The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A hooded buggy carrying an unidentified couple and their baby.haeusler family, glass negatives, dry plate photography, transport, horse and buggy

Four page pamphlet, with colour photos titled "100 Streamliners 'On the Double' " promoting the forthcoming launch of coupled PCC cars for the Toronto Transit System, c1947. Cover shows a coupled set, interior views, trams passing through a set of traffic lights and the couplers. Promotes the use of these cars and their forthcoming use on the Bloor - Danforth route. This route was replaced by a subway mid 1960's. See https://en.wikipedia.org/wiki/Presidents%27_Conference_Committee_(Toronto_streetcar) - accessed 28-2-2019.trams, tramways, pcc, transport equipment, tramcars, canada, toronto

Guntram Gohl was an internee with his family in Camp 3 Rushworth. He died on the 28 September 1945 and was buried in Tatura Cemetery.Sepia photograph of a grave covered with flowers. A couple of women to the left and a man and child to the right. Pine trees in back ground.guntram gohl, camp 3 rushworth, tatura cemetery, internee deaths

Sepia toned photograph of two couples taken at the wedding anniversary of Captain and Mrs Lindeman of Hunter Street Lakes Entrancegenealogy, celebrations

Ellis and Eliza Jeeves (nee Hand) ran the Mountjoy Guest House and coaching service above Kalorama FiveWays.Sepia posed photograph of couple. Man standing and woman seated in garden setting. Formally dressed in dark, winter clothing.eliza jeeves, ellis jeeves

Formal photograph of the wedding of Daisy Rowse and Hubert Jeeves 1926.Sepia studio portrait of wedding couple standing. Bride carrying large bunch of flowers and groom carrying white gloves. hubert jeeves, daisy rowse, wedding

Alice Louisa (Louise) Jackson was one of 12 children of George James Jackson and his wife Alice Eleanor (nee Taylor); both of whom were jewellers. One of her brothers, George Hall Jackson, served in WW1. The family lived at 'Handsworth', 7 Russell Street, Surrey Hills. Alice was born 25/9/1892 and died 25/8/1983. She was buried in Box Hill Cemetery - CE-*-2010. REF: Personal communication (email) Ruth Theodoridis, her niece, 30/5/2018: Alice trained at the Austin Hospital prior to WW2. She worked there after graduating and became the charge sister of the ward for terminally ill patients, many of whom were TB patients. After she retired from the Austin she nursed elderly and dying people in the Surrey Hills area. She had had a tricycle made especially for her as she could not ride a bicycle. She would always ride in the centre of the road in case the trike tipped over. She left her estate to the hospital. A black and white photograph of a young lady, identified as Alice Eleanor Jackson, seated between an older couple in front of a house.jeweller, watchmaker, russell street, surrey hills, clothing and dress, nurse, george james jackson, mrs alice eleanor jackson, miss alice louisa jackson

Neil and Elizabeth Maxwell with the John Wilson award and citation, which they received in 2000 in recognition of their many years of service and contribution to the Association for the Blind and Vision Australia Foundation.1 colour photograph of Neil and Elizabeth Maxwellnon-fictionHandwritten on the reverse: Neil & I when we got an award a couple of years ago. A bit like Ma & Pa Kettleelizabeth maxwell, neil maxwell, vision australia foundation

Large mounted photograph depicting a dance at the Flinders Street Mission with three couples dancing in front of the stage where a band is playing.Written n black ink: Bill Eldridge-Doyle / Chaplain / 1960 Written in pencil: P3 / Dance Pichlg, seamen, sailors, reverend c.j. eldridge-doyle, dances, stage, music, band, drums, flags, microphone, saxophone, flowers

Colour photo in wooden frame with buff matt board. De[icts an elderly couple pointing to a name on the memorial wall in the USWes Kendall (signature)vietnam veterans' memorial

Burnt out ruins of “Vinelea” Homestead after 1984 fire.Colour Photograph of the remains of a house fire, Four standing chimneys and steel tanks, also a couple of wooden buildings still standingOn Rear: Vinelea House Fire 1984stawell, monaghan, vinelea

Colour photograph. Emu Creek Bush Band play in marquee. Couples dancing in period style dress on wooden stage flooring.entertainment, music, bush dance and music club

