Camera was used by the donor from 1980 to 1990Black bakelite oval camera with black carry cord attached. Camera has a flash button, a zoom button, shutter button, exposure sensor, autofocus windows, finder window and landscape button. The front has a zoom lens, lens and a lens cap. Back has panorama switch, film window and battery chamber cover. On and off button. As per manual 1150.photography, cameras

Black painted tin horizontal cylindrical shape on a cylindrical shaped base. Glass lens at the front with silver edging . Two tiered chimney for ventilation. Smaller Red lens at the back. Two protruding side pieces for hanging on hooksDietz Octo Driving Lamp New York U.S.A. (on back)lamp, lantern, driving, kerosene

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Textile designers used glasses such as these to see how many threads are within a textile sample. It was important to count correctly, otherwise the enlarged final pattern would be out of alignment. These glasses were popular in the 1950s but were replaced by viewing lens, such as item 8040 (in the National Wool Museum's Collection) in the 1960s because of their compact nature.Thin metal wire makes up the frame of the glasses. The metal is a standard metallic silver. The piece to sit on-top of the ear is excessively curved to hook around the ear. This is done to ensure the glasses do not fall off the face while looking down to view thread counts in a textile sample. The glasses are lacking lenses in their usual place. This has been replaced by another thin wire frame which protrudes an extra inch in front of the frame, almost like an additional layer of the glasses. Where this layer / frame ends, two lenses can be found which are square and much smaller than typical glasses lenses. This has been done to allow for powerful magnifying glass which would be ill-suited if it sat too close to the face / eyes. The glasses are also accompanied by their original box. The box is blue and has a large rectangle running through its centre. This rectangle works as a cushion for the glasses and is required as a result of their unusual shape.textile design, textile calculations

Lucas Electrical manufactured light and electrical components for many vehicle manufacturers in England and many manufacturers used them as accessories or added extras.Lucas granted Richards Body Builders of Adelaide, Australia, permission to use the phrase 'King of the Road' as their trade nick name.Kidney shaped metal & glass, four lens number-plate & tail light combinationKing of the Road maker's marktail light, stop light, light tail, king of the road light, number plate light

Mayer type Ophthalmoscope with three speculum and magnifying lens cap. The handle of the ophthalmoscope is missing.

Round glass lens stored in rectangular cardboard box with lid and supported by cotton wool.On inside of box in pencil: “20/1/40 (?dictatomigialls of l/4). On top of box: “wray flat”.

Hand held silver and black Movie Camera automatic with zoom lens (attached to mannequin)Kolvex Titan TTL Automatic Akai (microphone)movie camera, automatic, zoom lens

This signal lamp was originally fitted on the steam tug 'Wattle'RAN Career 1932 to 1969: Wattle's construction and career as a non-commissioned vessel of the Royal Australian Navy. Saved from the Scrapyard 1969 to 1979: Sydney-based enthusiasts rescue Wattle from the scrapyard, forming an association with Sydney Heritage Fleet. Melbourne Pleasure Steamer 1979 to 2007: A volunteer group brings Wattle to Melbourne to restore, then sails Port Phillip on outings and excursions. Restoration Journey 2007 to 2015: Wattle is hoisted onto the hard to undergo major restoration work. Back in the Water, 2015 to present: Wattle returns to the water for further restoration, and in 2019 sails again on Port Phillip.Brass candle powered signal lamp with a lens circumference of 14cm, mounted on a timber plinthSundercombes Patent Eclipsesignal light, marine fittings, steam tug 'wattle'

Pair of spectacles with gold frame and double bridge flat lens. In brown tin case.spectacles, spectacle cases

Used by the MMTB Supply Department for photograpy. Based on the wikipedia reference and the markings on top of the front face of the camera, made prior to the Second World War. Camera takes 120 film.Demonstrates the type of equipment the MMTB used to record their work, problems and to illustrate reports etc.Camera - metal frame, twin lenses folding view finder within a leather caseMarked "Melbourne Tramways Australia" on the top of the leather cover, and the full name of the MMTB , Melbourne Australia on one side of the camera.mmtb, camera, photography

