Green woollen jumper with green cloth shoulder pads & epaulettes. Green cloth elbow pads. Lance Corporal stripes on each arm.costume - male uniform, uniforms - army, passchendaele barracks trust

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a suit and jumper leaning against what appears to be battlements, with pine trees in the distance. The man is Frank Wright.frank wright, cornet, conductor, ballarat, st hilda's band

The Ballarat Junior Technical School was a division of the Ballarat School of Mines.A formal group of 23 adolescent males, most wearing the Ballarat Junior Technical School football jumper and one adult, W. Paterson.stamped verso "Richards & Co. Photographers Ballarat. Proofs not returned charged for. ballarat junior technical school, ballarat school of mines, education, football, sport, paterson, w. paterson

Postcard: portrait of man wearing jacket, jumper under and hat. Written on bottom LH side ' H.G. Hawker, Flying at Hendon series'aviation, civilian, h.g. hawker, basil watson collection, h.g. hawker.

City Of Box Hill UniformDark Olive Green V Neck Jumper with City of Box Hill Coat of Arms emblem on right hand side Size 20costume, male

Black and white photograph of John Hogan Gervasoni Northcote Football Club captain/coach Jack Gervasoni in VFA State representation jumper. john hogan gervasoni, northcote football club, victorian representation

lack & white photograph, Bert Graham Collection, a young girl with a tartan dress and a plain jumper on is just standing in front of some people.bendigo, clubs, bendigo east swimming club

Four page knitting pattern booklet with colour cover showing a toddler in green jumper and pants holding a doll and standing next to a pram.front: [printed] Cleckheaton / RIVERINA 5 PLY / CLECKHEATON 5 PLY / Design 0070 / Sizes: 46 -- 66 CMknitting, pattern, fashion, knitwear, cleckheaton, children

Twelve page knitting pattern book featuring black and white printed graphics and text. The colour cover shows a man in a knitted jumper.front: [printed] VillaWOOL / 1276 / PRICE / CODE / F / MADE IN AUSTRALIA / 12 PLY / Machinewashknitting, pattern, fashion, knitwear, women, villawool

Woollen jumper / pullover / jersey made for the Ballarat Tramway Preservation Society, mid 1980's featuring No. 26 and the words "Ballarat Vintage Tramway" embroidered onto the jumper. Both jumpers have full length sleeves. Two colours - red - size 16, just with label. Green - size 18 with a washing instructions label and a manufacturing label, "Unlimited Motifs", To fit Size 100 Chest 100cm / Pure New Wool (with the logo) and Made in Australia". Note: Green one taken by Dave O'Neil, pending return of an older green one at time of cataloguing. (This has not occurred at 9/11/15) Second green jumper - from Peter Winspur 6/2/2015 added 9/11/2015 - numbered 4573.2trams, tramways, btps, jumper, ballarat vintage tramway, 26

Leanne Stranks - 2nd row, 3rd from left, white jumperDigital file only scanned by EDHS from item on loanclass photo, eltham high school, leanne stranks

See Ref No NA4362Grey school jumper. Long sleeves, V-neck line - school colours - stripes cream and maroon trim around neck and sleeve cuffscostume, children's uniform

Hand knitted by Valda Arrowsmith for herself in the 1970s and worn for many years. Knitted to the original pattern (see Supplementary file) with a wide turn back cuff and altered by Betty Tickell to a turn under narrow cuff in 1980s.Pale green (eau de nil) mohair jumper knitted in lattice pattern. It has long sleeves and a round neck. Wool is brushed Carissa.costume, female, handcrafts, knitting

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Emerald green jumper with wide rib detailing, triangular detail at cuffs and hem and curved v neck. Shoulder seams are reinforced with woven tape.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Four page fold out knitting pattern booklet featuring a colour image on the cover of a young boy wearing a knitted jumper featuring a lion.front: [printed] Cleckheaton / CLECKHEATON 8 PLY / MERINO 8 PLY / Design 0057 / Sizes: 56 - 81 cmknitting, pattern, fashion, knitwear, cleckheaton

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows a woman wearing a knitted jumper.front: [printed] 1083 / PRICE / CODE / G / PURE NEW WOOL / VillaWOOL / 5 PLY / Machinewash / THE GREAT AUSSIE YARNknitting, pattern, fashion, knitwear, women, villawool

Lace-up 'jumpers' or jerkins were widely worn until the early years of the 20th century when they were repalced by woollen jumpers. They made a comeback in the early 1970s among some players who preferred them because they were harder for opposition players to grip than conventional woollen jumpers. This one was worn by Roger Merrett in the 1984 premiership win over Hawthorn. Lace-up jerkins were banned by the VFL in 1986 after Melbourne player Robbie Flower injured a finger in the lacing of an opponent's jerkinLace-up cotton jerkinVFL and Nubrik embroidered badges on front, white cotton "25" on back of jerkin

Presented to Lara R.S. L. by Lara Football club with donation of takings for the day.Lara Memorial Players sleeveless Jumper framed by the names of the 24 men that did no return from action or to Lara. Presentation Plaque. Donated to Lara R.S.L.We honour the memories of Lara and Districts 24 sons who made the ultimate sacrifice for their country in World War 1. Lest we forget.lara football club, spirit of anzac game

photograph: image shows woman standing beside piece of timber with Chinese symbols on it. Brick wall behind. Woman is wearing checked skirt, light jumper.bendigo, buildings, joss house, joss house, chinese

As is usual in contemporary society, Greek ladies are keen on traditional dancing while the men like to play cards. This photograph was taken in the courtyard room at the Civic Centre in 1994Black and white photograph of Greek elderly citizens performing a traditional Greek dance. A lady in centre of photograph has a white pattern on her jumper. 1994greek elderly citizens club, nunawading

Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College) This uniform collection belonged to Anna Matthews, daughter of the donor, who attended GSSC as part of the last group enrolled before the school closed in 2008. Golden Square Secondary College dark green school jumper with V neck and raglan sleeves. GSSC red, green, yellow and white logo on LHS."DUX by DOBSONS" "Ph. 03 9819 1122" "Size 14" Reverse tag "80 % Wool 20 % Nylon. Washing instructions.gssc, golden square secondary college, uniform, bendigo education plan., jumper

Four page fold out knitting pattern booklet featuring a colour image on the cover of a man sitting in the grass wearing a knitted jumper, pants and boots.front: [printed] Cleckheaton / Design 002 20 ply; 14 plyknitting, pattern, fashion, knitwear, cleckheaton

Twenty four page knitting pattern book featuring eight colour pages. The front cover shows a teenage girl and boy wearing knitted jumpers.front: [printed] Cleckheaton / TEEN KNITS / PURE NEW WOOL / FN 301knitting, pattern, fashion, knitwear, cleckheaton

Twelve page knitting pattern book featuring black and white printed graphics and text. The colour cover shows two children wearing knitted jumpers.front: [printed] VillaWOOL / 1277 / PRICE / CODE / F / MADE IN AUSTRALIA / 12 PLY / Machinewashknitting, pattern, fashion, knitwear, women, villawool