Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets - (woman on telephone in bed under red blanket)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, physician, collins bros, geelong, advertisement, australian women's weekly

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - the most beautiful blankets (double page)Vibrant colours or muted tones are yours in/Physician/pure lambswool, chillproof, mothproof, odourlessblanket, blanket fever, wool, collins bros mills, physician, geelong, advertisement, australian women's weekly

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. One hundred mill labels sewn onto a single sized cream blanket with blue end panels(On original blanket label) "Marco" Blanket/Wool 70%/Cotton 30%/Guaranteed Free From Fillingwool, blanket, blanket fever, labels, sampler

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Two blanket labels, framed, on blanket backing Castlemaine Pure Wool/The Laconia Blanket/Guaranteed All Pure Wool And Odorless/Made in Australiawool, blanket, blanket fever, sampler, labels

Wool samples prepared at the School of Wool Sorting, Gordon Institute of Technology, Geelong. This object hung in the Wool Exchange Building until 1985 and is now displayed in the National Wool Museum using copy prints of photographs. Wool samples were prepared at the School of Wool Sorting, the Gordon Institute of Technology, Geelong.THE WOOL INDUSTRY OF GEELONG 1935textile mills wool stores, gordon technical college - woolclassing department, textile mills, wool stores

Attached George Gross Biography. Vogue Australia|With more than 40 years in the industry,- George Gross is one of Australia's best known fashion designers. Designing his own. label for the last 35 years, Gross is renowned for his glamorous evening wear, corporate and race wear ranges. Embodying style and sophistication, Gross has dressed celebrities the world over in his eponymous label.|With his first creation - a sequined shift, at the tender age of 16 George still believes 'every collection starts with the fabric and is all about the cut and proper finishing. The looks and silhouettes change every season but not dramatically, it is more that they evolve from season to season.'|The George Gross label was first conceived in Adelaide by Gross and his business partner Harry Watt. As designer, both were working for other fashion houses and saw a gap In the market for elegant evening wear, suiting and separates. Joining with his twin sister Kathy, the three began with a small Adelaide store and expanded to include more than 500 retailers worldwide at the height of their business.|Inspired by real women, Gross showcases his love of colour, cut and quality with each collection. His aim is to create sensuous clothing that women of any age, shape or taste look fabulous wearing. Attributing his longevity to a desire for experimentation while also listening to his customers' needs, Gross designs the fabric prints and only uses the best quality natural fibres from Europe.|Gross and Watt have won 13 Australian fashion design awards between them and both work closely with charities throughout Australia. Working primarily with Breast and Prostate Cancer Research, George organises parades around Australia, especially in their home town of Adelaide.|Gross now has seven stand alone stores, nine concession areas in David Jones department stores and numerous wholesale clients Australia wide. Having finished summer 2009, George is now working on winter 2010, his 73rd collection with many more to come.Three piece Grey - brown pin stripe pants suit. Fully lined pants, shaped waist band. Zip front & turned up cuffs. Jacket fully lined, wide reveres, single breasted, one button. Two pockets. Tailored waistcoat, 5 buttons. Two imitation pockets. Stretched lace backGeorge Grosscostume, female

This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion

A book put out by London Stores Ltd., which contains advertisements for their products, home notes, recipes, sport records, gardening, first aid and laundry hints, beauty notes and sick room hints.Small soft covered tan book with drawing of a large department store, a book and a cartoon person pointing at the store. Also Contents at right bottom corner. All done in black and orange. Back cover has advertisement for men's hats "Tailsworth".as abovelondon stores ltd, household year book, household hints, gardening hints, beauty notes, sick room hints, laundry hints, first aid hints, recipes, 1940's

Yields information about the provision of safety spectaculars to SEC staff., Yields information about the provision of safety spectaculars to SEC staff.Memorandum on Electricity Supply Department letterhead, foolscap, from the Manager of the Commercial Division to the Branch Manager with a copy to the Tram Depot Foreman, dated 16-7-1959, about the provision of eye protection spectacles to staff and the type of spectacles to be issued as a stores item. Signed E. Burgesstrams, tramways, personnel, safety, stories

Auction catalogue with a beige cover with red and black printing for a sale on 24th, 25th and 26th May, 1938 of Contractors, Engineers and Mining Machinery, Plant, Stores, Buildings and Equipment at Lock 15, River Murray (Near Euston and Robinvale). J. H. Curnow & Son were the auctioneers. Catalogue has a column down the right side of the page to write in the price of each lot. Contains a description of some of the machinery, tools and buildings. Catalogue has a black and white photo of Lots 1667 to 1672, a 'Perry' Locomotive. Bolton Bros. Pty. Ltd. were the printers of the catalogue.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - at lock 15 - river murray, j h curnow & son, department of works and local government nsw, bolton bros pty ltd

