photographs taken in addition to candid snapshots in order to commemorate the event and some churches arrange for a professional photographer to attend after the ceremony. A black and white photo of 5 boys taken on the occasion of their First Communion. They are all wearing white shirts with ties. The boy on the RHS is also wearing a badge. They are seated at a table laiden with 'party food'. There are 2 girls in the background.On rear in black biro in John Turnbull's writing:"FIRST COMMUNION 1951 / ME - 2ND IN FROM LEFT / I THINK LAD ON FAR / RIGHT IS JOHN GARZOLI"catholic church, first communion, john turnbull, john gazoli, our holy redeemer church, surrey hills -
Surrey Hills Historical Society Collection
Digital photo, John Turnbull and Terry Ryan, First Communion, 1951
This is one of a series of photos that document John Turnbull’s First Communion. They are representative of this important rite of passage in the Catholic Church in the 1950s. The sacrament of First Communion is an important tradition for Catholic families and individuals. Originally this was celebrated when a child was 10, 12 or even 14 years of age, however in 1910, Pope Pius X issued the decree Quam singulari, which changed the age at which First Communion is taken to 7 years old. Traditions of celebration surrounding First Communion usually include family gatherings and parties to celebrate the event. The first communicant wears special clothing. The clothing is often white to symbolize purity. It is more elaborate for girls but boys wear ‘Sunday best’; it could be a suit and tie or even a tuxedo. Many families have formal professional photographs taken in addition to candid snapshots in order to commemorate the event and some churches arrange for a professional photographer to attend after the ceremony. A black and white photo of 2 boys taken on the occasion of their First Communion. They are all wearing white shirts with ties. The boy on the RHS is also wearing a badge. A third boy is in the background and behind him is a large cypress tree and a brick building with a cross at the apex of the roof.On rear in black ink: "John (on right) with / his partner, first / Holy Communion / On / 28/10/51". Below this in John Turnbull's writing: "LAD ON LEFT IS TERRY RYAN" Photo processing stamp in purple ink within a border: "ALPHA / PHOTO SERVICE / BOX HILL" plus stamp "2107" -
Surrey Hills Historical Society Collection
Digital photo, John Turnbull at home before his First Communion, 1951
This is one of a series of photos that document John Turnbull’s First Communion. They are representative of this important rite of passage in the Catholic Church in the 1950s. The sacrament of First Communion is an important tradition for Catholic families and individuals. Originally this was celebrated when a child was 10, 12 or even 14 years of age, however in 1910, Pope Pius X issued the decree Quam singulari, which changed the age at which First Communion is taken to 7 years old. Traditions of celebration surrounding First Communion usually include family gatherings and parties to celebrate the event. The first communicant wears special clothing. The clothing is often white to symbolize purity. It is more elaborate for girls but boys wear ‘Sunday best’; it could be a suit and tie or even a tuxedo. Many families have formal professional photographs taken in addition to candid snapshots in order to commemorate the event and some churches arrange for a professional photographer to attend after the ceremony. A black and white photo of a boy taken in a garden in front of a picket fence. He is wearing a white shirt, shorts and long socks and his hands are in prayer position. In the background is a Californian bungalow house. On rear in black ink: "John on his / First Holy / Communion Day / 28/10/51". Below this in John Turnbull's writing: "MY PARENTS / HOUSE 30 PROSPECT / ST. BOX HILL" -
National Wool Museum
Textile - Quilt, Child's Coverlet, 1930s - 1950s
Child's coverlet made from old blankets and clothing pieces with curtain and blanket backing. Part of the "Wagga" collection. Maker unknown, from the Ballarat area.Child's coverlet made from old blankets and clothing pieces with curtain and blanket backing.quilting history, patchwork history, running stitch group, running stitch collection, quilting - history, patchwork - history -
Whitehorse Historical Society Inc.
