Electric powered, metal film projector, reel to reel, lens, and lighting aperture."Paillard" "Swiss Made" "Curant Model No. D.A."movie projectors

Box Brownie cameras were first produced early in the 20th century by the Eastman Kodak company in U.S.A. They were bought by amateur photographers and were very popular because they were easy to use and affordable for the average householder. The Brownie Flash 11 camera was produced by the Australian Kodak company in Melbourne from 1958 to 1963. 500,000 of these cameras were made during that time. This camera and case are retained as they are good examples of a box Brownie camera made in Australia in the late 1950s and early 1960s..1 This is a box camera with a metal body and a synthetic leatherette covering. It has a horizontally-striped front panel and two glass finders. It also has metal pin and screw flash contacts and a built-in close-up lens. It has a leatherette strap. .2 This is a light brown leather/latex case which is rectangular-shaped with a curved top, a metal catch and a shoulder strap with a metal buckle. The case contains a small booklet with information on how to use the camera. .1 Kodak Kodet lens Brownie Flash 11 Camera Kodak Australasia Pty Ltd Melbourne Australia Close Up .2 Made for Kodak (A/asia) Pty Ltd by Frank Carew & Co, Northcote, Vic Reprocessed leather/latex vintage cameras, history of warrnambool

Possibly used in the Orbost district. Railway lamps of this kind were hand signalling lamps used by train guards, shunters and sometimes signalmen and station staff. They could signal the locomotive crew at night to let them know what to do (move forward/move backward/right-of-way) when leaving a station, goods yard or siding. Railway lamps of this kind were significant railway items in their period of use as essential tools to the safe-working operations of the railway. Two railway signal lamps. These are kerosene burning lamps made of metal and painted red. Both lamps have carrying handles at the top. .1 has a green glass lens and .2 has a red glass lens. signals lamps communication railway transport kerosene-burning

Flying goggles possibly used by a member of the Flying Corps in the First or Second World War. Unlike other examples, this set does not have fur lined interior suggesting that it may have been used by ground crew rather than those at altititude.Goggles constructed of various materials: rubber edging, metal frames, plastic lens, canvas sides and elastic strap attached via metal buckles. Rubber hand stitched to convas sides. Lens cracked and yellowed in centre.flying, royal australian air force, raaf, flying corps, goggle, eyemask, aviation, equipment, pilot, first world war, second world war

WW II British Gun Sight 'Telescopic Bearing' Brass barrel with tops lens for sighting (missing lens cap on barrel) Originally on a circular metal base plate, most of which has been cut off(T)EL BEARING No 10 MK I (imprinted on underside of base plate; other inscriptions on base plate of original article missing from this item) ("T" missing as a result of base plate cutaway)

Front face lens, upper side handle inscribed Ensign, with and lens, right hand side clip (unable to open) for opening to add film left hand side clip to open for film, winder for opening camera, , Front face ENSIGN "All Distance" "Twenty. Left side Time, Inst, Ordinary Light, Bright Light Arrow to expose. Winder inscription "withdraw winder before opening camera"cameras, box camera, photography, pictures, film

Camera was used by the donor from 1980 to 1990Black bakelite oval camera with black carry cord attached. Camera has a flash button, a zoom button, shutter button, exposure sensor, autofocus windows, finder window and landscape button. The front has a zoom lens, lens and a lens cap. Back has panorama switch, film window and battery chamber cover. On and off button. As per manual 1150.photography, cameras

Black painted tin horizontal cylindrical shape on a cylindrical shaped base. Glass lens at the front with silver edging . Two tiered chimney for ventilation. Smaller Red lens at the back. Two protruding side pieces for hanging on hooksDietz Octo Driving Lamp New York U.S.A. (on back)lamp, lantern, driving, kerosene

Lucas Electrical manufactured light and electrical components for many vehicle manufacturers in England and many manufacturers used them as accessories or added extras.Lucas granted Richards Body Builders of Adelaide, Australia, permission to use the phrase 'King of the Road' as their trade nick name.Kidney shaped metal & glass, four lens number-plate & tail light combinationKing of the Road maker's marktail light, stop light, light tail, king of the road light, number plate light

Mayer type Ophthalmoscope with three speculum and magnifying lens cap. The handle of the ophthalmoscope is missing.

Round glass lens stored in rectangular cardboard box with lid and supported by cotton wool.On inside of box in pencil: “20/1/40 (?dictatomigialls of l/4). On top of box: “wray flat”.

Hand held silver and black Movie Camera automatic with zoom lens (attached to mannequin)Kolvex Titan TTL Automatic Akai (microphone)movie camera, automatic, zoom lens

This signal lamp was originally fitted on the steam tug 'Wattle'RAN Career 1932 to 1969: Wattle's construction and career as a non-commissioned vessel of the Royal Australian Navy. Saved from the Scrapyard 1969 to 1979: Sydney-based enthusiasts rescue Wattle from the scrapyard, forming an association with Sydney Heritage Fleet. Melbourne Pleasure Steamer 1979 to 2007: A volunteer group brings Wattle to Melbourne to restore, then sails Port Phillip on outings and excursions. Restoration Journey 2007 to 2015: Wattle is hoisted onto the hard to undergo major restoration work. Back in the Water, 2015 to present: Wattle returns to the water for further restoration, and in 2019 sails again on Port Phillip.Brass candle powered signal lamp with a lens circumference of 14cm, mounted on a timber plinthSundercombes Patent Eclipsesignal light, marine fittings, steam tug 'wattle'

Pair of spectacles with gold frame and double bridge flat lens. In brown tin case.spectacles, spectacle cases

