Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved, pale pink cotton mini dress designed by Norma Tullo with ruffled trims on the bodice and the hem of the skirtLabel: TULLOnorma tullo, australian fashion - 1960s, mcintyre collection, mini-dresses, day dresses

White cotton long nightgown with long sleeves. Lace and crochet detail on top front and lace detail along bottom.No visible markingscostume, children's, cotton, white, crochet, lace, sleepwear, nightgown, costume.

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. This garment was owned and worn frequently by Assunta herself, as part of an ensemble. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Forrest green long sleeved crew neck jumper with black horizontal stripes on lower half. Button at the back of neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Used for Bicentennial Tableau in 1988 - Replica of Early Pioneer circa 1866.Button-up replica, grey wool men's shirt, with a collar. Black plastic buttons and long sleeves. Size is Medium.Morrisons, Euroashirts

See Ref NA4362Grey hand knitted long sleeved school jumper, school colours, cream and maroon around neck and sleeve cuff.costume, children's uniform, handcrafts, knitting

Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College) This uniform collection belonged to Anna Matthews, daughter of the donor, who attended GSSC as part of the last group enrolled before the school closed in 2008. Golden Square Secondary College long sleeved dark green rugby top. Set in long sleeves. Fold over collar. Ribbed knit fabric with ribbed cuffs on sleeves. 22 cm band of yellow, white and red stripes across the body back and front. GSSC Year 10 logo on LHS.gssc, golden square secondary college, uniform, bendigo education plan., rugby top

Bulk orders were made of these windcheaters in various sizes for students and staff at the school. They were worn as part of the sports uniform and also the school uniform.Orbost High School / Orbost Secondary College has played a significant role in the education of senior students in the district. It is the sole institution for secondary education. This item is representative of its history.A commercially manufactured navy blue long-sleeved jumper with Orbost High School badge embroidered on the front in yellow/gold colouring.Orbost High School - Acti Labores Iucundiuniform orbost-high-school

Displayed in History House. Laundered and starched by Anne Grant in 1993.White cotton and lace gown with long sleeves, lacework at waist, bib, collar, cuffs and hem, as well as embroidery edging the lacework.

This white tailored dress shirt was worn by Mr Dennis Maynard CMHS member and Cheltenham resident c 1960 as part of his Formal Wear for Masonic Lodge , Civil Services and Special occasions. The small black plastic buttons were sewn onto a strip of cotton so that they could be easily inserted to fasten the shirt front and then kept together with the shirt for future use This dress shirt is typical of the formal wear used by men in City of Moorabbin c 1960A white cotton long sleeved tailored man's dress shirt with 2 cotton strips with small black plastic dress buttons "Henry Buck PtyLtd Melb. HB Actual Makers clothing, formal wear, dress shirt, tuxedo, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Pale pink bed jacket, long sleeved, hand knitted. Vertical pattern on sleeves and most of body. Round collar with tie.knitting handicrafts, neale, mrs vera, knitting, handicrafts, bed jacket, clothing, children

Hand knitted burnt orange cardigan with long sleeves. Four buttons down the front at the top. Cardigan has pockets and a collar. knitwear, fashion, cardigan, 1970s

Juliana Magan was the seventh child of miner Patrick Magan and his wife Mary (née Flanagan). She was Postmistress at Linton from 1898 until at least 1912. Juliana Magan married Daniel Garvey at St Francis' Catholic Church in Melbourne in 1916. Photograph is part of Old Lintonian collection ; no. 61.Black and white photograph of a lady with spectacles, wearing light long sleeved gown, with throat band and brooch at centre of v neckline."Jan 1915"mrs dan garvey, juliana magan, old lintonian collection, postmistresses

Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who mad all of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. Her father served in Civil Defence during the war. Marjorie was in Birmingham during the war and remembered sheltering with her young daughter, Anne (Quaadgras) in the air raid shelter during bombing. This was knitted by Marjorie Burton during WW11 in England. She used to knit while in an air raid shelter escaping the bombing with her young daughter. This item is an example of a handcrafted item and reflects the handcraft skills of women necessary during WW11 when clothing became scarce. Clothes rationing began on June 1, 1941, two years after food rationing started. Clothes rationing ended on 15 March 1949. This item is an example of a handcrafted item and reflects the handcraft skills of women necessary during WW11 when clothing became scarce. Clothes rationing began on June 1, 1941, two years after food rationing started. Clothes rationing ended on 15 March 1949.A brown hand-knitted lacy cotton jumper. It is a long-sleeved lady's jumper and has 4 brown buttons on each shoulder opening.knitting jumper handcraft burton-marjorie ww11

Ellen Thomas was an Aboriginal woman who lived in Newmerella. George Thomas who lived with his family at Newmerella on Grand View Road until the 1950's. The family was a very well-respected local Aboriginal family.The Thomas family were early residents of Newmerella.A black / white portrait photograph of a lady in a long-sleeved top and long skirt. The photo is oval -shaped and mounted in a light grey card.on back - Ellen Thomasthomas-ellen

RG BENNETTS 119452. RAAF 1942 - 1945. Re-enlisted again after WW2.1. Jacket - Polyester light khaki long sleeved. Black buttons, shoulder epaulettes. 2. Belt - Polyester, black metal buckle.RAAF on Epaulettes.uniform, raaf

Nightgown, women's long white nightie with longs sleeves, mounded collar front opening with pin tucked yoke. Gown is trimmed with lace. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, nightgown, nightdress, nightie, night dress, nightwear, sleepwear, clothing, fashion, 19th century, handmade clothing

This baby's white cotton Christening gown is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Baby's long sleeved white cotton christening gown with 2cm bands of pintucks on yoke and long ties. Bone button fastens at napeclothing, needlework, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, milne meryl, dairy farms, fruit orchards

Long sleeved short jacket with two rows of vertical buttons down the bodice with matching long skirt. Worn as a wedding outfit in 1870.

Cream, long sleeve shirt. Black and gold epaulettes. Gold crown above two gold embroidered anchors with gold "Australia" underneath.Do not boil or wring. Drip dry. Iron lightly with warm ironclothing

A khaki woolen jumper with a V neck and long sleeves. Name of a soldier called Stone Service No 43164 is shown on a label inside the jumperjumper, clothing, mcphail collection

The full costume used traditionally by soldiers in the 16th to 19th century AD. Recently used in parades and plays as a traditional costumeThis full costume has been ordered from Greece by Thessaloniki Association and used in plays and parades of the club functionsThe shirt of a traditional boys Tsolia costume in white linen and with long sleeves and front white buttons. Part "C" of a 6 piece costume.πουκάμισο, shirt, tsolia, costume, στολή

Grey polyester Blouse - long pointed 1970s collar, seven buttons down the front. Long sleeve, deep cuff,with two buttons.Myer, Made in Hong kong. To fit bust 90 cmcostume, female

White cotton nightdress with cotton lace forming bodice. Five pearl buttons under placket. Long sleeves with cotton lace edging.costume, female nightwear