Black and white large format postcard of Kalimna Jetty Gippsland Lakes. It shows the shed on the approach to the jetty and landing, Rigby Island and Entrance in background, steep cliffs at eastern edge of lake. Pioneer Dredge in channel. Lakes Entrance VictoriaKalimna and Entrancejetties, boats and boating, dredges

Color photograph of the eastern part of Bullock Island, showing buildings of Lakes Entrance Fishing Co-Operative and PWD, spit opposite Club Hotel has been sown with grass, hummocks and Bass Strait in distance. Taken from Seaview Parade Kalimna. Lakes Entrance Victoriawaterways, islands, land reclamation, topography

Photo taken from approx present ramp up to flagstaff, looking north-westBlack and white photograph showing view from top of hummocks overlooking New Works buildings. North end of eastern pier on left, Cunninghame Arm in front of building. Lakes Entrance VictoriaRear view of some New Works buildings 1895cjetties, waterfront, historic buildings

Black and white photographic postcard, showing early aerial view of township of Lakes Entrance, Cunninghame Arm, North Arm and sand dunes, ocean in lower foreground, Eastern wharf and various boats on lake. Princes Highway went along Esplanade, Myer Street and Roadknight Street, very little vegetation on sand dunes, no foot bridge yet, good view of North Arm, few houses. Lakes Entrance VictoriaLakes Entrance and Backwater from the Air.islands, aerial photograph, waterways, topography, township

Black and white photograph showing Symes boat, Westwind, motoring into the entrance from Bass Strait, Eastern pier on far side of boat, photo taken from western pier, Lakes Entrance, Victoria. waterways, boats and boating, tourism

Owner 'Blue Eye' Horst FisherColour photograph taken at Eastern Wharf slipway, showing the scallop fishing boat Windrode on slips, at Lakes Entrance, Victoria.fishing industry, ships and shipping, slipway

Date made 23 May 1939Black and white photograph showing launch Bluebird at Eastern Wharf, Harbeck's Wharf, on Cunninghame Arm. Footbridge across lake to ocean beach in background. Lakes Entrance Victoriawaterways, boats and boating, tourism

Date made December 1992Colour photograph of pump from dredge Paynesville at Eastern Wharf, shows name of makers - Ruston, Lincoln England. Lakes Entrance Victoriajetties, dredging

Second photograph closer view. 'Kiangah' built of spotted gum by Bulls Shipyard, Metung for Harry RoseColour photograph of fishing boats at Eastern Wharf. Kiangah in centre of image. Lakes Entrance Victoriaislands, ocean, fishing industry, waterways

Color photograph distant view of Eastern Wharf, showing fishing boats at jetty, pelican in foreground in water. Lakes Entrance Victoriafishing industry, ships and shipping, jetties, township

Also enlargement 17 x 23 cmBlack and white photograph showing view from Jemmys Point of the entrance to the Gippsland Lakes from Bass Strait. Pioneer dredge in centre foreground, and steamer JCD. Cottages and works buildings including Rocket shed on eastern dunes, Schnapper Cottage on far right western dune. Rock groynes and tip of Bullock Island centre left. Vegetation in foreground. Lakes Entrance VictoriaLAKES ENTRANCE Segerberg and Bulmerships and shipping, topography, jetties, houses

The photograph shows the busy intersection of Flinders and Swanston St with Flinders St station, along with cable trams, motor vehicles, and pedestrians. The sign above the station entrance is advertising the "Australian War Museum" at the Exhibition Buildings. The reference dates its opening as ANZAC day 1922 and moving to Sydney in 1925. The photo was probably taken soon after it opened as the sign above the station entrance was regularly changed. Note the Safety Zone sign on the eastern side of the intersection for eastbound trams. At the time, trams stopped on either side of the intersection for passengers.Yields information the intersection of Flinders and Swanston St and the War Museum exhibition in the early 1920s.Black and White photograph - printed on plain paper.On the rear has pencil number "KM-M-008", and Ken Magor stamp.cable trams, flinders st station, war museum, flinders st, tramways, safety zone, swanston st

Ron Setford and his wife Grace Setford lived in Tanner Avenue, East Kew, from c.1946 to c.1995. A keen photographer, he recorded the changing face of Kew over a 20 year period. Apart from 30 photographs of built structures and places in Kew dating from 1960 and 1961, 145 of his 35mm colour slides chronicle the development of the Eastern Freeway through the Yarra Valley over a five year period from c.1972 to c.1977. This important collection was donated to the Society by his granddaughter in 2025.This collection of 175 35mm slides is of local and statewide significance, owing to its subject matter, particularly the major development of road transport infrastructure during the 1970s with the construction of the Eastern Freeway. The photographer also took care to annotate and date most of his slides which enable the researcher to pinpoint temporal and spatial locations.Opened in 1960, the California Motel at 138 Barkers Road, Hawthorn, was located opposite the entrance to Xavier College and built on the site of the former Barker railway station of the closed Kew branch line. The motel was advertised as “away from the hustle and bustle of the city and offering affordable accommodation for the business or leisure traveller”. Special amenities included air-conditioning, a business centre, and swimming pool. The motel had 82 suites. A possibly forgotten, but perhaps essential feature of the motel, was the Caltex Service Station at its entrance. The building was closed in April 2008, extensively vandalised and finally demolished in 2013."California Motel"ron setford, photographs -- kew (vic.) -- 1960s, california motel -- barkers road -- hawthorn (vic.)

