Showing 194 items
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Kew Historical Society IncJournal, Kewriosity : November 1983
High Street/Cotham Road intersection / p1. Traffic Management Study - Area 6 / p1. Kew Council elections / p1. Not an elephant joke [community newspapers] / p2. Kew–Hathorn C.A.B. [Citizens' Advice Bureau] / p3. Family trees [Genealogy] / p3. Little Aths / p3. Kew Hebrew Congregation / p3. Asthma Education / p4. A place of shades [Boroondara General (Kew) Cemetery] / Barbara Giles p4. More than a school [Villa Maria Society; St Paul's School for the Blind and Visually Handicapped] / p5. Who is she? [Community Education Officer - Nancy Nankervis] / p6. Toastmasters - who are they? / p6. Art classes [Donald Cameron] / p6. Fundraising [St Paul's Church Hall] / p6. Kew Cricket underway [Kew Cricket Club] / p7. Kew Baptist Church / p7. Coming events / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionHigh Street/Cotham Road intersection / p1. Traffic Management Study - Area 6 / p1. Kew Council elections / p1. Not an elephant joke [community newspapers] / p2. Kew–Hathorn C.A.B. [Citizens' Advice Bureau] / p3. Family trees [Genealogy] / p3. Little Aths / p3. Kew Hebrew Congregation / p3. Asthma Education / p4. A place of shades [Boroondara General (Kew) Cemetery] / Barbara Giles p4. More than a school [Villa Maria Society; St Paul's School for the Blind and Visually Handicapped] / p5. Who is she? [Community Education Officer - Nancy Nankervis] / p6. Toastmasters - who are they? / p6. Art classes [Donald Cameron] / p6. Fundraising [St Paul's Church Hall] / p6. Kew Cricket underway [Kew Cricket Club] / p7. Kew Baptist Church / p7. Coming events / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.3 No.4 : October 1981
Do you know? [Citizens Advice Bureau] / p1. G.R.O.W. Comes to Kew [Mental health] / p1. Theatre luncheon / p1. Add your cents [Fundraising; Year of the Disabled] / p1. Car rally [St Peter Claver Mission] / p1. Hyde Park Fellowship [Hyde Park Church] / p2. Bush dance [East Kew Uniting Church] / p2. National Epilepsy Week / p2. What's doing in Kew for October / p2&3. The Op[portunity] Shop / p3. Music Makers Concert [Victorian Youth Symphonic Band; East Kew Primary School; Q.C. Brass; Kew Citizens Band; Foster Parents Hall] / p3. Scrabble / p3. Disabled Persons Parking Labels / p3. Guide to the 1875 Map of Kew / Elizabeth Mackie / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionDo you know? [Citizens Advice Bureau] / p1. G.R.O.W. Comes to Kew [Mental health] / p1. Theatre luncheon / p1. Add your cents [Fundraising; Year of the Disabled] / p1. Car rally [St Peter Claver Mission] / p1. Hyde Park Fellowship [Hyde Park Church] / p2. Bush dance [East Kew Uniting Church] / p2. National Epilepsy Week / p2. What's doing in Kew for October / p2&3. The Op[portunity] Shop / p3. Music Makers Concert [Victorian Youth Symphonic Band; East Kew Primary School; Q.C. Brass; Kew Citizens Band; Foster Parents Hall] / p3. Scrabble / p3. Disabled Persons Parking Labels / p3. Guide to the 1875 Map of Kew / Elizabeth Mackie / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.4 No.12 : August 1983
R.A.A.V. Action Program 1983 (Rheumatism and Arthritis Association of Victoria) / p1. Kew Library / p1. Council Immunisations (Rubella) / p1. Save the Children Fund / p1. Scrabble / p1. Can you spare some time for your neighbours? (Volunteering; Meals on Wheels) / p1. Meet the editor of "Gardening News" / p1. Correction (Recycling) / p2. Community Centre??? (Kew Swimming Pool; Kew Depot; North Ward Action Group) / p2. Kew Rotaract / p2. Uniting Church East Kew (calendar of events) / p2. S.C.F. fundraising morning (Save the Children Fund) / p2. Kew Recreation Program: Term III - 1983 [short courses] / p2. Kew in that other Depression (Great Depression; 1930s) / Barbara Giles p3. Kew Philharmonic Society / p3. Kew Historical Society / p3. Unique cards: feature views of Kew (Gregary Chase designer) / p3. Look out for funding! (Family and Community Services Program; F.A.C.S.) / p4. "An Asian experience" (The Asian Evangelical Fellowship) / p4. Parkinson's Disease Association / p4. Hyde Park Fellowship (Hyde Park Uniting Church) / p4. Kew drop-In Centre - holiday program (Sacred Heart Church) / p4. Back by popular demand (Kew Garden Club) / p4. Native planet Group / p4. Daytime Garden Club / p4. Camberwell Film Society / p4. Women's Discussion Group / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fiction R.A.A.V. Action Program 1983 (Rheumatism and Arthritis Association of Victoria) / p1. Kew Library / p1. Council Immunisations (Rubella) / p1. Save the Children Fund / p1. Scrabble / p1. Can you spare some time for your neighbours? (Volunteering; Meals on Wheels) / p1. Meet the editor of "Gardening News" / p1. Correction (Recycling) / p2. Community Centre??? (Kew Swimming Pool; Kew Depot; North Ward Action Group) / p2. Kew Rotaract / p2. Uniting Church East Kew (calendar of events) / p2. S.C.F. fundraising morning (Save the Children Fund) / p2. Kew Recreation Program: Term III - 1983 [short courses] / p2. Kew in that other Depression (Great Depression; 1930s) / Barbara Giles p3. Kew Philharmonic Society / p3. Kew Historical Society / p3. Unique cards: feature views of Kew (Gregary Chase designer) / p3. Look out for funding! (Family and Community Services Program; F.A.C.S.) / p4. "An Asian experience" (The Asian Evangelical Fellowship) / p4. Parkinson's Disease Association / p4. Hyde Park Fellowship (Hyde Park Uniting Church) / p4. Kew drop-In Centre - holiday program (Sacred Heart Church) / p4. Back by popular demand (Kew Garden Club) / p4. Native planet Group / p4. Daytime Garden Club / p4. Camberwell Film Society / p4. Women's Discussion Group / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society IncBadge - Fundraising Button, Australian Natives Association, For Our Own, 1915
Wattle Day badgePatriotic Wattle Day button with the slogan "For Our Own".First World War era pressed tin fundraising button featuring a sprig of wattle on a dark brown background. 1914-18.FOR OUR OWNwattle day -
Kew Historical Society IncBadge - Fundraising Button, Balwyn Empire Day Celebrations, Appeal for the Blind, May 21st 1921, 1921
Empire Day had been initiated following the death of Queen Victoria and was held throughout the Empire from 1901-58. The main day of celebration was on 24 May, the date of Queen Victoria’s birthday. The Balwyn fundraising button was created for an appeal three days before the official date. Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930sPatriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.An Empire Day fundraising button from 1921. The white enamelled button depicts in the centre an image of the Balwyn War Memorial in Beckett Park surmounted by a red ensign."Balwyn Empire Day Celebrations, Appeal for the Blind, May 21st 1921"patriotic buttons, empire day, balwyn war memorial - beckett park -
Kew Historical Society IncBadge, Come Back to God, 1915-1920
Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The badges form part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.The use of common symbols for a range of purposes is sometimes a feature of wartime and post-war fundraising buttons. Like the ‘Hospital Day 1919’ badge, the ‘Come Back to God’ badge is within a seven pointed star on a dark blue ground with sprays of wattle; attempting to harness nationalism with religion.Come back to Godbutton -
Kew Historical Society IncBadge - Fundraising Button, Deepdene & Balwyn Alfred Hospital Appeal 1921, 1921
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A button designed to raise funds in Deepdene and Balwyn for the Alfred Hospital Appeal of 1921. The central image on the button is of cricket bats, ball and a wicket, all designed in red. The Argus was to report that ‘Yesterday on behalf of the Deepdene and Balwyn committee who organised the event, Constable F. Kloster and Mrs. F Quin handed in a cheque for £150/3/9, representing the proceeds of a fete at Deepdene on behalf of the appeal fund’.deepdene, alfred hospital, fundraising buttons, badges -
Kew Historical Society IncBadge - Fundraising Button, Heart of Gold: Homeopathic Hospital Appeal 1921, 1921
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Heart of Gold’ buttons were produced for the Homeopathic (Prince Henry’s) Hospital’s Button Day Appeal in 1921. Contemporary newspaper accounts noted that the slogan was of American origin. A variety of buttons were produced costing from 1/ to £1. In the campaign, button selling in Kew raised £77."Heart of Gold: Homeopathic Hospital Appeal 1921"homeopathic hospital, badges, fundraising buttons, prince henry's hospital - st kilda road - melbourne (vic.) -
