Showing 1837 items
matching https://11btn.wags.org.au/
-
Melbourne Tram Museum
Slide, Peter Moses, Sep. 1973
Photograph of W7 1024 as the United Insurance Company advertising tram, September 1973, crossing Bourke and Swanston St on a City Spencer St Route 97. Date from http://vicsig.net/index.php?page=trams&article=adtrams accessed 24/4/2019. Has the Bradmans, Portmans, Myers and Buckley and Nunn stores in the view. Kodak cardboard mount slide, taken by Peter Moses.In ink on slide "1973 Advertisement Tram Melbourne"trams, tramways, w7 class, advertising trams, bourke st, swanston st, route 97, tram 1024 -
Melbourne Tram Museum
Document - Notice, Tramway Board, "Special Notice - Last Cars", Jul. 1919
Notice, half foolscap sheet, titled "Special Notice - Last Cars" - giving times for the last cable cars from the city and suburban terminus - at about 7pm. A coal shortage due to strike action was the reason behind this. Issued by the Tramway Board. See Page 4 of The Argus 17/7/1919, https://trove.nla.gov.au/newspaper/article/4715364# accessed 29/12/2019.trams, tramways, tramway board, strike, cable trams, last tram -
Federation University Art Collection
Painting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu -
Eltham District Historical Society Inc
Negative - Photograph, J.A. McDonald, Hurstbridge Water Scheme, 11 May 1961
Downstream view of V notch 11 May 1961 http://wikimapia.org/10473910/Running-Creek-ReservoirRecord of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, road construction, shire of eltham, 1961-05-11, hurstbridge water scheme -
Eltham District Historical Society Inc
Photograph, Reginald Wilfred Howard, born Panton Hill 1908, c.1910, 1910c
Lew Howard's father, died 2000 and buried at Kangaroo Ground Cemetery (https://www.findagrave.com/memorial/195222830)Digital file only - scanned by EDHS from item on loanlew howard collection, reginald wilfred howard -
Department of Health and Human Services
Photograph, Taken of a toy duck which was made in workshops that were established to assist rehabilitating tuberculosis patients at Gresswell Sanitorium, in 1944, 1944
From an album of photographs taken at Gresswell Sanatorium at Mont Park. https://www.findingrecords.dhhs.vic.gov.au/collectionresultspage/Gresswell-SanatoriumPhotograph from a 26 leaf photograph album. tuberculosis, sanatorium -
Marysville & District Historical Society
Book - Paperback book, Happy-Go-Lucky-A Gippsland Gold Town 1863-1917, 1987
A history of a gold mining town in the Gippsland area of Victoria Paperback. Gold cover. Cover has a pencil sketch of a gold mining town as well as a large gum tree on the back cover. Cover illustration runs across the whole cover.Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779. Sticker - DISTRIBUTED BY: / Paoletti's (Adventurer) Maps P/L / 15 Nirvana Close, / Langwarrin. 3910 / Tel: 03 9789 6985 / Fax: 03 9776 6798 / Email: [email protected] / Other products & information Website: http://users.netlink.com.au/~maptrapgold, gold mining, gold town, gippsland, victoria, australia, history, gold miner, morgan, dorothy, morgan, marjorie -
Falls Creek Historical Society
Poster - Kangaroo Hoppet 2000
The Kangaroo Hoppet is Australia’s premier long distance cross country ski race, and a member of the Worldloppet series of international cross country ski events. The first race at Falls Creek was held in 1979 under the name of “Australian Birkebeiner”. It was a 21km race with about 80 participants organised by the Birkebeiner Nordic Ski Club of Mount Beauty. The course started and finished at Falls Creek Alpine Resort and took participants out into the Bogong High Plains. After running the event for 10 years, it was decided they should become part of the Worldloppet series of marathon ski races. Representatives from the Birkebeiner Nordic Ski Club and the Australian Ski Federation attended the Worldloppet Annual Meeting in Finland in June 1990 to put the case for the acceptance of an Australian event into the Worldloppet series. Before being admitted, they had to demonstrate that the Birkebeiner Club could run a world class event, so three months later in August 1990 a 42km event named the Australian International Ski Marathon was held at Falls Creek together with a 21km Birkebeiner race and a 7km event called the Birkebeiner Lite. The event was approved by delegates from USA, Norway and Austria, in 1991 Australia became the 12th member of Worldloppet, with the condition that there had to be a name change. After some late night discussion allegedly involving red wine from North East Victoria the main event became the 42km Kangaroo Hoppet, with the minor events being the 21km Australian