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Eltham District Historical Society Inc
Photograph, Kinglake National Park. Gates into Jehosaphat Park; Shelley Harris, Ranger
Source: Mrs. McMinn, Kinglake.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, kinglake, kinglake national park, ranger, shelley harris, jehosaphat park -
Eltham District Historical Society Inc
Photograph, Information Panel: Will Longstaff's "Menin Gate at Midnight"
Installed as part of a stage of renovations to the War Memorial Park in eary 2002. This sign establishes a connection with the First World War by way of the painting "Menin Gate at Midnight". (NL 144) Since this photograph was taken (date unknown) the information panel has been restored and re-erected by staff of the Shire of Nillumbik who replicated the wooden side frame pieces with the same wood-turn design as seen here in the original. Colour photographMENIN GATE AT MIDNIGHT Will Longstaff, 1927 Oil on canvas, Size 135cm high x 254cm wide Collection: Australian War Memorial The artist Will Longstaff was born in in Ballarat in 1879 and died at Littlehampton, Sussex, UK, 1953. Will Longstaff for many years lived in Eltham, his son Tommy, attending school at Kangaroo Ground. As an Official War Artist, will Longstaff depicted in his alegorical painting the Menin Gate Memorial, Ypres, Belgium. The Memorial unveiled on 24th July 1927 honours by name over 50, 000 allied soldiers who fell in the Great War and have no known graves. The names of 6,208 men of the first Australian Imperial Force (A.I.F.) are listed within the Memorial on stone tablets. The painting held huge emotional appeal to Australians when it arrived from England in 1928, attracting an estimated one million viewers, many of whom interpreted the field of red poppies in the foreground as the spirits of the dead rising from their unknown graves. The painting is to be found in the Australian War Memorial, Canberra.menin gate at midnight, william longstaff, kangaroo ground memorial, information panel, shire of eltham war memorial -
Port Melbourne Historical & Preservation Society
Domestic object - Coasters, Port Melbourne Bowling Club, 1970s
From the collection of the late Fred WindussFour aluminium coasters from the collection of the late Fred WINDUSS - two gold plated and two silver plated, with Port Melbourne Bowling Club insignia; mounted on blue felt in a black card pouch. Impression of Yarra River with West Gate Bridge in foreground and City in background, edge of a bowl on right handsport - lawn bowls, frederick robert winduss, port melbourne bowling club -
Churchill Island Heritage Farm
Photograph - Photograph of two women
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century.Colour photograph of two women standing in front of a white gate to the side of Amess Housecatalogue number written on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of a woman and chickens
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in December 1939 and shows Ted Jenkins' carer, Margaret Campbell.Sepia photograph white narrow white border of a woman standing among a flock of white chickens, with a fence and gate visible in the background. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, margaret campbell -
Churchill Island Heritage Farm
Photograph - Photograph of man, woman, and baby
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in December 1939 and includes Ted Jenkins - the son of the owner of Churchill Island.black and white photograph with white border showing a man in a wheelchair and a baby being held by a woman standing to the right of the man. The group are in front of a metal gate, looking to their back right. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, ted jenkins -
Ballaarat Mechanics' Institute (BMI Ballarat)
North Gates Lake Wendouree
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, north gates, lake wendouree -
Ballaarat Mechanics' Institute (BMI Ballarat)
Lydiard St South looking south from railway gates
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lydiard st, railway gates, provincial hotel -
Churchill Island Heritage Farm
Photograph of Valda Treadwell, c.1940
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show images from daily life while the Island was owned by the Jenkins family from 1936 - 63. Black and white photograph of Valda Treadwall - woman in bathing suit, with hair secured in a towel. Posing in front of closed gate.Catalogue number in pencil on reverse. In pencil on reverse: “VALDA TREADWELL Has been in the (*’the’ is crossed out) by dam swimming” In pencil on reverse from later date: “C. 1940” Stamp on reverse: “KODAK PRINT” Faded numerical stamp on reverse. “1 78” still visible. “.VELOX.” stamps over reverse. photograph, jenkins, valda treadwell, churchill island -
Churchill Island Heritage Farm
Photograph of view of shoreline, c.1940s
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and white photograph of the view across Churchill Island taken from the old dairy gate looking roughly north with white chickens in the bottom left corner. Printed on card.Catalogue number written on reverse in pencil Handwritten in pencil on reverse 'looking roughly north' Handwritten in different hand 'from old dairy gate where cows were let in c.1940' churchill island -