Kew Historical Society IncBadge - Fundraising Button, Hospital Day 1919, 1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Australian fundraising button for ‘Hospital Day’ in 1919. ‘Hospital Day’ buttons may have been used to raise funds for veterans in military hospitals. The slogan is written in black on a seven pointed star bordered in red. The star sits on a dark blue ground with sprays of wattle."Hospital Day / 1919"hospital day, fundraising buttons, badges -
Kew Historical Society IncBadge - Fundraising Button, Hospital Day for Charity, 1916
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.This patriotic fundraising button was produced in 1916 and released on 20 October on behalf of hospitals. The organisers intended to release a quarter of a million buttons at a cost of 1/ each. The badge has a red outer rim with the name of the appeal in white. The image at the centre of the button includes a nurse bending over a patient in a sick bed."Hospital Day/ for Charity"hospital day for charity, fundraising buttons, badges -
Kew Historical Society IncBadge - Fundraising Button, King George’s Day, 1916
Frances Horace Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c.1920 until the 1940s. After Francis Rigg’s death, the collection of badges, buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemorations of 2015. The collection covers a period of almost 40 years. The majority are fundraising buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Fundraising badge dating to World War I with an image in the centre of King George V. ‘King George’s Day’ buttons were sold on 2 June 1916, the day before the ‘actual’ celebrations of the monarch’s birthday."King George’s Day"patriotic buttons, first world war (1914-18), george v -
Kew Historical Society IncBadge - Fundraising Button, Women’s Hospital Appeal 1923, 1923
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A postwar fundraising button featuring a simple design using white text in a red boarder with and central blue cross. In February when the buttons were sold, The Argus reported that: ‘Each suburban municipality has formed a committee under its mayoress, to assist in the button distribution, and local committees in the country are also working for the success of the appeal. Kiosks are prohibited in the city streets, but many suburban councils have granted permission for their erection. In addition to buttons, many kinds of saleable articles will be obtainable at the kiosks.’"Women’s Hospital Appeal 1923"royal womens hospital, fundraising buttons, badges -
Kew Historical Society IncAward, Scout Association of Victoria, Busy Bee Pennant - Bobs for Jobs, 1962
Bobs for Jobs was a State-run program to support local fundraising. Each Scout was expected to knock on doors seeking jobs, with the money raised going to the local Group, perhaps to buy equipment or pay for camps. The award of pennants was used as an incentive.‘Busy Bee’ pennant awarded to the 1st Kew Kookaburra Patrol for raising “£5.16.6” during Bobs for Jobs. The pennant includes names of the patrol members on the reverse. Front: "1st Kew Kookaburra Patrol / £5.16.6"1st kew scouts, memorabilia - pennants, scout bobs for jobs -
Kew Historical Society IncCertificate, Harold Herbert, Young Workers’ Patriotic Guild, 1917
This item forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An important item of mixed-media commemorating a child's participation in fundraising during the First World War. Dorothy Richardson's brother died in Alexandria after being wounded at Gallipoli. This item formed part of a larger collection comporting service in World War 1.Young Workers’ Patriotic Guild commemorative certificate. The certificate was awarded to Dorothy Richardson, a pupil of Kew Primary School. Forty-two buttons, created to support the war effort, surround the certificate. The Young Workers’ Patriotic Guild was formed in Victorian schools in 1916. Each child who raised one pound ‘by personal productive effort’ received a certificate. The money was used for the war effort. [Dorothy Richardson is better known as the historian Dorothy Rogers].young workers patriotic league, world war 1, first world war, department of education -- victoria, dorothy richardson, dorothy rogers, rogers collection, wwi -
