The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A child, Dolly Hughes, with a sheep and lamb. There are trees and a fence line in the background.wodonga pioneers, haeusler family, glass negatives, dry plate photography, dolly hughes

This photograph is thought to be of the younger pupils attending Linton State School in 1918 or 1919. A second copy of this photograph is Registration number 2015-12. A companion photograph, which shows the older pupils in the same year, is Registration number 315. The same dog is in both photographs. In the "Index of Photographs (Numerical Order)" folder, an early LDHS index, pupils have been identified as: Back row: Vincent McDonald, -? Lamb, Spencer Grigg, Arthur Bass, Norman Barr, Billy Lamb. Second row: Ilma Jennings, Jean Nicol, Linda Murrell, Doris Whitehead, Isobell Brett, -? Cole, Agnes Kennedy. Third row: Sydney Chibnall, Claude Godden, Colin Kirk, Syd Lamb, -? Cole, Coronation Wishart, Mollie Smith, Joyce Commons, Muriel Stapleton, Mollie Gascoigne, Eileen Armstrong, Jimmy Wishart, Bill Wishart. Fourth row: Jack Stapleton, Joe Reidy, Perc McGee, Ron Kirk, Jim Stapleton, Had Cornish, Alan Ching, Lance Chegwin, Bruce Maddox, Innis Brett. Fifth row: Ivy Brown, Eileen Kennedy, Jean Toshack, Alice Armstrong, Laura Mitchell, Elsie Mitchell, Nellie Norris, Norman Murrell. Dating the photograph: One of the copies of this photograph of the younger pupils was donated in 2014 by Peter Stapleton, who understood it was taken in 1919. However, a very damaged copy of the companion photograph (older pupils - this copy has not been catalogued into the collection) is dated in an inscription "October 1918".Black and white photograph of a group of school children posed in front of a bluestone and brick wall. One of the pupils is holding a dog.On back of photograph: "M. McBeath" List of names on paper with Registration no. 621: " 947 Back row. L-R - (1) Vincent McDonald, (2) - Lamb, (3) Spencer Grigg, (4) Arthur Lamb, (5)Norman Barr. 2nd Row. L-R (Girls) (1) Ilma Jennings, (2) Jean Nicol, (3) Linda Murrell, (4) Doris Whitehead, (5) Isobel Brett, (6) - Cole, (7) Agnes Kennedy. 3rd Row (Boys) (1) - Lamb, (2) - Godden,(3) - Kirk. (girls) (4) Mollie Smith, (5) Joyce Commons, (6) Marie Stapleton, (7) Mollie Gascoigne, (8) Eileen Armstrong. (boys) (9) Jimmy Wishart, (10) Bill Wishart. 4th Row (boys) (11) Jack Stapleton, (12) Joe Reidy, (13) Perry McGee, (14 - Kirk, (15) Jack Stapleton, (16) Harold (Ad) Cornish, (17)Allan Ching, (18) - Chegwin, (19) Bruce Maddock, (2) - Brett. 5th Row - front. (1) Ivy Brown, (2) Eileen Kennedy, (3) Jean Toshack, (4) - Armstrong, (5) Laura Mitchell (Tonkin), (6) Elsie Mitchell, (7) Nellie Norris, (8) Norman Murrell". "Probably 1917-1920 when E. Chegwin was HT." Note: There are actually three sets of names to go with this photograph, which all vary somewhat. The list of names in the "Other Information" field of this catalogue record is taken from the "Index of Photographs (Numerical Order)" folder, an early index compiled for LDHS. The third set of names is inscribed on the back of the copy in the "Linton State School - Photos" file.linton state school no. 880, vincent mcdonald, -? lamb, spencer grigg, arthur bass, norman barr, billy lamb, ilma jennings, jean nicol, linda murrell, doris whitehead, isobell brett, -? cole, agnes kennedy, sydney chibnall, claude godden, colin kirk, syd lamb, -? cole, coronation wishart, mollie smith, joyce commons, muriel stapleton, mollie gascoigne, eileen armstrong, jimmy wishart, bill wishart, jack stapleton, joe reidy, perc mcgee, ron kirk, jim stapleton, had cornish, alan ching, lance chegwin, bruce maddox, innis brett, ivy brown, eileen kennedy, jean toshack, alice armstrong, laura mitchell, elsie mitchell, nellie norris, norman murrell