Birkebeiner, and 7km Joey Hoppet. In the winter of 1991, the first Kangaroo Hoppet was held. It was a great success and has been a regular fixture on the international ski calendar ever since. It features the main 42km event as well as a 21km event and a 7km event. The Hoppet brings the Australian snowfields to an international audience. In 2000 the Men's Winner was Ben Derrick from Australia in a time of 1:56:39. The winner of the Women's event was Camille Melvey of Australia in a time of 2:19:21.This poster is significant because it documents an event which brings international attention to Falls Creek and the surrounding region.A coloured poster featuring an image of a group of seven skiers on the snow against the sunset, with the outline of four kangaroos in the sky. The slogan for the year was in an arc of yellow text above the skiers. The logos of Worldloppet and QANTAS were featured on either side of the text at the bottom. This year celebrated the 10th Kangaroo Hoppet.In arc of gold text: BE PART OF THE MOB / 26th AUGUST 2000 Beneath image: KANGAROO HOPPET 10 FALLS CREEK AUSTRALIA In smaller print along bottom: Tel: (03) 5754 3103 Fax: (03) 5754 4475 P.O. Box 400 Mount Beauty 3699 Website: http://www.netc.net.au/-hoppet/ Email: [email protected] hoppet, worldloppet events, falls creek, mt. beauty -
Eltham District Historical Society Inc
Negative - Photograph, J.A. McDonald, Hurstbridge Water Scheme, 11 May 1961
Downstream view of wall in creek and leak 11 May 1961 http://wikimapia.org/10473910/Running-Creek-ReservoirRecord of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, road construction, shire of eltham, 1961-05-11, hurstbridge water scheme -
Ballarat Clarendon College
Book, Harold Herbert: convivial artist, 1997
Harold Herbert entered Ballarat College 1905; refer http://adb.anu.edu.au/biography/herbert-harold-brocklebank-6647 Blue soft covered book of 56 pagesharold brocklebank herbert, artist -
St Kilda Historical Society
Photograph, Sacred Heart Church in St Kilda
The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart. colour photographst kilda, churches, catholic churches, sacred heart -
St Kilda Historical Society
Photograph
The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart.Black and white photograph, unmountedst kilda, sacred heart church, sacred heart catholic church, grey street, catholic churches -
Eltham District Historical Society Inc
Photograph, George Coop, Fire damaged Wilhelmsen Line ship Tomar at Victoria Dock, Melbourne, Jan. 1968
When George Coop and wife Helen following several years teaching in Canada, they bought a passage aboard the Wilhelmsen line cargo ship, Tomar departing Oslo, Norway for Melbourne, Australia. Whilst crossing the Bass Strait near Robe, South Australia, a generator in the engine room caught fire threatening the ship's fuel oil tanks, forcing the Captain to order the 43 crew and 8 passengers to abandon ship. They spent many hours in a lifeboat before being rescued. This photo was taken when the ship was brought up to Victoria Docks (No. 26 South Wharf) where George and other passengers were allowed to retrieve their luggage. The ship was then taken to Kaohsiung, Taiwan for scrapping. See also https://www.shipsnostalgia.com/media/tomar.450919/ http://www.shipspotting.com/gallery/photo.php?lid=2726028 http://www.shipspotting.com/gallery/photo.php?lid=2961287 https://www.flickr.com/photos/wheelhouseno/8131145299Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white negative transparencygeorge coop collection, tomar (ship), victoria docks, wilhelmsen line -
Eltham District Historical Society Inc
Photograph, George Coop, Fire damaged Wilhelmsen Line ship Tomar at Victoria Dock, Melbourne, Jan. 1968
When George Coop and wife Helen following several years teaching in Canada, they bought a passage aboard the Wilhelmsen line cargo ship, Tomar departing Oslo, Norway for Melbourne, Australia. Whilst crossing the Bass Strait near Robe, South Australia, a generator in the engine room caught fire threatening the ship's fuel oil tanks, forcing the Captain to order the 43 crew and 8 passengers to abandon ship. They spent many hours in a lifeboat before being rescued. This photo was taken when the ship was brought up to Victoria Docks (No. 26 South Wharf) where George and other passengers were allowed to retrieve their luggage. The ship was then taken to Kaohsiung, Taiwan for scrapping. See also https://www.shipsnostalgia.com/media/tomar.450919/ http://www.shipspotting.com/gallery/photo.php?lid=2726028 http://www.shipspotting.com/gallery/photo.php?lid=2961287 https://www.flickr.com/photos/wheelhouseno/8131145299Digital TIFF file Scan of 35mm Kodak Plus-X Pan black and white negative transparencygeorge coop collection, tomar (ship), victoria docks, wilhelmsen line -