Surrey Hills Historical Society CollectionPhotograph - Holy Trinity Surrey Hills Tennis Queen Carnival, 1940, 11 June 1940
Identification has been given as follows: Young women: (?) Elizabeth Cooper, Ilma Bodley, "Queen" Avis Andrews, Marion Fair, Lynette Elliott. Names of girl and boy attendants not known by donor. The Queen Carnival was a fundraiser for the Holy Trinity Tennis Club. The Queen Carnival Coronation was held in the Canterbury Memorial Hall on 11 June 1940. Mrs F Eastwood was the trainer and the Honorary Secretary of the tennis club. The donor Mary Holborn married Geoffrey Stroud Clucas in 1946 in Surrey Hills. The photo documents a social fundraising practice common in the early 20th century. Queen carnivals were also popular in New Zealand. In both countries they were particularly common during World War I and in the years after, when they were used to raise funds for returned soldiers. The first such carnival is believed to have been held in Napier, New Zealand, in 1913. The carnivals were not always annual events, and were held in various locations throughout a year.Black and white group photo of 5 women, 2 girls and 2 boys in formal costume mounted on cardboard which has been roughly trimmed. The 'Queen' is seated in the centre and the 2 young girls and 4 young women are standing beside her. The 2 'pages' seated in front of her on the edge of her train. The photo appears to have been taken in a hall. REAR: "Holy Trinity Tennis Club Queen Carnival / June 11 / 1940 / M Clucas / 33 Jurang St / Balwyn"sport, tennis, holy trinity anglican church, 1940, clothing and dress, queen carnival, mrs mary clucas, miss mary holborn, mrs f eastwood, elizabeth cooper, ilma bodley, avis andrews, marion fair, lynette elliott, canterbury memorial hall -
Stawell Historical Society Inc
Archive - Wimmera Family Homes Quest '81,'82'83, Wimmera Family Group Homes Newspaper Cuttings of Fundraising Events for Stawell Entrants in Contest. 1981 Leanne Hall. 1982 Terri-Anne Chisholm. 1983 Alison Howard, 1981 - 1983
Three lots of plastic sleeves containing Newspaper Cuttingsstawell -
Stawell Historical Society IncFlag - Stawell 1935, "Home to Stawell" Pennant, 1935
Home to Stawell Flag used for fundraising. Blue with Gold Letteringstawell -
Stawell Historical Society IncPhotograph, Stawell Hospital Fundraising Team of Meg Blake, Mr Michael Delahunty & Jean Earl
Stawell Hospital Fundraising. Meg Blake. Michael Delahunty. Jean Earlstawell hospital -
Stawell Historical Society IncPhotograph, Group of Children in Fancy Dress to raise funds for the Stawell Hospital 1898
Group of Children in Fancy Dress 1898 to raise funds for the Stawell Hospital 1898. Possibly at Harvard College Stawell 14 Ligar Street. Performance is from "Five o"clock Tea" - a fairy kindergarten cantata which was written in 1889Sepia photograph of a large group of young people wearing special costumes and carrying fairy wandsOn the back: " Queen I love you five o'clock tea 1898 " rewritten by James D. Hutchings (15.10.1968 ) Stawell Photographic Co. close Railway Station C. HEWITT Manager On the front is " 1898 " stawell, children, fancy dress, fundraising -
Surrey Hills Historical Society CollectionBook, Surrey Hills Literary Institute : a history, 2015
62p; illus, The Surrey Hills Literary Institute was a mechanics' institute. Many concerts, and a debating society used the hall. Many fundraising efforts were held to support the library and reading room62p; illus, The Surrey Hills Literary Institute was a mechanics' institute. Many concerts, and a debating society used the hall. Many fundraising efforts were held to support the library and reading roomsurrey hills literary institute, literature, surrey hills - societies, (mrs) elizabeth ellerker, (miss) elizabeth osmond, (mrs) william henry ellerker, (mr) james sneddon, (mr) francis dutton, (mr) stewart scott, (mr) bertram dillan steele, union road, windsor crescent, mont albert road, surrey hills, surrey hall, c mcdowell, (mr) john greenwood, (mr) john hill, (mr) thomas hogg, (mr) ernest vine, (mr) george doery, (mr) robert beckett, (ms) andreas heinrick hansen, (mr) gustavus james boudry, (mr) john barton, (mr) edward gibbs, jackson, (mr) (dr) percy liddle, (mr) william alexander lind, (mr) james wise, (miss) rosalie hansen, (mr) ken james -