Colour photograph. Emu Creek Bush Band play in marquee. Couples dancing in period style dress on wooden stage flooring.entertainment, music, bush dance and music club

W. O. Lewers (William Ochiltree Lewers, 1867-1943) was a son of Samuel Lewers, the first bank manager in Linton. In 1910 he married Caroline Murrell, a daughter of Ambrose and Mary Murrell. They had two sons, William (born 1910) and Samuel (born 1911).Enlarged black and white copy of original photograph which has been mounted on card. Family portrait of a couple and their two sons.w. o. lewers, william ochiltree lewers, caroline lewers née murrell, william lewers (born 1910), samuel lewers (born 1911)

Black and white photograph, with some hand colouring. Photo of Chinese dragon 'Loong' all in photo appear to be of Chinese appearance a couple of ornaments and a couple of people have been hand tinted. At 'Bendigo Showground' now known as 'Tom Flood Centre'. Markings/Inscriptions: Chinese Dragon 'Loong', on back; sticker Bendigo Historical Societyorganization, club/society, chinese society, event

The pair of photographs of Mr Henry and Mrs Mary Jane Giles was made by the International Art Company, the price was 30 shillings and the choice of frame was Rosewood. It is part of the Giles Collection, which also includes a photograph of the couple's daughter Christina Giles, who died in 1899 aged seven years. There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.This photograph is locally significant due to its association with a local pioneering family. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. The photograph itself is of added significance as we can see the faces of the family whose lives the collection represents . This photograph is a portrait mounted in an oval rosewood frame, one of a pair. This photograph is Henry Giles, dressed formally and showing a moustache and side-burns. The couple in the pair of photographs is Mr and Mrs Giles of Woodford, Victoria. The photographic studio was the International Art Company. It is part of the Giles Collection.Inscription on back of frame "International Art Company 30/-" "Rosewood"warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, photograph late 1800s, oval wooden frame, portrait, mrs mary jane giles of woodford victoria, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, mary giles, christine giles

Small embroided textile. On the front two flowers and several leaves. A couple of rust spots. On the back '' Passed Japanese Government Inspection House''

Colour photograph of Northern Terrazzo business in Carpenter Street, showing the house and a couple of display marble graves. The photo was taken in July 1993.bendigo, business, northern terrazzo

Black and white photograph of an unknown family. Elderly couple sitting and three younger gentlemen standing behind. Part of the Barker's family collection.On the back in pencil: dear brother.family, family group, formal

Metal decorative basket printed inside base with sihouette image of couple, male holding tennis racquet. Materials: Metal, Paper, Inktennis

Five Glass Slides- single piece of glass with emulsion on one side. Unknown Subjects, one couple, two toddlers, and a young woman.history, bendigo

The photograph portrays the main hall of the Mission to Seamen as it was used c.1950.The photograph is documents a moment in history that reflects how the main hall of the Mission to Seamen was used around the 1950s. The photograph also portrays one of many events held by the Ladies Harbour Lights Guild as one of the services provided for visiting seafarers.A black and white photograph inside the Mission to Seafarers Melbourne main hall. In the foreground there are two couples; on the left side of the photograph the couple are facing the left side, a man in a suit, vest and tie and a lady to the right in a mid-length skirt, jumper and short hair. The couple on the right of the photograph are facing each other - the lady has her back to the camera, and the man facing more toward the camera, he is also in a suit and is balding. A couple are standing in the mid ground, central in the photograph; a lady is on the left in a light coloured cardigan, mid length skirt and short dark hair; the man on the right is wearing a dark suit and tie, and a light coloured shirt. There are a number of people in the background that are partly concealed by the couples in the mid-foreground. An archway is visible to the left, that leads to the 'cafeteria', and an arch window can be seen on the right side of the photograph in the background, The hardwood floorboards are visible, as is the wainscote (wood panelling) on the walls in the background. A clock is situated right of centre on the back wall.collar, clock, vest, window, suit, 1950s, main-hall, tie, wainscote, cardigan, jumper, skirt, arch, bald, lhlg, dance, socialising, events, entertainments, mission to seafarers, mission to seamen, seamen mission, flinders street, ladies harbour lights guild, hardwood, floorboards, wood panelling