NMIT (Northern Melbourne Institute of TAFE)
Film Splicer: Bolex 16mm Cement Film Splicer
The Bolex 16mm cement film splicer was introduced in 1965. It allowed each end of the film to be scraped to a bevelled edge and cemented together to create a flat splice. Cutting and scraping blades were built into the device; single-side sprocket guides accepted both double and single perf 16mm film http://www.bolexcollector.com/accessories/edit60.html Accessed 29 May 2013 In its original package photographic equipment, preston technical college, nmit -
South Gippsland Shire Council
Painting, Watercolour, Mallacouta
Framed watercolour featuring a coastal landscape titled "Mallacouta" painted by Owen Trenbath. Brown timber frame with painted gold inside edge. Cream card window mount and lined border. Gold edging on frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69. -
South Gippsland Shire Council
Painting, Oil, Nature's Bounty
Framed oil painting titled: "Natures Bounty" painted by Joanna Miles. Features still life of fruit, vase of flowers, ceramic bottle and dish on cloth covered table. Decorative gold painted wood frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69. -
South Gippsland Shire Council
Photograph, 1953
Framed B & W photograph. Shire of Korumburra councillors and Officers 1953. Cream card window mount. Brown painted wood frame. Handwritten title and names in black ink on panel lower edge. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69. -
Ballarat Tramway Museum
document - Clock, c2005
Souvenir Clock - "Australian Canned Clock - W class tram". Image of W 907 set in small can wrapped with a plastic sheet titled "Melbourne's W class Tram" Clock with alarm hand, second hand, battery operated with stand. AA Battery required (battery removed at the time of cataloguing) For details see: http://www.somethingaussie.com.au/products/?productId=1686 (accessed 3/1/14). tram, trams, clock, souvenirs, w class trams -
Melbourne Tram Museum
Ephemera - Ticket/s, The Met, Zone 2, 3 hour concession emergency ticket, 1980's
Ticket - Zone 2, 3 hour concession emergency ticket - printed in blue on one side with a white stripe. Ticket No. A0037027. Ticket has the conditions of travel on the rear along with The Met and Transit Patrol logos. See Also Reb item 1670.18 for another example. Checked: http://www.robx1.net/ at the time and could not see a reference to these tickets, but a more extensive search may show the basis of these tickets.trams, tramways, travel cards, tickets, emergency, the met -
Melbourne Tram Museum
Slide, Keith Caldwell, 1/11/1978 12:00:00 AM
Agfa colour slide, blue and white plastic mount, photo by Keith Caldwell possibly 1-11-1978 of W7 1024 in all over advertising for the Truth Newspaper. Tram passing Flinders St station in Swanston St . Based on VicSig article on advertising trams - see http://vicsig.net/index.php?page=trams&article=adtrams accessed 9/9/2019, agrees with the date of November 1978.trams, tramways, flinders st station, swanston st, advertising trams, tram 1024 -
Melbourne Tram Museum
Ephemera - Ticket Blocks, Victorian Railways, "MetroCard", c August 1980
Bundle or block of railway tickets, MetroCard, Off Peak concession, numbered 5200 to 5399 (200 ticket) secured with string. Printed on yellow pasteboard as a railway ticket for use in station ticket racks - printed for Seddon station. Ticket available for train and MMTB City Section. For more details see http://www.robx1.net/victkt/pre1981/html/1980.htm - accessed 7/11/2018.trams, tramways, tickets, vr, melbourne, metrocard -
Melbourne Tram Museum
Magazine, Swanston Trams, "Swanston News", Oct. 1997
Newsletter -single A4 sheet printed on gloss paper - "Swanston News" - issue No. 1, undated published at the time of the formation of Swanston Trams. Welcome message from Russell Nathan, Managing Director and noting the need for change. See also Reg Item 385 for another version. Swanston trams formed Oct. 1997 (see https://en.wikipedia.org/wiki/M-Tram - accessed 17/3/2018)trams, tramways, swanston trams -
Melbourne Tram Museum
Ephemera - Ticket, The Met, "Neighbourhood ticket - Caulfield Moorabbin - Sandringham", 1982
Paper or pasteboard "Neighbourhood ticket - Caulfield Moorabbin - Sandringham" - issued on the trams as part of the Trail Neighbourhood system late 1982. Refer to http://www.robx1.net/victkt/zone123/html/nhd.htm - accessed 21-7-2018 - see htd2899note.pdf for full details. Three copies held - 011354 - used 17/10 at 3pm. 022312 - used 1/9 at 7pm 027209 - used 7/9 at 8pm.trams, tramways, mta, neighbourhood tickets, tickets, caulfield -