Surrey Hills Historical Society CollectionBook, Ken James, Surrey Hills Literary Institute : a history, 2015
62p; illus, The Surrey Hills Literary Institute was a mechanics' institute. Many concerts, and a debating society used the hall. Many fundraising efforts were held to support the library and reading room. appendix 4 & 5 loose attachmentFront page: S. Slonek/Mar.2015/ signed by the author: Ken Jamessurrey hills literary institute, literature, surrey hills - societies, ellerker, elizabeth (mrs), osmond, elizabeth (miss), william henry (mr), sneddon, james (mr), dutton, francis (mr), scott, stewart (mr), steele, bertram dillan (mr), union road, windsor crescent, mont albert road, surrey hills, surrey hall, mcdowell, c, greenwood, john (mr), hill, hogg, thomas (mr), vine, ernest (mr), doery, george (mr), beckett, robert (mr), hansen, andreas heinrick, boudry, gustavus james (mr), barton, john, gibbs, edward, jackson, liddle, percey (mr)(dr), lind, william alexander (mr), wise, rosalie (miss), james, ken -
Surrey Hills Historical Society CollectionPhotograph, WW1 fundraising souvenir 'stamp', 1916
W. V. Hill Collection - William Valentine Hill was a journalist. He and his wife Annie and family came to 10 Pembroke Street in 1904. Jocelyn Hall notes suggest that the boy pictured is a son. If this is the case it would most likely be Albert Clement Hill born in 1902. The image looks too young to be a contemporaneous photo of him. None of the direct family have service records.A black and white photograph of a young boy's face framed by the words in an oval shape - "War Souvenir Advance Australia / 1916"In grey lead pencil on rear in Jocelyn Hall's handwriting: "Hill family / 10 Pembroke / St / SH/ Keep"william valentine hill (mr), albert clement hill (mr), pembroke street, surrey hills, fundraising events, stamps, ww1 -
Surrey Hills Historical Society Collection
Ephemera, H Bowley, Printer, 192 Canterbury Road, Canterbury, Theatre program - The Arcadians, 10 May 1932, May 1932
There was a vibrant musical culture in Surrey Hills in the 1920s and 1930s. The donor William John Lock was a musician and lived at 9 Norfolk Road, Surrey Hills. Donation was made at time Libby Cavanagh was Secretary of the Surrey Hills Historical Society. Mrs N B Cerini was Jocelyn Hall's mother.This is one of a series of programs that documents the vibrant musical culture in Surrey Hills in the 1920s and 1930s.Faded blue-coloured bi-fold paper program with one corner cut off but with the program. [This also acted as the admission slip / ticket]. Includes a cast list and synopsis of the three acts.In faded ink "K13"; stamped in purple ink "SURREY HILLS / OPERATIC SOCIETY"; In faded ink "Price 2/- / P. Hirtsch / Hon. Sec." and "J Hall" in biro. On the cut off corner: "HALL (1932) / UNION RD" and 1/- crossed out and replaced by "2/-" in faded ink.camberwell town hall, operetta, the arcadians, wimperis and monckton, surrey hills operatic society, eye and ear hospital, j c williamson, winslow's news agency, entertainment, fundraising, musical events and activities, cr r mccamish, mrs mccamish, miss lilian horn, mr h brett, mr cocking, mr alan abery, mr o danvers, mr pearce, mr j rowse, mrs ethel cerini, mrs natole cerini, miss u blaikie, miss f callaghan, miss j gordon, mr h denny, mr h collins, mr m latimer, mrs p d clucas, miss i roderick, miss m collins, mr darby, miss p heitsch, miss pearson -
Surrey Hills Historical Society Collection
Work on paper - Ephemera: Theatre program - Miss Hook of Holland, 24 & 26 June 1933, H Bowley, Printer, 192 Canterbury Road, Canterbury, June 1933