Used by the MMTB Supply Department for photograpy. Based on the wikipedia reference and the markings on top of the front face of the camera, made prior to the Second World War. Camera takes 120 film.Demonstrates the type of equipment the MMTB used to record their work, problems and to illustrate reports etc.Camera - metal frame, twin lenses folding view finder within a leather caseMarked "Melbourne Tramways Australia" on the top of the leather cover, and the full name of the MMTB , Melbourne Australia on one side of the camera.mmtb, camera, photography

George Houghton established his camera business in London in the 19th Century and sold cameras all over the world.This camera would have been used by a professional photographer in the early 20th Century. It was British made and used extensively in Australia. This camera has no known local provenance but is retained as an interesting example of early photography in 20th Century Australia.This is a folding camera for professional use. It has a concertina mechanism that folds back into a leather case. The lens board can be tilted and the lenses can be changed. The case has a leather handle. The name of the maker is inserted into the case. The case is somewhat rubbed. ENSIGN Made by Houghtons Ltd. London British Made ENSIGNhoughton camera, early 20th century cameras, warrnambool

this signal lamp was used at the Numurkah Railway StationBlack-painted tin, cylindrical in shape, with handle. Circular lens at the front with brass-coloured edging. Smaller red lens at the back with white edging. Side slot for hanging lantern onto post or hook. Round chimney/vent at the topNumurkah (metal embossing)railway, lamp, lantern, kerosene

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Textile designers used glasses such as these to see how many threads are within a textile sample. It was important to count correctly, otherwise the enlarged final pattern would be out of alignment. These glasses were popular in the 1950s but were replaced by viewing lens, such as item 8040 (in the National Wool Museum's Collection) in the 1960s because of their compact nature.Thin metal wire makes up the frame of the glasses. The metal is a standard metallic silver. The piece to sit on-top of the ear is excessively curved to hook around the ear. This is done to ensure the glasses do not fall off the face while looking down to view thread counts in a textile sample. The glasses are lacking lenses in their usual place. This has been replaced by another thin wire frame which protrudes an extra inch in front of the frame, almost like an additional layer of the glasses. Where this layer / frame ends, two lenses can be found which are square and much smaller than typical glasses lenses. This has been done to allow for powerful magnifying glass which would be ill-suited if it sat too close to the face / eyes. The glasses are also accompanied by their original box. The box is blue and has a large rectangle running through its centre. This rectangle works as a cushion for the glasses and is required as a result of their unusual shape.textile design, textile calculations

The camera was used locally by the donorBlack electronic Agfa Optima camera with sensor and flash in a black vinyl carry zippered carry case. The lens is set in a recessed surround containing a light meter. The surround can be turned to indicate distance for personal, group and scene photos. The lens is described as Alpha Paratronic Dir Solitar 1.2/40. The back opens to contain the film. The orange button is to activate the flash, which folds down to the lens.photography, cameras

Black painted metal cylindrical-shaped lantern with top and side handles. At the front of the cylinder is a round glass lens. This can be opened up by a side latch to reveal a small container and wick burner Also inside is a broken colour lens (Blue)1912 Harvey Shaw & Drake Melbournerailways, guards lantern, light, tri-colour, harvey, shaw & drake

This item was inherited from the donor's father, René Dupuche. John Dupuche, writes: This magnifying glass was used to remove the burrs and thorns that wool-buyers tended to get in their fingers when examining bales of wool. The open end was placed on the finger since the thorn was sometimes buried under the skin. The buyer looked through the magnifying glass and with tweezers or a pin removed the thorn which had rendered the finger inoperative. The wool-buyers needed the sensitivity of their fingers to appraise the suitability of the wool, as buyers had for centuries past, measuring the length of the staple, feeling and counting the crimps in the fibre, its finesse, softness, elasticity and strength, assessing the colour, watching for extraneous matter such as dust or seeds which would not be welcome by manufacturers half-way across the world. Their skills took years to acquire. Knowledgeable buyers were invaluable to their employers, since they were able to evaluate to the last percentage the yield of a bale. My father, René Dupuche, was the ‘principal buyer’ from 1927-1966 in Victoria, South Australia and Tasmania for the international wool company ‘Masurel Fils’ which was one of the largest wool businesses in Europe. It was based in the north of France, in Tourcoing, one of the major wool centres of the world. He was sent to Australia as a young man at the age of 23 and took part in the ‘golden era’ of wool in Australia, and the eventual replacement of hands-on appraisal by ‘core-testing’. Masurel Fils was one of the dozens of French and Belgian firms operating in Australia. These men from Flanders enjoyed a cosmopolitan society augmented by diplomats, European bankers and shipping-line executives for various countries and a handful of scientists and academics.Small black metal magnifying lens with three fold design and two hinges. One panel contains a circular glass lens, the centre panel has a circular hole, and the third panel has a square hole with three lines on each side.wool buyer, magnifying glass, magnifying lens, burrs, rené dupuche, john dupuche, migrants, masurel fils, french, belgian, flanders, working life, sheep industry, wool industry, agriculture

goggles typically worn with leather helmet Leather goggles with perspex lens mounted in a brass border, adjustable leather strap with elastic endsgoggles, flying goggles

Perry Mitchinson (left) started working at the Mission in 1961, replacing Reverend C.J. Eldridge-Doyle.large b & w photograph of people playing in the billiard room shit with a wide angle lens.stamp: Melbourne Harbor / Trust Photograph/ Negative No ..... [unnumbered]billiard room, pool table, flinders street, mission to seamen, melbourne harbour trust, chaplains, reverend perry mitchinson, scoreboard, snooker

Three 51mm OD lens extensions - 6mm / 13mm / 27mm screw mounted lenss extensions

Round Lens Spectacle or Reading Glasses in Brown Case, Velvet Lined, Belonged to Mr Semmler stawell