Two blue covered with dark blue printing for an auction sale held on the 11th and 12th December, 1944 at the Commonwealth Antimony Mine at Coimadai, near Bacchus Marsh, Vic. Of Modern Mining & General Machinery, Buildings, Tools, Stores, Plant & Equipment by Order of Commonwealth of Australia, Department of Supply and Shipping. Sale conducted by permission of the Director of Machine Tools and Gauges under Regulation 59 of the National Security (General) Regulations. J. H. Curnow & Son ere the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - commonwealth antimony mine, j h curnow & son, j l jamieson & co, w g wedd, prahran telegraph print

Pale yellow auction catalogue for a sale of Unserviceable or Obsolete Stores no longer required for Government purposes on 2nd July, 1953 Under Instructions from Department of Supply. Columns on the right side of the page to write in the sale price. J. H. Curnow & Son Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - department of supply, j h curnow & son pty ltd, hedges & bell pty ltd

Two greyish covered catalogues for an auction of Modern Mining and General Machinery, Buildings, Tools, Stores, Plant & Equipment held on the 30th May 1944 at the Wymah Wolfram Mine, Wymah, N.S.W., and on the 31st May at the Womobi Wolfram Mine, Womobi (near Granya) Vic. Sales by Order of Commonwealth of Australia - Department of Supply and Shipping. Catalogue gives the locality of the two mines. Sale conducted by permission of the Director of Machine Tools and Gauges under the Regulation 59 of the National Security (General) Regulations. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - wymah wolfram mine & womobi wolfram mine, commonwealth of australia-department of supply and shipping, j l jamieson, the cambridge press

Two paper catalogues from an auction of electrically driven mining & treatment plant, buildings, tools, stores and extensive equipment of the Commonwealth Antimony Mine at Costerfield (near Heathcote) Vic. Auction held on the 8th and 9th August, 1945. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - commonwealth antimony mine - costerfield, commonwealth of australia, department of supply and shipping (minerals section), j h curnow & son, j l jamieson & co, w g wedd, mr j zoch

Three catalogues, two with grey covers and one missing its cover. Auction Catalogue of Mining and General Machinery held on Thursday 27th April, 1944 at Benambra, near Omeo, Vic. The buildings, tools, stores, plant, motor vehicles & extensive equipment of the Mount Murphy Wolfram Mine were sold by Order of Commonwealth of Aust. Department of Supply and Shipping. J. H. Curnow & Son were the Auctioneers. Contains descriptions of larger machinery, buildings and engines. Sale also conducted by permission of the Director of Machine Tools and Gauges under Regulation 59 of the National Security (General) Regulations.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - mount murphy wolfram mine, commonwealth of aust dept of supply and shipping, j h curnow & son, c j curnow, h j lowe, f c dyett, j l jamieson & co, w g wedd, the prahran telegraph printing co

Light orange auction catalogue with black printing for a sale conducted for the Department of Supply on 18th April, 1962 of Motor Vehicles and General Stores no longer required for Government purposes. £, s and d. columns to write sale prices in catalogue. J. H. Curnow & Son Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - department of supply, j h curnow & son pty ltd

Pale beige auction catalogue with red and dark blue printing for a sale held from the 31st August to 5th September 1936 at the Hume Reservoir, Albury, (New South Wales Side) By Order of Department of Works and Local Government, N. S. W. For sale was Contractors', Mining and Engineers' Machinery, Plant and Equipment, Stores, Locomotives, Tools, Petrol and Steam Engines, Tanks, Scrap, Building Materials, Heavy Bridge Timber, Buildings, and Workmen's Five-roomed Houses, etc. J. H. Curnow & Son were the auctioneers. Black and white photos include Lots 2065 and 2622 Kelly & Lewis Engine and Condensing Plant with G.E.C. Dynamo, Generating 300 K.W.; Lot 2018 Locomotive; Lots 2617 and 2618 Steam Road Rollers; Lot 2069 Administrative Offices; and Lot 93 Locomotives (Victorian Side).business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - hume reservoir, department of works and local government nsw, j h curnow & son, j l jamieson & co, j b garnsey, a t jones, bolton bros pty ltd

Pages 9 and 10 of the Centenary issue of the Ballarat Courier, 8/3/1938 p9 - Article - "Prisoners aide in Municipal Work" - rifle range at Victoria Park, photo of "first train" Geelong Ballarat crossing Moorabool viaduct, Advertisements for Sherry stores, Berger Paints - S.E. Hobson and Harry Davies & Co. Department Store. p10 - article on Ballarat Banking, (see also archive item No. 200) - large ad from "The Bank of Australasia" - illustration of Ballarat in 1856 from Bath's Hotel - towards the Australasia Bank. Record reviewed and images of three pages added 7-9-2013.trams, tramways, ballarat, centenaries, banking, victoria park, rifle range

Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, blues and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