George Houghton established his camera business in London in the 19th Century and sold cameras all over the world.This camera would have been used by a professional photographer in the early 20th Century. It was British made and used extensively in Australia. This camera has no known local provenance but is retained as an interesting example of early photography in 20th Century Australia.This is a folding camera for professional use. It has a concertina mechanism that folds back into a leather case. The lens board can be tilted and the lenses can be changed. The case has a leather handle. The name of the maker is inserted into the case. The case is somewhat rubbed. ENSIGN Made by Houghtons Ltd. London British Made ENSIGNhoughton camera, early 20th century cameras, warrnambool

this signal lamp was used at the Numurkah Railway StationBlack-painted tin, cylindrical in shape, with handle. Circular lens at the front with brass-coloured edging. Smaller red lens at the back with white edging. Side slot for hanging lantern onto post or hook. Round chimney/vent at the topNumurkah (metal embossing)railway, lamp, lantern, kerosene

The camera was used locally by the donorBlack electronic Agfa Optima camera with sensor and flash in a black vinyl carry zippered carry case. The lens is set in a recessed surround containing a light meter. The surround can be turned to indicate distance for personal, group and scene photos. The lens is described as Alpha Paratronic Dir Solitar 1.2/40. The back opens to contain the film. The orange button is to activate the flash, which folds down to the lens.photography, cameras

Black painted metal cylindrical-shaped lantern with top and side handles. At the front of the cylinder is a round glass lens. This can be opened up by a side latch to reveal a small container and wick burner Also inside is a broken colour lens (Blue)1912 Harvey Shaw & Drake Melbournerailways, guards lantern, light, tri-colour, harvey, shaw & drake

This item was inherited from the donor's father, René Dupuche. John Dupuche, writes: This magnifying glass was used to remove the burrs and thorns that wool-buyers tended to get in their fingers when examining bales of wool. The open end was placed on the finger since the thorn was sometimes buried under the skin. The buyer looked through the magnifying glass and with tweezers or a pin removed the thorn which had rendered the finger inoperative. The wool-buyers needed the sensitivity of their fingers to appraise the suitability of the wool, as buyers had for centuries past, measuring the length of the staple, feeling and counting the crimps in the fibre, its finesse, softness, elasticity and strength, assessing the colour, watching for extraneous matter such as dust or seeds which would not be welcome by manufacturers half-way across the world. Their skills took years to acquire. Knowledgeable buyers were invaluable to their employers, since they were able to evaluate to the last percentage the yield of a bale. My father, René Dupuche, was the ‘principal buyer’ from 1927-1966 in Victoria, South Australia and Tasmania for the international wool company ‘Masurel Fils’ which was one of the largest wool businesses in Europe. It was based in the north of France, in Tourcoing, one of the major wool centres of the world. He was sent to Australia as a young man at the age of 23 and took part in the ‘golden era’ of wool in Australia, and the eventual replacement of hands-on appraisal by ‘core-testing’. Masurel Fils was one of the dozens of French and Belgian firms operating in Australia. These men from Flanders enjoyed a cosmopolitan society augmented by diplomats, European bankers and shipping-line executives for various countries and a handful of scientists and academics.Small black metal magnifying lens with three fold design and two hinges. One panel contains a circular glass lens, the centre panel has a circular hole, and the third panel has a square hole with three lines on each side.wool buyer, magnifying glass, magnifying lens, burrs, rené dupuche, john dupuche, migrants, masurel fils, french, belgian, flanders, working life, sheep industry, wool industry, agriculture

goggles typically worn with leather helmet Leather goggles with perspex lens mounted in a brass border, adjustable leather strap with elastic endsgoggles, flying goggles

Perry Mitchinson (left) started working at the Mission in 1961, replacing Reverend C.J. Eldridge-Doyle.large b & w photograph of people playing in the billiard room shit with a wide angle lens.stamp: Melbourne Harbor / Trust Photograph/ Negative No ..... [unnumbered]billiard room, pool table, flinders street, mission to seamen, melbourne harbour trust, chaplains, reverend perry mitchinson, scoreboard, snooker

Three 51mm OD lens extensions - 6mm / 13mm / 27mm screw mounted lenss extensions

Round Lens Spectacle or Reading Glasses in Brown Case, Velvet Lined, Belonged to Mr Semmler stawell