Ron Setford and his wife Grace Setford lived in Tanner Avenue, East Kew, from c.1946 to c.1995. A keen photographer, he recorded the changing face of Kew over a 20 year period. Apart from 30 photographs of built structures and places in Kew dating from 1960 and 1961, 145 of his 35mm colour slides chronicle the development of the Eastern Freeway through the Yarra Valley over a five year period from c.1972 to c.1977. This important collection was donated to the Society by his granddaughter in 2025.This collection of 175 35mm slides is of local and statewide significance, owing to its subject matter, particularly the major development of road transport infrastructure during the 1970s with the construction of the Eastern Freeway. The photographer also took care to annotate and date most of his slides which enable the researcher to pinpoint temporal and spatial locations.Opened in 1960, the California Motel at 138 Barkers Road, Hawthorn, was located opposite the entrance to Xavier College and built on the site of the former Barker railway station of the closed Kew branch line. The motel was advertised as “away from the hustle and bustle of the city and offering affordable accommodation for the business or leisure traveller”. Special amenities included air-conditioning, a business centre, and swimming pool. The motel had 82 suites. A possibly forgotten, but perhaps essential feature of the motel, was the Caltex Service Station at its entrance. The building was closed in April 2008, extensively vandalised and finally demolished in 2013.Nilron setford, photographs -- kew (vic.) -- 1960s, california hotel -- barkers road -- hawthorn (vic.), california motel -- barkers road

Black and white copy photograph of aerial view of eastern approach, showing Princes Highway, Whiter's Camp Park, sandy outer barrier beside Cunninghame Arm, distant view of North Arm. Lakes Entrance Victoriawaterways, township

This is the before paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The after paired photograph number is 01335.1|Also one 12 x 16 framed photograph used in room display.| The hotel was owned by Ansett and used by their coaches for a meal stop-off point. The Kalimna is often referred to as the Hotel with a View.Black and white enlarged photograph showing original Kalimna Hotel prior to a fire in 1962 which burnt the old bar on the Eastern end of the hotel. Dirt road at front with two Ansett buses and people in front of hotel. Two water tanks, three chimneys and hotel painted on top of roof. Lakes Entrance Victoria,restaurant, hotels, room display

Colour photograph taken from Eastern Beach looking towards the west showing expanse of sand between calm ocean and shrub covered coastal dunes, two people on sand Lakes Entrance Victoriacoast, ocean, waterways

Colour aerial photograph showing North Arm, township, eastern end of Cunninghame Arm across to the ocean beach, Ninety Mile beach, Bass Strait Lakes Entrance Victoriaaerial photograph, aircraft, lakes entrance

Black and white photograph of Eastern Wharf, Harbecks Jetty, Lakes Entrance Victoria with steamers Lady Harriot, Wyrallah and Stormbird alongside, goods on wharf with crane in background. c 1910waterways, ships and shipping, jetties

This is the after photograph used in the 150 years Lakes Entrance 1858 to 2008 display held in 2008. Paired with image 03737 Colour photograph of Eastern Wharf Harbecks Jetty aka Scallop Wharf with scallop boats moored, slipway in background Lakes Entrance Victoria waterways, jetties, fishing industry

Sepia toned postcard showing view of New Works buildings at north end of eastern pier. Cunninghame Arm in front of buildings, Reeves River left in distance. SS Wyrallah steaming past, and SS Manawatu at pier. Jemmy's Point, Mt Barkly, and Kalimna hills in background. Photo taken from top of dune. Smoke issuing from SS Wyrallah funnel. Carstairs boarding house in centre foreground. Lakes Entrance VictoriaLakes Entrance - Gippsland Lakes ships and shipping, piers, historic site

Black and white photograph showing SS Wyrallah going out the entrance from Gippsland Lakes to ocean/Bass Strait. Eastern pier boardwalk on left foreground, part of western pier showing behind steamer. Lakes Entrance, Victoria.Going Outwaterways, ships and shipping

Also other copies,Black and white photograph showing SS Wyrallah leaving port. Photo shows western pier behind ship and part of eastern pier with steps up onto pier. Ship blowing black smoke. Lakes Entrance VictoriaLakes Entranceislands, waterways, ships and shipping

The Boroondara General Cemetery is registered by Heritage Victoria. The Henty's were some of the earliest settlers in Victoria.From Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, henty, james henty

Post and rail fence beside highway and no vegetation on sand dunes eastern part of Cunninghame ArmBlack and white postcard showing view of Cunninghame Arm from Jemmys Point, gravel Princes Highway, North Arm bridge and end of town Lakes Entrance VictoriaNearing Lakes Entrance on the Princes Highwaytownship, waterways

Black and white photograph showing piers at entrance from ocean Bass Strait into Gippsland Lakes. Western pier on right shows new concrete extension completed. Eastern pier on left shows machinery and workshed. Strand of barbed wire fencing. waterways, piers, gippsland lakes

Colour photograph of transfer pump moored to north end of Eastern Pier. Dredged sand on beach showing pipe line from dredge across sand. Scrub on dune, flagstaff and weather station on dune - top left. Entrance and tip of western pier top right. Lakes Entrance Victoriaboats and boating, dredging, beaches

Also a second black and white postcard with view of entrance taken from Kalimna hill 05365.1 showing the western side housesColoured postcard of the entrance and New Works buildings showing end of Bullock Island with huts and other buildings on the Eastern/ New Works side of the Entrance Lakes Entrance Victoriawaterways, houses

concrete bridge over North Arm taken from Eastern side of bridge southern shore of North Arm Lakes Entrance Victoria. Bridge built 1916 to 1917 demolished after opening of new bridgeColour photograph of concrete bridge over North Arm taken from Eastern side of bridge southern shore of North Arm Lakes Entrance Victoriabridges, topography

One of a set of eight small format postcardsBlack and white small format postcard taken from road, showing entrance, treed with signage above double gated driveway at Whiters Camp Park. Sign on fence at eastern side of gateway, Still Australia's Best. Lakes Entrance VictoriaEntrance to Whiters Camp Parkresort, tourism, recreation