Book - 84 pages including card covers, full colour printing on gloss paper, titled "The Melbourne Tram Book" - 3rd Edition, written by Randal Wilson and Dale Budd of 2014. Covers Melbourne tram history including cable trams, early electric trams, trams in art, historic fleet, colour schemes, tram types, and preserved tramways. Includes notes on the authors.KS 22-9-18" on top of first inside page.trams, tramways, melbourne, tramways, history

Colour postcard of Melbourne tram D 5001 in the early M Tram colour scheme, with the Melbourne City baths in the Background, Swanston Sth 2006. Photo Ray Marsh, possibly late March 2004 after formal commissioning. Postcard produced by Railcard for the Association of Railway Enthusiasts, ARE No.11/06. Has ARE logo, shop details and hours, space for small message, address and stamp.trams, tramways, melbourne, d class, m>tram, swanston st, tram 5001

A woven belt of unknown origin, although the wording on it seems to have a French flavour to it. Adourned with a number of assorted minitary badges. This type of belt is/was common amongsrt Mounted Regimens and each one had its own unique colour scheme and pattern, making the units readily identifiable at a glanc. During conflicts it was a common practice to swap or souvenir varios badges and other items and adourn the belt as a record of travels.

The Let 13 Blanik was designed in 1956 by Karel Dlouhý of VZLÚ Letňany as a training glider. It filled that role very well and approximately 3000 have been built since production started in 1958. However, following a fatal accident involving a Blanik in Austria in 2010 that raised concerns about main spar metal fatigue, the type was grounded in Europe and America. In Australia, the extension of the life of this type of glider beyond 5000 hours / 18000 launches is dependent on compliance with directives for the inspection and modification of fatigue critical components. It is understood that VH-GAQ was built in 1971 and first registered on 14 August 1972. It is a Blanik that has been retired from service because of the metal fatigue concerns that apply to the type generally and the expense involved in complying with the applicable directives for on-going airworthiness certification. VH-GAQ was donated to the Australian Gliding Museum by the Australian Junior Gliding Club in 2010. Popular mass produced, metal, two seat sailplane. Used by many clubs in Australia in the 1970s. The Blanik VH-GAQ is a large two seat glider – sailplane of metal construction. It is finished in a white colour scheme with red detailing consisting of a red fuselage nose and adjoining red stripe along the fuselage sides to about midships. The control surfaces (ailerons, flaps, elevators and rudder) are covered with aircraft fabric and painted silver. The Perspex canopy fully encloses the cockpit which is fully equipped for dual flying. Registration VH-GAQ in black on sides of fuselage to the rearaustralian gliding, glider, sailplane, let kunovice, blanik

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Colour postcard divided back - Nu-color-vue Z1 36 class tram outside Parliament, in the MMTB Orange colour scheme, route 96 in bound to Spencer St. Has Parliament House in the background. Possibly late 1970's. Back has space for name and address, stamp and a message and details of the postcard. Produced by Nu-color-vue, card number 29-12-1977.trams, tramways, postcards, spring st, route 96, z class, melbourne, tram 36

Four page duplicated document on Quarto paper titled "A Brief History of the Cable Tramways of Melbourne", prepared by Alf Twentyman, stapled in the top left hand corner. Written for a TMSV RHS tour of 8/11/1975. Covers the formation of the cable tram system, construction, some opening dates, the vehicles, colour schemes, engine houses power, cables, fare collection, MMTB takeover, and conversion or closure.trams, tramways, cable trams, melbourne

Black and white photograph of MMTB No. H60 at Kew depot. Tram painted in MMTB chocolate and cream colour scheme. Front elevation photo with depot buildings in background. Has old style destination box on roof, showing "DEEPDENE". Tram of same class at SEC No. 18 See also Registration No. 550 ( for side view of tram) Original photo by Suttcliffe Studios of Cromwell buildings 366a Bourke St. Melbourne"trams, tramways, melbourne, kew depot, h class , tram 60

Yields information and history of the Western Hotel through photographs, in the form of a laminated table mat.Plastic placement with a reproduction of a Post War II(?1946 colour scheme),of tram No.13 turning into Ripon Street North travelling to View Point. Street scene highlights Western Hotel on a wet afternoon, by clothing on street walkers & bare branched trees, late Autumn to early spring. Reverse of side of plastic placemat portrays Western Hotel in Victorian Centenary year of 1938. Images rescanned 29/10/2013.trams, tramways, ballarat trams, secv, sturt st