Churchill Island Heritage Farm
Photograph - Black and white photograph of Ted Jenkins, c.1939
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of Ted Jenkins on the rear balcony of Amess HouseCatalogue number written in pencil on reverse. On reverse in pen 'Ted Jenkins Rear Verandah area. Old Bathroom is directly behind Ted. Note - gate had to be rehung'churchill island, amess house, ted jenkins -
Churchill Island Heritage Farm
Photograph - Black and white photograph of a cart loaded with hay, c.1940
Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of a horse pulling a load of hay on a cart through an opened gate. A man drives the horse from the top of the hay, and other men can be seen in the background.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1940. LOAD OF HAY. Think this is behind the wool room? Behind main house.'churchill island, punt -
Churchill Island Heritage Farm
Photograph - Photograph of Ted Jenkins on a tractor, c.1951
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of Ted Jenkins driving a tractor through an open gate. A person stands in the background and a woman looks on from the left hand side of the frame.Catalogue number written in pencil on reverse. Handwritten in pen on reverse 'Ted driving tractor. Tractor behind built on an old (?) Note the pine trees.' 'DATE AROUND 1951'churchill island, ted jenkins -
Churchill Island Heritage Farm
Photograph - Photograph of a pasture and wooden gate
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of a pasture beside the shoreline on Churchill Island with a wooden gate and fence in the foregroundCatalogue number written in pencil on reverse. Handwritten in pen on reverse 'NORTH POINT TAKEN FROM ENTRANCE TO DAIRY HOLDING YARD'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of Valda Treadwell
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of Valda Treadwell in front of a fence after a swim in the dam. Amess House in background.Catalogue number written in pencil on reverse. Handwritten in pen on reverse 'VALDA TREADWELL (after swim in dam) AT THE GATE AT END OF SEA SHELL PATH IN FRONT OF HOUSE GOING TOWARDS MAIN DAM'churchill island, valda treadwell -
Churchill Island Heritage Farm
Photograph - Photograph of Sister Campbell with vegetables
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of Sister Campbell unloading a pile of vegetables from the wheelbarrow at the front of Rogers Cottage.Catalogue number written in pencil on reverse. Handwritten in pen on reverse 'Sister Campbell with a barrow load of produce from the vegetable garden. Outside Rogers Cottage. Gate at right led into vegetable garden'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of horse pulling a load of hay, C.1941
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of horse, 'Ginger', pulling a cart loaded with hay through an open gate. Arthur Evans sits on top of the load driving the horse, and another man stands behind them.Catalogue number written in pencil on the reverse. Handwritten on reverse in pen '1940 "Ginger" the draught horse and the cart. MID TOP myself (ARTHUR EVANS) with the head cut off!! Harry Jenkins bought the horse "delivered to Stony Point". He took him over on the Killara to Cowes and rode him to Churchill Island and came over on the Boys' Home crossingchurchill island -
Churchill Island Heritage Farm
Photograph - Photograph of gate on Churchill Island
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing a closed white wooden gate flanked by large pine trees and a line of smaller trees in the background.Catalogue number written on reverse in pen/pencilchurchill island, landscape -
Churchill Island Heritage Farm
Photograph - Photograph of two women
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of two women standing in front of a partially open wooden gate beside Amess House.Catalogue number written on reverse in pencilchurchill island, amess house -
Churchill Island Heritage Farm
Photograph - Photograph of cow
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of a cow standing by a gateCatalogue number written on reverse in pencilchurchill island -
Churchill Island Heritage Farm
Photograph - Photograph of the entrance to Churchill Island Heritage Farm
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of a closed gate with a paddock in the foreground. A line of trees and the chimney of Amess House is visible behind the fenceline.Catalogue number written on reverse in pencilchurchill island -
Churchill Island Heritage Farm
Photograph - Photograph of five people standing in a garden, 1988
Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of five people (Sir Ninian and Lady Stephen, Lisa Price, Cr Greg Price, Cr Stan Gates) standing in the Churchill Island garden amongst rosemary bushesL-R/SIR NINIAN + LADY STEPHEN, LISA/PRICE, CR GREG PRICE, SHIRE OF PI PRES/CR STAN GATES 1988 [handwritten on reverse in pen] Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen -
Eltham District Historical Society Inc
Photograph, The Rose Stereograph Company, St. Katherine's Church, St Helena. Greensborough, c.1936