Total yardings of pigs, cattle, bobby calves, lambs and sheep from July 90 to June 91 (blue paper). Total yardings of sheep, lambs, fats, bulls, bobby calves and pigs from2/10/89 to 26/2/90. Last page has Special Stores and Tues Sales with fats from 12/7/88 to 24 May 91.bendigo, council, cattle markets, bendigo saleyards collection - total yardings of pigs, cattle, bobby calves, sheep & lambs

Arthur Butcher and his wife Martha arrived at Fisherman's Bend in 1911and established a dairy, sheep and goat farmFisherman's Bend photos from Butcher family (set of 9): .02 6 x 8.5 B&W photo of calf & lamb on Butcher's farmfishermans bend, business and traders - dairies, gladys butcher, butcher family dairy

Fisherman's Bend photos from Butcher family (set of nine): .08 7 x 11 B&W photo of child & lamb on Butcher's farmfishermans bend, business and traders - dairies, gladys butcher, butcher family dairy

Coloured photograph of Bob Hawke, Prime Minister, with the Mayor, Councillor Dorothy Smith, and Tony Lamb MHR for Coburg, during his visit to Nunawading in 1989city of nunawading, hawke, bob, prime minister, smith, dorothy g

Photograph of Robyn Lamb playing tennis in a gymnasium. Caption on reverse states: 'Hitachi Follow Up camp August 1978'. Materials: Paper, Photographic emulsiontennis

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Laconia Queen' in white gown, 'Australia's loveliest blankets'Australia's loveliest blankets/Laconia Pure Lamb's Wool Blankets/Make 'Goodnight' a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly

Used at Tarndwarncoort by Wendy Dennis and family. Small blue Lambs coat made in Australia, Yellow and white coats made in Australia by ?Goblin? Company in Australia about 35 years ago with rheem material polypropylene. Both Green coats are large sizes (Korean Made) Current Coats used now by Tarndwarncoort are made in China from Nylon material. These coats were decorated by year 12 students at Colac High School for Fashions on the field (no sign of this is visible on the coats. The coats come along with several articles written by Wendy Dennis about her methods of producing coloured wool and growing sheep. A series of photographs are also provided which add to the provenance and significance of the items. Used by the Dennis Family at Tarndwarncoort. Prominent woll growing pastoralist and settler family at the historic Tarndwarncoort homestead. These types of coats are used to protect fine grade and high quality wool while still on the sheep's back. These coats were made in Australia, and while these types of coats are still used, they are now made in China and Korea. 5 small sized lamb coats. shaped to fit a sheep with leg straps or holes in the rear, and joins, shashes and ties at the front. Light Green Dark Green White Yellow Grey letter from Wndy dennis of Tarndwarncoort Article titled 'Breeding Coloured Sheep and using Coloured wool' by Mrs. W. S. Dennis. Article Titled 'Coloured Sheep and Wool: Exploring Their Beauty and Function' by Mrs. W. S. Dennis. Article Describing the Tarndwarncoort property and its history. A4 Black and white photograph of Tarndwarncoort sheep wearing coats such as the ones in this collection

Commercially made quilt, c.1930s. Maker unknown, found in Ballarat. The Country Women's Association of Victoria had been active during the Depression in promoting the use of wool in domestic items and handcrafts in its "Handcrafts and Home Industries Committee". In 1933 during "Wool Week", a train jointly sponsored by the Wool Board, toured the state demonstrating amongst other crafts, the making of wool quilts and mattresses. Commercially made quilts much like this one marketed as 'Kosy Quilts', were used in these demonstrations.Quilt, plain light blue cotton cover with lambs wool filler. Machine sewn. Evidence of a label can be seen at one corner, however it has been removed.quilting history, textile mills, running stitch group, running stitch collection, ballarat, quilting - history

Purchased by donor 1967Full length camel coloured suede coat. Trimmed with cream coloured lambs wool around sleeves, hem, neck and front edges. lined with taupe silk lining. Hand cut and craftsman made by Knight Taylors Ltd Invercargill New Zealand Knight Taylors Ltd Craftman guarantee individually craftsman cut from finest New Zealand pelts hand selected cutter Sylvia Johston crafted by Jean Doherty 2/4102