Photo shows the view looking east along Sturt Street from Harry's building, The card has been wrongly titled as looking west. Tram 32 is westbound to the Gardens. In the view are Lester House, Crockers, and Tunbridge's stores. On the rear Wal Jack in a note to Ken Magor of Newcastle has drawn in a diagram of the track arrangements, where the tram was. His notes are "Sturt St looking EAST, 1948. No. 32 painted the new colour scheme. Photo taken from Doveton St corner." See item 5313 for a digital image of this postcard.Yields information about the view from the SW Corner of Sturt St looking north east.Postcard black and white, plain back, with a handwritten note on rear.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, sturt st, tram 32

Postcard looking west along Collins Street. just to the east of Swanston Street. At the time of the photograph all trams have been converted to The Met colour scheme. Swanston Street was converted into Swanston walk during 1992, so photo is late 1980's or early 1990's. There are seven trams in the view: A1 239 (City Route 42), SW5 749 in Swanston Street, A1 232 (Mont Albert Route 42), two advertising cars. Collins Street is busy. Note the Hook Turn signs supported off the overhead wires.Yields information about Collins Street late 1980's or early 1990s prior to the construction of Swanston WalkPostcard - red boarders, Collins Street - Biscay Greetings, BG 275collins street, swanston street, a1 class tram, sw5 class trams, tram 239, tram 232, tram 749, trams, tramways

1914-1919 Victory Medal awarded to MS 4292 SGT A SUTHERLAND ASC - nil further known and unable to confirm service history.Round bronze medal - The obverse shows figure of 'Victory' (or 'Victoria') with her left arm extended and holding a palm branch in her right hand.The reverse has the words ‘THE GREAT / WAR FOR / CIVILISATION / 1914-1919' in four lines, all surrounded by a laurel wreath.The ribbon has an iridescent multi-colour scheme and attaches to the medal through a ring suspender The recipient's name, rank, service number and unit is impressed on the edge of the medal. MS 4292 SGT A SUTHERLAND ASCmedal, ww1, sgt a sutherland, asc, army service corps

Medal awarded to Private C T WHYMAN 554269 who served with the 16th London Regiment (County of London). The 16th Battalion was known as the Queen's Westminster Rifles, an Infantry regiment of the British Army formed in 1908 and disbanded in 1938. The Battalion was engaged on the western front between 1914 and 1918. The item was found and no further information is known regarding Private WHYMAN.Round bronze medal - The obverse shows figure of 'Victory' (or 'Victoria') with her left arm extended and holding a palm branch in her right hand.The reverse has the words ‘THE GREAT / WAR FOR / CIVILISATION / 1914-1919' in four lines, all surrounded by a laurel wreath.The ribbon has an iridescent multi-colour scheme and attaches to the medal through a ring suspender The recipient's name, rank, service number and unit is impressed on the edge of the medal. 554269 Pte C T WHYMAN 16 LOND Rww1, 16 london regiment, c t whyman, 1918, victory medal

Yields information about the appearance of the 1964 Myer Santa Tram.Set of two Colour 27 x 27 mm slide in Kodachrome "duplicate" white cardboard mounts showing: .1 - Myer Santa Tram No. 18, at the depot in 1964 - see BTM Santa trams article at the depot. .2 - ditto with the scrubber tram alongside - can see the gold colour scheme it work when the Sebastopol Centenary at the depot. Could have been photographed at the time of the launch. Photo from the collection of Lilian Butler. on both slides in pencil "Courtesy of Mr. Balloch"ballarat, tramways, trams, depot, sec depot, decorated trams, christmas trams, myers, tram 18

Black and white photo, 'The Eyrie' turretted and gabled roof line. Picket fence, brick pillars on gatewah with gravel path up on right to pine trees. Overgrown garden, with palm trees. On stick on label ' date unknown pre 1922 when steps were put in palms now well grown. Verandah canopy no longer striped wooden gates gone. House restored in 1998. To original colour scheme and verandahs now striped.buildings, residential, the eyrie