View of St Katherine's Church from the Memorial Gate which were dedicated Saturday, September 12, 1936 "In Memory of The Pioneers". A prominent gravestone for the Mapleton and Ellis families visible to the far left of the path. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9 x 14 cmSt. Catherine's Church, St Helena, Greensborough, Published by W. M. Butterworth No. 6postcard, travel, rose stereograph company, glass plate negative, greensborough, st helena, w. m. butterworth, st katherine's church, memorial gate, mapleton, ellis, mediterranean cypress, peter and elizabeth pidgeon collection -
Eltham District Historical Society Inc
Photograph, The Rose Stereograph Company, St. Katherine's Church, St Helena. Greensborough, c.1936
View of St Katherine's Church from the path inside the Memorial Gate. Also visible several Mediterranean Cypress trees. A prominent gravestone for the Mapleton and Ellis families visible to the far left of the path. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9.2 x 14 cmSt. Catherine's Church, St Helena, Greensborough, Published by W. M. Butterworth No. 1postcard, travel, rose stereograph company, glass plate negative, greensborough, st helena, w. m. butterworth, st katherine's church, memorial gate, mapleton, ellis, mediterranean cypress, peter and elizabeth pidgeon collection -
Eltham District Historical Society Inc
Work on paper - Folder, Wil Longstaff, 2010
Information relating to artist William Longstaff, one-time Eltham resident, famous for his painting Menin Gate (held at the Australian War Memorial) Colour Brochure: Will Longstaff: Art and Remembrance November 2001-February 2002 (Australian War Memorial) 4 pages. Copy of Letter from C. Pell to Mr (Clem) Christesen re research on Longstaff and residents of the property Stanhope, 1984 Copy of press cutting from The Sun news pictorial January 20, 1928 Photocopy From "Kangaroo Ground: A highland taken" by Mick Woiwod with reference to Longstaff enlisting from Kangaroo Ground Photocopy of news clipping “Captain honours lost soldiers with his art” by Brittany Shanahan, Diamond Valley Leader, Wednesday, April 22, 2015 Photocopy from book about Longstaff, possibly "Encyclopedia of Australian Art" by Alan McCulloch. Newspaper article: “Stepping into the breach” by Mark Barker, The Sunday Age, Extra. January 27, 2013, p21 with references to Longstaff’s Menin Gate painting Copy of article from journal possibly from the Australian War Memorial, September 1987 re art works at AWM, “Menin Gate at Midnight” by John Connor, (page 390) Misc. hand written biographical notes by Harry Gilham harry gilham collection, william longstaff, kangaroo ground, menin gate at midnight, shire of eltham war memorial, artist -
Port Melbourne Historical & Preservation Society
Photograph, Graham Football Club 1954, 1954
From the collection of Terry KEENAN. Back row - HART, 'Hoot' BARWISE. Third row from left - ? , ? , Terry KEENAN, ? , ? , Bill GATES, Tom WALKER, Sam RYAN. Second row from left - Les WILLIAMS, ? , Alf WOODS, Jack McFARLANE, ? , ? , ? , Lance DOBSON (Coach). Front row from left - HARRISON, ? , Alan PALMER, ? , ? TYRELL (Mascot), Frank RYAN, Bill LYNCH,Black and white photograph of Graham Family Football Club 1954 Includes players, umpires, mascot and officials. Mounted on a metal backing with typed paper label naming some of the players.sport - australian rules football, graham football club, hoot barwise, terry keenan, bill gates, tom walker, sam ryan, les williams, alf woods, jack mcfarlane, lance dobson, alan palmer, frank ryan, bill lynch, - tyrell, ? hart, ? harrison -
Port Melbourne Historical & Preservation Society
Document - Pre-paid Toll Vouchers for West Gate Bridge, 1980
From the collection of Warren DOUBLEDAY. Bridge tolls were imposed from its opening in 1978 until they were removed in 1985.Two unused white Pre-paid Toll Vouchers.' Commuter Class 1 Vehicle Only' is written in green across both the front and back, The West Gate logo is in the top left corner.transport - motor vehicles, built environment - west gate bridge, transport - roads -
Port Melbourne Historical & Preservation Society
Photograph - Gatehouse, parking area and new approaches, Station Pier, Port Melbourne, Ron Laing, 1993
Part of Ron Laing's collection of photographs taken around Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.A set of fourteen colour photographs covering the gate-house, parking area and new approaches to Station Pier c 1995piers and wharves - station pier, ron laing -
Port Melbourne Historical & Preservation Society
Photograph - Various reserves, Port Melbourne, Ron Laing, 1986 - 1999
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.A set of 42 colour photographs of the various reserves including Garden City Reserve, West Gate Park and ibis, Boulevard and site from Webb Dock, new Evans Street gardens on the old railway sidings, and panorama looking east from Webb Dock. 1990sbuilt environment, natural environment, parks and gardens, ron laing -
Port Melbourne Historical & Preservation Society
Photograph - Construction of Bolte Bridge, Ron Laing, 1986 - 1999
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.A set of 36 colour photographs covering the construction of the Bolte Bridge and approaches from the West Gate Freeway in Port Melbourneengineering - bridges, ron laing