"Miss Hook of Holland" is a musical comedy (described as a "Dutch Musical Incident") in two acts, with music and lyrics by Paul Rubens and book by Austen Hurgon and Rubens. It opened at the Prince of Wales Theatre, London, on 31 January 1907, and had a successful run of 462 performances. A synopsis of the plot can be found at https://www.guidetomusicaltheatre.com/shows_m/miss_hook_holland.htm This was one of a number of productions of the Surrey Hills Amateur Operatic Society during the 1930s. The society formed in 1931 and its first production was "The Cingalee", followed in 1932 by "The Arcadians". Other productions were "Princess Ju-Ju", "The Quaker Girl", "The Hook of Holland" and "The Country Girl". Apart its cultural and social importance, the aim of the Society was to raise funds for charity. Mrs Constance Clucas was a driving force behind the productions. A comprehensive account of the society's activities is found in 'A history of Surrey Hills' Sporting clubs and Cultural Groups" by Ken James. This and other programs of the Surrey Hills Amateur Operatic Society provide insight into the cultural life of Surrey Hills in the 1930s.Cream-coloured stapled program printed in brown of a musical comedy in 2 acts. Includes a cast list and committee of the Surrey Hills Amateur Operatic Society, a synopsis of the play, a list of the musical items, photos of Mrs P D Clucas and Mr Norman Lee and a number of ads for local and city businesses."J Hall" signed on back in ink or biro; Norman Lee has signed his photo in ink.camberwell town hall, operetta, miss hook of holland, tanner and monckton, surrey hills amateur operatic society, j c williamson ltd, surrey hills baby health centre, alfred hospital, orthopaedic hospital, surrey hills orchestra, anne's pantry, surrey hall, entertainment, fundraising, musical events and activities, miss cook, mr j colquhoun, h e witchell, a h chenu, norman lee, jean gordon, wilfred darby, jeanette mcdowell, ronald isherwood, howard p denny, miss phyllis heitsch, una v blaikie, howard burnett, jack chapman, winifred broderick, gladys marshall, scyla cocking, harold g brett, harry cocking, aubrey pearce, william morrison, muriel middleton, barbara brigdon, jessie collins, ethel cerini, isabel callaghan, florrie doreian, violet ebbels, jessie fethers, margot gordon, jean robinson, gordon lavender, marjory gordon, grace linford, mollie middleton, eileen middleton, muriel marshall, gladys oliver, mary scragg, beryl scragg, nina sinclair, jean wearne, gladys roberts, rose pearse, jean douglass, jessie powys, mabel thomas, violet abery, roy brian, herbert darby, wilfred harley, robert rowse, jack walker, fred williams, george duncan, mrs g d clucas, mrs p d blaikie, miss w h duncan, mrs g d grover, mrs b collins, miss m harley, mr r cocking, mr h colton, ada walton, mrs c colquoun -
Surrey Hills Historical Society CollectionPhotograph, Holy Redeemer Queen Carnival, 1938, 1938
Donor identifies the following: Parish priest - Dr W M Collins Queen - Molly Baker Attendants - Marg Wise, Lola Sans, Gertie Baker Flower girls - Madge Wise, Molly Brown, Rita O'Sullivan Probably taken in Our Holy Redeemer Hall, Mont Albert Road, Surrey Hills.This is one of only a few photos in our collection which are evidence of Queen Carnivals which originated as fundraising events. They were particularly popular in both Australian and New Zealand during the early 20th century. They were particularly common during and after World War I when they were used to raise funds for returned soldiers. It is currently the only photo in the collection of a social event connected to Our Holy Redeemer Church and the only one which includes Dr William M Collins who was the parish priest from 1933-1941. Dr Collins was a significant figure in the Catholic Church in Melbourne in the first half of the 20th century. REF: The Advocate: The first priest-editor by Fiona Power; Kairos Catholic Journal Volume 22, Issue 16. - 2 September 2011": Summary: Born in Kilmore in 1884, William Collins attended South Melbourne College and then the University of Melbourne, where he assisted in the formation of the Newman Society of Victoria. After graduating in arts in 1911, he worked at the Melbourne Public Library and the Education Department. In 1912, at the age of 28, he went to Rome, where he studied for the priesthood at Urban College. He obtained doctorates in philosophy and theology and was ordained on 3 June 1917. He returned to Melbourne and was appointed curate at St Mary’s, West Melbourne, and St Francis’, Lonsdale Street. In 1918, Dr Collins became editor of The Advocate. He remained in the role for seven years. Dr Collins was parish priest of Dandenong, Daylesford, East Malvern, Surrey Hills and Kew, and administrator at St Francis’. He died in 1959 and a Requiem Mass was held at Sacred Heart, Kew. Black and white photo