Melbourne Tram Museum
Photograph - Black and White photograph, Liam Davies, 28/06/2013 12:00:00 AM
Black and White photograph, laser printed from a digital image onto A4 page of E class 6001, being transported to Preston Workshops when new. Photo reproduced from the Vicsig,net website, 28/6/2013, photo by Liam Davies. Link reference - accessed 24/1/2021 - https://vicsig.net/index.php?page=trams§ion=rollingstock&class=&number=6001Has "E-Class 6001" in ink along the bottom edge.trams, tramways, e class, new trams, delivery of tramcars, tram 6001 -
Melbourne Tram Museum
Photograph - Black and White photograph - mounted, Mathew Irwin, 1991
Black and white photograph mounted into a brown card (acid free) surround, titled "Stacked Trams", taken during the tram blockade of Jan. 1990, looking south along Elizabeth St with the Flinders St Station, Elizabeth St clocktower in the far distance. Taken by Mathew Irwin - https://mattirwin.com/ (accessed 3/3/2021) For 600dpi scan see image i2. Note this is copyright photo."Stacked Trams" and "Cc Mathew Irwin '91" in white ink under the photo. Stamped on the rear is "Matt Irwin Photographer Copyright 1993"trams, tramways, elizabeth st, tram blockade, strike, unions, conductors -
Melbourne Tram Museum
Photograph - Colour Print/s, Historic Electric Traction, Jan. 2006
Colour print from the "Historic Electric Traction" collection of B1 2001 in all-over advertising for the ANZ Bank Jan. 2006. Photograph at Port Junction, with the Rivergarden Condos in Whiteman St Southbank. Date given in the vicsig.net adtrams article - https://vicsig.net/index.php?page=trams&article=adtrams, accessed 23/7/2020. Historic Electric Traction - www.het.org.au - accessed 23/7/2020.On rear is the "Historic Electric Traction" stamp.trams, tramways, anz, advertising trams, b class, whiteman st, tram 2001 -
Federation University Historical Collection
Photograph - Colour, Jarrod Watt, Crowds Gather on June 16 on the Streets of Causeway Bay, 2019, 17/06/2019
Carrie Lam, Hong Kong’s chief executive, had plenty of political support in the territory’s pro-Beijing legislature to pass a bill that would allow extraditions to mainland China. The legislators were set to begin discussing the bill in early June, and intended to vote on it just weeks later. A series of protests took place, and after a June 16 protest saw the largest turnout yet, Ms. Lam made a major concession: She postponed the bill, at least temporarily. It was an undeniable victory for the protesters — but it did little to quell the unrest. Since the bill could later be reintroduced, protesters felt they remained in danger. The police tactics to break up the demonstrations on June 12, including the use of more than 150 tear gas canisters to push protesters far away from the government office, created a new set of demands from the protesters. Now, instead of just calling for the withdrawal of the bill and Ms. Lam’s resignation, they said they wouldn’t be content unless there was an independent investigation of officers’ conduct. They also wanted the release of protesters arrested on June 12, and for the government to rescind its description of the demonstrations as a “riot,” a designation that carries legal significance. None of that has happened. Many analysts say Ms. Lam is unlikely to step down, nor would Beijing accept her resignation if she offered it. She has more wiggle room on the other demands, but has not indicated any willingness to budge. The Hong Kong Protests are a leaderless, digital movement.There is no single leader or group deciding on or steering the strategy, tactics and goals of the movement. Instead, protesters have used forums and messaging apps to decide next steps. Anyone can suggest a course of action, and others then vote on whether they support it. The most popular ideas rise to the top, and then people rally to make them happen. At its best, this structure has empowered many people to participate and have their voices heard. Protesters say it keeps them all safe by not allowing the government to target specific leaders. Their success in halting the extradition bill, which was shelved by the territory’s chief executive, speaks to the movement’s power. Despite the lack of a clear leader, protesters have shown extensive coordination at the demonstrations, having planned the specifics online beforehand. Supply stations are set up to distribute water, snacks, gloves, umbrellas and shields made of cardboard. Volunteer first aid workers wear brightly colored vests. People form assembly lines to pass supplies across long distances, with protesters communicating what they