Demonstrates the signage used on the trams to indicate to passengers when the trams were operating as a one-man tram. Yields information about the construction of the sign and paintwork.Pay As You Enter sign once fitted to side of SEC tramcar by door - with pins, - Sign writing gold leaf, black shading, green background paint. See original catalogue sheet for more details including sketch. See photo in use on No. 14 in an accident with a Ford Truck when in SEC early colour scheme. Has actual paint used at the time. See photo of No. 14 and a collision with a Ford Truck. To be kept in light controlled areatrams, tramways, advisory sign, passenger signs, one man trams

BHS CollectionBlack and white photo of bogie tram crossing new bridge works on Charing Cross. 3 men visible on tram, 2 working on bridge and 1 underneath bridge. Note: SEC colour scheme on tram and tram pole behind tram. On back of photo inscription under photo in albums: ''Tram over creek'' in pencil in top right corner. 'Reduce to 5 1/2'' x 5. 66% Page 75' written in black ink.person, individual, basil miller

Pamphlet - finished A4 full colour, 20 pages including 2 fold out sheets titled "You and the Met" issued July 1985 to introduce the Neighbourhood ticket system, new colour schemes and the "buzz" logo. Has a forward by Lynn Strouse, Chairman and Managing Director of the MTA. Explains the Met ticket system, types of tickets, map, Periodical tickets, concessions including the sixty save, and where to get information. Two copies held.trams, tramways, tickets, mta, the met, neighbourhood tickets, logos

Book - 84 pages including card covers, full colour printing on gloss paper, titled "The Melbourne Tram Book" - 1st Edition, written by Randal Wilson and Dale Budd of 2003. Covers Melbourne tram history including cable trams, early electric trams, trams in art, historic fleet, colour schemes, tram types, and preserved tramways. Includes notes on the authors. See Reg Item 1136 for 2nd Edition and 4287 for the 3rd edition.trams, tramways, melbourne, tramways, history

Book - 84 pages including card covers, full colour printing on gloss paper, titled "The Melbourne Tram Book" - 3rd Edition, written by Randal Wilson and Dale Budd of 2014. Covers Melbourne tram history including cable trams, early electric trams, trams in art, historic fleet, colour schemes, tram types, and preserved tramways. Includes notes on the authors. See Reg Item 1136 for 2nd Edition and 3362 for the 1st edition.trams, tramways, melbourne, tramways, history

Colour postcard cream border, divided back - Steve Parish postcard of SW6 940 outside Luna Park. Tram 940 in The Met colour scheme, possibly late 1980's or early 1990's with the destination of City, Route 16 with a Bank of Melbourne advert on the front. Back has space for name and address, stamp and a message and details of the postcard. Produced by Steve Parish Postcards. Card No. PC3021 Has "Melbourne Australia" along the bottom edge.trams, tramways, luna park, sw6 class, route 16, st kilda, tram 940

This Dunstable Kestrel glider, which came to be known as the "Red Kestrel" on account of its colour scheme, was built from plans by Percy Pratt between 1936 and 1938. It was first flown in 1938. Thereafter, it was flown regularly by Pratt at Geelong, Victoria. At the national rally organized by the Australian Gliding Association in December 1939 – January 1940 at the Belmont Common, Geelong, Victoria, Pratt, in his Kestrel, recorded an exceptional 13 kilometre cross country flight of one hour 43 minutes reaching a height of approximately 5500 metres [Allan Ash, Gliding in Australia, p 86]. This Dunstable Kestrel glider represents a good example of a 1930s era sailplane. It is one of three of the type that currently exist in Australia. The aircraft is also important for Australian gliding history because it was built, owned and flown by gliding pioneer Percy Pratt.Wooden airframe covered with plywood and fabric. In course of restoration.australian gliding, glider, sailplane, dunstable, kestrel, bill manuel, percy pratt, belmont, geelong

Early cylinders were coloured as their maker saw fit, usually black, perhaps with a white top for oxygen. The Americans first achieved standardisation, but other countries do not follow American Standards. Australia follows the colour-scheme of the British Oxygen Corporation. The body is coloured individually for each gas, viz: compressed air, grey; carbon dioxide, brown; oxygen, black; nitrous oxygen, blue’ cyclopropane, primrose-yellow’ ethylene, mauve. Panels of other colours may appear on the body, but indicate technical points of cylinder-design and do not concern the anaesthetist. (Penn catalogue entry)Empty small pale green painted cylinder with rounded base and attached outflow valve with circular 'On-Off' knob.Handwritten in red paint across the main body of the cylinder: ST. VINCENTS 32510 Printed on manufacturer's label: 'KEEP CYLINDER COOL / CIG [logo] / MADE IN AUSTRALIA / MEDICAL AIR COMPRESSED / DO NOT ALLOW OIL OR GREASE ON VALVE / OPEN VALVE SLOWLY CLOSE AFTER USEcompressed air, cylinder, colour standardisation