Made In England

This pocket stereoscope was used to view a pair of separate and overlapping aerial photos as a single three-dimensional image. It was small and could be easily used in the field. Larger, mirror stereoscope were also available in some offices. The aerial images were used to map forest types, timber stands, new roads and tracks, firebreaks, boundaries of timber harvesting, plantations, bushfires, insect and disease attack and so on In 1928, the Forests Commission undertook its first major aerial photography project over 15,000 acres of forest which is said to be the first of its kind in Australia. During the Second World War, large areas of Victoria were photographed by RAAF and used to produce orthophoto maps. By 1945 aerial photography of 13,000 square miles (3.4 M ha) was completed, including much of the inaccessible eastern forests. The Forests Commission started developing its own small format photography in the early 1970s. Simple, cheap and rapid methods of obtaining photographs using 70mm and 35mm cameras were developed Small pocket stereoscope to interprete aerial photographs in the field Adjustable lenses on foldaway wire legsSokkisha Tokyoforest measurement, surveying, forests commission victoria (fcv)

Made by Cox, F J 1845-1882 (1891), optical & mathematical instrument maker, optician, camera manufacturer, London.Sliding box camera, about 1855. This type of camera was in use before bellows became common. The camera belonged to Hugh Strachan who passed it on to an employee, Charlie Lugg. The Strachan family is distinguished in the Geelong wool industry. James Ford Strachan, born in Scotland, established a very successful wool broking business and his sons carried on his work.Wooden case with brass handle lined with green felt containing one sliding box camera, with a brass fitting for a lense, a removable glass focussing screen, which conseals the removable lense inside the camera. Also two small wooden frames for developping the photographs. Also a linen cape and a leather pouch containing metal filters with gradients. Booklet about the life of Charles Lugg who owned the camera before it was passed to his nephew who then donated it to the NWM. Booklet details Lugg's military service, working life in Stachan's wool stores and life in Geelong and Moriac. Measurements of parts (in centimeters): 27 26 41.5 Carry Case 24.5 36.5 21.2 Sliding box Camera 15.4 .5 17.6 slide frame 11 14.5 9.5 lens 152 71 cape 9 1.5 6.5 pouch 8.5 .1 6.5 5.5 Filter Lense 8.5 .1 6.5 4.5 Filter Lense 8.5 .1 6.5 3.5 Filter Lense 8.5 .1 6.5 1.2 Filter Lense F.J. Cox/ 26/Ludgate Hill/ London (Plaque on top of box) Fred J Cox/26 Ludgate Hill/London (Engraved on side of Lens)charles lugg, fred j cox, james ford strachan

It has been suggested that it is possibly part of the clockwork mechanism of the third order Fresnel lens, which was a component of the Chance Brothers lens system introduced to the lighthouse when the optics were upgraded in 1913, and subsequently removed in 1975. Further research may confirm its association with the lens and increase its heritage importance. The well-made brass fitting has second level significance as a possible former component of the clockwork mechanism manufactured by Chance Brothers in c.1912.Brass, round, knurled fitting.One end of the fitting has a cylindrical knob end with a smooth surface; the other has a broader cylindrical knob with a knurled surface to allow for gripping and turning.

(.1) Areas covered by this map, Somain to Valenciennes, Ramillies to Beaudignies. (.2) Areas covered on this map, Bellicourt to Tupigny, St Quentin to Guise. (.3) Areas covered on this map, Heslin to lens, Domart to Baupaume. (.4) Areas covered on this map, Dieppe to Le Quesnoy, Monville to Bonniers. (.5) Same as (.2) Items relate to William Alexander No 502 AIF. Refer 3746.3 for his service details.(.1) Map, France, sheet 51A, Edition 1, scale 1:40,000, Ordnance survey 1916, gauze lined, rear has glossary of terms French to English. (.2) Map, France, sheet 62B, first edition, scale 1:40,000, Ordnance survey December 1917, gauze lined, rear has glossary of terms French to English. (.3) Map France, Lens 11, scale 1:100,000, OSO 1915, gauze lined. (.4) map, France, Dieppe 16, scale 1:100,000, general staff No 2364, War Office 19– gauze lined. (.5) Map, France (same as (.2)(.2 & .5) On rear hand written “124 A.L.T.M.B P179/5maps, france