need through a series of predetermined hand signals. Anyone walking in dangerous areas without a helmet or a mask is quickly offered one. No individual can speak on behalf of the protesters, which makes negotiations difficult, if not impossible. (https://www.nytimes.com/2019/07/02/world/asia/hong-kong-protest-explained.html, accessed 07/07/2019) Hong Kong’s amended extradition law would allow the extradition of suspects to mainland China for the first time. Supporters say the amendments are key to ensuring the city does not become a criminal refuge, but critics worry Beijing will use the law to extradite political opponents and others to China where their legal protections cannot be guaranteed. The government claims the push to change the law, which would also apply to Taiwan and Macau, stems from the killing last year of a Hong Kong woman while she was in Taiwan with her boyfriend. Authorities in Taiwan suspect the woman’s boyfriend, who remains in Hong Kong, but cannot try him because no extradition agreement is in place. Under the amended law, those accused of offences punishable by seven years or more in prison could be extradited. The new legislation would give Hong Kong’s leader, known as the chief executive, authority to approve extradition requests, after review by the courts. Hong Kong’s legislature, the legislative council, would not have any oversight over the extradition process. Many Hong Kongers fear the proposed extradition law will be used by authorities to target political enemies. They worry the new legislation spells the end of the “one country, two systems” policy, eroding the civil rights enjoyed by Hong Kong residents since the handover of sovereignty from the UK to China in 1997. Many attending the protests on Sunday said they could not trust China as it had often used non-political crimes to target government critics, and said they also feared Hong Kong officials would not be able to reject Beijing’s requests. Legal professionals have also expressed concern over the rights of those sent across the border to be tried. The conviction rate in Chinese courts is as high as 99%. Arbitrary detentions, torture and denial of legal representation of one’s choosing are also common. Many in the protests on Sunday 09 June 2019 said they felt overwhelmed by a sense of helplessness in the face of mainland China’s increasing political, economic and cultural influence in Hong Kong. Hong Kong’s top political leader is not elected by ordinary voters but by a 1,200-strong election committee accountable to Beijing. Half of its legislature are chosen through indirect electoral systems that favour pro-Beijing figures. Many Hong Kongers also cited the jailing of leaders and activists from the 2014 Occupy Central movement– a 79-day mass civil disobedience movement – as well as the disqualification of young localist lawmakers as signs of the erosion of civil freedoms. Resentment towards China has been intensified by soaring property prices – with increasing numbers of mainland Chinese buying properties in the city – as well as the government’s “patriotic education” drive, and the large numbers of mainland tourists who flock to Hong Kong. Many Hong Kongers are also concerned about China’s growing control over the city’s news media, as they increasingly self-censor and follow Beijing’s tacit orders. https://www.theguardian.com/world/2019/jun/10/what-are-the-hong-kong-protests-about-explainerPhotograph crowds gathering on June 16 on the streets of Causeway Bay before an estimated 2 million people take part in march protesting the government's push for extradition laws to China and demanding an apology from the chief executrive Carrie Lam. Nearly 2 million’ people take to streets, forcing public apology from Hong Kong leader Carrie Lam as suspension of controversial extradition bill fails to appease protesters. (https://www.scmp.com/news/hong-kong/politics/article/3014737/nearly-2-million-people-take-streets-forcing-public-apology )carrie lam, hong kong protests, extraditions, protest, protestors -
Eltham District Historical Society Inc
Photograph, Michael Wood, Interior, Octagonal house by Alistair Knox, 50 Overbank Road, Eltham, 1969
Saunders house No 391, Lot 10 Overbank Rd, Eltham (incorrectly listed as No. 105) https://alistairknox.org/buildings/334Black and white printalistair knox design, eltham, houses, octagonal house, overbank road -
Waverley RSL Sub Branch
Slouch Hat with Emu Plumes
Worn WWI by Patrick Ryan of the 5th Light Horse Further history available at http://www.anzacday.org.au/education/tff/slouch.htmlOriginal Emu PlumesFelt slouch hat with Rising sun badge and emu plumes of 5th Light Horse