The desk was used by the head keeper and supplied by the Public Works Department, and possibly dates to when the lightstation commenced operations in 1884. Closer inspection of the wood may reveal the Crown motif and PWD monogram on the side or underpart of the furnishing. The PWD operated in Victoria from 1855 to 1987 and was responsible for the design of Victoria’s major public buildings and infrastructure as well as the supply of stores, furniture and equipment. The desk is identical to the large example remaining at Point Hicks. A smaller version, which is at Cape Schanck, has two sides stamped with the crown motif and PWD monogram. Another of the smaller desks formerly at Cape Schanck is now missing. Gabo Island has a small cedar desk or table in the same style, but with one drawer. There are also c.mid‐twentieth century desks remaining in the collections at Wilsons Promontory and Gabo Island. The Cape Nelson desk has first level contributory significance for its provenance and historical value as a government issued furnishing that is original to lightstation’s head keeper’s office.The large, late nineteenth century cedar desk has two drawers, leather inset top and sturdy turned legs. The drawers each have a pair of wooden knob pulls.

The large cedar desk was formerly used by the head light keeper at Point Hicks. It was made in the nineteenth century, probably by the Victorian Public Works Department (PWD) as an item of standard issue for use in government offices. The PWD operated in Victoria from 1855 to 1987 and was responsible for the design of Victoria’s major public buildings and other infrastructure including the supply of stores, furniture and equipment.The desk has turned legs, leather top and two drawers each with a pair of wooden knob hand pulls and is identical to the large desk remaining at Cape Nelson. A smaller version is at Cape Schanck, and another desk formerly at Cape Schanck is not able to be located. Gabo Island has a small cedar desk or table in the same style. Two sides of the Cape Schanck desk are stamped with the crown motif and monogram of the PWD but it is not known if the Point Hicks desk and the other nineteenth century examples are stamped with these details. There are also c.mid-twentieth century desks remaining in the collections at Wilsons Promontory and Gabo Island. officeThe Point Hicks desk has first level contributory significance for its historic values as government issued furnishing that is original to lightstation’s head keeper’s. Early, large two drawer cedar desk. Each drawer has two wooden handles. Leather insert on top of desk is worn. Commonwealth of Australia, Dept of Transport stamp with stock number on side of desk.On label on side, "C. of A. / D. O. T. / 143581"

Lamson was established in Australia in 1898 with the idea for a store security money handling system being patented in the latter part of the 19th century.The practise of taking money from the counter and customer to the cashier was time consuming and cumbersome.Some bright ideas were employed including tying the money and dockets in a hankerchief and throwing it to the cashier. The first attempt to improve this was the ball system where a ball containing the cash was rolled to the cashier on an elevated track. The rapid wire system superseded this in the early 1900's and for the next 50 years it became a popular part of money handling in stores around Australia. This particular Lamson's cash carrier was installed in Youngers department store which was situated in Liebig Street. The success of Youngers store was partly responsible for the shift to Liebig St as the main commercial district. The Warrnambool Standard reported in 1901 that Younger and Co would operate on a wholly cash basis replacing incidental trades of goods such as potatoes and other farm produce.This item has strong social and historical significance. Apart from having strong links to one of Warrnambool's largest and longest running businesses, the object itself is of considerable interest with thousands of the original ball systems and Rapid Wire cash carriers being in use around the world. Cylindrical brass top with central circular part with section either side which have two small pulleys. A wooden cylindrical section slots in below with a wire clip attached at the bottom.Lamson is cast into the brass on either side of therim of the top circular section. . AUS is on the side of this same section. warrnambool,, youngers, youngers warrnambool, lamson, lamson rapid wire cash carrier, wire cash carrier

Magazine or Journal - 32 pages + printed cover - "Tramway Circuit", Vol. 3, No. 6, July 1955 published by the Tramways Board Sub-branch of the Municipal Officers' Association of Australia - the Monthly Journal of the Official and Clerical Staff of the Melbourne and Metropolitan Tramways Board. The magazine has many advertisements for suppliers to the Board and others, including AEC buses and Ansair. Features the Official Opening of the Bourke St to Northcote tramway. Has a major article by D. H. Eakins, Chief Engineer - reviews those departments involved in the construction of new tramcars, Preston Workshops, tram track, Perway, distribution branch (electrical), building, and stores. (See key associations for names mentioned in the item).. Centre page spread of the opening day photographs, misc. notes on the day, letters to the Editor. An historical article on the cable tramway to Northcote, written by H. S. McComb, notes on the AETA provided by KK (Keith Kings) and notes on the AETA tour on 25/6/1955. Has minutes of the Special meeting of the MOA, notes on long service leave, Federal Council meeting notes. Two copies held. All pages scanned - pdf - text searchable. Cover scanned in colour, all other pages as gray scale. See Reg Item 5090 for a photo of the AETA tour at Malvern Depot.On top of the cover of one copy in ink "pages 1, 4, 14,17, 23"trams, tramways, moa, mmtb, bourke st, opening, northcote, new trams, cable trams, aeta, tours