French 1814 - 1875Drypoint etchingSigned and dated in plate; Gazette des Beaux Arts ... Imp e A Delate Paris' in margins

Drypoint EtchingTitled

Australian 1880 - 1938Drypoint etchingSigned and titled

Australian 1880 - 1938Drypoint EtchingTitled and signed

A black and white etching of two frigates in port. Front of etching is F05 Paramatta frigate with sailors on board. Second frigate is 07 Parramatta. bottom right side of etching reads Randall Wilson 1998. Top of etching reads Vietnam Escorts Limited Edition Series" Bottom right hand side of etching is the No: 000etching, cerberus collectio, hmas parramatta, hmas yarra, vietnam escorts limited edition series

Victor COBB (14 August 1876-02 December 1945) Born Footscray, Melbourne, Victoria Cobb's reputation rests on a large oeuvre of etchings, built up during his lifetime and depicting with meticulous accuracy the architectural splendour of Melbourne's colleges and churches, vistas of the city, the tea-tree patterned foreshore and the outer areas of bush and countryside. State galleries hold many examples of his work. (http://adb.anu.edu.au/biography/cobb-victor-ernest-5698) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition etching of a street scene where an archway over road leads to the Cobb & Co. stables. These scene depicted is possibly in Elizabeth Street, Melbourne. Gift of the National Trust of Australia (Western Australia)Incised in plate l.l.: "The approach to the old Stables / - of Cobb & Co." / Victor Cobb 1926./ (no relation) inscribed in pencil l.l.: Victor Cobb inscribed in pencil l.c.: "Approach to the old Stables of Cobb & Co. / Melbourne inscribed in pencil l.r.: 3?/85. art, artwork, victor cobb, cobb and co, cobb & co, printmaking, etching

James Tissot is most famous for his artwork that depicts the European bourgeois society of the late 19th century. This societal period is often referred to as La Belle Époque, where affluent bourgeoisie living created a complicated mode of manners and dress. This subject matter used in his art made Tissot popular with the bourgeois society, however it made him unpopular with critics who deemed his works as of loose morals due to his subject matter. Tissot’s art style of Realism also put him at odds with his fellow artists and friends such as Degas and Manet who were greats of the European Impressionist movement. This print was made using the printmaking technique of etching, which allowed Tissot to make multiply prints of a particular artwork to sell on mass at a more affordable price to the general population who wished to emulate the bourgeoisie lifestyle of the wealthy.RealismRural City of Wangaratta Collection, Purchased with funds from the Wangaratta Art CouncilA rectangular portrait etching of a 19th century European young lady dressed in her best attire seated in a fashionable manner, printed in black ink on white paper. Obverse: J J Tissot/ 1883 (Artist's signature and date - located in the bottom right corner of the print)james tissot, 19th century, print, etching, portrait, tissot, wangaratta art gallery

Gift of Mack Jost, 1983etching and drypoint on paper

Donated through the Australian Government's Cultural Gifts Program by Mia Heriot, 2005etching and drypoint on paper

Gift of the artist, 2003etching on Somerset paper

Gift of the artist, 2003etching on Somerset paper

Hand coloured etching Edition 26/50 in lower left corner. Titled 'Paradise Overkill' on bottom centre. Signed and dated 'Treahna Hamm '95' lower right corner.etching, land, spiritual, environment, connection to land, disruption

Hand coloured etchingSigned and dated 'Treahna Hamm '96' lower right corner under printed image. Titled "Soul Freak" centred below bottom of printed image. Edition 28/50, numbered lower left corner under printed image.

Multi-plate etchingSigned and dated 'A Kellett 01' in lower right corner under printed image. Edition 21/40, and title 'garden study' lower left corner under printed image.

Etching on aluminium foilSigned and dated lower right corner beneath printed image "George Baldessin 71" Edition and title in lower left corner below printed image "Edition 25 'window & factory smoke'"

Donated from the estate of Patricia Marie White, 2013Drypoint etching on papergippsland, artwork, permanent collection

Donated from the estate of Patricia Marie White, 2013Drypoint etching on papergippsland, artwork, permanent collection

Donated from the estate of Alfred Andrews, 2014Etching and drypoint on papergippsland, artwork, permanent collection

Acquired as winner of the Gippsland Print Award, 2015Relief etching on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2013Colour etching on papergippsland, artwork, permanent collection

Purchased, 2018Etching and aquatint on papergippsland, artwork, permanent collection

Donated by the artist, 2019Etching and aquatint on papergippsland, artwork, permanent collection

Donated from the estate of Miss Marion Paterson, 1980Etching on buff papergippsland, artwork, permanent collection

Donated from the estate of Miss Marion Paterson, 1980Etching on buff papergippsland, artwork, permanent collection

Donated by the artist, 1997Etching and aquatint on papergippsland, artwork, permanent collection

Donated by the Australian Print Workshop, 1996Etching and aquatint on papergippsland, artwork, permanent collection

Donated from the estate of Patricia Marie White, 2013Etching and aquatint on papergippsland, artwork, permanent collection

Purchased, 2017Etching and aquatint on papergippsland, artwork, permanent collection

Purchased, 2017Etching and aquatint on papergippsland, artwork, permanent collection