Clothing - Collar
... From the McNamara Collection Child's clothing Collar lace ...From the McNamara Collection- Child's nylon collar with points & front tie - Edged in lace - Cream colourNilchild's clothing, collar, lace, mcnamara, tyack -
Churchill Island Heritage Farm
Clothing - Lace Trim
This is a machine made lace trim which as been made to look handmade. It measures 4.6cm by 253cm and is quite an unusual design which gives the fabric of the lace a slight elasticity. It was most likely used as a trim for an undergarment such as a petticoat, pantaloons or for a comfortable nightgown. The Amess family owned Churchill Island from 1872 to 1929 The names of the Amess women who owned the lace are: Jane Amess (nee Straughan) – donor Unity’s great grandmother (pet name Janet, but not used as it will confuse with Unity’s mother). Jane was the wife of Samuel Amess, first Samuel Amess to own Churchill Island. Frances Amess (nee Turnbull) – grandmother, married Robert Lisle Straughan Amess, 4th child of Samuel and Jane Janet Jickell (nee Amess) – mother, 2nd of two children of Robert and Francis, married James Jickell Unity Mary Bright (nee Jickell) was the donor, 2nd of two children of Robert and Francis. machine made lace trim made to look hand made. Slight elasticity.churchill island, lace, janet amess lace collection, trim, amess -
Churchill Island Heritage Farm
Clothing - Lace Trim
Another example of a machine made lace, this delicate white lace trim with a beautiful undulating pattern on a diamond net background and richly scalloped edge. At 2.4cm in width it is quite a narrow and dainty lace and would have been suitable for a baby’s or a child’s garment or for enhancing nightwear, lingerie or bed linen.The Amess family owned Churchill Island from 1872 to 1929Length white lace trim with selvaged and scalloped edge with picots at outer edge. Undulating pattern on net ground. Machine made.churchill island, lace, janet amess lace collection, trim, amess -
Flagstaff Hill Maritime Museum and Village
Clothing - Child's dress, Eliza Towns, Late 19th century
... This child's dress is one of several linen and clothing ...This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns -
Mont De Lancey
Book - Knitting Patterns, Ball & Welch, Glove and Socks: knitting and crochet designs with accurate instructions, c.1940's
Two knitting pattern booklets for home knitters, c.1940's. The Wool Department on the Ground Floor at Ball and Welch in Melbourne offered free advice for knitting problems. These booklets were collected over 15 years and were used for exhibition at Memo, Gallery Healesville Friday 23rdOct to 18th November 2015.A green covered paperback knitting book with the title printed in white letting at the top c.1940's. The front cover depicts three photographs - a child wearing a knitted jumper and cap holding a teddy bear, a person wearing knitted mittens putting on a knitted sock, and a pair of white cotton crocheted ladies prettily decorated gloves. Inside are various patterns for clothing - caps, sleeveless pullover, waistcoat muffler, armlets, man's socks and mittens, kneecaps and scarves. non-fictionTwo knitting pattern booklets for home knitters, c.1940's. The Wool Department on the Ground Floor at Ball and Welch in Melbourne offered free advice for knitting problems. These booklets were collected over 15 years and were used for exhibition at Memo, Gallery Healesville Friday 23rdOct to 18th November 2015.knitting, knitting patterns, knitting equipment -
Clunes Museum
Clothing - BABY CARRYING COAT, CIRCA 1850
BABY'S CARRYING COAT. WHITE PIQUE WITH BRODERIE TRIMcostume, costumes - child, baby carrying coat -
Whitehorse Historical Society Inc.
Clothing - Child's Bonnet, 1924
... knitted child's bonnet Clothing Child's Bonnet ...Child's bonnet knitted by Mrs Harris for daughter Norma1924 blue and cream wool and silk knitted child's bonnetcostume, children's headwear -
Bendigo Historical Society Inc.
Print - Ration Cards and Tickets, 1946-48
... Motor Spirit Ration Tickets and Clothing Ration Cards... a Clothing Ration Card for Child Under 6 Years issued to Ian Hall ...Rationing regulations for food and clothing were gazetted on 14 May 1942. Rationing was introduced to manage shortages and control civilian consumption. It aimed to curb inflation, reduce total consumer spending, and limit impending shortages of essential goods. The broad reasoning behind the introduction of rationing was to ensure the equitable distribution of food and clothing. It was also hoped that a cut on consumer spending would lead to an increase in savings, which in turn could be invested in war loans. Australians were never as short of food nor rationed as heavily as civilians in the United Kingdom. Rationing was enforced by the use of coupons and was limited to clothing, tea, sugar, butter, and meat. From time to time, eggs and milk were also rationed under a system of priority for vulnerable groups during periods of shortage.Motor Spirit Ration Tickets and Clothing Ration Cards: Three of tickets, Commonwealth Liquid Fuel Control Board, Issued under National security (Liquid Fuel) Regulations, Valid only until 30th Sep. 1946. 2 of Clothing Ration Cards, 56 tickets issued to Emily Hall, 112 Collins Street, N17 and 56 tickets issued to John Hall of the same address. Also a Clothing Ration Card for Child Under 6 Years issued to Ian Hall at the same address.history, bendigo, ration cards