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Warmth without weight' Sheep with lady wearing blue nightclothesWarmth without weight/Laconia Blankets/100% Pure Lamb's Wool /Make Goodnight a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly

Painting of Melbourne at the time the Lodge held it's inaugural meeting on 23 December 1839 Melbourne Viewed from the south bank of the Yarra RiverThe Lamb in inn the painting is the first meeting place of the Lodge of Australia Felix on 23 December 1839 felix, australi felix, uglv

Set of 6 Posters - printed on paper with an adhesive backing for: .1 - "Royal Show Parade" - 12/9/1983 .2 - Anzac Day - 25/4/1983 .3 - Special LaTrobe St services - 28/12/83 to 13/1/84 .4 - Eastern Freeway Bus Services - 26/12/83 to 2/1/84 .5 - Doncaster Services - 26/12/83 to 13/1/84 .6 - North Altona via Westgate - not operating - 26/12/83, 27/12 and 2/1/84 Signed by D. E Lamb Assistant Traffic Managertrams, tramways, moomba, showgrounds, royal show, easter, operations, latrobe st, william st, doncaster, north altona, buses

Certificate awarded to Mr. Charles Wilson Peel from the Royal Agricultural Society of Victoria, 1969. The certificate is for Third Prize. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah. Cream coloured stiff paper certificate with dull gold/green borders, black text and grey typed personalised text to C.W. Peel for Merino lambs wool. Heading at top of certificate.

Invoice from The Bendigo Tomato Products Co., Tomato Sauce Specialists. Printed in dark blue. Heading has decorative work around it and on the left is a tomato with a lamb suspended from the top of the tomato.business, printers, cambridge press, cambridge press collection, bendigo tomato producers co, golden fleece brand

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Treat yourself to the luxury of Australia's best blankets (blanket range): three examplesTreat yourself to the luxury of Australia's best blankets/Laconia 100% Pure Lamb's Wool/Make Goodnight a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly

Also second print 7 x 11.5Black and white photograph of the North Arm and township, taken from Allens Hill, looking across the Butcher's Paddock. It shows the slaughter house, sheep, lambs and other animals in the paddock. Lakes Entrance Victoriawaterways, topography, township, room display

Lady members on the new balcony 1998: Heidelberg Golf Club. Pam Whight, Faye Lamb, Phyll Moore, Betty Butterworth.Colour photograph and caption.hgc women's golf, 1998

Slide of a Dorset Horn ram. The Dorsets are the most popular fat lamb sires. They produce quick maturing lambs which have a 36 to 40 lbs carcass weight. Slide printed by Audio Visual Education Centre, Education Department of Victoria. Formerly stored in presentation folder as part of "British Breeds of Sheep Set No. 448" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a Dorset Horn ram.BRITISH BREEDS OF SHEEP / Set No. 448 / No. 8 / Dorset Horn Ram VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAdorset horn sheep, sheep, british, sheep - british

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Laconia Makes a Bed' blanket range across two pages Laconia Makes a Bed/Softer, warmer, lovelier for years and years to come/Laconia 100% Pure Lambs' Wool Blankets blanket, blanket fever, wool, laconia, advertisement, the australian women's weekly

This clothing was worn by Merv while flying as navigator in B24 bombers from northern Australia in 1945Cotton khaki colour overall style flying suit with four large buttons and map pouch. Black leather flying boots with lamb skin lining and leather strap and buckle at top. Leather flying helmet and goggles.

Street scene looking west between Railway Station and Wantirna Road, including ANZ Bank, Coles Stores, State Bank, Midway Arcade, Jack Wilson - Removalist, Ringwood S.E.C., Ringwood Lamb Centre, c.1965

Physician blankets were manufactured by Collins Bros Pty Ltd, established 1874.Fourteen page booklet with blue printed text held with one staple at the binding. Front and back cover has blue, pink and yellow graphics and text, including a lamb wearing a stethoscope. There is a hole punched in the top left corner. Printed: THE CARE OF A / "Physician" / Chill Proof / BLANKET / YOURS, FOR LASTING SERVICE AND SATISFACTIONblankets, physician, collins bros mill pty ltd, manufacturing, geelong, wool, advertising