of the participants in the Queen Carnival arranged on a stage in a tableaux of the coronation of the Queen. To the right are the parish priest and the archbishop and there is a man at the bottom of the stairs centre front of the stage. Guests are seated at a table to the right of the stairs and to the left of the stairs is a table with floral arrangements and other objects. "1938" hand-written on the original photo in upper LH corner.festivals and celebrations, queen carnivals, our holy redeemer church, dr w m collins, rev william m collins, (miss) molly baker, (miss) marg wise, (miss) lola sans, (miss) gertie baker, (miss) madge wise, (miss) molly brown, (miss) rita o'sullivan -
Vision AustraliaBooklet - Text, Souvenir catalogue Farewell to William Street (1876-1971) Art exhibition and sale of painting at the Royal Blind Society of New South Wales, 1971
... of the CBD. Royal Blind Society of NSW Fundraising 6 page booklet ...As a way of raising funds, an art exhibition and sale of paintings was held at the William Street offices of the Royal Blind Society before they moved to their new offices in Enfield. This was one of a series of events held to say goodbye to the former building and to pay for the creation of purpose built offices outside of the CBD. 6 page booklet providing a brief history and overview of current situation, including a list of auction itemsroyal blind society of nsw, fundraising -
Vision AustraliaBooklet - Text, The Australian tactile art prize exhibition, 1999
An annual tactile art exhibition held by the Royal Blind Society of New South Wales encouraged artists to create artworks that were meant to be touched by admirers. In 1999, more than 230 artists submitted entries, with then 66 finalists showcasing their work at Customs House. This program provides information on each of the 66 works selected for exhibition, as well as an information and advertising leaflets from Robert Mac G Design, who created the three prizes for the winning artists. Most works were available for purchase, as indicated on the 'Opening bid for silent auction' sheet, with all proceeds going towards providing services to the 15,000 clients of RBS.1 v. unpaged with list of opening bid prices and three leaftletsroyal blind society of new south wales, fundraising -
Vision AustraliaTextile - Object, Royal Blind Society scroll
... . Royal Blind Society of NSW Fundraising Royal Blind Society ...Beige satin scroll with names of donors printed upon it rests inside a brown wooden box. To view the scroll, turn the handles up or down. List of names represents people who donated to an appeal (date unknown). Box was designed to be mounted on a wall.Wooden box with satin scroll of printed namesRoyal Blind Societyroyal blind society of nsw, fundraising -
Vision AustraliaTextile - Object, Royal Blind Society Presidents club scroll
... . Royal Blind Society of NSW Fundraising The Presidents Club ...Rose pink satin scroll with names of donors printed upon it rests inside a brown wooden box. A plastic cover protects the scroll, and printed upon this is an image of the stone archway (from the first building housing the Sydney Industrial Blind Institution) as well as the words 'The Presidents Club'. To view the scroll, turn the handles up or down. List of names represents people who donated to an appeal (date unknown). Box was designed to be mounted on a wall.Wooden box with satin scroll of printed namesThe Presidents Clubroyal blind society of nsw, fundraising -
Port Fairy Historical Society Museum and ArchivesPlaque - Shield, Port Fairy Hospital Staff, 1939 -1940
The metal plaques attached to this shield were originally attached to beds that were paid for by fundraising through 3YB. Possibly a fund raiser for the hospital by the ' Ladies Ideal Club' 3YB is a local radio station that ran fund raising events for the hospital among many other worthy institutionsWooden shield with 6 metal labels. 5 labelled -'Port Fairy branch 3YB Ideal Club' 2 X 1939, 3 1940, 1 - 'Presented by the pupils of the Higher Elementary School Port Fairy December 1940'5 labelled -'Port Fairy branch 3YB Ideal Club' 2 X 1939, 3 1940, 1 - 'Presented by the pupils of the Higher Elementary School Port Fairy December 1940'local history, essential services, hospitals, plaque, fundraising, 3yb