The photograph offers significant information relating to late Victorian / Federation colour schemes and fencing.The block fronted villa has a corrugated iron roof and a flat projecting verandah, ornamented with a trellis design of timber. The front window features a timber shade, mounted on brackets. The treatment of the block-fronted panels shows that there is an attempt to highlight imitation quoining through use of a darker colour. The windows and door are also in this darker shade. The front fence and gate are made of wooden pickets. It is unlikely that the photograph was taken at the time of the villa's construction given the size of the shrub/tree in the front garden.Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.A real estate photograph, mounted on brown card, showing a double fronted weatherboard villa, located in Kew, Victoria. On the reverse of the photograph is a subdivision plan for the Altyre Estate.Stamped on mount: Top - "KEW. Close tram. Fine View. / W.B. Villa Containing 8 Rooms. / Up-to-date Conveniences. EL Etc." Below - "Land 40 x 165. 615 pounds. Sold"houses - kew, real estate photographs

Black and white print of ESCo 17, photographed at the depot entry with a driver, conductor, and another employee in uniform standing alongside. Has a destination sign of Sturt St on the front dash panel of the tram, showing the seating arrangements, uniforms, and step arrangements. Has extensive notes written in ink by Wal Jack on the rear, giving details of the tram, driver, and conductor, colour scheme. Dated 30-5-1906. Gives names of J Quirk, Fritz A Thies. See also Reg Item 5104, 4290, 3578 for other copies of this image and 9466 for a glass plate negative. Yields information about the ESCo tramcars and uniforms at the time of opening of the tramway in 1906. Has a strong association with the two people named in the photograph.Black and white print with extensive notes written on rear in ink. Print by Wal Jack, Number T177. Second copy with similar notes on rear.esco, tramways, trams, tram 17, uniforms, crews, j quirk, fritz a thies

Colour slide - white / yellow cardboard mount, Kodacolor (Kodachrome) slide, of Z3's 208 (Route 95, showing Exhibition) and 225 showing (Route 96, East Brunswick), at the Bourke St. terminus with the Spencer St. Railway station building in the background and the Greyhound building on the right side. 225 has been painted green, while 208 is in the original orange colour scheme. Date on cardboard mount by Kodak is August 1984. Has an Australia Post van by the side of 225.tramways, trams, bourke st, melbourne, spencer st., tram 225, tram 208

.1 - Colour print of Ballarat Tramway Museum W4 671 outside the Ballarat depot, following repainting to the blue colour scheme mid 1990's. Photographed by John Phillips for the Dept. of Transport. .2 - W4 671 running in Melbourne, during early 1996, on the City Circle in Spring St Melbourne, advertising the Ballarat Begonia Festival with the Princes Theatre and Holmes Colleges buildings in the background. Has number "96-35-25" on rear. Printed on Kodak paper.Each photo has on the rear a "Copyright Department of Infrastructure with details for reordering and a hand written letters "JP"trams, tramways, ballarat, btm, w4 class, spring st, tram 671

Equal wheel bogie vehicle, drop centre tramcar, 2 passenger saloons- cross bench with central aisle - as for drop centre. 2 internal sliding doors, 6 passenger doors, 4 drivers external access doors, 2 internal, 2 trolley poles, air braked. Tram 671 12/95 completed repaint to City of Ballarat colour scheme. Photo by Austin Brehaut. See Destination City, Fares Please April 1976, December 1995, March 1996.trams, tram 671

A4 photocopied sheet prepared for the use of W class trams fitted with blinds, ex Sth Melb. Depot, particularly for BTM No. 671, during visit of 3 & 4/96, covers controllers, safety, motor cut outs etc. Dated 1/3/1996. Prepared by M. Drew, Senior Depot Trainer South Melbourne Depot. Has a number of hand written notes on the car, including being found in tram, its colour scheme, and destination curtain titles or list.See Above.trams, tramways, w4 class, instructions, south melbourne depot, w class